I Hunger for You Executive Producer

Brooklyn Academy of Music

Adam E. Max, Chairman of the Board

William I. Campbell, Vice Chairman of the Board

Katy Clark, President

Joseph V. Melillo, I hunger for you Executive Producer

Kimberly Bartosik / daela

DATES: OCT 31—NOV 3 at 7:30pm Season Sponsor:

LOCATION: BAM Fisher (Fishman Space) Leadership support for dance at the RUN TIME: 50mins no intermission BAM Harvey and the BAM Fisher provided by the Doris Duke Charitable Foundation

Leadership support for dance at BAM provided by The Harkness Foundation for Dance

This production is made possible with support from the Joseph V. Melillo Fund for Artistic Innovation

Major support for dance at BAM provided by The SHS Foundation

Support for female choreographers and composers in the Next Wave Festival provided by the Virginia B. Toulmin Foundation

Support for dance at the BAM Fisher provided by the Mertz Gilmore Foundation

#KimberlyBartosik Chubb is a lead sponsor of BAM #BAMNextWave BAM Fisher I hunger for you ABOUT I hunger for you NY Premiere The creation and presentation of I hunger Over the past year, working in close Choreography and Direction for you is made possible, in part, through collaboration with my exquisite cast & Kimberly Bartosik commissions from BAM Next Wave extraordinary designers, I hunger for created in close collaboration with Festival and LUMBERYARD Center for you has spilled out of us with incredible performers Film and Performing Arts through an force. We have found ourselves enmeshed inaugural year BAM/LUMBERYARD in sweaty, intense practices based on Performers partnership. The work premiered at LUM- personal reflections on faith, violence, life Christian Allen BERYARD Center for Film and Perform- force, and compassion. Excavating a kind Dylan Crossman ing Arts where it also received significant of pulse from the body, we have been Burr Johnson development support in LUMBERYARD’s asking, “Where does the desire for faith Lindsey Jones residency program. locate itself in the body?” Joanna Kotze Dahlia Bartosik-Murray I hunger for you has also received gener- In I hunger for you, we’re sourcing—from ous funding from: The MAP Fund, primar- the subterranean recesses of our bodies— Lighting and set design ily supported by the Doris Duke Charitable the deeply human desire to connect... Roderick Murray Foundation with additional funds from with each other, with a divine force, with the Andrew W. Mellon Foundation; New something outside, with something within Music England Foundation for the Arts’ National ourselves. It doesn’t matter where we look. Sivan Jacobovitz Dance Project Production Grant, with lead What matters is that, at some point in arranged with funding from the Doris Duke Charitable this fleeting existence, we look, pull, take, Kimberly Bartosik Foundation and The Andrew W. Mellon give, and feel hunger. Foundation; General Operating support Costume design was made possible by the New England Harriet Jung Foundation for the Arts’ National Dance —Kimberly Bartosik Project with funding from the Doris Duke Sound engineer Charitable Foundation; Production Resi- James Bigbee Garver dency & Community Engagement Fund funded by the New England Foundation Dramaturg for the Arts’ National Dance project, with Melanie George* funding from the Andrew W. Mellon Foundation; New York Live Arts’ Live Feed Residency Program; and administrative support through Pentacle’s ART Program.

