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Volume-05 ISSN: 2455-3085 (Online) Issue-04 RESEARCH REVIEW International Journal of Multidisciplinary April -2020 www.rrjournals.com[Peer Reviewed Journal] Analysis of reflection of the Marxist Cultural Movement (1940s) of India in Contemporary Periodicals Dr. Sreyasi Ghosh Assistant Professor and HOD of History Dept., Hiralal Mazumdar Memorial College for Women, Dakshineshwar, Kolkata- 700035 (India) ARTICLE DETAILS ABSTRACT Article History In this study I have tried my level best to show how the Marxist Cultural Movement ( Published Online: 16 Apr 2020 1940s) of Bengal/ India left its all-round imprint on contemporary periodicals such as Parichay, Agrani, Arani, Janayuddha, Natun Sahitya, Kranti, Sahityapatra etc. That Keywords movement was generated in the stormy backdrop of the devastating Second World Anti- Fascist, Communist Party, Marxism, War, famine, communal riots with bloodbath, and Partition of india. Undoubtedly the Progressive Literature, Social realism. Communist Party of India gave leadership in this cultural renaissance established on social realism but renowned personalities not under the umbrella of the Marxist *Corresponding Author Email: sreyasighosh[at]yahoo.com ideology also participated and contributed a lot in it which influenced contemporary literature, songs, painting, sculpture, dance movements and world of movie- making. Organisations like the All-India Progressive Writers” Association( 1936), Youth Cultural Institute ( 1940), Association of Friends of the Soviet Union (1941), Anti- Fascist Writers and Artists” Association ( 1942) and the All- India People”s Theatre Association (1943) etc emerged as pillars of that movement. I.P.T.A was nothing but a very effective arm of the Pragati Lekhak Sangha, which was created mainly for flourishing talent of artists engaged with singing and drama performances. -
Rosinka Chaudhuri Name
Curriculum Vitae : Rosinka Chaudhuri Name: Rosinka Chaudhuri Institutional Affiliation: Director and Professor of Cultural Studies, Centre for Studies in Social Sciences, Calcutta. Last Educational Qualification: Name of University Dates Degree Class University of Oxford 1990-96 D. Phil. Ph.D. Research and Teaching Experience Research - Inaugural Mellon Professor of the Global South at the University of Oxford, 2017-18. - Visiting Senior Research Fellow at the India Institute, King’s College, London, 8 May – 8 June 2016. - Visiting Fellow, Delhi University, 31 March – 4 April 2014. - Charles Wallace Fellow, Centre of South Asian Studies, University of Cambridge, 2005. - Visiting Fellow at the Centre of South Asian Studies, Columbia University, 2002. - Junior Research Fellowship from the University Grants Commission, University of Poona, 1989. - Research fellowship from the American Studies Research Centre, Hyderabad, 1990. 2 Teaching - Co-ordinating and teaching M. Phil. Course at the CSSSC called ‘Introduction to Modern Social Thought’. - Co-teaching two M. Phil. Courses at the CSSSC called ‘Readings in Philosophy: Things, Commodities, Consumptions’, and ‘Research Methods’. Publications Books 1. The Literary Thing: History, Poetry and the Making of a Modern Cultural Sphere (Delhi: Oxford University Press, 2013; Oxford: Peter Lang, 2014). 2. Freedom and Beef Steaks: Colonial Calcutta Culture (Delhi: Orient Blackswan, 2012). 3. Gentlemen Poets in Colonial Bengal: Emergent Nationalism and the Orientalist Project, (Calcutta: Seagull Books, 2002). Edited Books 1. An Acre of Green Grass: English Writings of Buddhadeva Bose (forthcoming in June 2018 from Oxford University Press, New Delhi). 2. A History of Indian Poetry in English (New York: Cambridge University Press, 2016). 3. The Indian Postcolonial: A Critical Reader, co-edited with Elleke Boehmer, (London: Routledge, 2010). -
Journal of Bengali Studies
