Session Day Materials - Table of Contents

Total Page:16

File Type:pdf, Size:1020Kb

Session Day Materials - Table of Contents Greater Naples Leadership Masters class XX Cultural arts day November 18, 2015 Session Day Materials - Table of Contents A. Goals & Objectives B. Agenda C. Biographies D. Volunteer Opportunities E. Locations and Directions (please click on a heading to be directed to that section in the document) Dress Code: Business casual chosen for comfort in air-conditioned rooms and for walking Venues: First Venue: The von Liebig Art Center Second Venue: Artis-Naples Post-Session Gathering: Figge Conservatory at Artis- Naples Session Leaders: Margaret Brodeur, Lauree Personette, Mary-Vance Duggan, Jane Potter Graham, Bob Eoff Theme: The Arts Come Alive in Naples Goals To provide GNL Masters Class participants with an understanding and appreciation of the range of cultural arts offerings in the Greater Naples area. Objectives To share with GNL Masters Class participants: • Introduce the diverse range of artists, arts organizations, and venues in the local area. • Highlight the positive impact of culture on the educational, economic, aesthetic and social quality of life in Naples and Collier County. • Explore the critical issues confronting established and emerging cultural organizations. • Inspire class members to participate and support volunteer opportunities in the arts. Cultural Arts Day Agenda 8:15 Gather at The von Liebig Art Center, 585 Park Street, Naples. Park in garage at 735 Eighth Street South, across from Cambier Park in downtown Naples. (see section E for address and directions) 8:30 Welcome and Introduction: Jean Foster, Class Chair 8:35 Introduction of Cultural Arts Day Team: Margaret Brodeur Overview of the Day 8:40 Team Exercise: “Art in Public Places” 9:00 The Visual Arts in Naples and The von Liebig Art Center Aimee Schlehr, Executive Director, Naples Art Association 9:18 Katie Schweikhardt, Executive Director, United Arts Council 9:35 Comfort Break 9:50 The Visual Arts Come Alive The Masters Class will break into four separate groups and visit four distinct studios set up in The von Liebig Art Center showcasing artists and their works. The artists will explain how they approach an artistic project and demonstrate their crafts. Artists include the following: • Paul Arsenault - oil painting • Leigh Herndon - silk dye and batik • Jim Rice - pottery • Dennis Goodman - photography 11:15- Comfort Break 11:30 11:30- Drive to Artis-Naples, 5833 Pelican Bay, Naples 12:00 Meet in the Board Room on the third floor of the John Kohan Administration Building on the east side of the Artis-Naples campus. (see section E for address and directions) 12:00 Lunch and discussion hosted by Artis-Naples CEO & President, Kathleen van Bergen and introduction to members of her team: • David Filner, Vice President Artistic Operations • Ashley Mirakian, Director of Marketing • Frank Verpoorten, Director of the Baker Museum 12:45 Q&A 1:15- Comfort Break and move to Figge Conservatory 1:30 1:30- Assemble into 4 groups for docent led sculpture tour 2:05 2:05- Return to seats in Figge Conservatory; Announcement of panel 2:10 discussion by actor John McKerrow 2:10- The Theatre Scene in Naples 3:05 Panel discussion in the Figge Conservatory moderated by John Lyngaas Presenters include: • Jessica Walck, Assistant Artistic Director, Naples Players • Kristen Coury, Founder & Producing Artistic Director, Gulfshore Playhouse • John McKerrow, Founding Artistic Director, Shakespeare in Paradise • Chick Heithaus, CAPA Board President Q&A 3:05- Comfort Break and Snacks 3:20 3:20- The Performing Arts Come Alive! 