Performing Arts Records, Coordinator, John Ludwig, 1964 – 1969
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Press Release
PRESS RELEASE Annie Leibovitz: American Music at Jackson Fine Art September 9—October 22, 2005 Traveling from New York to Los Angeles and now coming to the south, portraits of American music legends by the world-renowned photographer Annie Leibovitz will premiere at Jackson Fine Art on Friday, September 9, 2005 from 6 to 8pm. This exhibition will showcase this central theme of American Music highlighting Leibovitz’s long and celebrated career. The show will run until October 22, 2005 and will also feature Leibovitz’s newest book from Random House, American Music. “I started out as a photographer at Rolling Stone more than twenty-five years ago,” Leibovitz says, “and I wanted to go back to the subject of music with a mature eye. Bring my experience to it…make it a real American tapestry.” From juke joints to Graceland, Leibovitz traveled through the landscape of blues, gospel, jazz, country and rock. Her subjects include American icons B.B. King, Johnny Cash, Willie Nelson, Miles Davis, Tony Bennett, Pete Seeger, Dolly Parton, Bob Dylan, Tina Turner, Bruce Springsteen, Patti Smith, Iggy Pop, Eminem, Dr. Dre, Mary J. Blige, and many relatively obscure musicians such as Othar Turner, R.L. Burnside, Jessie Mae Hemphill and Irma Thomas. Although mostly shot between 1999 and 2000, some were taken in the early 1970s when Leibovitz became Rolling Stone magazine’s chief photographer. Leibovitz’s photographs of musicians have become signature images that vividly capture the artists behind the music. Her ability to portray each subject’s personality with her own distinct flair continues to set her work apart from other portrait artists. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, wfiMe others may be from any type of computer printer. Tfie quality of this reproducthm Is dependent upon ttie quality of the copy subm itted. Broken or indistinct print, ootored or poor quality illustrations and photographs, print bleodthrough. substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these wiU be noted. Also, if unauthorized copyright material had to t>e removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at ttie upper left-tiand comer and continuing from left to rigtit in equal sections with small overlaps. Photographs included in the original manuscript have t>een reproduced xerographically in this copy. Higtier qualify 6” x 9” black and white photographic prints are available for any pfiotographs or illustrations appearing in this copy for an additional ctiarge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMT CHILDREN'S DANCE: AN EXPLORATION THROUGH THE TECHNIQUES OF MERGE CUNNINGHAM DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Sharon L. Unrau, M.A., CM.A. The Ohio State University 2000 Dissertation Committee: Approved by Professor Emeritus Philip Clark Professor Seymour Kleinman, Advisor Assistant Professor Fiona Travis UMI Number 9962456 Copyright 2000 by Unrau, Sharon Lynn All rights reserved. -
Night of 100 Solos: a Centennial Event
2019 Winter/Spring Season Brooklyn Academy of Music Adam E. Max, Katy Clark, BAM Board Chair President William I. Campbell and Nora Ann Wallace David Binder, BAM Board Vice Chairs Artistic Director Night of 100 Solos: A Centennial Event Choreography by Merce Cunningham BAM Howard Gilman Opera House Apr 16 at 7:30pm Running time: approx. 90 minutes, no intermission Presented without inter- Stager Patricia Lent mission, Events consist of Associate stager Jean Freebury excerpts of dances from the Music director John King repertory and new sequences Set designer Pat Steir arranged for the particular performance and place, Costume designers and builders Reid Bartelme & Harriet Jung with the possibility of several Lighting designer Christine Schallenberg separate activities happening Technical director Davison Scandrett at the same time. —Merce Cunningham Co-produced by Brooklyn Academy of Music, the Barbican London, UCLA’s Center for the Art of Performance, and the Merce Cunningham Trust Night of 100 Solos: A Centennial Event is part of the Merce Cunningham Centennial. Night of 100 Solos: A Centennial Event is generously supported by a major grant from the Howard Gilman Foundation. 