Commissioned by BAM and I hunger for you was created, in part, LUMBERYARD Center for Film and during a National Dance Project Late Performing Arts Stage Production Residency @ National Choreographic Center-Akron (NCC-Akron); World Premiere, LUMBERYARD Center accueil studio residency @ Centre Choré- for Film and Performing Arts, October 12, graphique National-Ballet de Lorraine; 2018 Bogliasco Fellowship; Marble House Project Residency; Upstream Residency *made possible by LUMBERYARD Center @ Kaatsbaan International Dance Center; for Film and Performing Arts and DANCENOW Silo. American Dance Abroad; New Music USA, Faculty of Political and Social Research Crossman became an understudy for the Live Music for Dance; and Foundation for of The New School University. She was a Merce Cunningham Dance Company in Contemporary Arts, Grants to Artists and 2016 Princeton Fellowship Finalist, and 2007, joined the main company in 2009, Emergency Grants. She is a 2018 Creative has been a guest artist/faculty at Princeton and was a part of the company’s final tour Who’s Arts Initiative (CAI) grantee. University, The Juilliard School, Rutgers through 2012. Now living the freelance University (2019), University of North life, he works with Kimberly Bartosik/ Bartosik is a 2017—19 New York Live Carolina School for the Arts, Arizona State daela, Ryan McNamara, Sally Silvers, Arts Live Feed Residency Artist where she University’s Hergberger Institute for Design Amber Sloan, Pam Tanowitz, and Megan is developing I hunger, the sister piece to and the Arts, SUNY/Purchase, Colorado Williams. He is on faculty at the Who I hunger for you, for a December 2019 College, and University of Buffalo (2019). Cunningham Trust, SUNY Purchase, premiere. She was a 2017 Dancing Burklyn Ballet Theatre, and Barnard KIMBERLY BARTOSIK Laboratory Residency Artist at the National College. He is also a stager for the Cun- Choreographer/Director Center for Choreography at the University CHRISTIAN ALLEN ningham Trust where he has worked on of Akron (NCCAkron); a 2017 Bogliasco Performer productions of Cross Currents (1964), Bessie Award-winning performer Foundation Fellow; a 2015 Merce Changing Steps (1973), and Trails Kimberly Bartosik’s work has been com- Cunningham Fellow; and a 2016 Gibney Christian Allen grew up in Cambridge, MA, (1982) as well as staging Changing Steps missioned and presented by BAM Next Dance DiP Residence Artist. She is a where he began dancing at the age of five on Interlochen School for the Arts. Wave Festival, LUMBERYARD Center recipient of an ART, a Capacity-Building with JAM’NASTICS INC, a local hip-hop for Film and Performing Arts, New York grant through Pentacle (2016-19). company. His formal dance training began Crossman is a two-time Bessie Award Live Arts, Wexner Arts Center, 92nd St. in high school where he studied ballet, recipient, the first for his work in Y Fridays @ Noon (2019), American Bartosik has been in creative residence at modern, and improvisational dance. In the Tanowitz’s Be in the Gray with Me (2009) Realness festival, Dance Place, American New York Live Arts, Live Feed and Studio course of receiving his BFA from the Con- and the second as part of the Cunningham Dance Festival, Dance Theater Workshop, Series; NCCAkron; Centre Chorégraphique servatory of Dance at Purchase College, Company’s Legacy Tour (2012). His own Gibney Dance, Abrons Art Center, The National-Ballet de Lorraine; LUMBER- SUNY, and since graduation, he has per- company, Crossman Dans(c)e, looks at Yard, MASS MoCA/Jacob’s Pillow, Dan- YARD Center for Film and Performing formed repertory from NØA Dance, GREY- identity issues within the frame of formal- space