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(12) United States Patent (10) Patent No.: US 7,945,856 B2 Leahy Et Al
US007945856B2 (12) United States Patent (10) Patent No.: US 7,945,856 B2 Leahy et al. (45) Date of Patent: May 17, 2011 (54) SYSTEMAND METHOD FOR ENABLING (56) References Cited USERS TO INTERACT IN A VIRTUAL SPACE U.S. PATENT DOCUMENTS (75) Inventors: Dave Leahy, Oakland, CA (US); Judith 4.414,621 A 11/1983 Bown et al. Challinger, Santa Cruz, CA (US); B. 4,441,162 A 4, 1984 Lillie 4493,021 A 1/1985 Agrawal et al. Thomas Adler, San Francisco, CA (US); 4,503,499 A 3, 1985 Mason et al. S. Mitra Ardon, San Francisco, CA 4,531,184 A 7/1985 Wigan et al. (US) 4,551,720 A 11/1985 Levin 4,555,781 A 1 1/1985 Baldry et al. (73) Assignee: Worlds.com, Inc., Brookline, MA (US) (Continued) (*) Notice: Subject to any disclaimer, the term of this FOREIGN PATENT DOCUMENTS patent is extended or adjusted under 35 CA 2242626 C 10, 2002 U.S.C. 154(b) by 0 days. (Continued) (21) Appl. No.: 12/353,218 OTHER PUBLICATIONS Andrew Reese et al., Kesami Air Warrior, http://www. (22) Filed: Jan. 13, 2009 atarimagazines.com/startv3n2/kesamiwarrior.html, Jan. 12, 2009. (Under 37 CFR 1.47) (Continued) (65) Prior Publication Data Primary Examiner — Kevin M Nguyen US 2009/0228.809 A1 Sep. 10, 2009 (74) Attorney, Agent, or Firm — Anatoly S. Weiser, Esq.; Acuity Law Group Related U.S. Application Data (57) ABSTRACT (63) Continuation of application No. 1 1/591.878, filed on The present invention provides a highly scalable architecture Nov. -
A Third Age of Avatars Bruce Damer, [email protected] Damer.Com | Digitalspace.Com | Ccon.Org | Biota.Org | Digibarn.Com
A Third Age of Avatars Bruce Damer, [email protected] damer.com | digitalspace.com | ccon.org | biota.org | digibarn.com Ò Started life on a PDP-11 fresh out of high school (1980), programmed graphics, videotext systems, dreamed of self replicating robots on the moon, designed board games, built model space stations. Ò Worked at IBM Research in 1984 (Toronto, New York), introduced to Internet, optical computing. Ò At Elixir Technologies 1987-94, wrote some of first GUI/Windows-Icons Publishing software on the IBM PC platform used 100 countries. Ò Established Contact Consortium in 1995, held first conferences on avatars (Earth to Avatars, Oct 1996) Ò Wrote “Avatars!”in 1997. Hosted and supported 9 conferences until 2003 on various aspects of virtual worlds (AVATARS Conferences, VLearn3D, Digital Biota) Ò Founded DigitalSpace in 1995, produced 3D worlds for government, corporate, university, and industry. Evangelism for Adobe (Atmosphere), NASA (Digital Spaces, open source 3D worlds for design simulation of space exploration) and NIH (learning games for Autism) Ò Established DigibarnComputer Museum (2002) Ò Virtual Worlds Timeline project (2006-2008) to capture and represent the history of the medium Ò The Virtual World, its Origins in Deep Time Ò Text Worlds Ò Graphical Worlds Ò Internet-Connected Worlds Ò The Avatars Cyberconferences Ò Massive Multiplayer Online RPGs Ò Virtual World Platforms Ò Virtual Worlds Timeline Project and Other Research History of Virtual Worlds The Virtual World, its Origins in Deep Time So what is a Virtual World? A place described by words or projected through pictures which creates a space in the imagination real enough that you can feel you are inside of it. -
The Final Demonstration of the Xerox 'Star' Computer, 1981
...... Computer .... History Museum The Final Demonstration of the Xerox ‘Star’ Computer, 1981 Recorded: June 17, 1998 Palo Alto, California CHM Reference number: 102737965 © 2015 Computer History Museum The Final Demonstration of the Xerox ‘Star’ Computer, 1981 Peter Nurkse: I think we’re about ready to begin. Seating has sorted itself out. I’d like to welcome you. I’m Peter Nurkse and I’m from Sun Microsystems, and with Jeanie Treichel, also of Sun, we’ve had a computer history talk series for the last five years. Our very first program, five years ago, back in April, 1993, was right here in this auditorium, on early computing at Livermore. And the total number of people present, including the speakers and the entire audience, was twenty. [Laughter] But this was a very distinguished audience, because right there in the front row, in two seats in the center, we had Gordon Bell and Donald Knuth, sitting side by side, sort of like hardware and software together. [Laughter] So we’ve had five years of programs since then. In the last couple of years we’ve joined forces with the Computer History Museum at Moffett Field, which has the world’s largest collection of computer hardware, over 100 tons of computer hardware. [Laughter] I might say that our second program, after that distinguished first program, was on the 20th birthday of the Ethernet, back in May of 1993, again a PARC occasion, although we held it at Sun, that program. John Shoch was one of the speakers, who also suggested this program here tonight. -
