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MATTHEW POLENZANI, Tenor
CNDM | XXVII CICLO DE LIED M. POLENZANI & J. DRAKE · 20/21 MATTHEW POLENZANI, tenor El tenor estadounidense Matthew Polenzani es uno de los tenores líricos más talentosos y distinguidos de su generación. Su elegante maestría musical, sentido innato estilístico y compromiso dramático han permitido su continua presencia en los principales teatros de ópera, conciertos y recitales de todo el mundo. La temporada de otoño de 2020 de Polenzani comienza con una interpretación en versión de concierto de la ópera Attila de Verdi en la Lyric Opera of Chicago, seguido de un recital de Lied con Julius Drake en el Teatro de la Zarzuela, y la Missa Solemnis de Beethoven con la Filarmónica de Münchner. En 2021, Polenzani regresará a la Lyric Opera of Chicago como Nemorino en L'elisir d'amore de Donizetti y a la Royal Opera House como Don Jose en Carmen de Bizet. Concluirá la temporada cantando el papel principal de Idomeneo de Mozart y actuando de nuevo junto a Julius Drake en un recital en la Bayerische Staatsoper. En la temporada 2019/20, Polenzani protagonizó tres producciones en el Metropolitan Opera: Macbeth (Macduff), La Bohème (Rodolfo) y Der Rosenkavalier (El cantante italiano). Para la gala de Nochevieja del Met, cantó el primer acto de La Bohème junto a Anna Netrebko. También volvió a la Bayerische Staatsoper para cantar Don José en Carmen. Las siguientes actuaciones fueron canceladas debido a la pandemia: Missa Solemnis y Fidelio de Beethoven, que habrían marcado su debut en el papel como Florestan, ambas en el Festspielhaus de Baden-Baden; dos recitales con Julius Drake; y una clase magistral en la Northwestern University. -
10-26-2019 Manon Mat.Indd
JULES MASSENET manon conductor Opera in five acts Maurizio Benini Libretto by Henri Meilhac and Philippe production Laurent Pelly Gille, based on the novel L’Histoire du Chevalier des Grieux et de Manon Lescaut set designer Chantal Thomas by Abbé Antoine-François Prévost costume designer Saturday, October 26, 2019 Laurent Pelly 1:00–5:05PM lighting designer Joël Adam Last time this season choreographer Lionel Hoche revival stage director The production of Manon was Christian Räth made possible by a generous gift from The Sybil B. Harrington Endowment Fund general manager Peter Gelb Manon is a co-production of the Metropolitan Opera; jeanette lerman-neubauer Royal Opera House, Covent Garden, London; Teatro music director Yannick Nézet-Séguin alla Scala, Milan; and Théâtre du Capitole de Toulouse 2019–20 SEASON The 279th Metropolitan Opera performance of JULES MASSENET’S manon conductor Maurizio Benini in order of vocal appearance guillot de morfontaine manon lescaut Carlo Bosi Lisette Oropesa* de brétigny chevalier des grieux Brett Polegato Michael Fabiano pousset te a maid Jacqueline Echols Edyta Kulczak javot te comte des grieux Laura Krumm Kwangchul Youn roset te Maya Lahyani an innkeeper Paul Corona lescaut Artur Ruciński guards Mario Bahg** Jeongcheol Cha Saturday, October 26, 2019, 1:00–5:05PM This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. Digital support of The Met: Live in HD is provided by Bloomberg Philanthropies. The Met: Live in HD series is supported by Rolex. -
Recital Ainhoa Arteta Abenduak 19 De Diciembre, 20:30 H