Project, French Institute Alliance Arts; Marble House Project; Gibney Dance ZONE NYC, Gregory Dolbashian, Adam ism and the beauty in vulnerability. His Française’s Crossing the Line Festival, Center’s DiP Residency; Centre Choré- Barruch, Gabrielle Lamb, Shannon Gillen, work had been seen at DanceRoulette, La Festival Rencontres Chorégraphique Inter- graphique National de Franche-Comté Roy Assaf, Aszure Barton, Kyle Abraham, MaMa, the 92nd Street Y, the Museum of nationales de Seine-Saint Denis (France), à Belfort, France (FUSED); Governor’s Brian Brooks, Emily Molnar, Merce Cun- Arts and Design, Gibney Dance, Abrons Artdanthe Festival (France), BEAT Festival, Island through Lower Manhattan Cultural ningham, Trisha Brown, and Bill T. Jones. Arts Center, and The Yard. His work has The Kitchen, La MaMa, Mount Tremper Council’s Swing Space Program; This is his first season performing and been called “compellingly poetic” by The Arts, and Movement Research. Herberger Institute for Design and the Arts working with Kimberly Bartosik. New York Times. He has received support at Arizona State University; Joyce Soho from the Foundation for Contemporary Art, Bartosik is a 2017 National Dance Project Artist Residency Program; LaGuardia the Jerome Foundation, Mount Tremper (NDP) Production Grant and Community Performing Arts Center; Jacob’s Pillow; DYLAN CROSSMAN Arts, Topaz Arts, and Norte Maar and was Engagement Fund recipient, a program Kaatsbaan International Dance Center; Performer a 2016 Schonberg Legacy Choreography of the New England Foundation for the Mount Tremper Arts; White Oak Planta- Fellow at The Yard. Crossman also works Arts. She is a 2017 and 2010 MAP Fund tion; and Movement Research. Dylan Crossman grew up in the south of with children as well as adults, introduc- grantee and has also received support for France, received his bachelor’s degree ing them to Merce Cunningham’s creative her choreographic work from the Jerome Bartosik was a member of the Merce Cun- from the Trinity/Laban College of Music ideas and philosophy, in order to facilitate Foundation; FUSED (French-US Exchange ningham Dance Company for nine years and Dance in London, and studied in the social integration and conflict resolution. in Dance), a program of the New England and received a Bessie Award for artistic US at Burklyn Ballet Theatre (VT). He was the teacher/choreographer for Kid Foundation for the Arts in partnership excellence in his work. She was a member Birds, an outreach project which won the with the Cultural Services of the French of the Wally Cardona Quartet and also per- Crossman moved to New York in 2006 2014 French Cultural and Artistic Audac- Embassy and the French American formed in the 2011 re-staging of Robert and has since worked with various ity Award. Crossman Dans(c)e will present Cultural Exchange; Mid-Atlantic Arts Ashley’s 1967 opera, That Morning Thing. choreographers including Brian Brooks, its next work as a part of the Harkness Foundation, USArtists International; New She received her BFA from North Carolina Christopher Williams, Ellen Cornfield, Dance Festival on March 15 & 16, 2019. York Foundation for the Arts, Building Up School of the Arts, and MA in 20th cen- Wally Cardona, and Seán Curran. He is a dylancrossman.org Infrastructure Levels for Dance (BUILD); tury art and art criticism from the Graduate founding member of Peter Kyle Dance. Thorson, Alice Sheppard/Kinetic Light, University of Utah, Salem College, MoMA JAMES BIGBEE GARVER and Caleb Teicher & Company. Current PS 1, Goucher College, Virginia Com- JOANNA KOTZE Sound engineer Projects include new works by Kimberly monwealth University, UNC Greensboro, Performer