2019 Winter/Spring is programmed by Joseph V. Melillo. Season Sponsor: Leadership support for dance at BAM provided by The Harkness Foundation for Dance Major support for dance at BAM provided by The SHS Foundation Support for the Signature Artists Series provided by the Howard Gilman Foundation Night of 100 Solos DANCERS Kyle Abraham, Christian Allen, Mariah Anton -
American Masters 200 List Finaljan2014
Premiere Date # American Masters Program Title (Month-YY) Subject Name 1 ARTHUR MILLER: PRIVATE CONVERSATIONS On the Set of "Death of a Salesman" June-86 Arthur Miller 2 PHILIP JOHNSON: A SELF PORTRAIT June-86 Philip Johnson 3 KATHERINE ANNE PORTER: THE EYE OF MEMORY July-86 Katherine Anne Porter 4 UNKNOWN CHAPLIN (Part 1) July-86 Charlie Chaplin 5 UNKNOWN CHAPLIN (Part 2) July-86 Charlie Chaplin 6 UNKNOWN CHAPLIN (Part 3) July-86 Charlie Chaplin 7 BILLIE HOLIDAY: THE LONG NIGHT OF LADY DAY August-86 Billie Holiday 8 JAMES LEVINE: THE LIFE IN MUSIC August-86 James Levine 9 AARON COPLAND: A SELF PORTRAIT August-86 Aaron Copland 10 THOMAS EAKINS: A MOTION PORTRAIT August-86 Thomas Eakins 11 GEORGIA O'KEEFFE September-86 Georgia O'Keeffe 12 EUGENE O'NEILL: A GLORY OF GHOSTS September-86 Eugene O'Neill 13 ISAAC IN AMERICA: A JOURNEY WITH ISAAC BASHEVIS SINGER July-87 Isaac Bashevis Singer 14 DIRECTED BY WILLIAM WYLER July-87 William Wyler 15 ARTHUR RUBENSTEIN: RUBENSTEIN REMEMBERED July-87 Arthur Rubinstein 16 ALWIN NIKOLAIS AND MURRAY LOUIS: NIK AND MURRAY July-87 Alwin Nikolais/Murray Louis 17 GEORGE GERSHWIN REMEMBERED August-87 George Gershwin 18 MAURICE SENDAK: MON CHER PAPA August-87 Maurice Sendak 19 THE NEGRO ENSEMBLE COMPANY September-87 Negro Ensemble Co. 20 UNANSWERED PRAYERS: THE LIFE AND TIMES OF TRUMAN CAPOTE September-87 Truman Capote 21 THE TEN YEAR LUNCH: THE WIT AND LEGEND OF THE ALGONQUIN ROUND TABLE September-87 Algonquin Round Table 22 BUSTER KEATON: A HARD ACT TO FOLLOW (Part 1) November-87 Buster Keaton 23 BUSTER KEATON: -
Protest Music As Responsible Citizenship Was a Special Event That
Protest Music As Responsible Citizenship was a special event that studied how music helps to construct the political consciousness of a nation, how songs mobilize thousands of people around issues affecting American life, and how music addresses the role of America in the global context. The event brought together Harry Belafonte, Holly Near, Bernice Johnson Reagon, and Pete Seeger, four musicians who have played key public roles in the past decades, to discuss how citizenship, music, and social change take on greater significance in this time of increasing polarization both at home and globally. Music and social change have been documented through autobiographies and biographies of performers, ethnographic studies of music and cultural performance, and ethnomusicology research on music and revolution. However, little has been documented about the role of public music performances in shaping citizen responses to political events. The musicians participating in the event and conversation--Harry Belafonte, Holly Near, Bernice Johnson Reagon, and Pete Seeger--have challenged the public to consider issues of national security and responsible citizenship. Through their songs, stories, and actions, these musicians have enacted their citizenship by voicing a challenging call. Protest Music as Responsible Citizenship explored how protest music and protest itself can be considered responsible citizenship. The event, which was moderated by James Early of the Smithsonian and Mershon’s Amy Horowitz, included a roundtable that brought together artists and a variety of scholars from Ohio State to discuss the complexities of protest music and other political art in a complicated global society. The event also included an evening performance for the public, where the artists performed songs and discussed their own political and performing histories. -