The Camera in 3D Video Games
University of Utah UNDERGRADUATE RESEARCH JOURNAL DESIGNING FOR INTERACTIVITY: THE CAMERA IN 3D VIDEOGAMES Jackson Keller (Gabriel Olson) Department of Entertainment Arts and Engineering ABSTRACT This paper analyzes the effect that camera control has on art, design, and player experience in 3D video games. It will specifically explore the implications of various methods of camera control that have emerged during the brief history of 3D games: the first and third-person perspectives, fixed and filmic perspectives, abstract non-linear perspectives, and unique perspectives enabled by recent technological innovation, including Virtual and Augmented reality. TABLE OF CONTENTS ABSTRACT I INTRODUCTION 3 THE EMERGENCE OF 3D VIDEO GAMES 4 THE THIRD-PERSON PERSPECTIVE 9 ALTERNATE APPROACHES TO THE CAMERA: IMITATING FILM 14 THE NON-LINEAR PERSPECTIVE: EXPERIMENTAL ART AND SIMULATED CAMERAS 20 THE IMPLICATIONS OF INNOVATION: MODIFICATION OF EXISTING PERSPECTIVES 22 CONCLUSION 24 SPECIAL THANKS 25 WORKS CITED 26 ii INTRODUCTION Both games and film are audiovisual media. One understanding of the medium of games is as a form of interactive movie, descending from the legacy of film. While games are certainly their own art form (The 2011 Brown v. Entertainment Merchants Association Supreme Court decision gave video games first amendment protection as an art form), many games do contain filmic elements. However, interactivityi is central to the medium and generally takes precedence over aesthetic control. Most 3D games allow the player to control the camera, and the gameplay experience lacks the cinematographic precision of film. Designers craft levels to lead players towards game objectives, as well as composed aesthetic experiences when possible. -
Analysis of Embodied Conversational Agents in Secondlife for Speech
Analysis of Embodied Conversational Agents in SecondLife for Speech Recognition Except where reference is made to the work of others, the work described in this thesis is my own or was done in collaboration with my advisory committee. This thesis does not include proprietary or classified information. Wanda R. Moses Certificate of Approval: Cheryl D. Seals Juan E. Gilbert, Chair Associate Professor Professor Computer Science and Software Engi- Computer Science and Software Engi- neering neering Ivan E. Watts George T. Flowers Associate Professor Dean Educational Foundations Leadership and Graduate School Technology Analysis of Embodied Conversational Agents in SecondLife for Speech Recognition Wanda R. Moses A Thesis Submitted to the Graduate Faculty of Auburn University in Partial Fulfillment of the Requirements for the Degree of Master of Science Auburn, Alabama December 18, 2009 Analysis of Embodied Conversational Agents in SecondLife for Speech Recognition Wanda R. Moses Permission is granted to Auburn University to make copies of this thesis at its discretion, upon the request of individuals or institutions and at their expense. The author reserves all publication rights. Signature of Author Date of Graduation iii Vita Wanda Moses is a PhD student in the Computer Science and Software Engineering Department at Auburn University. She was born in Charleston, SC on May 2, 1962 to Annie M. and David E. Moses. Ms. Moses received a Bachelor of Science degree in Mathematics and Computer Science from South Carolina State University in May 2005. She is currently a graduate research assistant in the Human Centered Computer Lab at Auburn University. Her interests are in Human Computer Interaction, User Interface Design, Adaptive Learning Technologies, Multimodal Interfaces and Spoken Language Systems. -
Where to Download Quake 1 Full Version Pc Quake Windows 10
where to download quake 1 full version pc Quake windows 10. Quake II is the next major follow up after Quake I. Shortly after landing on an alien surface . Similar choice. Programs for query ″quake windows 10″ XenArmor All-In-One Key Finder Pro. All-In-One Key Finder Pro is the enterprise software to recover license keys of Windows, Office & 1300+ popular softwares/games. of Windows from XP to 10 . NFS, AOE, Quake , Star Wars . starting from Windows XP to Windows 10. Windows Product Key Finder. Windows Product Key Finder is the all-in-one software to recover license keys of Windows & 500+ popular softwares/games. of Empires, Quake , The . or periodically Windows Product . from Windows XP to Windows 10. Quake Live Mozilla Plugin. QUAKE LIVE delivers the excitement and energy of first-person multiplayer action to a broader audience than ever before. QUAKE LIVE delivers . "web game," QUAKE LIVE offers . QUAKE 2007. Quake Virtual DJ is ground breaking in concept (hence the name “Quake”). Quake Virtual DJ . the name “ Quake ”). It is . environment. With Quake , the days . Quake Mate Seeker. QMS is a simple utility that allows you to find players on Quake 3 servers. players on Quake 3 servers. Unlike . and customizable Quake 3 server list . Quake Video Maker. Here is Quake Video Maker. A simple tool to create AVI files with both video and audio. Here is Quake Video Maker. A . Quake2xp. Quake 2 is a based engine with glsl per pixel lighting effects and more. Quake 2 is a based . QuakeMap. QuakeMap is a powerful GPS/mapping program for your Windows computer. -
