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Muziek Voor Volwassenen / Johan Derksen Maandag
Muziek voor volwassenen / Johan Derksen Album van de week: Harlem-King Solomon Hicks maandag 24 februari 2020 18:00-19:00 ARTIEST TITEL COMPONIST PLATENLABEL CATALOGUSNUMMER CD TITEL 1 O.V. Wright Blowin' in the wind Bob Dylan ACE CDCHD 1278 How many roads, black America sings Bob Dylan 2 Howard Tate Girl from the north country Bob Dylan ACE CDCHD 1278 How many roads, black America sings Bob Dylan 3 Marion Williams I pity the poor immigrant Bob Dylan ACE CDCHD 1278 How many roads, black America sings Bob Dylan 4 The Neville Brothers With God on our side Bob Dylan ACE CDCHD 1278 How many roads, black America sings Bob Dylan 5 Nina Simone Just like a woman Bob Dylan ACE CDCHD 1278 How many roads, black America sings Bob Dylan 6 Freddie Scott I shal be released Bob Dylan ACE CDCHD 1278 How many roads, black America sings Bob Dylan 7 Esther Phillips Tonight I'll be staying here with you Bob Dylan ACE CDCHD 1278 How many roads, black America sings Bob Dylan 8 King Solomon Hicks Everyday I have the blues Freddie King Provogue PRO Promo 561 Harlem 9 Betty LaVette Most of the time Bob Dylan Fontana onbekend Chimes of Freedom, the songs of Bob Dylan. Amnesty International 10 Steve Earle One more cup of coffee Bob Dylan Fontana onbekend Chimes of Freedom, the songs of Bob Dylan. Amnesty International 11 Miley Cyrus You're gonna make me lonesome when youBob go Dylan Fontana onbekend Chimes of Freedom, the songs of Bob Dylan. Amnesty International 12 Elvis Costello License to kill Bob Dylan Fontana onbekend Chimes of Freedom, the songs of Bob Dylan. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
Big Walter Horton, Blues Harmonica Giant, Classic Sides 1951-1956 (3 CD) Di Bear Family, Uscito Nel 2010, Dopo La Stesura Di Questo Documento
WALTER HORTON, AN EASY MAN Discografia completa commentata di Sugarbluz Walter Horton nasce il 6 aprile 1918 in una fattoria vicino a Horn Lake, Mississippi, Contea DeSoto, ma nel suo primo anno d’età la famiglia, che include un fratello, Albert, e tre sorelle, Katy, Maggie e Bernice, si trasferisce nella vicina Memphis, Tennessee. Dapprima si dedica al pianoforte, ma poi il suo passatempo preferito diventa accompagnare, con l’armonica che un bel giorno suo padre porta a casa, i 78 giri di blues che girano sul grammofono di famiglia. Dopo due anni di pratica e scomparso da poco il padre Walter decide di contribuire al sostentamento familiare, così comincia a suonare per le strade di Memphis arrivando a guadagnare anche otto dollari al giorno, e in poco tempo tra i musicisti locali si comincia a parlare del piccolo Walter, ed è così che conosce Floyd Jones, Johnny Shines, Jimmy DeBerry. Ad appena nove anni registra con la nota Memphis Jug Band dell’armonicista e chitarrista Will Shade (detto Son Brimmer, probabilmente il suo primo maestro di tecnica insieme a Hammie Nixon, fedele partner di 'Sleepy' John Estes); il dato non è genericamente accettato vista la giovane età, ma l’autore Samuel Charters ritiene che sia vero. Il disco esce per Victor, una delle poche etichette discografiche che riesce a far fronte alla Grande Depressione. La compagnia di Chicago, specializzata nella produzione di grammofoni, diventa proprio in quegli anni una divisione della potente RCA (Radio Corporation of America). Durante la crisi economica abbassa drasticamente i costi di produzione e il prezzo di vendita del disco singolo da 75 a 35 centesimi, spostando nei primi anni 1930 il settore race records su una sussidiaria, Bluebird. -
THE BIRTH of HARD ROCK 1964-9 Charles Shaar Murray Hard Rock
