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A Barso O M Glo Ssary
A BARSO O M GLO SSARY DAV ID BRUC E BO ZARTH HTML Version Copyright 1996-2001 Revisions 2003-5 Most Current Edition is online at http://www.erblist.com PD F Version Copyright 2006 C O PYRIGH TS and O TH ER IN FO The m ost current version of A Barsoom G lossary by D avid Bruce Bozarth is available from http://www.erblist.com in the G lossaries Section. SH ARIN G O R DISTRIBUTIN G TH IS FILE This file m ay be shared as long as no alterations are m ade to the text or im ages. A Barsoom G lossary PD F version m ay be distributed from web sites AS LO N G AS N O FEES, CO ST, IN CO ME, O R PRO FIT is m ade from that distribution. A Barsoom G lossary is N O T PU BLIC D O MAIN , but is distributed as FREE- WARE. If you paid to obtain this book, please let the author know w here and how it w as obtained and w hat fee w as charged. The filenam e is Bozarth-ABarsoom Glossary-illus.pdf D o not change or alter the filenam e. D o not change or alter the pdf file. RO LE PLAYERS and GAM E C REATO RS O ver the years I have been contacted by RPG creators for perm ission to use A BARSO O M G LO SSARY for their gam es as long as the inform ation is N O T printed in book form , nor any fees, cost, incom e, or profit is m ade from m y intellectual property. -
Edmund Drury
Edmund Drury 1 On Other Worlds Edmund Drury WorldsOn Other An Investigation into Worldbuilding A Dissertation By Edmund Drury 2 3 On Other Worlds Edmund Drury Contents Introduction 7 Fictional Worlds in Real Place 12 Maps and Fiction 29 Translation 60 Conclusion 78 List of Illustrations 90 Bibliography 95 Printed and Bound by Edmund Drury 4 5 On Other Worlds Edmund Drury Introduction ‘Above all, worldbuilding is not technically necessary. It is the great clomping foot of nerdism. It is the attempt to exhaustively survey a place that isn’t there. A good writer would never try to do that, even with a place that is there. It isn’t possible, & if it was the results wouldn’t be readable: they would constitute not a book but the biggest library ever built, a hallowed place of dedication & lifelong study. This gives us a clue to the psychological type of the worldbuilder & the worldbuilder’s victim, & makes us very afraid.’ (Harrison, 2007) So is worldbuilding just boring nerdism? Certainly not all aspects of worldbuilding appeal to everyone. According to many it was the lengthy detail of trade disputes and politics that made the new Star Wars trilogy such a disaster, and certain passages in Lord of the Rings, one of the key texts in fantasy worldbuilding, are not always the easiest to read. Of course M. John Harrison cannot be totally averse to worldbuilding (his best known work is set in the fi ctional city of Viriconium) but he believes that focusing on it as an activity in its own right risks putting the creative emphasis in the wrong place. -
General Publishers
ORDERING INSTRUCTIONS ARE ON THE INSIDE BACK COVER CONTENTS PART 1: BOOKS SECTION I (General Books) Pages SCIENCE FICTION / FANTASY / MYSTERY BOOKS .......................... 3 - 16 ASH-TREE PRESS BOOKS ...................................................................... 16 OZ BOOKS ................................................................................................. 17 BIG LITTLE BOOKS TYPE STUFF ......................................................... 18 GNOME PRESS DUST JACKETS ............................................................ 18 WORLD SCIENCE FICTION PROGRAM BOOKS ................................. 19 PAUL & BRUNDAGE BOOKS FEATURED ON THE COVER ............. 19 SCARCE & UNUSUAL ITEMS ................................................................ 20 BARGAIN BASEMENT BOOK BIN ........................................................ 21 - 30 PAPERBACKS ........................................................................................... 31 - 38 JOHN NORMAN GOR SERIES ................................................................ 39 ROBERT E. HOWARD & RELATED PAPERBACKS ............................ 39 SECTION II (Pulp Paperbacks) DOC SAVAGE ........................................................................................... 40 THE SHADOW .......................................................................................... 40 - 41 THE AVENGER ......................................................................................... 41 OTHER PAPERBACK SERIES ................................................................ -
The History of Cartography, Volume 6