4:30 Introduction of performing artists by Claudia Polzin, Consultant to Arts, Non-Profits Participants include: • Judy Evans, Founder of Music Scores!, preK violinists • John Hushon, Chairman and Acting Executive Director, Opera Naples, with Leah Summers, vocalist • Judi Baruck, ReCreation Tappers of Southwest Florida • William Noll, Artistic Director for the Classic Chamber Concerts, Fifth Avenue Chamber Orchestra, guest conductor for Opera Naples and Founder of Arts Naples World Festival 4:30 Conclusion of Cultural Arts Day: Margaret Brodeur, Program Chair 4:32 Wrap up and collection of evaluations 4:35- Reception in Figge Conservatory 5:30 (back to Table of Contents) Biographies Aimee Schlehr Executive Director, Naples Art Association (von Liebig Arts Center) Aimee Schlehr approaches life and business with great ideas and a passion for making a positive difference. In September 2012, The Naples Art Association (NAA) Board of Directors promoted Schlehr to her current position. Schlehr began part time with the NAA in 2009, serving the organization's accounting needs. She was soon offered full time employment as Chief Financial Officer. From the beginning, she focused on strengthening the financial foundations of the organization and through her diligence and careful budget oversight, the organization has persevered through difficult times. In April 2011 Schlehr was appointed to Chief Operating Officer due to her strong attention to detail and team building strengths and served as COO/CFO since then. In this role, she took charge of the day-to-day responsibilities of running a successful art center, holding weekly meetings with staff to keep operations steadily on track, brainstorming and planning for future programs, and serves as an ambassador to the Naples community with fellow business leaders. As Executive Director, Schlehr is a chief representative and spokesperson of the organization, and she eagerly engages with community leaders to encourage investment in the Naples Art Association. She will also continue to oversee the financial management and guide the staff and organization toward growth and progress. Her vision is to strengthen the organization’s roots in the community, continue supporting and promoting artists and inspiring new audiences to discover and create art. Her management experience and solid understanding of the dollars and cents of the business makes her a true asset to the Naples Art Association and the community at large. “As a nonprofit, the challenge is to run the organization as a business while staying focused on our mission. We have a responsibility to our donors and corporate supporters to utilize their gifts to strengthen programming and provide sustainability while reassuring them that their investment will make an impact on their community." Aimee Schlehr is both a Leadership Collier and Fast Trac Graduate, class of 2012, as well as a member of the National Association of Professional Women, which named her one of their 2012 Women of the Year. Schlehr serves on the boards for Immokalee Housing and Family Services, Seminole Club of Naples, and the FSU Family Connection. She holds a bachelor’s degree from St. Leo University and she owned her own catering business for 15 years on Florida’s east coast. Schlehr is a fifth generation Floridian. She loves traveling and spending time with her family, her husband of 26 years and her four children. Her first grandson was born in August 2012. Also, with two of her daughters attending Florida State University in Tallahassee, she loves keeping tabs on FSU football. Go Noles! Katie Schweikhardt Executive Director, United Arts Council Katie Schweikhardt currently serves as the Executive Director of the United Arts Council of Collier County. She joined the Council in 2014, and oversees all aspects of the organization’s operations and services. A Naples native, Katie graduated cum laude from Southern Methodist University in Dallas, Texas with a major in Foreign Languages and Literature. She graduated from the University of Florida, College of Law and has been an attorney in Florida since 2000. She practiced law in Naples for 11 years. Katie worked as the Director of Programs for the Harry Chapin Food Bank beginning in 2011. There, she helped increase the amount of food distributed to Collier County by millions of pounds per annum by creating strategic partnerships within the social service, not for profit and public school communities. Katie remains involved in the community. She is a graduate of Leadership