The Tweakguides Tweaking Companion Download Page, Or to the Main Tweakguides Page Without Seeking Written Permission
WWW.TWEAKGUIDES.COM [Version 3.00 ‐ January 2006] T HE T WEAKG UIDES T WEAKING C OMPANION TABLE OF CONTENTS Table Table of Contents ........................................................................................................................................................... 2 of Copyright & Credits..................................................................................................................................................... 10 Contents Introduction................................................................................................................................................................... 11 Using this Guide .......................................................................................................................................................... 12 Basic Requirements ........................................................................................................................................................................................... 12 Different Versions of Windows ......................................................................................................................................................................... 12 Why is the Guide So Long? .............................................................................................................................................................................. 12 Recommended Software .................................................................................................................................................................................. -
Talking Esports a Guide to Becoming a World-Class Esports Broadcaster
Talking Esports A guide to becoming a world-class esports broadcaster Paul “ReDeYe” Chaloner INTRODUCTION 4 HOW ON EARTH DID WE GET HERE? 6 BROADCAST ROLES 10 STREAMING 12 RESOURCES ............................................................. 14 EARLY BROADCASTING 15 THE FIRST BROADCAST ............................................... 15 GOING PUBLIC ......................................................... 16 TEETHING ISSUES ...................................................... 17 HANDLING CRITICISM ................................................ 19 LEARNING FROM THE PROFESSIONALS ............................ 20 THE KEYS TO SUCCESS ON ANY FORMAT 22 PREPARATION ......................................................... 22 GAME-SPECIFIC PREPARATION ............................. 26 PLAY THE GAME! ............................................... 26 PRACTICE ............................................................... 28 PASSION ................................................................ 28 PROFESSIONALISM .................................................... 29 OFFLINE EVENTS 31 LANGUAGE ............................................................. 32 THE CROWD ............................................................ 32 PRODUCTION DIFFERENCES ......................................... 33 DRESS CODE ............................................................ 35 1 CAMERAS! .............................................................. 35 REHEARSALS ............................................................ 37 THE VOICE 38 WHAT -
Exploiting Game Engines for Fun & Profit
Paris, May 2013 Exploiting Game Engines For Fun & Profit Luigi Auriemma & Donato Ferrante Who ? Donato Ferrante Luigi Auriemma @dntbug ReVuln Ltd. @luigi_auriemma Re-VVho ? - Vulnerability Research - Consulting - Penetration Testing REVULN.com 3 Agenda • Introduction • Game Engines • Attacking Game Engines – Fragmented Packets – Compression Theory about how to – Game Protocols find vulnerabilities in game engines – MODs – Master Servers • Real World Real world examples • Conclusion ReVuln Ltd. 4 Introduction • Thousands of potential attack vectors (games) • Millions of potential targets (players) Very attractive for attackers ReVuln Ltd. 5 But wait… Gamers ReVuln Ltd. 6 But wait… did you know… • Unreal Engine => Licensed to FBI and US Air Force – Epic Games Powers US Air Force Training With Unreal Engine 3 Web Player From Virtual Heroes. – In March 2012, the FBI licensed Epic's Unreal Development Kit to use in a simulator for training. ReVuln Ltd. 7 But wait… did you know… • Real Virtuality => It’s used in military training simulators – VBS1 – VBS2 ReVuln Ltd. 8 But wait… did you know… • Virtual3D => Mining, Excavation, Industrial, Engineering and other GIS & CAD-based Visualizations with Real-time GPS-based Animation and Physical Simulation on a Virtual Earth => SCADA ReVuln Ltd. 9 But wait… did you know… Different people but they have something in common.. They are potential attack vectors • When they go back home, they play games • When they play games, they become targets • And most importantly, their Companies become targets ReVuln Ltd. 10 Game Engines Game Engines [ What ] • A Game Engine is the Kernel for a Game GAME API Sounds Graphics A GAMENetwork ENGINE Maps Animations Content Development Audio Models ReVuln Ltd. -