ISSN 2277-9426 Journal of Bengali Studies Vol. 6 No. 1 The Age of Bhadralok: Bengal's Long Twentieth Century Dolpurnima 16 Phalgun 1424 1 March 2018 1 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Journal of Bengali Studies (ISSN 2277-9426), Vol. 6 No. 1 Published on the Occasion of Dolpurnima, 16 Phalgun 1424 The Theme of this issue is The Age of Bhadralok: Bengal's Long Twentieth Century 2 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 ISSN 2277-9426 Journal of Bengali Studies Volume 6 Number 1 Dolpurnima 16 Phalgun 1424 1 March 2018 Spring Issue The Age of Bhadralok: Bengal's Long Twentieth Century Editorial Board: Tamal Dasgupta (Editor-in-Chief) Amit Shankar Saha (Editor) Mousumi Biswas Dasgupta (Editor) Sayantan Thakur (Editor) 3 | Journal of Bengali Studies (ISSN 2277-9426) Vol. 6 No. 1 Copyrights © Individual Contributors, while the Journal of Bengali Studies holds the publishing right for re-publishing the contents of the journal in future in any format, as per our terms and conditions and submission guidelines. Editorial©Tamal Dasgupta. Cover design©Tamal Dasgupta. Further, Journal of Bengali Studies is an open access, free for all e-journal and we promise to go by an Open Access Policy for readers, students, researchers and organizations as long as it remains for non-commercial purpose. However, any act of reproduction or redistribution (in any format) of this journal, or any part thereof, for commercial purpose and/or paid subscription must accompany prior written permission from the Editor, Journal of Bengali Studies. -
Paper Title (Use Style: Paper Title)
International Journal of Innovative Research and Advanced Studies (IJIRAS) ISSN: 2394-4404 Volume 7 Issue 5, May 2020 A Study On The Path- Breaking Intellectual Impact Of The Marxist Cultural Movement (1940s) Of India DR. Sreyasi Ghosh Assistant Professor and HOD of History Dept., Hiralal Mazumdar Memorial College for Women, Dakshineshwar, Kolkata, India Abstract: In history of Bengal/India, the decade of 1940s was undoubtedly an era of both trauma and triumph. The Second World War, famine, communal riot and Partition/refuge e crisis occurred during this phase but in spite of colossal loss and bloodbath the Marxist Cultural Movement/Renaissance flourished and left its imprint on various spheres such as on literature, songs, dance movements, painting and movie -making world. The All India Centre Of The Progressive Writers” Association was established under leadership of Munshi Premchand in 1936. Eminent people like Mulkraj Anand, Sajjad Jahir, Muhammad Ashraf and Bhabani Bhattacharyya were gradually involved with that platform which achieved immense moral support from Rabindranath Tagore, Sarojini Naidu, Ramananda Chattopadhyay, and Saratchandra Chattopadhyay. Nareshchandra Sengupta became President when its branch for Bengal was founded on June 25, 1936. Actually the Anti-Fascist International Association Of Writers” For The Defence Of Culture, established in Paris (1935) through effort of Romain Rolland and Gorkey, made path for the Marxist cultural Movement of India. Indian Movement had important milestones in its history of development such as establishment of Youth Cutural Institute (1940), Organisation Of The Friends Of The Soviet Union (1941), The Anti-Fascist Writers” And Artists” Association (1942) and The Indian People”s Theatre Association (I.P.T.A- 1943) etc. -
Modernisms in India
Modernisms in India Modernisms in India Supriya Chaudhuri The Oxford Handbook of Modernisms Edited by Peter Brooker, Andrzej Gąsiorek, Deborah Longworth, and Andrew Thacker Print Publication Date: Dec 2010 Subject: Literature, Literary Studies - 20th Century Onwards, Literary Studies - Postcolonial Literature Online Publication Date: Sep 2012 DOI: 10.1093/oxfordhb/9780199545445.013.0053 Abstract and Keywords This article examines the history of modernism in India. It suggests that though the dis tinctions between modernity, modernization, and modernism are particularly complicated in the case of India, they remain crucial to a historical understanding of the ‘modern’ in all its senses. The article argues that the characteristic feature of Indian modernism in In dia is that it is manifestly social and historical rather than a hypostasis of the new as in the West. It contends that modernisms in India are deeply implicated in the construction of a secular national identity at home in the world, and in this respect answer a historical need to fashion a style for the modern as it is locally experienced. Keywords: modernism, India, modernization, modernity, national identity, hypostasis THE distinctions between modernity, modernization, and modernism are particularly com plicated in the case of India, but remain crucial to a historical understanding of the ‘mod ern’ in all its senses. Modernity, as a social and intellectual project, and modernization, as its means, are associated with the influence in India of Europe and of Enlightenment ra tionality from the eighteenth century onwards. Modernism, as an aesthetic, is far more limited in period and scope. Nevertheless, just as recent cultural criticism has proposed the existence of ‘alternative modernities’1 not native to the West, so too our attention has been drawn to ‘alternative modernisms’, or ‘modernisms at large’.2 The question of peri odicity, as of location, is complicated by the historical fact that modernism as an aesthetic was simultaneously restricted and elitist, and international and democratic. -
Professor Arindam Chakrabarti's CV
CURRICULUM VITAE: Arindam Chakrabarti [email protected] EDUCATION D.Phil, Oxford University, UK, 1982; Dissertation Title: “Our Talk about Non-Existents” (Supervised by Professors Sir Peter Strawson and Sir Michael Dummett) M.A. Philosophy, Calcutta University (specialization: Mathematical and Inductive Logic), 1978. First, in the First Class. B.A. (with Honors in Philosophy), Presidency College, Calcutta, 1976 (First, in the first class and Ishan Scholar for highest grade-points/marks in all Humanities subjects including Mathematics) LANGUAGES (other than English) Sanskrit (reading, writing, and speaking) Bengali (reading, writing, native speaker) Hindi (reading, speaking) POSITIONS HELD Nirmal and Augustina Mattoo Endowed Chair in Indic Humanities, at the Department of Philosophy, Stony Brook University (SUNY) (Current, since Fall 2018) Professor, Department of Philosophy, University of Hawai’i Manoa, January 1997---till July 2018 (Currently on leave) Professor, Department of Philosophy, University of Delhi, India, August 1993-December 1998. Research Professor, National Institute of Advanced Studies, IISC campus Bangalore, 2009 and 2010 (two consecutive Spring semesters). Director, Center for South Asian Studies, School of Hawaiian Asian and Pacific Studies, University of Hawai’i at Manoa, 2000-2002. Adjunct Professor, Department of History and Philosophy, Montana State University, Bozeman, MT, USA. September 1990-June 1993. Visiting Assistant Professor, Department of Philosophy, University of Washington, Seattle USA, December 1990 - June 1992. Associate Professor, The Asiatic Society, Calcutta, May 1986-1988. Lecturer, Department of Philosophy, University of Calcutta, 1984-1986. 1 FELLOWSHIPS, VISITING APPOINTMENTS, AND ACADEMIC HONORS Rajni Kothari Distinguished Chair of Democracy, Center for Study of Developing Societies, Delhi, India, July—Dec, 2015. Visiting Professor Indian Institute of Advanced Study, Shimla, June--July 2014 National Lecturer, appointed by Indian Council of Philosophical Research, Government of India, 2010. -
Paper 28 the History of the Indian Subcontinent From
PAPER 28 THE HISTORY OF THE INDIAN SUBCONTINENT FROM THE LATE EIGHTEENTH CENTURY TO THE PRESENT DAY Convenors: Dr Shruti Kapila, [email protected] Dr Anjali B. Datta [email protected] Professor Samita Sen [email protected] The Hindu, Independence Day cover, 15 August 1947, Centre of South Asian Studies Archive 1 READING LIST: 2020-21 The History of The Indian Subcontinent from the Late Eighteenth Century to the Present Day Course description A fifth of the world's population lives in the Indian subcontinent. While today the region’s place in the global world order is widely recognised, this is in fact only the most recent chapter in a longer history. This paper offers an understanding of the part played by the Indian subcontinent and its people in the making of the modern world. From the decline of the great empire of the Mughals and the rise of British hegemony, to the rise of nationalism, the coming of independence and partition, the consolidation of new nation states despite regional wars and conflicts, and the emergence of India as the largest democracy in the world, this paper is a comprehensive and analytical survey of the subcontinent's modern history. The paper covers the dynamic and complex relationships between changing forms of political power and religious identities, economic transformations, and social and cultural change in the period from 1757 to 2007. Teaching There will be 30 lectures, 4 revision classes in the Easter Term. Supervisions will be centrally arranged by the convenors and students will be informed directly. -