TOC for Southern Cultures Special Music Issue
H-Amstdy TOC for Southern Cultures special Music Issue Discussion published by Irene Newman on Saturday, October 31, 2015 Please see below the Table of Contents for Southern Cultures's 7th Music Issue, featuring Johnny Cash's last interview, Emmylou Harris as the Widow of Nashville, Muscle Shoals and the rise of FAME Recording Studios, Lynyrd Skynyrd and Dutch band Normaal, huapango arribeno musicians and the making of a "Mexican South," the remaking of Beale Street, a newly discovered ballad of Ella May Wiggins, the community of New Orleans musicians, and more, including a collection of the best in new southern music. http://southerncultures.org/music-fall-2015/ Front Porch by Harry L. Watson “[I]n a long history of poverty, defeat, and suffering on all sides… music in multiple forms became and indispensable source of solace, renewal, and strength.” “You Have to Call Me the Way You See Me” Johnny Cash “Look, I appreciate… all the praise and the glory, but it doesn’t change the way I feel about anything, really. I just do what I do and just hope the people enjoy it and just try to be myself in whatever I do.” “You Sleep with None and You Wake with Ghosts”: Emmylou Harris as the Widow of Nashville by Marcus Desmond Harmon “Emmylou Harris’s post-Parsons work is a celebration of complicated grief, casting about for ways to both ‘move on’ and stay faithful to the past.” Southern Borderlands: Music, Migrant Life, and Scenes of a “Mexican South” by Alex E. Chavez “The strumming of stringed instruments booms out through the PA, elaborate fiddle melodies erupt, followed by the soaring voice of the poet-practitioner, embracing those present, scanning the scene before him…drifting, shaping, movies that elicit a chorus of gritos.” Helping Pave the Road to FAME: Behind the Music of Muscle Shoals by Christopher Reali “We took time, there was no set pattern to how we recorded. -
CONGRESSIONAL RECORD— Extensions Of
June 7, 2006 CONGRESSIONAL RECORD — Extensions of Remarks E1039 IN RECOGNITION OF THE WOMEN’S H. Savage of Idaho, David Williams Simnick of She will forever remain an inspiration to DIVISION OF THE FORT WORTH Illinois, Martin Iran Turman, Jr. of Indiana, many who seek guidance in her wisdom and METROPOLITAN BLACK CHAM- Preston Scott Bates of Kentucky, Seth D. words. She was noted for her no nonsense BER OF COMMERCE Dixon also of Kentucky, Benjamin David approach to the way of life as stated here, Goodman of Maine, Jonathan M. Brookstone ‘‘Don’t be nervous, don’t be tired and above HON. MICHAEL C. BURGESS of Maryland, Zachary Ryan Davis of Massa- all, don’t be bored. Those are the three de- OF TEXAS chusetts, Lauren Brenda Gabriell Hollier of stroyers of freedom’’. Her insight goes far be- IN THE HOUSE OF REPRESENTATIVES Michigan, Marvin Anthony Liddell also of yond dance and choreography, but into the Michigan, Christine C. DiLisio of Missouri, real human dilemma. It was stated that, ‘‘she Wednesday, June 7, 2006 Vernon Telford Smith IV of Montana, Victoria was speaking less about dance and more Mr. BURGESS. Mr. Speaker, I rise today to Elizabeth Gilbert of the Model United Nations about an area of equal concern: human recognize the contributions of the Women’s program, Eoghan Emmet Kelley of New rights’’. All those who knew her dignified heart Division of the Fort Worth Metropolitan Black Hampshire, Danielle C. Desaulniers of New of compassion could not help but follow her Chamber of Commerce in its support for the Jersey, Juan Carlo Sanchez of New Mexico, lead. -
It's Time for a Fish Fry!!