Bartosik/daela and Kathy Westwater. and the American Dance Festival. He also James Bigbee Garver has worked as works as a gardener with CF Gardens. Joanna Kotze is a Brooklyn-based dancer, a sound designer and composer since choreographer, and teacher. She received 2000, preferring the title of Sound Writer. SIVAN JACOBOVITZ a 2013 Bessie Award for outstanding Garver’s New York dance and theater Composer LINDSEY JONES emerging choreographer and has received credits include PS 122 and the World Performer support from the Jerome Foundation, Financial Center with PearlDamour; 92Y Sivan Jacobovitz is a producer/musician New Music USA, Mertz-Gilmore Founda- Harkness Dance and Joyce SoHo with living in New York City. As frontman of Lindsey Jones is originally from St. tion, Harkness Foundation for Dance, Peter Kyle Dance Company; Japan Society electronic/post-punk act Glass Gang, Louis, MO. She received her BFA from New York Foundation for the Arts BUILD, and Robert Wilson’s Watermill Center with Jacobovitz’s work has been featured by SUNY Purchase and studied abroad at Brooklyn Arts Council, Yellowhouse, and the South Wing Theater Company; and The New Yorker, BBC Radio 1, Nowness, London Contemporary Dance School. two Foundation for Contemporary Arts off-Broadway with East Third Ensemble. Dazed & Confused magazine, i-D, FACT, Jones has performed with GREYZONE, Emergency Grants. His designs and music for the theater and more. His modern dance active col- Jonathan Allen, Ian Spencer Bell, June have also been heard at multiple venues laborations include Kimberly Bartosik’s I Finch, Adriane Lee, Jordana Toback, and Her choreography has been presented at in Washington, DC, including Woolly hunger for you (BAM, Lumberyard, NYLA) The Dreamland Follies and is currently the Wexner Center for the Arts, Velocity Mammoth Theatre, Signature Theatre, and Shamel Pitts’ Black Hole (Dock 1, working with Dance Heginbotham, Pam Dance Center, the National Arts Centre in Folger Theatre, and Studio Theatre, among Berlin; National Palace of Culture, Sofia, Tanowitz Dance, Bill Young, Caleb Teicher Ottawa, New York Live Arts, Baryshnikov others. His installation and sound art Bulgaria; and Israel Museum, Jerusalem). & Company, Kimberly Bartosik/daela, Arts Center, American Dance Institute work with The Brayver Concern has been He received a BFA in music composition Sally Silvers & Dancers, and the Merce (ADI), Bard College’s Fisher Center, Dan- on view at the Smithsonian’s Hirshhorn, and performing arts technology from the Cunningham Trust. She originated the role space Project, Jacob’s Pillow, Dance New American, and Natural History Museums, University of Michigan’s School of Music, of The Cat in Isaac Mizrahi’s Peter & the Amsterdam, Movement Research at Jud- Bowdoin College Museum of Art, and at Theatre & Dance. THFC. glassgang.us Wolf and was featured in his production son Church, Roulette, Dixon Place, 92nd the Megapolis Audio Festival. He is a pro- of The Magic Flute at the Opera Theatre Street Y, WAXworks, Lu Magnus gallery, fessional member of the Theatrical Sound of St. Louis. Jones has collaborated and Soho20 gallery, Show Room Gowanus Designers and Composers Association. BURR JOHNSON performed with the musical artists Blood gallery, Industry City, and the Thelma He received his MFA in theater from the Performer Orange, kuxxan SUUM, Loving You, and Sadoff Center for the Arts (WI). University of Washington. bigbee.org. Stone Cold Fox. Burr Johnson has danced for John Kotze has received commissions to create Jasperse Projects, Helen Simoneau new works on Gibney Dance Company MELANIE GEORGE Danse, Kimberly Bartosik/daela, and Shen