THE BIRTH OF HARD ROCK 1964-9 Charles Shaar Murray Hard rock was born in spaces too small to contain it, birthed and midwifed by youths simultaneously exhilarated by the prospect of emergent new freedoms and frustrated by the slow pace of their development, and delivered with equipment which had never been designed for the tasks to which it was now applied. Hard rock was the sound of systems under stress, of energies raging against confnement and constriction, of forces which could not be contained, merely harnessed. It was defned only in retrospect, because at the time of its inception it did not even recognise itself. The musicians who played the frst ‘hard rock’ and the audiences who crowded into the small clubs and ballrooms of early 1960s Britain to hear them, thought they were playing something else entirely. In other words, hard rock was – like rock and roll itself – a historical accident. It began as an earnest attempt by British kids in the 1960s, most of whom were born in the 1940s and raised and acculturated in the 1950s, to play American music, drawing on blues, soul, R&B, jazz and frst-generation rock, but forced to reinvent both the music, and its world, in their own image, resulting in something entirely new. However, hard rock was neither an only child, nor born fully formed. It shared its playpen, and many of its toys, with siblings (some named at the time and others only in retrospect) like R&B, psychedelia, progressive rock, art-rock and folk-rock, and it emerged only gradually from the intoxicating stew of myriad infuences that formed the musical equivalent of primordial soup in the uniquely turbulent years of the second (technicolour!) half of the 1960s. -
King Biscuit Time”--Sonny Boy Williamson II and Others (1965) Added to the National Registry: 2017 Essay by Edward Komara (Guest Post)*
“King Biscuit Time”--Sonny Boy Williamson II and others (1965) Added to the National Registry: 2017 Essay by Edward Komara (guest post)* Sonny Boy Williamson II This King Biscuit show is about flour and the blues, not about flowers and rock music. “King Biscuit Time” was born when the blues harmonica master Sonny Boy Williamson (1899- 1965, born Aleck Miller) visited the newly opened KFFA radio studios in Helena, Arkansas. Seeing radio as a means of promoting his upcoming performances, Williamson pitched the idea of a regular show during the noon hour when his working audiences were taking their lunch breaks. KFFA agreed, securing Max Moore, owner of the Interstate Grocer Company and King Biscuit Flour, as the sponsor. “King Biscuit Time” debuted on November 21, 1941 at 12:15 pm, with Williamson and guitarist Robert Lockwood playing for 15 minutes. The success was immediate, allowing the musicians to maintain their time-slot every weekday. They were so successful that, in 1947, while the company’s flour bag continued to have its crown, the corn meal bag began to feature a likeness of Williamson sitting on an ear of corn. As the show continued through the 1940s, additional musicians were brought in to create a band behind Williamson. Chief among them were guitarists Joe “Willie” Wilkins, Earl Hooker and Houston Stackhouse, pianists Robert “Dudlow” Taylor, Willie Love and Pinetop Perkins, and drummer Peck Curtis. During the early broadcasts, Sam Anderson and Hugh Smith served as announcers. John William “Sonny” Payne filled in once in 1941, but he returned in 1951, staying on as the “King Biscuit Time” host until his death in 2018. -
Authentic American Music with a Bona Fide, Genuine, One-Of-A-Kind, One-Man-Band!
Authentic American music with a bona fide, genuine, one-of-a-kind, one-man-band! Willie's roots are in the hills of northern lower Michigan, home to Amish communities and farmers who migrated to the city for jobs at the new horseless-carriage factories early in the 20th century. Willie's grandparents settled in that icon of today's great depression: Flint, the newest home of the blues. He began playing guitar as a teenager and in the 1980's released one record with the punk rock band "Toll". In the 90's he had a commercial success as front man for his blues/rock show band. Their "Something for Everyone" release, included the single "Talk Louder", the classical crossover instrumental "25 Strings", and the popular "Buick City Blues". All three received airplay. "Talk Louder" eventually charted at #15 on the AAA radio charts. After that success, the band went on hiatus for several years and Willie found other work as an artist and actor. The band eventually released a new single titled "Waitin' On You". Then an accident left Willie's left hand paralyzed. Nov. 2010 - Willie wins the Though he never missed a performance date, Willie depended on a brace to hold his fingers Canada South Blues in place on the guitar as he learned to play the piano and harmonica. After a long year as a Society Solo/Duo one-handed musician his arm slowly began to mend and Willie was able to "relearn" how to Challenge and is off to handle the guitar. That sobering year of uncertainty inspired Willie to "never take a moment represent Canada at the of life or music for granted". -