Fairfield MONTHLY NEWSLETTER OF FAIRFIELD FRIENDS MEETING APRIL 2015 – VOLUME 4 friend It’s Time for a Fish Fry!! Church Events Apr 4th – Drum Circle Apr 4th – Easter Egg Hunt – 2pm th Apr 5 – Outreach Committee – RoW Apr 5th – Peace & Justice Com – RoW Apr 6th – CARA Apr 8th – Trustees – 7pm Apr 9th – Tai Chi th Apr 9 – Ministry & Council – 7pm Apr 10th – Men’s Fellowship Fish Fry Apr 11th – Men’s Fellowship Fish Fry Apr 12th – Meeting for Business – RoW Apr 13th – Looking Forward – 7pm rd Apr 23 – Tai Chi Apr 24th – Peace & Justice Movie Nite th Apr 26 – P & J Book Brunch, 11:45a Apr 27th – USFW – 3pm Presiding Clerk – Lee Edmundson Pastors Contact: (317) 839-1223 – [email protected] Phil Gulley - [email protected] - (317) 446-4923 Jennifer Silver - [email protected] - (317) 442-7250 Camp Dates for 2015 “Truth will not Christian Education Youth Leadership Camp lose ground by (Ages 14‐18) June 5‐7 being tried.” Committee Junior High Camp ~ Isaac Penington~ Notes from the Christian Education Committee (Grades 6‐8) June 7‐12 1616-1679 The Christian Education Quaker Haven Sunday will Senior High Camp I Committee invites be April 26th. All the (Grades 9‐Grads) everyone, including your camp info will be June 14‐19 THE DATE IS HERE! friends and family, to our presented and you are Beginners Camp Easter Egg Hunt . This will THE FISH FRY asked to wear your QH (Grades K‐2) June 19‐21 th th be held on Sat., April 4th April 10 and 11 gear and perhaps share a 11:00a to 7:00p at 2PM at the White story. -
December 2018-February 2019 ARTS MATTERS
Morris Arts Ehlers and Coladarci 14 Maple Avenue, Suite 301 Morristown, NJ 07960 Arts Scholarship Looking for the Perfect Gift? (973) 285-5115 Celebrate the holidays and milestones with the gift Editor: Dr. Lynn L. Siebert applications available that keeps giving all year long! A donation to Morris Arts is a perfect way to honor that special someone in December who values the joy that the Arts bring to children and Due by 5pm on Friday, January 18, 2019, applications families in our community. Colorful gift cards will be will be available in early December at the guidance offices sent to your honoree, with a letter acknowledging of Morris County public, private and parochial high schools your tax deductible contribution forwarded to you. and online at the Morris Arts website, http://goo.gl/GqidYf Contact Gina Moran at [email protected] or at or www.morrisarts.org (under Programs). The Elaine Ehlers (973) 285-5115, x13. Partial funding for ARTS MATTERS from DEC JAN FEB Arts Scholarship ($5,000) and the Eugenie Coladarci Arts the New Jersey State Council on the Arts/ Scholarship ($1,500) are awarded each year to graduating Department of State, a Partner Agency of high school seniors who: must be Morris County residents, the National Endowment for the Arts. 2018-2019 have demonstrated artistic excellence in dance, drama, The New Jersey State Council on the Arts has awarded Morris Arts a “Citation of music or visual arts and plan to pursue post-secondary Excellence” and designation as a “Major studies at an accredited institution or acknowledged arts Service Organization” in recognition of ® school or fine arts program. -
You're Invited!