HARRIET JUNG (NYC), Toronto Dance Theatre, Ririe- Dramaturg Wei Dance Arts. He has also worked Costume design Woodbury (Salt Lake City), Zenon Dance for Marina Abramovi´c/Givenchy, Walter (Minneapolis), and James Sewell Ballet Melanie George is a dance educator, Dundervill, Ryan McNamara, Yozmit, Harriet Jung is a New York-based artist (Minneapolis). She has also created origi- choreographer, and scholar. She is the Brittany Bailey/Mark Fell, Boris Charmatz, working in costume and fashion design. nal works on students at Barnard College, founder and director of Jazz Is…Dance Isabel Lewis, Nick Mauss, Peter Sellars, She was born in South Korea, and im- The New School, Purchase College, Long Project, and dramaturg and audience edu- Christopher Williams, Bill Young, and Jack migrated to California when she was three Island University, Ohio University, South- cator at Lumberyard (formerly American Ferver. His choreographic work has been months old. After completing degrees in ern Utah University, and Miami University Dance Institute). As an institutional and presented through Movement Research, molecular cell biology and fashion design, (OH). freelance dramaturg, she works closely Dixon Place, Abrons Art Center, Josée she worked as a womenswear designer for with internationally recognized contempo- Bienvenu Gallery, Danspace Project, New Jill Stuart. She then went on to found Reid She has had recent residencies at The rary performing artists in the incubation of York Live Arts, Elizabeth Dee Gallery, the & Harriet in the fall of 2011. Through this Bogliasco Foundation in Italy and The new works for the stage. For Lumberyard, American Dance Festival, and Works and collaboration, she has designed produc- Yard, is a recipient of two Process Space she has contributed to projects by Susan Process at the Guggenheim. His newest tions for New York City Ballet, American residencies through Lower Manhattan Marshall & Company, Raja Feather Kelly, work will premiere at Gibney: DoublePlus Ballet Theatre, and San Francisco Ballet, Cultural Council (LMCC), and was a David Dorfman Dance, Bebe Miller, and December 13—15, 2018, alongside a among many other companies around 2013—15 Movement Research artist-in- Urban Bush Women, among others. As new work by Fana Fraser. He has guest- the world. residence. additional residencies include a freelance dramaturg and performance taught at Henrico Center for the Arts, Milvus Artistic Research Center (Sweden), coach, she has worked with Morgan Philadelphia University of the Arts, the Jacob’s Pillow, Bennington College, Sedona Arts Center, Marble House, The US, as well as designs for Millepied’s Niang’s To the Heart. She is in seventh Camargo Foundation (France), The 92nd commissioned works for NYCB, ABT, grade and goes to MS 443, New Voices Street Y Harkness Dance Center, Barysh- Ballet du Grand Théâtre de Genève, Lyon School of Academic & Creative Arts, where nikov Arts Center, Djerassi, Gibney Dance Opéra Ballet, Ballett Dortmund, and oth- she is a STEM Major. Center, and Mt. Tremper Arts. Kotze was ers. In 2006 he designed the lighting for a 2012 fellow for Ailey’s New Directions Sekou Sundiata’s epic the 51st (dream) Choreography Lab and this year serves as state (BAM 2006 Next Wave). In 2008 Kimberly Bartosik/ an artistic advisor. he was invited to design the lighting for Paul Simon’s Songs from the Capeman daela Kotze danced with Wally Cardona from (BAM Harvey 2008 Winter/Spring). Mur- 2000—10 and has been dancing with ray designed a premiere for Hot Mouth at The mission of Kimberly Bartosik/ Kimberly Bartosik/daela since 2009. Also the Peacock Theatre at the West End in daela is to create viscerally