Collier. Paul Rudolph Arsenault Painter A native of Montreal, Paul Arsenault grew up in Hingham, Mass., where his love for the sea and travel emerged. Following his graduation from the Art Institute of Boston in 1973, he began a 6-month stint as a deckhand on a research vessel. He signed off in Florida in 1974, and began his professional painting career. With Naples as his base, he has embarked on painting trips to the Caribbean, Central and South America, Asia, the South Pacific, Indonesia, Australia, Hawaii, and Europe. His heartfelt connection to the Hawaiian Islands, which began in 1984, has resulted in a commitment to reside and work in Hana on Maui for up to 6 months of the year. Paul’s early exposure to and knowledge of working ports and exotic harbors, along with his talent for immediately zeroing in on the essence of a place, have made him a popular choice for commissions requiring extensive yet efficient travel. Paintings from his travels hang in public places and in private and corporate collections around the world. To great acclaim, he has recently painted and installed a 72-foot mural at the Naples Yacht Club. Along with travel, annual fundraising shows in Naples and Nantucket have been a hallmark of his career, and since 1980, these have benefited a variety of non-profit organizations devoted to health, environmental protection, and historic preservation. Paul’s vibrant and widely collected paintings reflect a rhythm and pattern that distinguish his easily recognizable style. His lifelong pursuit to paint contemporary life in coastal communities is enhanced by his passion for history and his natural storytelling ability. Arsenault paintings are available at his gallery at 1199 Third St. South in Naples. His work is also shown at the South Street Gallery in Hingham, MA; the Hana Coast Gallery, Hana, HI; the Blue Harbour Gallery, Nantucket, MA; and 1020 Art in Tallahassee, FL. Leigh Herndon Silk/Rozome Painter Leigh works daily in her Naples studio dyeing silk using rozome (Japanese kimono design techniques), direct dye applications and batik.
Recommended publications
  • 1 Women Conductors: Credibility in a Male-Dominated Profession KAY LAWSON
    1 Women Conductors: Credibility in a Male-Dominated Profession KAY LAWSON At one time the mere suggestion that a woman is capable and more than qualified to lead an orchestra would have brought exclamations of disbelief, perhaps even chuckles muffled behind a discreet hand to the mouth. The nineteenth-century "beau ideal" of the conductor as the musical world's flamboyant, handsome cult hero continues to prevail even today in the minds of audiences, thus making it difficult for conductors not in that mold to gain prominence. Recent attention accorded women conductors might give the impression that they are a phenomenon of the twentieth century, but this is clearly not the case. Tracing the historical path of conducting to its source, we find that modem conducting may have had its beginnings in the convent of St. Vito, a nunnery renowned for its musical performances. Bottrigari, in his publication of 1594, Il Desiderio, described a performance given there: A long table has been prepared, at one end of which is a large clavicembalo, you would see them enter one by one, quietly bringing their instruments, either stringed or wind. They all enter quietly and approach the table without making the least noise and place themselves in the proper place, and some sit, who must do so in order to use their instruments, and others remain standing. Finally, the Maestra of the concert sits down at one end of the table; and with a long, slender and well-polished wand (which was placed there ready for her, because I saw it) and when all the other sisters are clearly ready, gives them without noise, several signs to begin, and then continues by beating the measure of time which they must obey in singing and playing.' Most historical references to the earliest examples of musical leadership in­ dicate that a group of performers was kept together by a leader who beat time by hand or by pounding with a stick.
