DOCSLIB.ORG

Playbill Future Stars 2014

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Playbill Future Stars 2014 DANCE CHICAGO 2014 McKenna Wolenberg, Anna Zomaya, Willow Apponi, Kylie 10. Dance and Music Academy: Allegro Performance Choreographer: Nick Pupillo John Schmitz, Founder/Artistic Director/Curator Brown, Lexie Panesis, Quetzie Jacob Companies Music: Max Richter FUTURE STARS www.lisasdanceschool.com Krissie Odegard Geye, Artistic Director and Costumes: Maggie Dianovsky November 15, 2014 Choreographer Dancers: Alison Burke, Colin Heino, Ryan Hoffman, 5. Legacy Dance Ensemble The Last Day of Freedom (Premiere) Michelle Kies, Francesca Levita, Trinity Lundsten, Maggie Future Stars Production Crew: Jacqueline Spreadbury, Artistic Director Music: theme from Shindler's List Sablich and Abbey Thornton Lighting Designer: Sarah Lackner Bizness Dancers: Allison Berg, Grace DuBois, Bridget Fogarty, www.visceraldance.com Stage Manager: Laura Judson Choreographer: Jacqueline Spreadbury Kara Kilpatrick, Allyssa Kopach, Emily Mikuta, Megan Run Crew: Michael Stults, Ben Palmer, and Juan Music: Bizness by tUnEyArDs Sullivan, AnnaLee Tvaroh, Becca Zlotowicz 16. Wheeling HS Orchesis Valencia. Costumes: Jacqueline Spreadbury www.danceacademyinc.com Diane Rawlinson, Artistic Director Audio: Andrew Dallas Dancers: Nicole Boudos, Abby Dudich, Kevin Ivins, Jenna ex/toll Loeb, Lizzy Loeb, Kylie Mikunas, Kayla Piunti 11. Jazz Theatre of Illinois Choreography: Marc Marcaranas 1. Dance and Music Academy: Allegro Performance LegacyDancing.com Emily Winkler, Director Composer: Philip Glass Companies Ascent (Dance Chicago Premiere) Costume Design: Diane Rawlinson Krissie Odegard Geye: Artistic Director and 6. Vitacca Dance Project Choreographer: Rebecca Lemme Dancers: Michaela Wittman, India Patel, Jean Pabon Choreographer Kelly Ann Vitacca, Artistic Director Lighting: Laura Girard Ayala, Paige McCoy, Breton Spiller, Thalia Pineda- Voyage of the Soul (February, 2014) Jigsaw (Premiere) Music: Sword, Helleran Mosquera, Jayde Ficks, Charlotte McDaniel Music: Human Spirit Choreographed by: Kelly Ann Vitacca Costumes: Emily Winkler http://whs.d214.org/activities/dance_home_page.aspx Dancers: Megan Brady, Lauren Ciccolini, Kaleigh De la Composed by: Philip Glass Dancers: Darby Burroughs, Kendra Kenyon, Mallory Cruz, Bridget Fogarty, Betsy Lynch, Allyssa Kopach, Emily Costumes by: Sandy Kreps Paquin, Caroline Phagan, Erin Rooney, Madeline Ryder, 17. Dance Wisconsin Mikuta, Jordan Novy, Julia Novy, Nicole Sasaki, Lauren Performed by: Carrington Doyle, Regan Hutsell, Christine Ryan Schwaar, Megan Starovich, Gretchen JoJean Retrum, Artistic Director Sullivan, Megan Sullivan, AnnaLee Tvaroh, Samantha Henderson, Kyra Ivy, Madison Nanez, Addie Saenz, Vanderbloomer, Kristin Whalen, Kayla Zelenz The Malady of Elegance (2014) Tvaroh, Mariana Yanun, Becca Zlotowicz Deborah Simonian, Kaleigh VanHouten www.jtillinois.org Choreographer: Chelsey (Dahm) Bradley www.danceacademyinc.com vitacca.org Lighting Designer: Corey Helser & Chelsey (Dahm) 12. Gus Giordano Dance School: GUS Jazz Dance Co Bradley 2. Footprints Tap Ensemble 7. AMERICAN DANCE CENTER DANCERS Amy Giordano, Artistic Director Music: Meredith Monk, Deru, Karl Jenkins Cait Jones Seebacher, Artistic Director Maria Villlari, Artistic Director You Don't Own Me Costumes: Ashley Dahm Shelley Page Hoselton, Executive Director Jivin On Now Choreographer: Cole Vernon Dancers: Maggie Batterman, Frances Violante & Collin Jodie Taylor, Business Manager Choreographer: Jon Sloven Music: You Don't Own Me Khamphouy with Regan Batterman, Kyla Sok, Parker Ramalama (2009) Original Lighting Designer: Jack Villlari Lighting: Dustin L. Derry Buske, Ashlyn Knieriem, Katherine Kennedy, Helena