Eguberrietako Kontzertua | Concierto de navidad Recital Ainhoa Arteta abenduak 19 de diciembre, 20:30 h. Ainhoa Arteta sopranoak ibilbide distiratsua egin La soprano Ainhoa Arteta inicia una brillante carre- du nazioartean. Antzoki garrantzitsutan abestu du: ra internacional en teatros como el Metropolitan Metropolitan Opera; Carnegie Hall; Covent Garden; Opera, Carnegie Hall, Covent Garden, Bayerische Bayerische Staatsoper; Washington, Houston eta Staatsoper, Operas de Washington, Houston, Da- Dallaseko Operak..., eta paper nagusiak interpre- llas, y un largo etc., interpretando los papeles prin- tatu ditu opera ugaritan: La Traviata, La Bohème, cipales de óperas como La Traviata, La Bohème, Ro- Romeo et Juliette, Faust, La Rondine, Eugeni Oneguin, meo et Juliette, Faust, La Rondine, Eugueni Oneguin, Turandot. Turandot. Ainhoa Artetak operak errezital eta kontzertue- Ainhoa Arteta combina sus actuaciones operís- kin tartekatzen ditu, «sona handiko zuzendariek ticas con recitales y conciertos dirigida «por los gidaturik eta errepertorioko pianista ospetsuek más reputados maestros y por renombrados lagundurik». Sopranoak sari ugari jaso ditu, esate- pianistas repertoristas». La soprano ha ganado rako, «Hispanic Society of America-ren saria» arteei numerosos galardones y premios de reconocido egindako ekarpenagatik, «Musika Klasikoko Artista prestigio como el «Premio de la Hispanic Society of Onenaren saria» Musikaren Sarien V. edizioan, eta America» por su Contribución a las Artes, Premio al «Ondas saria» Musika Klasikoan egindako lan na- -
La Voix Humaine: a Technology Time Warp
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2016 La Voix humaine: A Technology Time Warp Whitney Myers University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.332 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Myers, Whitney, "La Voix humaine: A Technology Time Warp" (2016). Theses and Dissertations--Music. 70. https://uknowledge.uky.edu/music_etds/70 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
2019-20 Guide to Music Schools
The 2019-20 Guide to September MUSIC SCHOOLS 2019 Editor’s Note MUSIC SCHOOLS For our 2019-20 Guide to Music Schools, we have culled about 60 institutions from our data For those schools in the listings, you’ll find detailed information on degrees offered, available areas of study, numbers of base of nearly 1200, using a variety of criteria. The key measure across an increasingly broad students and teachers, career and post-graduate assistance, and links to social media and financial information. We also asked spectrum—from schools offering only a certificate to those with multiple Ph.D. options— each institution to describe its most “distinguishing characteristics.” We relied on the schools to tell their own stories. is quality and reputation, not necessarily size. Academy of Vocal Arts ............................................................2 Robert McDuffie Center for Strings .......................................27 Arizona State University School of Music ................................3 New England Conservatory ..................................................27 For example, enrollment may be a mere 23 students, such as at the Academy of Vocal Arts Bard College Conservatory of Music .......................................4 New World Symphony, America’s Orchestral Academy .........28 in Philadelphia, or it could be 1,600 students at the Jacobs School of Music on Indiana Henry and Leigh Bienen School of Music ................................5 Oberlin Conservatory of Music ..............................................29 University’s Bloomington campus. Running a close second in numbers to the Jacobs School Blair School of Music ..............................................................6 Pacific Region International is the University of North Texas College of Music, with 1568, followed by the University of Michigan’s School of Music, Conservatorio di Musica “Arrigo Boito” ...................................6 Summer Music Academy (PRISMA) .................................29 Theater, & Dance, which boasts 1100 music students. -
First Glimpse 2018: Songs from the Great Room