Eternal Bengal Ranabir Samaddar
Eternal Bengal Ranabir Samaddar «O city, O grey city, do you not hear the lecherous steps on Kalighat Bridge! Do you hear the steps of Time, O city, O grey City!» [Samar Sen, Farewell to Paradise, 1937] The question has been repeatedly raised in the history of Bengal: What does it mean being a Bengali? But it also means that this question can be understood only in a historical frame. We have to ask, why does this question repeatedly arise? What is this history that has again and again led the Bengalis to ask of themselves, do they 1 know of their own history enough ? What sense do they make of this history that compels them to recognise that this issue of self-identity and self-knowledge is a historical one, and that therefore they must know adequately their own history to claim that they are indeed Bengalis? In short, what is this history that merges the two issues of becoming and being? As we know, this consciousness of being a Bengali is a product of modern time – modern education, modern politics, and modern history. Yet the question would be: where do we mark the beginning of the modern? How would we identify or define the epistemic break that supposedly inaugurated the modern era for the Bengalis, whence the Bengalis started thinking of being Bengalis? I admit that the question may seem somewhat academic and philosophical. But some discussion on this will help us in understanding the pattern of our own self-inquiry, this preoccupation with our collective self that marks our own history. -
Embodying Utopia in 1935: Poetry and the Feminized Nation Anne Castaing
Embodying Utopia in 1935: Poetry and the Feminized Nation Anne Castaing To cite this version: Anne Castaing. Embodying Utopia in 1935: Poetry and the Feminized Nation. Open Library of Humanities, Open Library of Humanities, 2019, 5 (1), 10.16995/olh.385. hal-02002559 HAL Id: hal-02002559 https://hal.archives-ouvertes.fr/hal-02002559 Submitted on 31 Jan 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Utopian Art and Literature from Modern India How to Cite: Castaing, A 2019 Embodying Utopia in 1935: Poetry and the Feminized Nation. Open Library of Humanities, 5(1): 8, pp. 1–21. DOI: https://doi.org/10.16995/olh.385 Published: 30 January 2019 Peer Review: This article has been peer reviewed through the double-blind process of Open Library of Humanities, which is a journal published by the Open Library of Humanities. Copyright: © 2019 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. -
Nation and Imagination
CHAPTER 6 Nation and Imagination THIS CHAPTER moves out into three concentric circles. The innermost cir- cle tells the story of a certain literary debate in Bengal in the early part of the twentieth century. This was a debate about distinctions between prose, poetry, and the status of the real in either, and it centered on the writings of Rabindranath Tagore. Into these debatesÐand here is my second cir- cleÐI read a global history of the word ªimagination.º Benedict Ander- son's book Imagined Communities has made us all aware of how crucial the category ªimaginationº is to the analysis of nationalism.1 Yet, com- pared to the idea of community, imagination remains a curiously undis- cussed category in social science writings on nationalism. Anderson warns that the word should not be taken to mean ªfalse.º2 Beyond that, how- ever, its meaning is taken to be self-evident. One aim of this chapter is to open up the word for further interrogation and to make visible the heterogenous practices of seeing we often bring under the jurisdiction of this one European word, ªimagination.º My third and last move in the chapter is to build on this critique of the idea of imagination an argument regarding a nontotalizing conception of the political. To breathe heteroge- neity into the word ªimagination,º I suggest, is to allow for the possibility that the ®eld of the political is constitutively not singular. I begin, then, with the story of a literary debate. NATIONALISM AS WAYS OF SEEING It does not take much effort to see that a photographic realism or a dedi- cated naturalism could never answer all the needs of vision that modern nationalisms create. -