    [Show full text]
  • John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens
    2011 NATIONAL ENDOWMENT FOR THE ARTS 1100 Pennsylvania Avenue, NW Washington, DC 20506-0001 John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens Robert Ward Robert Ward NATIONAL ENDOWMENT FOR THE ARTS 2011 John Conklin’s set design sketch for San Francisco Opera’s production of The Ring Cycle. Image courtesy of John Conklin ii 2011 NEA OPERA HONORS Contents 1 Welcome from the NEA Chairman 2 Greetings from NEA Director of Music and Opera 3 Greetings from OPERA America President/CEO 4 Opera in America by Patrick J. Smith 2011 NEA OPERA HONORS RECIPIENTS 12 John Conklin Scenic and Costume Designer 16 Speight Jenkins General Director 20 Risë Stevens Mezzo-soprano 24 Robert Ward Composer PREVIOUS NEA OPERA HONORS RECIPIENTS 2010 30 Martina Arroyo Soprano 32 David DiChiera General Director 34 Philip Glass Composer 36 Eve Queler Music Director 2009 38 John Adams Composer 40 Frank Corsaro Stage Director/Librettist 42 Marilyn Horne Mezzo-soprano 44 Lotfi Mansouri General Director 46 Julius Rudel Conductor 2008 48 Carlisle Floyd Composer/Librettist 50 Richard Gaddes General Director 52 James Levine Music Director/Conductor 54 Leontyne Price Soprano 56 NEA Support of Opera 59 Acknowledgments 60 Credits 2011 NEA OPERA HONORS iii iv 2011 NEA OPERA HONORS Welcome from the NEA Chairman ot long ago, opera was considered American opera exists thanks in no to reside within an ivory tower, the small part to this year’s honorees, each of mainstay of those with European whom has made the art form accessible to N tastes and a sizable bankroll.
    [Show full text]
  • For Release: Tk, 2013
    FOR IMMEDIATE RELEASE DATE: September 4, 2013 New York Philharmonic contact: Katherine E. Johnson (212) 875-5718; [email protected] Royal Philharmonic Society contact: Sophie Cohen +44 (0)207 428 9850; [email protected] The Morgan Library & Museum contact: Alanna Schindewolf (212) 590-0311; [email protected] ALAN GILBERT AND THE NEW YORK PHILHARMONIC _________________ U.S. PREMIERE of Mark-Anthony TURNAGE’s FRIEZE, New York Philharmonic Co-Commission with Royal Philharmonic Society and BBC Radio 3, BEETHOVEN’s NINTH SYMPHONY October 3–5, 8–9 _________________ Performances are Centerpiece of New York Activities Celebrating the Royal Philharmonic Society’s Bicentennial NEW YORK PHILHARMONIC ARCHIVES To Present Exhibition Philharmonic Pioneers: The Founding of the New York and Royal Philharmonic Societies September 25–November 23 _________________ Music Director Alan Gilbert will conduct the New York Philharmonic in Beethoven’s Symphony No. 9 and the U.S. Premiere of Mark-Anthony Turnage’s Frieze — written in response to Beethoven’s Ninth and co-commissioned by the Royal Philharmonic Society, New York Philharmonic, and BBC Radio 3 — on Thursday, October 3, 2013, at 7:30 p.m.; Friday, October 4 at 8:00 p.m.; Saturday, October 5 at 8:00 p.m.; Tuesday, October 8 at 7:30 p.m.; and Wednesday, October 9 at 7:30 p.m. Part of the Royal Philharmonic Society’s 2013 bicentennial, this program reflects the New York Philharmonic’s historic link to the Ninth Symphony: the Royal Philharmonic Society (RPS) commissioned the work in 1817, and the New York Philharmonic gave its U.S.