Choreographer Joey Columbus & Karen Silvasy Music: Dance Lesson #2 by Karl Denson Costumes: Amy Giordano Szymborski, Margaret Violante, Adriana DeLuca Original Lighting Designer: Sara Gunther Dancers: Kathy Carmody, Alexis Diaz-Albertini, Sophia Dancers: Nicole Belanger, Lauren Curran, Cole Vernon www.chelseybradley.com // www.dancewisconsin.com Music: Roisin Murphy Marcotte, Ela Olarte, Aurora Slivinski, Hannah Stovall, gusgiordanodanceschool.com Costume Designer: Joey Columbus CeciliaTrippiedi, 18. Gus Giordano Dance School: GG Company Dancers: Grace Bonamarte, Molly Favreau, Shannon americandancecenter.net 13. Christine Rich Dance Theater Amy Giordano, Artistic Director O'Brien, Stephanie Papp, Kelsie Schweiger, Anna Taylor, Christine Rich, Artistic Director Amazon Rachael Thomas, Cassie Travers 8. Dream Contemporary Dance Company Walk Into Love (Nov. 15, 2014) Choreographer: Cole Vernon Footprintstap.org Char Petersen & Michelle Owusu, Artistic Directors Choreographer: Christine Rich Music: 300 Violin Orchestra A Woman's Strength...Fight the Fight (January 2014) Music: Bettye LaVette Lighting: Dustin L. Derry 3. JHDYC Choreographer: Michelle Owusu Costumes: Phyllis Ramos Costumes: Amy Giordano Paula Ward and Heather Zimny, Artistic Directors Lighting Designer: Michelle Owusu Dancer: Rebecca Ramos Dancers: Ella Berry, Raegan Burke, Hannah Chookaszian, Veronica Villanueva, Rehearsal Assistant Music: "Pearls" by Sade www.ChristineRichStudio.com Sarah Curran, Leah Emanuel, Olivia Finks, Amelia Genthe, Funk, Swing, JAZZ (2013) Costumes: Michelle Owusu & Tina Pepperdine Abby Lawrence, Amber Mehta, Alexandra O'Grady, Gabi Choreographers: Paula Ward and Heather Zimny Dancers: Nicole Chung, Rishelle Manda, Kylie Van Der 14. The Kate Jablonski Statement Schulz, Jessi Vishny Music: "What Is Jazz" by Club des Belugas (5:16) Molen Kate Jablonski, Artistic Director gusgiordanodanceschool.com Gabby Backstrom, Meagan Hearn, Talia Howard, Chloe www.dreamcontemporarydance.com Sunset Kunes, Ines LeCannellier, Miranda Mejia, Violet Moyer, Choreographer: Kate Jablonski 19. Legacy Dance Ensemble “The City” Sarah Schiff Berger, Breanna Sharp, Darriea Wedgeworth 9. Motions Dance Company Music: The XX Donn Lusung, Artistic Director www.joelhall.org Sinead Gildea & Kristin Hild, Artistic Directors Dancers: Ambrielle Barker, Cassie Biggane, Nicole Werq The Heaviness I Hold in My Heart Bizoukas, Allison Brown, Diana Corral, Jennifer Hong, Choreographer: Donn Lusung 4. Lisa's School of Dance/DFX Performing Company Choreographer: Lindsay Hough Barbie Kosiek, Dakota Montavon, Lyndsey Rohlfs, Erin Music: Chelley: Took The Night (Remix); Jay Karan: B*tch Lisa Yarwood, Artistic Director Music: sleeping at last Rongaus, Neisa Schuler You'll Gag; Shangela: Werqin' Girl White Picket Fences (Dance Slam 11/1/14) Dancers: Marina Allegrini, Lauren Beck, Rachel www.BeyondWordsDanceCompany.com Costumes: Donn Lusung Choreographer: Eilleen Mallary Brookhart, Elizabeth Dabdoub, Analia Dama, Samantha Dancers: Jenna Loeb, Lizzy Loeb, Trinity Graves, Leila Music: Last Love Song by ZZ Ward Dietz, Emily Duffy, Nina Gambino, Christina Harshbarger, INTERMISSION Redd, Jessica Jones, Katie Krell, Bailey Kessler, Kevin Costumes: Lisa Yarwood & Eilleen Mallary Kimberly Hartwig, Payton Morse, Emma Peterwas, Alyssa Ivins, Andrew Jones, Dayne Bowman, Mikayla Allen, Kylie Dancers: Josie Belliveau, Daniella Brown. Marlena Sanchez, Anna Lisa Steinbrenner Mikunas, Amber Kreis, Delaney Lyons, Nicole Boudos, Haywood, Lauren Matan, Taylor Matan, Eleisse Pettigrew, www.dancemotionsinc.com 15. Visceral Studio Company Shaurice McCaster, Michelle Spreadbury Nick Pupillo, Artistic Director LegacyDancing.com Gray of Dawn (2014) 20. Motions Dance Company