B.A. (Programme) DISCIPLINE SPECIFIC CORE COURSE (DSC 1
B.A. (Programme) Semester-II English DISCIPLINE SPECIFIC CORE COURSE (DSC 1-B) Selections from: Modern Indian Literature B: POEMS Jibanananda Das, Muktibodh, Nissim Ezekiel, Jayant Mahapatra, Sri Sri SCHOOL OF OPEN LEARNING UNIVERSITY OF DELHI Department of English Prepared by: Dr. V.P. Sharma Graduate Course B : POEMS I. JIBANANANDA DAS ..... 1-23 Introduction Windy Night : Analysis; Comments I Shall Return to this Bengal : Introduction; Analysis Select Criticism Winter Landscapes : Remembering Jibanananda Jibanananda Das : Chidananda Das Gupta A Certain Sense : Sisir Kumar Das II. MUKTIBODH ..... 24-38 Introduction The Void : Introduction; Analysis; As a Fantasy So Very For : Introduction; Analysis Select Criticism A Note on Fantasy III. NISSIM EZEKIEL ..... 39-65 Introduction Enterprise : Analysis; Study Notes Goodbye Party for Miss Pushpa T.S. : Introduction; Study Notes IV. JAYANT MAHAPATRA ..... 66-72 Introduction Hunger : Introduction; Analysis Dhauli : Introduction; Analysis Grandfather : Introduction; Analysis V. SRI SRI ..... 73-90 Forward March : Introduction; Analysis; Comments Select Criticism A Note on Modernism in Literature SCHOOL OF OPEN LEARNING University of Delhi 5, Cavalry Lane, Delhi-110007 JIBANANANDA DAS Introduction There is a brief introduction to Jibanananda Das the poet in your textbook. Read that. In Part Two of this Study Material you will also find extracts from some of the critical essays on the poetry of Jibanananda Das which should help you form an estimate of the poetic achievement of Jibanananda Das as a modern Bengali poet. You have only two of his poems prescribed for study. But you would do well to study some of his other poems too, which have been translated into English and are available in a SahityaAkademi selection. -
Poems Politics and the Party: the Making and Unmaking of Radical Aesthetics in Bengali Literature
postScriptum: An Interdisciplinary Journal of Literary Studies 63 postScriptum: An Interdisciplinary Journal of Literary Studies ISSN: 2456-7507 <postscriptum.co.in> Online – Open Access – Peer Reviewed – DOAJ Indexed Volume VI Number i (January 2021): Special Issue on Bengali Identity Poems Politics and the Party: The Making and Unmaking of Radical Aesthetics in Bengali Literature Kaushik Paul Postgraduate Student, Presidency University, Kolkata Abstract Culture is one of the crucial factors behind the formation and articulation of identities. Overcoming the stereotype of ‘base-superstructure’ binary the neo-Marxists rightly pointed out the role of culture both as a reflection of the economic base as well as the potential arena of reproducing the ruling economic base through a daily basis meticulous mechanism known as hegemony. In order to challenge the ruling hegemony a counter cultural process is required, which encompasses all the dissenting and marginal voices prevailing in the society. This paper is going to deal with such a counter cultural attempt, which is commonly known as the progressive cultural movement to challenge the ruling hegemony in the context of Bengali literature and culture. The progressive cultural movement in Bengal started as a world-wide response to the war-ridden international political order at that time, when the fascist aggression was in its peak and the scope of democracy was threatened globally. The leading intellectuals like Henry Barbusse and Romain Rolland in Europe started to organize all the intellectuals under a broader democratic and progressive organizational umbrella against destruction of war. Thus, the League against War and Fascism was established and most notably Rabindranath Tagore became its President.