    [Show full text]
  • Download Booklet
    LEOSJANACEK T Or' J enura Opera in Three Acts Libretto by the Composer after the play Her Step-daughterby Gabriela Preissovd EVE QUELER, conductor THE CAST In order of ucal appearancc , o, JenuJa, slep-daughterof Kostelniika Gabriela Beiadkovd Grandmother Buryja Barbara Schramm Laca Klemei Wieslaw Ochman Jano, a shepherdDo7 Katherine Johnson Stdrek (the Foreman) Kenneth Shaw Kostelniika Leonie Rysanek Steaa Burlja Peter Kazaras Barena Ariel Rubstein Pastuchyia (Old Shephudus) Maro Partamian Ma2or Frank Barr Mayor's Wrfe Nlkki Li Hartliep Karolka, the malor's daughter Kathryn Cowdrick Kostelniika's Aunt Maro Partamian Musicians, Villagers, Recruits SCHOLA CANTORUM OF NEW YORK Hugh Ross, Director BIS-CD-449/450STEREO tittr)tt Total plavinqtime: 146'53.'fotalmusic time : 123'33 CD-449:Total time: 76'56 CD-450: Total time: 69'57 ACT ONE 42'28 ACT TWO (conclusion) (Musictime: 39'39) E Scenc,VI (conclusion) 4'10 f Applause 0'56 (SceneVI: 9'12) ESceneI 11'50 E SceneVII 6' 15 [] SceneII 5'07 I Scene VIII 6'19 E SceneIII 0'36 f Applause 6'39 E SceneIV 1'49 E SceneV 9'49 ACT THREE 46',30 E SceneVI 6'03 (Music time: 33'23) E SceneVII 4'26 Applause 0'53 I '2',52 I Applause 1'53 E SceneI E SceneII 4',23 ACT TWO (opening) 57',49 E Scene III 3',+1 (Music time: 50'31) E Scene IV 2's1 Applause 0'39 SceneV 0'18 @ E '48 I Overture 1',16 f Sccne VI 3 E Scene I 7',+2 E SceneVII 0'34 E SceneII 2',02 I SceneVIII 0',19 E SceneIII 9'39 E SceneIX 0"16 E Scene IV 3',34 E SceneX +'24 E Scene V +'31 E SceneXI + +:) E SceneVI (opening, D SceneXII +'t'2 to Fig.
    [Show full text]
  • Artist-In-Residence in Recital Milena Kitic
    Chapman University Chapman University Digital Commons Printed Performance Programs (PDF Format) Music Performances 4-5-2014 Artist-in-Residence in Recital Milena Kitic Follow this and additional works at: http://digitalcommons.chapman.edu/music_programs Recommended Citation Kitic, Milena, "Artist-in-Residence in Recital" (2014). Printed Performance Programs (PDF Format). Paper 851. http://digitalcommons.chapman.edu/music_programs/851 This Guest Recital is brought to you for free and open access by the Music Performances at Chapman University Digital Commons. It has been accepted for inclusion in Printed Performance Programs (PDF Format) by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Artist-in-Residence in Recital - Milena Kitic, mezzo-soprano April 5, 2014 SPRING 2014 February 6 April 5 CHAPMAN UNIVERSITY President's Piano Series Artist-in-Residence in Recital Alexander Toradze and Vakhtang Milena Kitic, mezzo-soprano with Vivian Liu, pianist Hall-Musco Conservatory of Music Kodanashvili, duo piano concert April 10-12 February 7 Concert lntime presents a University Singers Post-Tour Concert Directed by Alicia Guy Stephen Coker, Conductor Carol Neblett Associate Director April 10-12, 17-19 Machinal by Sophie Treadwell February 8 Directed by Matthew McCray Guest Artists in Recital Bruce Sledge, tenor with Cheryl Fielding, pianist April 11 Chapman University Wind Symphony February 13-15, 20-22 Christopher Nicholas, Music Director & Conductor Artist-in-Residence
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1990
    Tangtewqpd . urlake erform miracles They dissolve the stresses and strains of everyday living. The Berkshires' most successful 4-seasons hideaway, a gated private enclave with V^-mile lake frontage, golf and olympic pool, tennis, Fitness Center, lake lodge —all on the lake. Carefree 3 -and 4- Your bedroom country condominiums with luxury amenities and great skylights, fireplaces, decks. Minutes from Jiminy Peak, Brodie Berkshire Mountain, Tanglewood, Jacob's Pillow, Canyon Ranch. In the $200s. escape SEE FURNISHED MODELS, SALES CENTER TODAY. (413) 499-0900 or Tollfree (800) 937-0404 LAKECREST Dir: Rte. 7 to Lake Pontoosuc. Turn left at Lakecrest sign 7 DIRECTLY ON LAKE PONTOOSUC on Hancock Rd. /10 -mile to Ridge Ave. Right turn to Lakecrest gated entry. Ct££ h\> Prncfw Seiji Ozawa (TMC '60), Music Director Carl St. Clair (TMC '85) and Pascal Verrot, Assistant Conductors One Hundred and Ninth Season, 1989-90 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus President J. P. Barger, Chairman George H. Kidder, Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Mrs. Robert B. Newman James F. Cleary Mrs. John L. Grandin Peter C. Read John F. Cogan, Jr. Francis W Hatch, Jr. Richard A. Smith Julian Cohen Mrs. BelaT. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T Zervas Trustees Emeriti Vernon R.