Music: Brian Holleran, Paul Marshall, Brendan O'Shea, Sinead Gildea & Kristin Hild Cleek Schrey In The Blink of An Eye (Premiere) Costumes: Kristine Fachet Choreographer: Ahmad Simmons Dancers: Peter Dziak, MacKenzie Holland, Chelsea Hoy, Music: Cliff Martinez & Apparat Mary Claire McDonald, Tyler Schwartz, Susanne Wiecek Dancers: Jessica Christoffer, Rachel Cuda, Sami Davis, www.trinityirishdancers.com Katelyn Engle, McKenna Herlehy, Sarah Krysinski, Melanie McClure, Abby Morris, Kayla Nehf, Sara Rubino, On the Athenaeum Main Stage Gianna Tummillo, Allison Van Dorin, Elaine Volpentesta, Dance Chicago Legacy Allison Ward Choreography Showcase www.dancemotionsinc.com Saturday, November 22 @ 8 pm 21. Dream Contemporary Dance Company Dances From the Heart Char Petersen & Michelle Owusu, Artistic Directors Saturday, February 14, 2015 @ 8 pm Battling Shadows (January 2014) Choreographer: Michelle Owusu In Studio 2: NEW MOVES SHOWCASES Lighting Designer: Michelle Owusu NEW MOVES A SHOWCASE Music: "Truman Sleeps" by Philip Glass & "Dr. Van Tuesday, November 18 @ 8:15 pm Helsing and Dracula" music by Philip Glass & performed by Kronos Quartet NEW MOVES B: BALLET 5:8, Costumes: Kelle Company Julianna Slager, Artistic Director Dancers: Nicole Chung, Celeste Elam, Moira Friant, Grace Musings is a light-hearted depiction of the joys and Genzer, Katy Guggeis, Emma Konetski, Rishelle Manda, struggles of a dancer. Lexi Storey, Rebecca Suarez, Marissa Tomsik, Kylie Van Siggao Ekklesia is a one-act contemporary ballet, set to Der Molen Haydn's Stabat Mater. www.dreamcontemporarydance.com Wednesday November 19 @ 8:15 pm 22. Visceral Studio Company NEW MOVES C: RENEGADE DANCE ARCHITECTS Nick Pupillo, Artistic Director Now… features a collection of works that explore the Marketing & PR EVERYday (2014) concept of living fully in the present moment. Each piece, DANCE CHICAGO 2014 Roger Halligan, CEO-H+A International Choreographer: Nick Pupillo from Renegade’s signature Forgiveness, Not Permission FUTURE STARS Music: Carly Comando Thursday, November 20 @ 8:15 pm Dana Lynch, Director of MarCom Costumes: Maggie Dianovsky Saturday, November 15, 2014 Queen Bee Media, Social Media Dancers:
Load more

Recommended publications
  • Public Response to RFI on AI
    White House Office of Science and Technology Policy Request for Information on the Future of Artificial Intelligence Public Responses September 1, 2016 Respondent 1 Chris Nicholson, Skymind Inc. This submission will address topics 1, 2, 4 and 10 in the OSTP’s RFI: • the legal and governance implications of AI • the use of AI for public good • the social and economic implications of AI • the role of “market-shaping” approaches Governance, anomaly detection and urban systems The fundamental task in the governance of urban systems is to keep them running; that is, to maintain the fluid movement of people, goods, vehicles and information throughout the system, without which it ceases to function. Breakdowns in the functioning of these systems and their constituent parts are therefore of great interest, whether it be their energy, transport, security or information infrastructures. Those breakdowns may result from deteriorations in the physical plant, sudden and unanticipated overloads, natural disasters or adversarial behavior. In many cases, municipal governments possess historical data about those breakdowns and the events that precede them, in the form of activity and sensor logs, video, and internal or public communications. Where they don’t possess such data already, it can be gathered. Such datasets are a tremendous help when applying learning algorithms to predict breakdowns and system failures. With enough lead time, those predictions make pre- emptive action possible, action that would cost cities much less than recovery efforts in the wake of a disaster. Our choice is between an ounce of prevention or a pound of cure. Even in cases where we don’t have data covering past breakdowns, algorithms exist to identify anomalies in the data we begin gathering now.