Geografia Del Mississippi Delta Attraverso Il Blues Un'ipotesi Di Relazione Tra Musica E Territorio
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenstarTs GEOGRAFIA DEL MISSISSIPPI DELTA ATTRAVERSO IL BLUES UN'IPOTESI DI RELAZIONE TRA MUSICA E TERRITORIO INDICE INTRODUZIONE: IL DELTA E L'OBBIETTIVO DELLA TESI pag. 2 1. IL BLUES 10 1.1. Le fonti del blues 10 1.2. Definizione generale 18 1.3. Le testimonianze 23 1.4. Aspetti musicali 27 1.5. Tematiche e poetica 30 2. IL DELTA BLUES 33 2.1. Problematiche sugli stili 33 2.2. Gli Stili regionali 36 2.3. Il delta tra mito e storia 39 2.4. Tratti stilistici del Delta blues 45 3. LE PROPAGGINI DEL DELTA 48 3.1. Le Hills e Bentonia: due casi differenti 48 3.2. Il fenomeno del blues radiofonico e il caso di Helena 52 3.3. L'evoluzione tra Chicago e il Delta 57 4. IL DELTA OLTRE IL DELTA 64 4.1. Memphis 64 4.2. L' Alabama e la difficile ricerca di una tradizione 68 4.3. La Louisiana 73 5. IL DELTA ATTRAVERSO UNA GEOGRAFIA DEI TESTI pag. 77 5.1. Il viaggio 77 5.2. Le vie di comunicazione 85 5.3. Le “strade musicali” delle città 93 5.4. Musica testi e territorio 98 5.5. I luoghi e le canzoni 103 CONCLUSIONE 119 1. Ipotesi di identità 119 2. Il blues e noi: un “cuore di tenebra”? 127 TESTI 129 BIBLIOGRAFIA 176 DISCOGRAFIA 184 1 “Perhaps on some quiet night the tremor of far-off drums, sinking, swelling, a tremor vast, faint; a sound weird, appealing, suggestive, and wild.” Joseph Conrad, Heart Of Darkness. -
Extra Special Supplement to the Great R&B Files Includes Updated
The Great R&B Pioneers Extra Special Supplement to the Great R&B Files 2020 The R&B Pioneers Series edited by Claus Röhnisch Extra Special Supplement to the Great R&B Files - page 1 The Great R&B Pioneers Is this the Top Ten ”Super Chart” of R&B Hits? Ranking decesions based on information from Big Al Pavlow’s, Joel Whitburn’s, and Bill Daniels’ popularity R&B Charts from the time of their original release, and the editor’s (of this work) studies of the songs’ capabilities to ”hold” in quality, to endure the test of time, and have ”improved” to became ”classic representatives” of the era (you sure may have your own thoughts about this, but take it as some kind of subjective opinion - with a serious try of objectivity). Note: Songs listed in order of issue date, not in ranking order. Host: Roy Brown - ”Good Rocking Tonight” (DeLuxe) 1947 (youtube links) 1943 Don’t Cry, Baby (Bluebird) - Erskine Hawkins and his Orchestra Vocal refrain by Jimmy Mitchell (sic) Written by Saul Bernie, James P. Johnson and Stella Unger (sometimes listed as by Erskine Hawkins or Jmmy Mitchelle with arranger Sammy Lowe). Originally recorded by Bessie Smith in 1929. Jimmy 1. Mitchell actually was named Mitchelle and was Hawkins’ alto sax player. Brothers Paul (tenorsax) and Dud Bascomb (trumpet) played with Hawkins on this. A relaxed piano gives extra smoothness to it. Erskine was a very successful Hawkins was born in Birmingham, Alabama. Savoy Ballroom ”resident” bandleader and played trumpet. in New York for many years. -
Finding Aid to the Historymakers ® Video Oral History with Robert Lockwood, Jr
Finding Aid to The HistoryMakers ® Video Oral History with Robert Lockwood, Jr. Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Lockwood, Robert Jr., 1915-2006 Title: The HistoryMakers® Video Oral History Interview with Robert Lockwood, Jr., Dates: January 14, 2005 Bulk Dates: 2005 Physical 4 Betacame SP videocasettes (1:44:12). Description: Abstract: Blues guitarist Robert Lockwood, Jr. (1915 - 2006 ) was a legendary blues guitarist who was inducted into the Blues Hall of Fame in 1989. Lockwood was interviewed by The HistoryMakers® on January 14, 2005, in Cleveland, Ohio. This collection is comprised of the original video footage of the interview. Identification: A2005_017 