    [Show full text]
  • DISCOVIDEOGRAFIA VERDIANA Aggiornamenti 2004-2005
    DISCOVIDEOGRAFIA 245 DISCOVIDEOGRAFIA VERDIANA Aggiornamenti 2004-2005 Carlo Marinelli Rispetto a quanto notato nei precedenti “aggiornamenti 2002-2003” si è avvertita, nel biennio successivo, una ripresa di interesse per le pubbli- cazioni in videodischi DVD (Digital Variable Disc), risalite a 26 dalle 14 del biennio precedente, ma rimaste pur sempre piuttosto lontane dalle 36 del biennio 2000-2001. Appare comunque prossima all’estinzione la regi- strazione in studio, sia audio, sia video; in effetti per un’opera completa essa ha raggiunto costi di produzione astronomici, difficilmente recuperabili con le sole vendite. Un incremento non indifferente presenta invece il settore audio del CD, che annovera ben 135 nuove accessioni (che divengono 142 con la Messa da requiem). Le novità vere e proprie (cioè quelle che riguardano le registrazioni dell’ultimo decennio) sono salite a 45 (46 con la Messa da requiem), 3 realizzate in studio e 42 riprese dal vivo. Ben 79 (e 85 con la Messa da requiem) sono le riprese dal vivo anteriori al 1995-2005. Ma a comporre sia gli uni che gli altri addendi seguitano a concorrere soprattutto i riversamenti del “bacino” di nastri registrati di Ed Rosen (“Premiere Opera” negli Stati Uniti, “Lyric Distribution” in Europa), che si rivela — tra l’altro — in continua “prepotente” espansione con l’acquisizione sempre più numerosa di registrazioni da rappresentazioni teatrali o da concerti effettuati nei pochi anni del secolo XXI. Purtroppo le riserve sulla qualità tecnica e sulla completezza informativa di queste edi- zioni rimangono quelle ampiamente esposte negli “aggiornamenti 2002- 2003”. 246 DISCOVIDEOGRAFIA Un’altra conferma viene dal riprodursi di una attenzione particolar- mente concentrata sulle opere di Verdi più “popolari”.