provocative currently working with Kota Yamazaki and London in 1996. He collaborates regularly choreographic projects that are built Wally Cardona, she has worked with Stacy with Kathy Westwater and Dušan Týnek upon the development of a virtuosic Spence, Netta Yerushalmy, Sam Kim, and has designed many projects for Wally movement language, rigorous conceptual Sarah Skaggs, Christopher Williams, the Cardona both at BAM and internationally. explorations, and the creation of highly Metropolitan Opera Ballet, Daniel Charon, Murray designed many projects with Luca theatricalized environments. Bartosik Nina Winthrop, and others. She is on Veggetti, including the US premiere of Ian- closely collaborates with her performers teaching faculty at Movement Research nis Xenakis’ Oresteia in New York. He has and designers to create work which is and Gibney Dance and has taught at designed the lighting for Karen Sherman’s deeply informed by literature and cinema, many universities and festivals around the remarkable Softgoods, as well as for Rose- involves complex plays on space, time, country including Salt Dance Fest and the anne Spradlin, Ballet di Roma, Jessica Mi- and audience perspective, dramatically American Dance Festival. She is originally trani, David Thomson, Troy Schumacher illuminating the ephemeral nature of from South Africa and has a BA in archi- (Ballet Collective), Yanira Castro, Melinda performance. tecture from Miami University (OH). Ring, Yasuko Yokoshi, Tim Fain, Ethel, Artistic Director: Kimberly Bartosik Morphoses, Donna Uchizono, Paradigm, Production Manager: Roderick Murray Scotty Heron, Pepatian, Pennsylvania Bal- Project Manager: Jane Forde RODERICK MURRAY let, Clarinda MacLow, Ballet Idaho, Cori Administrator: Sarah Suzuki, ART/Pentacle Lighting design Olinghouse, Risa Jaroslow and Dancers, Bill Young and Dancers, Ricochet Dance, Contributions may be made payable to: Roderick Murray has been designing and many others. Murray’s light installa- Kimberly Bartosik/daela, 1613 10th lighting and installations for performance tions have been commissioned by NYLA, Ave. Apt. 2,Brooklyn, NY 11215. Online both nationally and internationally since and FIAF’s Crossing the Line Festival. contributions may be made by visiting 1989. The majority of his work has daela.org/support. Kimberly Bartosik/daela been with dance, opera, and music, both Murray also performed for nine years with is fiscally sponsored by Unique Projects experimental and traditional. Murray has the fabulous Circus Amok and was recent- Inc., a New York State not-for-profit been designing and creating the light- ly the DJ in Jérôme Bel’s The Show Must 501 (c) 3 organization administered by ing and environments in all of Kimberly Go On. Murray has taught at Purchase Pentacle (DanceWorks, Inc.) Bartosik’s choreographic works since College, Hunter College, and University of 2000, including performing a duet with the Arts. He thanks Dahlia and Kimberly Exclusive USA tour Representation: Bartosik for light and body. Together they for their everlasting love and support. also teach workshops that use light as PENTACLE a generative element for choreography. Sandy Garcia Murray has designed the lighting for Ralph DAHLIA BARTOSIK-MURRAY [email protected] Lemon’s performance works since 2004 Performer pentacle.org including major touring works in the US, at BAM, and in France for the Lyon Opéra Dahlia Bartosik-Murray lives in Brooklyn Ballet. His designs for Benjamin Millepied with her dog, Midnight, and her parents. and LA Dance Project include many world Earlier this year she also performed in premieres at venues in Europe and the Jérôme Bel’s Gala and Thierry Thieû