presents First Glimpse 2018: Songs from the Great Room World Premiere Songs rom e 17-19 omosers e oie series Composers & the Voice Artistic Director - Steven Osgood Musical Direction by Mila Henry & Kelly Horsted 2017-19 Composers & the Voice Composer and Librettist Fellows Laura Barati Pamela Stein Lynde Sokunthary Svay Matthew Browne Scott Ordway Amber Vistein Kimberly Davies Frances Pollock Alex Weiser 2017-18 Composers & the Voice Resident Singers Tookah Sapper, soprano Jennifer Goode Cooper, soprano Blythe Gaissert, mezzo-soprano* Blake Friedman, tenor Mario Diaz Moresco, baritone Adrian Rosas, bass-baritone *Songs written for mezzo-soprano will be performed tonight by Kate Maroney Resident Stage Manager - W. Wilson Jones May 19 & 20, 2018 - 7:30 PM SOUTH OXFORD SPACE, BROOKLYN FROM THE ARTISTIC DIRECTOR I always have mixed emotions when a cycle of Composers and the Voice arrives at the First Glimpse concerts. It is thrilling to FINALLY throw open the doors of this room and share some of the wonderful pieces that have been written since last Fall. But it also means that my time working so regularly and directly with a family of artists is drawing to a close. It takes a huge team of people to make a program like Composers and the Voice work, but I would like to thank two who have stepped into new and significantly larger roles this year. Mila Henry, C&V Head of Music, has overseen the musical organization of the entire season, while also preparing several pieces for each of our workshop sessions. Matt Gray, as C&V Head of Drama, has brought his insight into character and operatic narrative into every element of the program. -
Newsletter • Bulletin Summer 2002 Été
NATIONAL CAPITAL OPERA SOCIETY • SOCIÉTÉ D'OPÉRA DE LA CAPITALE NATIONALE Newsletter • Bulletin Summer 2002 Été P.O. Box 8347, Main Terminal, Ottawa, Ontario K1G 3H8 • C.P. 8347, Succursale principale, Ottawa (Ontario) K1G 3H8 A new Canadian star!!! by Renate Chartrand Opernglas’ featured a six-page interview with her on the occasion of her Covent Garden debut as Donna Anna with Bryn Terfel as Don Giovanni. (Perhaps while I am writing this, ‘Opera Canada’ is doing the same?) For several years she was based in Vienna, singing lead roles at the State Opera. Elsewhere in Europe she has had great success as Elsa, Arabella, Tatiana, Desdemona and Alice Ford in Munich, Paris, Glyndebourne and Milan. Four years ago in Hamburg she had already caught my at- tention as a great Ellen Orford in Peter Grimes. As is the custom in Europe we joined the fans wait- ing for her at the stage door and asked her whether she is thinking of doing Tosca. Yes, next year in San Francisco. This year she will sing her first Elisabetta (Don Carlo) in Salzburg, Ariadne in Barcelona and her Met debut as Lisa (Pique Dame) is planned for 2004. For us Ottawans of greatest interest will be her first Sieglinde in Toronto’s (continued on page 3) Adrianne Pieczonka Kat’a Kabanova During my trip to Germany in April I had the pleasure of witnessingBrian a Canadian star being born. Soprano Adrianne Pieczonka made the front page of the ‘Hamburger Abendblatt’Law with the comment “A star was born” follow- ing the opening night of Kat’a Kabanova by Janacek at the Hamburg State Opera. -
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David Mannes Music School at 154 East 70th Street (MA040101_000020) Sign for the David Mannes Music School (MA040101_000085) David Mannes with Violin The David Mannes Music School (MA040101_000067) (MA040101_000071) Mannes School of Music Junior Orchestra (MA040101_000110) Ernest Bloch (MA040101_000073) David Mannes (MA040101_000114) David Mannes (MA040101_000115) Concert at the Metropolitan Museum of Art (MA040101_000012) Opera Performance at Mannes College of David Mannes at the Metropolitan Museum Music (MA040101_000058) of Art (MA040101_000061) Leopold Mannes (MA040101_000010) Page 1 of 8 David Mannes at the Metropolitan Museum David Mannes Teaching Piano and Violin of Art (MA040101_000062) to Children (MA040101_000113) David Mannes Holding a Violin Mannes School of Music Student (MA040101_000116) Performance (MA040101_000013) David