    [Show full text]
  • Antarctic Antics Harper Professor Leads Expedition to South Pole
    .. '''' \ ARB HARPER ANTARCTIC ANTICS HARPER PROFESSOR LEADS EXPEDITION TO SOUTH POLE Deborah Abbott ence equipment needed for Staff Writer finding and transporting While some of us spent meteorites. Of course every wintel" b:-ttak in the hectic additional pound means round of holidays that extra costs. include family and resolu­ ·:once you find a mete­ tions; a Harper instructor orite, you must use GPS made final preparations tracking (global positioning for his sixth trip to Earth's system) for the exact loca­ South Pole. tion, because it's a scientif­ Professor Paul Sipiera ic find belonging to the teaches Honors Astronomy whole scientific communi­ and Geology at Harper ty," said Diane Sipiera. College, and anyone who "Then the biggest concern has taken one of his class­ is to contain the meteorites es can attest to the passion so they are not contaminat­ he has for these two sub­ ed. That is best done in jects. However, in a draw plastic bags and in jars." geology wins out, as "The other concern he had Sipiera gets most intense was the bad cold he had when he lectures about before leaving," the geolo­ meteorites. With interna­ gist's wife continued. tional laws preserving "There is definitely a rea­ Antarctica, this fifth son to be worried about it largest continent is the getting worse, as there is best place on earth to very little medical attention obtain untouched mete­ available." orites. Mrs. Sipiera said that her The Planetary Studies husband feels that this is a Foundation, an organiza­ really good expedition tion founded by Sipiera Professor Paul Sipiera (front row, far right) and his team land in Antarctica via a Russian team, both mentally and lllusian cargo plane.
    [Show full text]
  • University Report
    September 15,1971 \ UNIVERSITY- REPORT A NEWSLETTER FOR THE STAFF OF THE TWIN CitiES CAMpti!, UNIYEISIJY OF MINN£10TA Nine-Month Academic Salaries Frozen II Salaries have been frozen for Univer­ Unless the 1971-72 salary rate was in checks, but adjustments will be made at sity faculty members on nine-month effect for an employee before the freeze, a subsequent payroll date and will be contracts who hold the same rank and or unless he has been assigned "new and effective Sept. 16. I title as in 1970-71. greater responsibility" in a new position, For a faculty member who has been ~ Faculty members with twelve-month his salary has been frozen at the rate promoted, the new salary must not appointments received increases before effective before the freeze. exceed the average salary for 1970-71 for the national wage-price freeze began Aug. the rank to which he has been promoted 15. Slightly more than half of the faculty Increases will be reflected on Sept. 30 in his department. For this reason, are on nine-month contracts. paychecks for nine-month faculty increases may differ from those earlier In a memo issued Sept. 1 and distri­ members who have moved to positions approved by the Regents. buted to all staff members, University with new titles and increased responsibili­ Research assistants, teaching assistants, President Malcolm Moos said: ties-for example, an associate professor teaching associates, and administrative "I recognize that our faculty has been who has moved to associate professor and fellows are exempt from the freeze. Fixed seriously affected by the impact of the director.