BURR JOHNSON CHRISTIAN ALLEN LINDSEY JONES MELANIE GEORGE Photo: Stephanie Crousillat Photo: Wilson Anderson Photo: Janelle Jones Photo: JD Urban

HARRIET JUNG DYLAN CROSSMAN RODERICK MURRAY SIVAN JACOBOVITZ Photo: Michael Manata Photo: Damian Calvo Photo: Courtesy of the artist Photo: Camilo Fuentealba

JOANNA KOTZE KIMBERLY BARTOSIK DAHLIA BARTOSIK-MURRAY JAMES BIGBEE GARVER Photo: Ted Roeder Photo: Scott Shaw Photo: Simon Courchel Photo: Courtesy of the artist generously hosting our NDP Production Lindsey Matheis, Rachel & Larry Norton, Special Thanks! Residency, without which we never could Okwui Okpokwasili, Ryan Platt, Laura have realized I hunger for you! And John Sears, Stephen Shelley, Martha Sherman, Ebert in Akron for his expertise. Tom Caley Amy Soloway, Vicki & Bob Stocking, Derry THANK YOU Joe Melillo for believing in & Petter Jacobsson @ CCN-Ballet de Swan, Fox Vernon, Megan Williams, me and for the immense honor of inviting Lorraine; Laura Harrison @ Bogliasco Matthew Winheld, Janet Wong, and all our work to be part of this very special Foundation; Danielle Epstein, Dina our generous Anonymous Donors! BAM Next Wave season. Thank you to Shapiro and Marnie Briggs @ Marble Thank you Jessica Massart for your awe- all the BAM staff who have so graciously House Project; Gregory Cary @ Kaatsbaan some guidance and championing. helped bring I hunger for you to the Fisher International Dance Center; Robin Staff @ the Silo. BAM®, Brooklyn Academy of Music, Next Wave®, Stage! This has been a longtime dream of and Teknopolis® are trademarks of Brooklyn Academy mine, and we are so honored to be part of of Music, Inc. © Brooklyn Academy of Music, Inc. Kimberly Bartosik/daela’s fantastic BAM Next Wave Festival. (2018). administrative team: Sarah Suzuki, Jane Thank you LUMBERYARD Center for Film Forde, Sandy Garcia, and everyone at and Performing Arts for supporting this Pentacle who has been championing me. project as part of an inaugural year BAM/ LUMBERYARD partnership and offering Thank you Sarah Rulfs, Erin Carr, us the perfect place to premiere the work. Quinn Czejkowski!! You have been such incredible partners, Ruth Moe, Jason Wells, Melanie George, And thank you to my dearest friends/col- Jimmy Garver, Adrienne Willis, and the leagues who have encouraged me to keep entire, fabulous staff! going even on the darkest days: Nicole Birmann, David White, Michael Cole, Many thanks to Janet Wong, Bill T. Jones, Ralph Lemon, Boo Froebel, Marc Mann, and Kyle Maude @ New York Live Arts, for Derry Swan, Bruno Joli, ALL my students. your continued faith in my artistic journey The incredible partners who support us and embracing my next project as a NYLA all: Jonathan, Stephen, Patrick, Sam. And Live Feed Residency Artist! it does take a village! Thank you Jim, Eleanor, Amanda, Mike, Chris, Stefanie, I hunger for you belongs to all of us who Liz, Henry, Valeria, Mark, Amy, Djily, and created it together. Thank you my exquisite Lela. artists/friends: Joanna, Dylan, Burr, Christian, Lindsey, Rick, Sivan, Harriet, My amazing dad, without whom my ca- and a very special thank you Dahlia for reer would never have been possible! My the gift of her presence. And to Melanie mom’s spirit, my awesome siblings Vicki, George for her precise, compassioate, Rick, Don, and Chris and their spouses brilliant eye. Thanks to our early cast and families who also champion me. members, Cynthia Koppe, Lindsey Matheis, and William Fowler. And to Merce… Hannah in Akron. I have been thrilled and humbled by Thank you to our funders! Moira Brennan the outpouring of generosity from my and Lauren Slone @ The MAP fund! community of artists, friends, and family. Cathy Edwards, Cheri Opperman, Kristin Thank you to everyone who made our Gregory, and the incredible staff @ New Kickstarter campaign a fantastic suc- England Foundation for the Arts. cess: Jamie Bishton, Anthony B. Creamer Our Residency partners: Alongside III, Nicholas Croft, Nancy Dalva, Brian LUMBERYARD, thank you Christy Erlwein, Julie G., Mark Kim, Glenn Ligon, Robert & Elfriede Malin, Jessica Massart, Bolingbroke @ NCC-Akron for so Burr Johnson and Joanna Kotze Photo: Jim Coleman PHOTO: JIM COLEMAN Joanna Kotze Photo: Jim Coleman BAM would like to thank the many friends and supporters who have made gifts in honor of Joseph V. Melillo’s legacy at BAM.