Mannes Conducts Mannes College Mannes College Opera Students "Cosi Fan Tutte" Performance by Mannes of Music Student Orchestra Performing Mozart (MA040101_000015) (MA040101_000014) College of Music Students (MA040101_000065) Carl Bamberger Conducts at Mannes College of Music (MA040101_000057) David Mannes Playing Violin for Children The Mannes, Gimpel, Silva Trio Elizabeth Aaron at Piano (MA040101_000112) (MA040101_000063) (MA040101_000052) Mannes College of Music Students Perform Mozart's "Cosi fan Tutte" (MA040101_000011) Page 2 of 8 Edward Aldwell (MA040101_000047) Richard Goode at Piano Murray Perahia at Piano Carl Bamberger with Mannes College of (MA040101_000048) (MA040101_000049) Music Orchestra -
The KF International Marcella Sembrich International Voice
The KF is excited to announce the winners of the 2015 Marcella Sembrich International Voice Competition: 1st prize – Jakub Jozef Orlinski, counter-tenor; 2nd prize – Piotr Buszewski, tenor; 3rd prize – Katharine Dain, soprano; Honorable Mention – Marcelina Beucher, soprano; Out of 92 applicants, 37 contestants took part in the preliminary round of the competition on Saturday, November 7th, with 9 progressing into the final round on Sunday, November 8th at Ida K. Lang Recital Hall at Hunter College. This year's competition was evaluated by an exceptional jury: Charles Kellis (Juilliard, Prof. emeritus) served as Chairman of the Jury, joined by Damon Bristo (Vice President and Artist Manager at Columbia Artists Management Inc.), Markus Beam (Artist Manager at IMG Artists) and Dr. Malgorzata Kellis who served as a Creative Director and Polish song expert. About the KF's Marcella Sembrich Competition: Marcella Sembrich-Kochanska, soprano (1858-1935) was one of Poland's greatest opera stars. She appeared during the first season of the Metropolitan Opera in 1883, and would go on to sing in over 450 performances at the Met. Her portrait can be found at the Metropolitan Opera House, amongst the likes of Luciano Pavarotti, Placido Domingo, and Giuseppe Verdi. The KF's Marcella Sembrich Memorial Voice Competition honors the memory of this great Polish artist, with the aim of popularizing Polish song in the United States, and discovering new talents (aged 18-35) in the operatic world. This year the competition has turned out to be very successful, considering that the number of contestants have greatly increased and that we have now also attracted a number of International contestants from Japan, China, South Korea, France, Canada, Puerto Rico and Poland. -
El X Festival Lírico De Ópera Arranca Con El Concierto De Ainhoa Arteta
miércoles 1 de agosto de 2018 | Periódico Todo Benicàssim El X Festival Lírico de Ópera arranca con el concierto de Ainhoa Arteta Ya están agotadas las entradas para la gala inaugural que se celebra este jueves, en el teatro, protagonizada también por Nancy Fabiola y Ruben Fernández Redacción // Benicàssim El X Festival Lírico de Ópera de Benicàssim arranca con una gala inaugural protagonizada por Ainhoa Arteta, Nancy Fabiola y Rubén Fernández, este jueves, a las 22.00 horas, en el Teatro Municipal Francesc Tárrega. El evento se realizará durante los días 2, 6, 7 y 10 de agosto, con la actuación de diferentes artistas. Aquiles Machado y J. Antonio Álvarez Parejo actuarán el día 6 con el recital lírico Estampas Latinoamericanas. Además, J. Antonio Álvarez Parejo volverá a aparecer en el escenario con Ofelia Sala el 7 de agosto con el recital Un Divertimento Lírico. Finalmente, la gala terminará con la actuación de Nancy Fabiola, Ofelia Sala, Aquiles Machado y Ensemble Solistas de València el 10 de agosto, con De la Ópera a las Américas, dirigida por Roberto Turlo. Cabe destacar que las entradas para este jueves están ya agotadas pero para el resto de días no. Ainhoa Arteta es conocida como cantante lírica (soprano), nació en 1964 en