You’re Invited! 1st Anniversary Celebration Saturday, August 4, 2018 Drop by during the day for cake and enjoy these wonderful performances: 11am - “Festival” : Directed by Murray Lerner Special Screening in advance of the official U.S. Premiere in Los Angeles Festival depicts the American folk revival of the 1960s through observing the annual Newport Folk Festival between 1963 and 1966. The film is an amazing historical document of a rich cultural moment, setting the stage for the more revolutionary developments of the later 60s and 70s. The big names are all there, including Pete Seeger, Peter, Paul and Mary, Donovan, Joan Baez and Bob Dylan. But unlike the more canonized and better-known 60s festival documentaries like Monterey Pop, Woodstock and Gimme Shelter, Festival presents a relatively diverse and inclusive notion of what would come to be called the “counterculture.” 1:00-2:30pm - Come make a “Who Are You” Collage! (All Ages) Laura Numsen is a Maryland Institute, College of Art graduate who’s taught art, writing, and culture in schools, colleges, and eldercare settings. She also leads SoulCollage® and Vision Board retreats, helping people of all ages tap into their inner wisdom. 4:00pm - Lisa Viggiano “Magic in the Night: A Tribute to the Artistry of Bruce Springsteen” BroadwayWorld 2016 Winner for BEST CABARET FEMALE VOCALIST. Coast to Coast, VIGGIANO has performed as a singer/actor since childhood, sharing the stage and screen with talents such as Sarah Jessica Parker, Tom Hanks, Rita Moreno and Bonnie Raitt. A native “Jersey Girl”, LISA has been seen singing the National Anthem for the NJ Devils, NY Rangers and the NY Mets. -
Biographical Description for the Historymakers® Video Oral History with Odetta Gordon
Biographical Description for The HistoryMakers® Video Oral History with Odetta Gordon PERSON Odetta, 1930- Alternative Names: Odetta Gordon; Odetta Gordon Life Dates: December 31, 1930-December 2, 2008 Place of Birth: Birmingham, Alabama, USA Residence: New York, New York Occupations: Civil Rights Activist; Folk Singer; Songwriter Biographical Note Anointed as the queen of American folk music by Dr. Martin Luther King, Jr., Odetta Gordon, a coloratura soprano, was born Odetta Holmes on December 31, 1930 in Birmingham, Alabama. When she lost her father, Rueben Holmes, at a young age, her mother, Flora, remarried and gave the children their stepfather’s name, Felious. Moving to Los Angeles with her family in 1936 at age six, Odetta began studying classical music. After graduating from high school, she attended Los Angeles City College where studying classical music. After graduating from high school, she attended Los Angeles City College where she study classical opera before being introduced to folk music. In 1947, Odetta began her professional touring in the musical Finian’s Rainbow. Her first job as a folksinger came in San Francisco, where she quickly won over audiences. In 1953, when she came to New York, Harry Belafonte and Pete Seeger were instrumental in introducing her to larger audiences. In 1959, Belafonte included her in a major television special, which made her name nationally known. In 1954, Odetta recorded her first album for Fantasy Records. In 1963, she released Folk Songs, which became one of the year’s best-selling folk albums. As an activist for social change, Odetta performed at the 1963 March on Washington and took part in the March on Selma. -
John Lithgow to Be Honored at Harvard University
NEWS FROM OFFICE FOR THE ARTS AT HARVARD and HARVARD UNIVERSITY BOARD OF OVERSEERS FOR IMMEDIATE RELEASE: February 6, 2017 CONTACT: Thomas Lee, 617.495.8676, [email protected] John Lithgow To Be Honored at Harvard University TONY, EMMY AND GOLDEN GLOBE WINNING ACTOR WILL RECEIVE HARVARD ARTS MEDAL AT APRIL 27 CEREMONY, LAUNCHING HARVARD’S 25th ANNUAL ARTS FIRST FESTIVAL (Cambridge, MA)—Award-winning actor John Lithgow ’67 ArD ’05 is the recipient of the 2017 Harvard Arts Medal, which will be awarded by Harvard University President Drew Gilpin Faust at a ceremony on Thursday, April 27, 2017 at 4 pm at the Loeb Drama Center, 64 Brattle St., Cambridge. The ceremony, presented by the Office for the Arts at Harvard and the Harvard University Board of Overseers in association with the American Repertory Theater, will include a discussion with Lithgow moderated by President Faust. This is the official opening event for ARTS FIRST, Harvard University’s annual festival showcasing student creativity in the arts celebrating its 25th anniversary April 27-30. Admission is free but tickets are required, available in person at the Harvard Box Office at Farkas Hall, 10 Holyoke St., Cambridge, or by calling 617.496.2222 or visiting www.boxoffice.harvard.edu (phone and online ticket orders are subject to service fees). Ticket distribution for Harvard affiliates (2 per person, with valid ID) begins Tuesday, April 18; ticket distribution for the public (2 per person) begins Thursday, April 20. Some remaining tickets may be available at the door one hour prior to event start time.