    [Show full text]
  • Women Orchestral Conductors: \\ Factors Affecting Career Development
    llfllfllfllfllflllfllfiHUNIHI!INHIIHII"Hillllll + THESIS 3 10496 0376 LIERARY Feminism grate / Universi ty h ‘lfi‘~\\ -~ This is to certify that the thesis entitled fiOmcu Orchestral Conductors: Factors Affecting Career Development presented by Kay D . Lawson has been accepted towards fulfillment of the requirements for MafiL. degree in Music W Major professor Date Z/xr/S’J / / 0-7 639 MS U is an Affirmative Action/Equal Opportunity Institution "’I'V- ‘ I, RETURNING MATERIALS: MSU Place in book drop to LIBRARIES remove this checkout from Ailing-Ill. your record. FINES will ” be charged if book is returned after the date stamped below. ‘s A! E ’ M New 2C? ! ‘ JUN 15:: g". 1' .Y ~£ ' i ‘ n " ‘7‘ é 1' Yd' I ‘ 5". '1- x .4 '. '- Juli/J _ . .- a} "-7" 2558 1233999 ‘4'“ 1,3200% JAN1.220m 011%0 (gr) 5365;}, 7" ha WOMEN ORCHESTRAL CONDUCTORS: \\ FACTORS AFFECTING CAREER DEVELOPMENT By Kay D. Lawson A THESIS Submitted to Michigan State University in partial fulfillment of the reouirments for the degree of MASTER OF MUSIC Department of Music ABSTRACT WOMEN ORCHESTRAL CONDUCTORS: FACTORS AFFECTING CAREER DEVELOPMENT by Kay D. Lawson A historical overview of sociological and educational factors revealed evidence of their influence in the career development of women orchestral conductors in the nineteenth and twentieth centuries. The study was amplified with questionnaire responses received from professional women conductors: Victoria Bond, Beatrice Brown, Carolyn Hill, Margaret Hillis, Frances Steiner, and Antonia Joy Wilson. These conductors' performances, educations, and careers, in addition to research that encompassed the activities of other women conductors, represented important aspects of the study.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 110, 1990-1991
    «Kf' i-'.V 110th Season 19 9 0-91 Boston Symphony Orchestra Seiji Ozawa, Music Director 90TH ANNIVERSARY OF l Unly the few will seek the exclusivity that comes with owning an Audemars Piguet. Only the few will recognize ™ more than a century of technical in- /j| novation; today, that innovation is 71 1| rl ATtl €\ "&H reflected in our ultra-thin mech- j^MllCJllfljlk Hgtti anical movements, the sophistica- tion of our perpetual calendars, and more recently, our dramatic new watch with dual time zones. Only the few will appreciate The CEO Collection which includes a unique selection of the finest Swiss watches man can create. Audemars Piguet makes only a limited number of watches each year. But then, that's something only the few will understand. SHREVE.CRUMP &LOW JEWELERS SINCE 1800 330BOYLSTON ST., BOSTON, MASS. 02116 (617) 267-9100 • 1-800^225-7088 THE MALL AT CHESTNUT HILL • SOUTH SHORE PLAZA Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A. Smith Julian Cohen Mrs.
    [Show full text]
  • Week 1 Bernard Haitink | Conductor Emeritus Seiji Ozawa
    2012–2013 season | Week 1 season sponsors Bernard Haitink | Conductor Emeritus Seiji Ozawa | Music Director Laureate Table of Contents | Week 1 7 bso news 13 on display in symphony hall 14 the boston symphony orchestra 17 a brief history of the bso 20 this week’s program Notes on the Program 22 A Brief Introduction… 23 The Gershwins’ “Porgy and Bess” 31 Synopsis of the Plot 35 To Read and Hear More… Guest Artists 39 Bramwell Tovey 51 Gregg Baker 41 Alfred Walker 51 Patrick Blackwell 42 Laquita Mitchell 52 John Fulton 43 Alison Buchanan 53 Robert Honeysucker 44 Angel Blue 54 Leon Williams 45 Marquita Lister 55 Will LeBow 45 Krysty Swann 56 Patrick Shea 46 Gwendolyn Brown 56 Joel Colodner 47 Jermaine Smith 57 Matthew Heck 49 Calvin Lee 57 Jeffrey Toussaint 49 Chauncey Packer 57 Tanglewood Festival Chorus 62 sponsors and donors 72 future programs 74 symphony hall exit plan 75 symphony hall information program copyright ©2012 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photo of BSO concertmaster Malcolm Lowe by Stu Rosner BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org bernard haitink, lacroix family fund conductor emeritus, endowed in perpetuity seiji ozawa, music director laureate 132nd season, 2012–2013 trustees of the boston symphony orchestra, inc. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O’Block, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Theresa M. Stone, Treasurer William F.