    [Show full text]
  • The Hippo Set to Close and Comprehensive Car Care, a Long-Time Christmas, an Annu- B Y Steve Charing Staple on Eager Street
    AN INDEPENDENT VOICE FOR THE LESBIAN, GAY, BISEXUAL, AND TRANSGENDER COMMUNITIES OUT May 15, 2015 | Volume XIII, Issue 1 The Hippo Set to Close and Comprehensive Car Care, a long-time Christmas, an annu- B Y STEVE CHARING staple on Eager Street. al affair that benefits After 43 years, the Club Hippo, one of Bal- The Hippo, which opened on July 7, local non-profit orga- timore’s oldest and most iconic LGBT insti- 1972, possesses one of the largest dance nizations. The Hippo tutions, is poised to close its doors. floors of any club in the state. During dis- had also served as As confirmed at a meeting co’s heyday, the Hippo flourished with the venue for Gay with employees on May 9, Hippo huge crowds dancing to the beats of Bingo – a weekly owner Chuck Bowers has negoti- End of vintage and newer disco hits on its event whereby non- ated to convert the building at the an Era spacious rectangular floor bathed in profit organizations southwest corner of Charles and glimmering, colorful lights. As musical shared in the pro- Eager streets into a CVS store. tastes changed in succeeding years, so ceeds. To broaden The negotiations between CVS and did the music. The Hippo kept up. its appeal, the Hippo Bowers began early in 2014. Under the The club also features a popular video has held weekly Hip- arrangement Bowers will retain ownership bar where karaoke and weekly show tunes Hop nights the past The Hippo of the building and lease it to CVS. There video presentations occur and a saloon few years.
    [Show full text]
  • 2019-2023 Elected AGMA Officers
    AGMAzineSUMMER 2019 VOL. 73. 1 ©Paul Kolnik ©Paul Raymond Menard John Coleman Elizabeth Sciblo Teresa Reichlen President 1st Vice President 2nd Vice President 3rd Vice President Jane Shaulis Samuel Schultz Louis Perry J Austin Bitner 4th President 5th Vice President Recording Secretary Treasurer 2019-2023 Elected AGMA Officers Official Publication of the American Guild of Musical Artists A Branch of the Associated Actors and Artistes of America Affiliated with the AFL-CIO 151964 2019 Summer issue.indd 1 7/8/19 1:19 PM By Tim Smith Treasurer J Austin Bitner talks about MMRC Chair, AGMA’s participation in Arts Advocacy AGMA Governor, Day, as well as telling us how we can all Chorister help. The Area News section is very well represented with news updates and SUMMER, 2019 many photographs from the various The American Guild of Musical Artists areas. 1430 Broadway, 14th Floor New York, New York 10018-3308 The National Office is always willing (212) 265-3687; Fax: (212) 262-9088 AT LONG LAST—AND I know you’ve to help any AGMA member and direct www.MusicalArtists.org been waiting by your mailboxes—the them to the proper place for help, but Lawrence Tibbett, Founding President latest issue of AGMAzine is here! We if you ever feel uncomfortable contact- Jascha Heifetz, Founding Vice President took a different path with this issue by ing staff, please know that your elected Raymond Menard, President not having a theme and asking people leaders are also there for you. Never be John Coleman, 1st Vice President to write about things that were timely afraid to reach out and ask a question or Elizabeth Sciblo, 2nd Vice President Teresa Reichlen, 3rd Vice President or they found interesting.