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Guitarist and blues legend Robert Lockwood, Jr., a native of Turkey Scratch, Arkansas, was born on March 27, 1915. Lockwood, who held honorary doctorates from Case Western Reserve University and Cleveland State University, received his early education in Arkansas. Lockwood’s first instrument was the pump organ, which he began to play as a young child; he later learned to play guitar from his stepfather, legendary blues artist Robert Johnson. Lockwood left school and began his professional career at age fifteen, traveling throughout the Mississippi Delta playing in juke joints and age fifteen, traveling throughout the Mississippi Delta playing in juke joints and parties with Johnson, harpist Sonny Boy Williamson (a.k.a. Rice Miller), Johnny Shines, and others. Lockwood made his first recordings in 1941 with Doc Clayton on his famous Bluebird Sessions in Aurora, Illinois. -
Muziek Voor Volwassenen / Johan Derksen Zaterdag 21 Oktober 2017
Muziek voor volwassenen / Johan Derksen Zaterdag 21 oktober 2017 CD van de Week : "Until better times" - Leif de Leeuw band Maandag 23/10/2017 18:00-19:00 TITEL ARTIEST COMPONIST TIJD PLATENLABEL LABELNR. CD TITEL 09.00 - 10.00 uur 1 Blowin' in the wind O.V. Wright Bob Dylan 2:29 Ace Records CDCHD 1278 How many roads black america sings Bob Dylan 2 Girl from the north country Howard Tate Bob Dylan 3:42 Ace Records CDCHD 1278 How many roads black america sings Bob Dylan 3 Maggie's farm Solomon Burke Bob Dylan 2:15 Ace Records CDCHD 1278 How many roads black america sings Bob Dylan 4 With God on our side The Neville brothers Bob Dylan 6:33 Ace Records CDCHD 1278 How many roads black america sings Bob Dylan 5 Just like a woman Nina Simone Bob Dylan 4:48 Ace Records CDCHD 1278 How many roads black america sings Bob Dylan 6 I shall be released Freddie Scot Bob Dylan 2:40 Ace Records CDCHD 1278 How many roads black america sings Bob Dylan 7 Tonight I'll be staying here with you Esther Phillips Bob Dylan 2:45 Ace Records CDCHD 1278 How many roads black america sings Bob Dylan 8 Untill better times Leif de Leeuw band Leif de Leeuw Band 4:00 Continental Record Services LDLB04-CECD73 2017 Until better times 9 Leopard-skin pill-box hat Walter Trout Bob Dylan 5:32 Telearc CD-83567 Blues on blonde on blonde 10 Visions of Johanna Anders Osborne Bob Dylan 8:47 Telearc CD-83567 Blues on blonde on blonde 11 Pledging my time Duke Robillard Bob Dylan 4:46 Telearc CD-83567 Blues on blonde on blonde 12 Stuck inside of mobile with the Memphis blues again Joe Louis Walker Bob Dylan 8:52 Telearc CD-83567 Blues on blonde on blonde 10.00 - 11.00 uur 1 Everything is broken R.L. -
The Rabbit Hole
FROM OUR PRESIDENT, THE RABBIT HOLE 1801 Commonwealth Ave, Charlotte, NC RICK BALLEW: Don’t Miss our Anniversary Blues Bash Hey Blues Family and Happy in our new HOME AnniversaryCharlotte Blues Society! Our Sunday April 2, 2017 24th Anniversary is Sunday April 2 at The and its FREE Rabbit Hole. Our band is The Instigators, a Charlotte Blues Society member Band and they crank up at 8. We need lots of goodies for our Hospitality Table, so bring your best. To make the celebration complete we've got lots of gifts for you. Our raffle packages include a Coco Montoya gift pack, CDs and more. April 2017 e-BluesLetter Bring family and friends and keep your th It’s our 24 Anniversary and we are ready to turn it up a notch as we continue our mission of wallet in your pocket because it's FREE to KEEPIN’ THE BLUES ALIVE! get in. Spend your savings on raffle tickets and support The Charlotte Blues Society. “THE INSTIGATORS” will bring their Chicago Blues groove to the stage for a FREE Anniversary Our autographed guitar campaign is Blues Bash Sunday April 2, 2017. At 10pm blues underway with signatures from Joe players who sign up throughout the night for the Bonamassa, Tab Benoit and Eric Gales, so open blues jam will have an opportunity to show their stuff. far. Those tickets are $5 each or 3 for $10. The usual CD raffle packages and tickets SAVE THE DATE: Sunday April 2 , 2017 ******************************************* and CDs for Coco Montoya on April 12 are Our first gathering at our new home : THE RABBIT $2 each or 3 for $5 and so on.