    [Show full text]
  • Pope, Andrew S. (1935- )
    Collection 492 Pope, Andrew S. (1935- ). Collection, 1753-2018, n.d. 79 feet, 9.5 inches; oversize Andrew Pope is a native of Jonesboro, LA. For college, he attended Southwestern Louisiana Institute (now the University of Louisiana at Lafayette) and graduated in 1958. He was then drafted into the U.S. Army, where he worked at the National Security Agency in Fort Meade, MD. He left the service in 1961 and worked as a Department of Defense security specialist for 37 years. As a teenager, Mr. Pope collected opera memorabilia and listened to music programs on the radio. Living near Louisiana Polytechnic Institute in Ruston (now Louisiana Tech University), he was able to attend many concerts. In 1957 Mr. Pope heard the famous tenor Jussi Bjorling in recital and received an autographed program, which sparked his interest in collecting opera autographs. After 43 years of opera and concerts, he amassed a large collection with the help of many dealers. Mr. Pope currently resides in Minden, LA. This collection contains opera and theater memorabilia Mr. Pope collected over the years. The materials include photographs of vocalists, programs, letters, publicity, music sheets, and postcards. A great number of the photographs and letters have been framed. Andrew Pope donated this collection. Series: A. Personal 1-01 through 1-05 B. Photographs 1-06 through 1-18 C. Illustrations 1-19 through 1-21 D. Autographs 1. Photographs 2-01 through 2-09 2. Postcards 2-10 3. Paper 2-11 through 2-12 4. Programs 2-13 through 2-27 5. Souvenir Programs/Libretto 2-28 6.
    [Show full text]
  • Journal of the Conductorsguild
    Volume 18 Number L \TinterlSpring L997 Journal of the ConductorsGuild Table of Contents I i COMMENTARY A CONVERSATION \TITH LUKAS FOSS by David Thomas BOTH SIDESOF THE FENCE 13 by Barry Tuckwell FRANZ IEHAR, THE coMpLETE cosMopoLrTAN 20 by Edward Michael Gold SCORES6. PARTS 49 Hanseland Gretelby EngelbertHumperdinck compiledby Kristi Sloniger BOOKS IN REVIE\T 60 Erich Leinsdorf, Erich Leinsdorfon Music reviewedby John Jay Hilfiger Edward Heath, Music.A loy For Life reviewedby Henry Bloch '$flalter Frisch, Brahms:The Four Symphonies reviewedby Kenneth Morgan CONDUCTORS GUILD, INC. Thelma A. Robinson Award Vinners 103 South High Street,Room 6 BeatriceJona Affron Miriam Burns West Chester, PA 19382-3262 Laura Rexroth Annunziata Tomaro Tel.: 610/ 430-6010 Steven Martyn Ztke Fax: 6t0/ 430-6034 'Vinner E-mail address:[email protected] Max Rudolf Award W'ebsite:www. condudors guild.org Gunther Schuller Officers tournal of tbe ConductorsGuild President Barbara Schubert President-Elect ....'WesKenney Editor .....Jacques Voois Vice President .....Harlan D. Parker AssociateEditor .... David Daniels Secretary Mark Ettinger Treasurer Thomas Anderson Editor-at-large Jonathan Sternberg PastPresident........ Adrian Gnam Board of Directors Contributing Editors to Vol. 18, No. 1 Lukas Foss Timothv Tull Nurhan Arman Henry Bloch'r Voois Victoria Bond Emily Freeman Brown Jacques David Lewis Crosbv Murray Gross Robert Gutter Martin Hardy JosephHenry Kenneth Kiesler Contributing Authors to Vol. 12, No. 2 Andrew Kurtz TaniaJ. Le6n Michael Luxner Frederick Morden Henry Bloch Edward Michael Gold Melinda O'Neal Brian Priestman JohnJay Hilfiger Kenneth Morgan Eve Queler Kirk E. Smith Kristi Sloniger David Thomas Jonathan Sternberg'r' Leslie Stewart Barry Tuckwell \Wagar JacquesVoois Jeannine Diane M.
    [Show full text]