    [Show full text]
  • River Jordan: African American Urban Life in the Ohio Valley
    University of Kentucky UKnowledge African American Studies Race, Ethnicity, and Post-Colonial Studies 1998 River Jordan: African American Urban Life in the Ohio Valley Joe William Trotter Jr. Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Trotter, Joe William Jr., "River Jordan: African American Urban Life in the Ohio Valley" (1998). African American Studies. 8. https://uknowledge.uky.edu/upk_african_american_studies/8 Ohio River Valley Series Rita Kohn and William Lynwood Montell Series Editors RIVER JORDAN African American Urban Life in the Ohio Valley JOE WILLIAM TROTTER JR. THE UNIVERSITY PREss OF KENTUCKY Copyright © 1998 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Frontispiece: “In River Jordan.” The Rev. George W. Wyatt of Cincinnati’s Antioch Baptist Church prepares for baptismal ceremonies in the Ohio River around World War I. From W.B.
    [Show full text]
  • Hearts Playbill 2.14
    DANCE CHICAGO 2015 of dusts and love songs. Tommye Giacchino has Music: Donny Hathaway Dancers: Imelda Diaz, Alyssa Fuentes, Leslie John Schmitz, Founder/Artistic Director/Curator trained these dancers from their start and they are Solo "Improvography" Dancer: Tré Dumas Galeno, Maria Gomez, Victoria Herrera, Robin DANCES FROM THE HEART excited to once again come to the Dance Chicago Lighting: Tré Dumas & Joshua Weckesser Mapp, Kassandra Martinez, Sofia Morales, Saturday, February 14, 2015, 8:00 pm stage this time with quickstep, sexy bachata and TAP IS MUSIC... Jus'LisTeN Jennifer Munoz, Alejandra Ochoa, Jocelyn foxtrot. We hope to inspire you to grab a partner in Stage manager: Joshua Paul Weckesser your arms and dance too! For bookings, contact [email protected] or Pacheco, Danielle Poelinitz, Angelica Reyes, Yaya Lighting: Joshua Paul Weckesser Dancers: Jay Schmoll, Godiva Gaultier, Stephan BDE Consultants at (773) 603-1167 Rodriguez, Farid Sanchez, and Brii Velazquez. (unless otherwise listed) Martone, Jessica Mays, Konrad Micun, Paulina Sound: Jacob Horn Pieniazek 8. Visceral Studio Company 11. Visceral Studio Company Run Crew: Mike Goebel, Micahel Stults and Music: Never Knew I Needed by Kathryna from Nick Pupillo, Artistic Director Nick Pupillo, Artistic Director Juan Valencia Princess and the Frog, When We’re Human Landslide The Wait Music Segues: John Schmitz from Princess and the Frog, No Es Amour by Choreographer: Nick Pupillo Choreographer: Nick Pupillo Aventura; All Of Me by Michael Buble Music: Landslide by The Backbeats
    [Show full text]
  • Katy Fedrigon Graduated Magna Cum Laude with a Bachelor of Fine Arts in Dance from the University of Arizona
    Katy Fedrigon graduated Magna Cum Laude with a Bachelor of Fine Arts in dance from The University of Arizona. While at the UofA, Katy was given the opportunity to perform pieces by Martha Graham, Mia Michaels and alongside Liz Calaway. Immediately following graduation, Katy moved back to Chicago and was a company member of Inaside Chicago Dance for four seasons. Katy has also performed professionally with Thodos New Dances, Wake Up! Waltz, and The Prince Experience at the House of Blues. She was a company member for three years with Nomi Dance Company and given the opportunity to perform Joshua Blake Carter’s “Kim” in Dance For Life 2018. Katy spends her summers as company member and rehearsal director with Dance In the Parks, offering free performances throughout the Chicago parks. She also performs with Still Inspired(?), a dance company that collaborates with visual artist around Chicago. Katy enjoys sharing her passion for dance not just through performance but through teaching and choreography. She has been teaching dance throughout the Chicago suburbs since graduating and loves being able to positively impact the youth dance community. Sarah Glover grew up training in the Chicagoland area and is a School of Dance and Artistry in Motion Dance Company alumni. She graduated from East Carolina University with a BFA in Dance Performance, where she had the privilege of studying with, and performing works by guest artists such as the David Dorfman Dance Company and River North Dance Chicago. Sarah is a freelance artist and has performed in various shows in the chicagoland area such as Dance For Life, Within (Visceral Dance Chicago), THAW 2016, 2017 and 2018, New Moves, Dance Chance, Jello: EIGHT, and more.