The following donors have made William Rudin Celia Liu generous gifts to support Bette and Richard Saltzman Sharon Liu programming at BAM that celebrates Edward and Virginia Spilka Shawn Liu Joe’s artistic vision. James Wilentz and Robin Maxwell Clemente Luna Richard C. Yancey William Lynch $200,000 and above Matthew and Myra Zuckerbraun Rory MacPherson William I. Campbell and Christine Ted Marchant Wächter-Campbell Up to $2,499 Stacy and Lee Margolis Doris Duke Charitable Foundation Anonymous Ira Mark Goldman Sachs Gives at the direction of Takis C. Anoussis Joshua Massey Annie Hubbard and Harvey Schwartz Alberta Arthurs Maria Matasar-Padilla Jerome L Greene Foundation Beth Aviv and David Angerman Thomas May and Virginia Thomas Edgar and Robin Lampert Alice Bernstein and Jack Couch Kim McGuire and Jim Samsel Diane and Adam E. Max Thomas Boman Molly Meloy Barbara and Richard Moore Lisa Booth Jean-Charles Morisseau Onassis Foundation USA Christina Bost-Seaton John Morning Robert Bresnan Ellen Murphy $50,000 to $199,999 Vince Bruns and Martha Wilson Sanford Nager Bloomberg Philanthropies Amy Cassello and Anne Davison Margrit Newman Brooklyn Community Foundation Bill Castelman Iain Newton Con Edison Joe Cesar Nonesuch Records Aashish and Dinyar Devitre Eveline Chang Ellen Oler Thérèse M. Esperdy and Sarah Chinn Maria Olivera Robert G. Neborak Neil D. & Kathleen M. Chrisman Rita Ormsby Judith R. and Alan H. Fishman Katy Clark and David Moody Robert Ouimette Howard Gilman Foundation Patty Clark Annie-B Parson Adrienne Harris, in memory of Karin Coonrod Shari and Jack Pascarosa Robert Sklar Frederic Cosandey and Merry Conway Jean Passanante The Rita and Alex Hillman Foundation Laura Crow Beth Peller The Lemberg Foundation Barbara and Jim Cummings Antonia Pew Scott C. McDonald Maayan Dauber Pheffer Graphics The SHS Foundation Philip Deblasio and Teresa Novellino Debra Preston Eva and John Usdan Steve and Ann Dennin Kenneth ReCoor and Julie Johantgen Nora Ann Wallace and Jack Nusbaum Martha Denton Michael Remboulis and Regina Gori Jonah Disend David A. Richards $10,000 to $49,999 Pamela Dower Isabel Roberts Jonathan and Jessika Auerbach David and Cecily Englander Irene Robling Ayco Charitable Foundation Drew Elliott and Erika Doering Jessica Rocks Natalia Chefer and Joel Tompkins Jill Everett Amy Rogoway and Adam Stockhausen Cheryl and Joe Della Rosa Bruce Fagin Robert and Marilyn Rosenberg Steven and Susan Felsher Brian C. Fimple Daniel Rubey and Karen Sughrue Barbara Haws and William Josephson Leslie Findlen Jimenez Ruiz-Jimenez Penn and Diane Holsenbeck Tanea Flanders Adam M. Sachs Gabriel and Lindsay Pizzi Robert Flynn Judith and Michael Sacks Frances A. Resheske Robert French Stephen A. Saitas The Rolex Institute Mark and Margaret Fuerst Sallie D. Sanders Jonathan F.P. and Diana Calthorpe Rose Michael Garber Thomas Sauermilch and Ida Barak Sandra Garner Marcia Savin The following donors have made Ellen Goldman Alfred Schatz generous gifts in support of naming Sharon Budd and Carolina Grynbal Robert Scotto the stage door to the Peter Jay Sharp Agnes Gund Richard Serrano Building in Joe’s honor. Kenneth V. Handal and Mary Ann Settel Francina Golden The Shafer Fund for Culture $200,000 and above Donna Harkavy and Environment The Lawton W. Fitt & James I. Johan Hoffenberg and Robert Vermes Gia Sharp McLaren Foundation Pieter Hofman Bartholomew A. Sheehan and Brenna Horrocks Sheila A. Cain $50,000 to $199,999 Sophie Hughes Molly Silberberg Jeanne Donovan Fisher Charlotte Isaacs Nancy Smid and John King Carol Yorke and Gerard Conn Bree Jeppson and James Bassett Cass Smith Anita Jorgensen Robert Smith $10,000 to $49,999 Monika Jouvert Anna Sperber and Peter Kerlin John M. Goldsmith Barbara Julius and Marc Silberberg Linda States Rena Shagan Beverly Kalman Katharine Steinberg Joseph A. Stern Thomas Kaniewski Christina Sterner Miriam Katowitz and Arthur Radin Jos Stumpe $2,500 to $9,999 James E. and Marcia J. Kelly Keith Stubblefield and Carlyle Kloter Anonymous (3) Michael C. Kendrick Daryl Tillman Daniel Baldini Peter Kroll Lloyd Trufelman Consulate General of the Kingdom of the Frances Kumin Diane Wachtell Netherlands in New York Michel Lacroix Margaret Wenig Eleanor Friedman John Lanasa James Wu General Delegation of the Government of Alan and Cynthia Lantz Rebecca Zuber Flanders to the U.S. Ricardo Laremont Bill Kramer and Peter Cipkowski Paula Lawrence Gifts and commitments as of Beth Rudin DeWoody Sharon Lehner September 19, 2018