Tolosa (Guipúzcoa), y fue Embajadora de la Marca España. Gran amante de los animales y fuertemente comprometida con causas sociales, organizaciones benéficas y sin ánimo de lucro. Cuidemos el Medio Ambiente, por favor,no imprima este artículo si no es necesario. - https://todobenicassim.com | 1 miércoles 1 de agosto de 2018 | Periódico Todo Benicàssim Empezó a debutar en los 90 en Estados Unidos, y en 1993 resultó ganadora en los concursos Metropolitan Opera National Council Auditions de Nueva York y delConcours International de Voix d’Opera Plácido Domingo de París.A partir de ahí, comenzó una carrera internacional donde debutó en diferentes teatros como Metropolitan Opera, Carnegie Hall, Covent Garden, Bayerische Staatsoper y Operas de Washington, entre otros muchos. -
The Italian Girl in Algiers
Opera Box Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .11 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Gioachino Rossini – a biography .............................45 Catalogue of Rossini’s Operas . .47 2 0 0 7 – 2 0 0 8 S E A S O N Background Notes . .50 World Events in 1813 ....................................55 History of Opera ........................................56 History of Minnesota Opera, Repertoire . .67 GIUSEPPE VERDI SEPTEMBER 22 – 30, 2007 The Standard Repertory ...................................71 Elements of Opera .......................................72 Glossary of Opera Terms ..................................76 GIOACHINO ROSSINI Glossary of Musical Terms .................................82 NOVEMBER 10 – 18, 2007 Bibliography, Discography, Videography . .85 Word Search, Crossword Puzzle . .88 Evaluation . .91 Acknowledgements . .92 CHARLES GOUNOD JANUARY 26 –FEBRUARY 2, 2008 REINHARD KEISER MARCH 1 – 9, 2008 mnopera.org ANTONÍN DVOˇRÁK APRIL 12 – 20, 2008 FOR SEASON TICKETS, CALL 612.333.6669 The Italian Girl in Algiers Opera Box Lesson Plan Title Page with Related Academic Standards lesson title minnesota academic national standards standards: arts k–12 for music education 1 – Rossini – “I was born for opera buffa.” Music 9.1.1.3.1 8, 9 Music 9.1.1.3.2 Theater 9.1.1.4.2 Music 9.4.1.3.1 Music 9.4.1.3.2 Theater 9.4.1.4.1 Theater 9.4.1.4.2 2 – Rossini Opera Terms Music -
The Inventory of the Deborah Voigt Collection #1700
The Inventory of the Deborah Voigt Collection #1700 Howard Gotlieb Archival Research Center Voigt, Deborah #1700 6/29/05 Preliminary Listing I. Subject Files. Box 1 A Chronological files; includes printed material, photographs, memorabilia, professional material, other items. 1. 1987-1988. [F. 1] a. Mar. 1987; newsletters of The Riverside Opera Association, Verdi=s AUn Ballo in Maschera@ (role of Amelia). b. Apr. 1987; program from Honolulu Symphony (DV on p. 23). c. Nov. 1987; program of recital at Thorne Hall. d. Jan. 1988; program of Schwabacher Debut Recitals and review clippings from the San Francisco Examiner and an unknown newspaper. e. Mar. 1988; programs re: DeMunt=s ALa Monnaie@ and R. Strauss=s AElektra@ (role of Fünfte Magd). f. Apr. 1988; magazine of The Minnesota Orchestra Showcase, program for R. Wagner=s ADas Rheingold@ (role of Wellgunde; DV on pp. 19, 21), and review clippings from the Star Tribune and the St. Paul Pioneer Press Dispatch. g. Sep. - Oct. 1988; programs re: Opera Company of Philadelphia and the International Voice Competition (finalist competition 3; DV on p. 18), and newspaper clippings. 2. 1989. [F. 2] a. DV=s itineraries. (i) For Jan. 4 - Feb. 9, TS. (ii) For the Johann Strauss Orchestra on Vienna, Jan. 5 - Jan. 30, TS, 7 p. b. Items re: California State, Fullerton recital. (i) Copy of Daily Star Progress clipping, 2/10/89. (ii) Compendium of California State, Fullerton, 2/13/89. (iii) Newspaper clipping, preview, n.d. (iv) Orange County Register preview, 2/25/89. (v) Recital flyer, 2/25/89. (vi) Recital program, program notes, 2/25/89.