    [Show full text]
  • Legacy 11.22
    DANCE CHICAGO 2014 4. Visceral Studio Company 8. Gus Giordano Dance School: Choreographer: Kaitlyn Vega John Schmitz, Founder/Artistic Director/Curator Studio Affiliation: Visceral Dance Center GG Company Music: NONONO LEGACY CHOREOGRAPHY SHOWCASE III Artistic Director, Amy Giordano Costumes: Darlene Langford Saturday, November 22, 8:00 pm Choreographer: Nick Pupillo Amazon Dancers: Carolyn McCarthy Madelyn McCarthy Stage manager: Laura Judson Costumes: Maggie Dianovsky Choreographer: Cole Vernon Hannah Herr Sydney Johnson Arianna Perille Lighting Design: Mike Goebel Music: Max Richter Music: 300 Violin Orchestra Sydney Foley Amelia Shultz Lucia Wolfe Clara Audio: Andrew Dallas Dancers: Alyse Farrar, Alyssa Gorman, Jayne Lighting: Dustin L. Derry Radtke Camille Freedman Bella Johnston Crew: Michael Stults and Nora Rubenstone Kernodle, Rachel Martens, Ally McGuire, Allie Meyer Costumes: Amy Giordano ULdance.com Dancers: Ella Berry, Raegan Burke, Hannah 1. Soul2Sole Dance Inc- PHENOM! 5. Renegade Dance Architects Chookaszian, Sarah Curran, Leah Emanuel, Olivia 13. DIG TAP SOCIETY Jenny Zuleger/Drew Tamez-Hull, (of Chicago) Finks, Amelia Genthe, Abby Lawrence, Amber SARAH SAVELLI. Artistic Director Artistic Directors Ginger Jensen & Molly Beck McFarland, Artistic Mehta, Alexandra O'Grady, Gabi Schulz, Jessi RHYTHM OF LIFE, (March 23, 2014) Birthday Boom Box Directors Vishny Choreographer: SARAH SAVELLI Choreographer: Drew Tamez-Hull Black Rock Bound (2012) gusgiordanodanceschool.com Music: THE RHYTHM OF LIFE, SAMMY DAVIS JR. Music edited mix of: Birthday by Mike Jones, Choreographer: Clayton Cross Dancers: FAYE TABOR, AMBER ORIZOTTI, KACY Everyday It's You Birthday by Swizz Beats, Single Music: Antony & The Johnsons INTERMISSION BOND, LAUREN O'NEIL, KURRI ORIZOTTI by NKOTB, Murder by Justin Timberlake, Dope by Lighting Design: Dustin L.
    [Show full text]
  • Ethically Aligned Design Version 1
    Version 1 - For Public Discussion ETHICALLY ALIGNED DESIGN A Vision for Prioritizing Human Wellbeing with Artificial Intelligence and Autonomous Systems The IEEE Global Initiative for Ethical Considerations in Artificial Intelligence and Autonomous Systems ETHICALLY ALIGNED DESIGN – VERSION ONE REQUEST FOR INPUT 13 December 2016 Public comments are invited on Ethically Aligned Design: A Vision for Prioritizing Human Wellbeing with Artificial Intelligence and Autonomous Systems (AI/AS) that encourages technologists to prioritize ethical considerations in the creation of autonomous and intelligent technologies. This document has been created by committees of The IEEE Global Initiative for Ethical Considerations in Artificial Intelligence and Autonomous Systems, comprised of over one hundred global thought leaders and experts in artificial intelligence, ethics, and related issues. The document’s purpose is to advance a public discussion of how these intelligent and autonomous technologies can be aligned to moral values and ethical principles that prioritize human wellbeing. By inviting comments for Version One of Ethically Aligned Design, The IEEE Global Initiative provides the opportunity to bring together multiple voices from the Artificial Intelligence and Autonomous Systems (AI/AS) communities with the general public to identify and find broad consensus on pressing ethical issues and candidate recommendations regarding these technologies. Input about Ethically Aligned Design should be sent by e-mail no later than 6 March 2017 and will be made publicly available at The IEEE Global Initiative for Ethical Considerations in Artificial Intelligence and Autonomous Systems no later than 10 April 2017. Details on how to submit public comments are available via the Submission Guidelines. New and existing committees contributing to an updated version of Ethically Aligned Design will be featured at The IEEE Global Initiative’s face-to-face meeting at The Robert S.