reverse. Easier yet was autography, a lithographic tech- nique involving drawing right reading with greasy ink on transfer paper that could be placed face down on the stone and dampened, causing the water-soluble transfer coating to release the image onto the stone when pulled L through the press. Used for writing documents and even books, as well as for drawing maps (such as to illustrate Labeling of Maps. geographical journals), transfer paper sparked what has Labeling Techniques been called an autographic revival (that is, a revival of Typography and Map Design the manuscript tradition) in the mid-nineteenth cen- tury, enabling relatively unskilled persons to write their Labeling Techniques. When Erwin Raisz noted in his own text and draw their own graphic images for litho- ground-breaking 1938 textbook that adding place- graphic printing (Ashwin 1983, 16). With the advent names to maps was one of the cartographer’s most dif- of the photolithographic transfer process in 1860, fol- fi cult problems, he was voicing an opinion shared by lowed by other photomechanical processes, it became many mapmakers of the precomputer era. Map labels possible to draw maps on paper for photomechanical were necessary to identify features on maps, but it was re production. hard to place them without detracting from the map as During the mid-nineteenth century a number of meth- a picture of the earth (Raisz 1938, 156–57). Raisz also ods were developed for the systematic teaching of writ- noted the infl uence of the production technique em- ing in schools, an increasing need as education became ployed on the appearance of map lettering. -
Sitges Film Festival
No. 50 Winter 1974 Sitges Film Festival The sixth annual Sitges Fantastic and Terror Film Festival saw the presentation of 19 feature films from many countries including Czechoslovakia, France, Canada, Italy, Belgium, the United Kingdom, the United States and, of course, Spain. Award for best film went to the French entry Au rendezvous de la mort joyeuse by Juan Luis Bunuel (Luis Bunuel’s son). Best actor award was given to Eugene Levy for his role in the Canadian entry Cannibal Girls by Ivan Reitman. Best actress award was given to Andrea Martin for her role in the same film. The award for best special effects went to the Czechoslovakian entry The Girl on the Broom by Vaclav Vorlicek, and the award for the best short was presented to Bruno Bozzetto for his Italian entry The Booth. The quality of the films shown at this resort town south of Barcelona was about the same as last year, ranging from Belgium’s Malpertius by Harry Kumel to four low quality Spanish features the least of which was The Vampires by Jesus Franco. Among the other films shown were Lady Frankenstein by D. M. Welles (Italian), Demons of the Mind by Peter Sykes (UK), Creeping Flesh by Freddy Francis (UK), Private Parts by Paul Bartel (US), Silent Night, Blood Night by Theodore Gershuny (US), Siveetkill by Curtis Hanson (US) and Malatesta's Carnival of Blood by Christopher Speeth (US). No retrospective section was offered. The four man jury consisted of Germany’s Peter Fleischmann, France’s Jean-Claude Carriere, Venezuela’s Rino Otolina and Catalan director Jose Maria Foran. -
A Sourcebook and Roadmap for Courses on Worldbuilding
The Worldbuilder’s Journey: a Sourcebook and Roadmap for Courses on Worldbuilding Douglass S. Parker July 19, 2019 This is a ‘hyperbook’ — a PDF ebook with hyperlinks that query web resources. PDF Readers — and Browsers — handle Links differently NOTE: PDF readers handle links differently — not all show URLs when mousing over links. In browsers: the Firefox and Chrome PDF readers display link content; currently the Safari PDF reader does not. PDF reader apps: both Acrobat and Preview display link content. In Safari: Command-click opens links in a new Tab; Command-Option-click opens links in a new Window. For use of information in the links, select a browser and PDF reader accordingly. If not satisfactory, consider configuring your browser to use a different PDF reader. For example, an Acrobat plugin can be used as the default PDF reader in major browsers. Please check periodically whether this is the most recent version of this document. Send questions, corrections, suggestions, etc. to: [email protected] mentioning: Worldbuilder’s Journey version of 2019–07–19. Please help us improve! July 19, 2019 2 D.S. Parker . The Worldbuilder’s Journey: a Sourcebook and Roadmap for Courses on Worldbuilding Douglass S. Parker Attribution License: this book is distributed under a Creative Commons License CC-BY: licensees may copy, distribute, and display this work in any medium/format, or make derivative works based on it, provided they credit it. Imaginary Worlds are fictional places like Middle Earth, Narnia, and the Land of Oz — sometimes also called fantasy worlds or fictional worlds. They have always been important in myth, folk tales, fairy tales, theater, and literature. -
The Prose Romances of William Morris