Server Discovery for Quake III Arena, Wolfenstein Enemy Territory and Quake 4
Server Discovery for Quake III Arena, Wolfenstein Enemy Territory and Quake 4 G. Armitage Centre for Advanced Internet Architectures, Technical Report 070730A Swinburne University of Technology Melbourne, Australia [email protected] Abstract—This report briefly summarises the server- notes on the ioquake3 variant of the GPL’d Quake III discovery protocol used by Quake III Arena, Wolfenstein Arena source code.) Enemy Territory and Quake 4. When requested by the Server discovery operates similarly for many FPS player, a game client issues a query to a well-known games, due to the decentralised and ad-hoc nature of FPS ‘master server’, which replies with a list of registered (and game server hosting. First, a game client queries a master nominally active) game servers. The client then probes each game server in sequence, presenting the player with server unique to the particular game (a server whose IP information about each game server as replies come back. address is pre-configured into the game client software). Game servers participate in this process by registering The master server returns a list of hundreds (or thou- with the master server when they start up. The server sands) of IP addresses and port numbers representing discovery process is similar for all three games, based on game servers who’ve registered themselves as ‘active’. short UDP packet exchanges. A discussion of UDP traffic The client then steps through this list, probing each listed between game servers and clients during connection and game server for information (such as about current map actual game-play is beyond the scope of this report. -
Quake 4 Mods for Dummies.Pdf
01_037466 ffirs.qxp 6/26/06 11:45 PM Page iii Quake 4™ Mods FOR DUMmIES‰ by Erik Guilfoyle 01_037466 ffirs.qxp 6/26/06 11:45 PM Page ii 01_037466 ffirs.qxp 6/26/06 11:45 PM Page i Quake 4™ Mods FOR DUMmIES‰ 01_037466 ffirs.qxp 6/26/06 11:45 PM Page ii 01_037466 ffirs.qxp 6/26/06 11:45 PM Page iii Quake 4™ Mods FOR DUMmIES‰ by Erik Guilfoyle 01_037466 ffirs.qxp 6/26/06 11:45 PM Page iv Quake 4™ Mods For Dummies® Published by Wiley Publishing, Inc. 111 River Street Hoboken, NJ 07030-5774 www.wiley.com Copyright © 2006 by Wiley Publishing, Inc., Indianapolis, Indiana Published by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permit- ted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, or online at http://www.wiley.com/go/permissions. Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. -
Download/90/67> [22 May 2015] Hofstee, E
An analysis of its origin and a look at its prospective future growth as enhanced by Information Technology Management tools. Master in Science (M.Scs.) At Coventry University Management of Information Technology September 2014 - September 2015 Supervised by: Stella-Maris Ortim Course code: ECT078 / M99EKM Student ID: 6045397 Handed in: 16 August 2015 DECLARATION OF ORIGINALITY Student surname: OLSEN Student first names: ANDERS, HVAL Student ID No: 6045397 Course: ECT078 – M.Scs. Management of Information Technology Supervisor: Stella-Maris Ortim Second marker: Owen Richards Dissertation Title: The Evaluation of eSports: An analysis of its origin and a look at its prospective future growth as enhanced by Information Technology Management tools. Declaration: I certify that this dissertation is my own work. I have read the University regulations concerning plagiarism. Anders Hval Olsen 15/08/2015 i ABSTRACT As the last years have shown a massive growth within the field of electronic sports (eSports), several questions emerge, such as how much is it growing, and will it continue to grow? This research thesis sees this as its statement of problem, and further aims to define and measure the main factors that caused the growth of eSports. To further enhance the growth, the benefits and disbenefits of implementing Information Technology Management tools is appraised, which additionally gives an understanding of the future of eSports. To accomplish this, the thesis research the existing literature within the project domain, where the literature is evaluated and analysed in terms of the key research questions, and further summarised in a renewed project scope. As for methodology, a pragmatism philosophy with an induction approach is further used to understand the field, and work as the outer layer of the methodology.