    [Show full text]
  • The Evolution of White Responses to Integration in Chicago, 1946-1987
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2017 Forgetting How to Hate: The Evolution of White Responses to Integration in Chicago, 1946-1987 Chris Ramsey Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the History Commons Recommended Citation Ramsey, Chris, "Forgetting How to Hate: The Evolution of White Responses to Integration in Chicago, 1946-1987" (2017). Dissertations. 2844. https://ecommons.luc.edu/luc_diss/2844 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. Copyright © 2017 Chris Ramsey LOYOLA UNIVERSITY CHICAGO FORGETTING HOW TO HATE: THE EVOLUTION OF WHITE RESPONSES TO INTEGRATION IN CHICAGO, 1946-1987 A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY CHRISTOPHER M. RAMSEY CHICAGO, IL AUGUST 2017 Copyright by Christopher M. Ramsey, 2017 All rights reserved. ACKNOWLEDGMENTS I would like to express my heartfelt gratitude to the many people who assisted me in this project. First and foremost, my dissertation director, Timothy Gilfoyle, who has offered me invaluable (and uncannily timely) advice and thoughtful comments about my work every step of the way. I also am grateful for the assistance offered by the archivists at numerous Chicago-area museums, especially those who work at the Chicago History Museum, Harold Washington Library Center, and the Richard J. Daley Library for Special Collections.
    [Show full text]
  • Tannhäuser Wagner
    Tannhäuser Wagner LOC_Tannhauser_COVER_PROOF_2.indd 1 1/20/15 12:58 PM LYRIC OPERA OF CHICAGO Table of Contents IN THIS ISSUE Tannhauser pp. 24-38 6 From the General Director 44 Patron Salute 8 From the President 46 Aria Society 10 Board of Directors 55 Breaking New Ground 12 Women’s Board/Guild Board/ 56 60th Anniversary Gala Chapters’ Executive Board/ Ryan Opera Center Board Contributors 14 Administration/Administrative 57 Major Contributors – Special Staff/Production and Technical Events and Project Support Staff 58 Lyric Unlimited Contributors/ 16 The Ultimate Challenge: Look To The Future Sir Andrew Davis Discusses the Wagner Repertoire 59 Ryan Opera Center Contributors 24 Tonight's Opera 60 Annual Corporate Support/ Matching Gift 25 Story of the Opera 62 27 Cast Planned Giving: The Overture Society 28 Cast Profiles 64 Annual Individual and Foundation 35 Opera Notes Support Sir Andrew 40 Musical Staff/Orchestra/Chorus 70 Commemorative Gifts Davis and 42 Artistic Roster 71 Special Thanks/Acknowledgements Wagner 43 Ryan Opera Center/Lyric Unlimited/Education Corps/ 72 Facilities and Services/ pp 16-22 Supernumeraries Theatre Staff On the cover: Image reprinted courtesy of the Royal Opera House, Covent Garden. ©ROH/Dewynters, 2010. Above: Set design, Act II, Paris 1861 by Philippe Chaperon Right: Photo of Sir Andrew Davis by Todd Rosenberg. 2 | FEBRUARY 9 - MARCH 6, 2015 LYRIC OPERA OF CHICAGO Since 1991 www.performancemedia.us 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A. J. Levin Director of Operations Account Managers Sheryl Fisher - Michael Hedge - Arnie Hoffman Southwest Betsy Gugick & Associates 972-387-1347 Executive Editor Midwest David L.
    [Show full text]