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship INVENTING FANTASY: The Prose Romances of William Morris Lilla Julia Smee A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of English University of Sydney 2007 Abstract This thesis sheds light on Morris’s thematic concerns and narrative strategies in five of his little-studied prose romances: The Story of the Glittering Plain, The Wood Beyond the World, The Well at the World’s End, The Water of the Wondrous Isles and The Sundering Flood. The thesis argues that these romances can be read as significant texts in the development of the modern fantasy genre. The thesis aims to re-orient scholarly discussion of the prose romances in the context of fantasy literature. Chapter 1, ‘Inventing Fantasy’, locates the prose romances within the social and cultural context of their production. It discusses the nature of the contemporary reception of the prose romances, and analyses how modern criticism has begun to re-value the prose romances as significant works within the modern fantasy genre. The chapter then identifies the main critical issues in fantasy scholarship. Finally, the chapter sets out the critical methodology for the rest of the thesis. Chapter 2, ‘Inventing Place’, investigates the way Morris constructed his invented worlds. It identifies two points of reference for Morris’s ‘landscape of the mind’: one, his experience of real landscapes, particularly those of England and Iceland; and two, his Romantic imagination and desire to re-birth the romantic landscapes of medieval literature. -
Hannes Bok Memorial by Emil Petaja
No. 44 January 1973 Hannes Bok Memorial by Emil Petaja When the Bokanalia Memorial Foundation was begun six years ago its aim was to keep the name of artist Hannes Bok alive; to give Bok his well deserved name in the fantasy art field. We feel that we have succeeded, perhaps not to tilt the world off its axis, but we have brought the attention of his artistic genius to hundreds, nay thousands, of people who had never heard of him. We have made it possible for the new generation to see and acquire Bok prints inexpensively, some never before available, some available only in the mouldering newsprint of old hard-to-find pulps. It has been suggested many times by our hundreds of correspondents that we widen our scope to include other ‘unknown’ artists. Surely this is a fine idea. But like other fine ideas, it takes beaucoup de bread, involves a lot of time and hard work, traveling to locate art, innumerable letters, and the risks of soggy failure. However, coupled with another circumstance that concerns us—-what to do with the modest bank account Bokanalia has/is accruing—it has all jelled into the following: Hannes Bok starved most of his life. I am sure many new fantasy artists are busily doing the same right now, hoping against hope for at least some glimmer of recognition of their talents. Giving some of them a hundred bucks or whatever out of the Bokanalia limited funds doesn’t strike me as a very good answer. There isn’t that much money, for one thing. -
Dragon Magazine
DRAGON 1 Publisher: Mike Cook A new direction Contents Editor-in-Chief: Kim Mohan Editorial staff: Marilyn Favaro As we sit here, month after month, Gali Sanchez looking over our vast domain from our Vol. VII, No. 10 April 1983 Roger Raupp ivory tower, it gets tougher and tougher Patrick L. Price to keep all the citizens of the realm SPECIAL ATTRACTION Business manager: Debra Chiusano happy at the same time. Office staff: Sharon Walton Producing a magazine isn’t so much FILE 13 — The game of games . 39 Pam Maloney Product design: Eugene S. Kostiz fun any more — not when we know by Tom Wham Layout designer: Kristine L. Bartyzel ahead of time that thousands of people Contributing editors: Roger Moore aren’t going to be satisfied with it, no Ed Greenwood matter what we print. “More of this! OTHER FEATURES National advertising representative: Less of that!” our subjects shout. Well, Robert LaBudde & Associates, Inc. we’ve decided we’re just not going to The ecology of the piercer . 12 2640 Golf Road Glenview IL 60025 take it any more. Inside and out Phone (312)724-5860 Reducing the size of the magazine is one way to cut down the complaints we Gems Galore . 14 This issue’s contributing artists: get. If we only publish 32 pages a For richer role-playing Clyde Caldwell Mike Carroll month, no one will expect us to cover Keith Parkinson Phil Foglio Roger Raupp Edward Atwood everything. So, effective next month, The Real Barbarians . 24 32 pages it is. And that’s the way it was Tim Truman E. -
The Cartography of Fantasy
Volume 7 Number 4 Article 9 12-15-1981 The Cartography of Fantasy R. C. Walker Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Walker, R. C. (1981) "The Cartography of Fantasy," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 7 : No. 4 , Article 9. Available at: https://dc.swosu.edu/mythlore/vol7/iss4/9 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Discusses the various physical settings possible for a work of fantasy, some more integral to the work than others. Notes the influence of olkienT ’s maps on the genre, and the usefulness and importance of such maps to other fantasy works. Additional Keywords Fantasy literature—Maps; Fantasy literature—Settings; Tim Kirk; Bonnie GoodKnight This article is available in Mythlore: A Journal of J.R.R.