DOCSLIB.ORG

Theater Dance Music at the Edlis Neeson Theater

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Theater Dance Music at the Edlis Neeson Theater Winter/Spring Manual Cinema Ragamala Dance and Rudresh Mementos Mori Mahanthappa Jan 15–18, 2015 Song of the Jasmine Apr 10–12, 2015 Stan’s Cafe The Cardinals International Contemporary Ensem- Jan 22–24, 2015 ble (ICE): Anna Thorvaldsdottir In the Light of Air Sònia Sánchez Apr 26, 2015 Le Ça (The Id) Feb 13–15, 2015 Creative Music Summit: Nicole Mitchell Mariano Pensotti May 2, 2015 Cineastas (Filmmakers) Renée Baker Feb 26–Mar 1, 2015 May 3, 2015 Joffrey Academy of Dance Third Coast Percussion with Winning Works: Choreographers Glenn Kotche of Color Wild Sound Mar 7-8, 2015 May 21–22, 2015 The Seldoms Power Goes Mar 20–29, 2015 Winning Works The Joffrey Ballet Christine Watson Sponsors Elisabeth White The Edward and Lucy Ashley Wheater, Artistic Director Zoe White R. Minor Family Foundation Greg Cameron, Executive Director Reagan Wise Joffrey Academy Patti S. Eylar and Charles R. Gardner of Dance Joffrey Studio Company Joffrey Academy of Dance Camila Ferrera Alexei Kremnev, Artistic Director Winning Works: James Floyd Anna Reznik, Artistic Director Choreographers Saaya Kita Karine Provost, Managing Director Paulo Rodrigues Anna Amini, Communications and Video Production of Color Shotaro Shimazaki Relations Coordinator Sponsor Promise Smith Karin Ellis-Wentz, Faculty Mar 7–8, 2015 Nat Wilson Katerina Herder, Production Manager Saori Yamashita Bridget Holmes, Academy Associate Presented in association with Yossi Zarfati Casey Mang, Student Services the MCA Stage Manager Joffrey Academy Trainees Katelyn Conrad Academy of Dance Sponsor Erin Dooley Danielle Dorsch Olivia Duryea Sara Falstad Kiana Ford Haruna Furukawa Israel Garcia Chenge Jiayi Guo Akilah Harris Winning Works: Choreographers and artistic vision of The Chloe Hossin of Color is sponsored by Katten Joffrey Ballet. No other program, Yuka Iwai Muchin Rosenman, LLP., and The including those holding the Edward and Lucy R. Minor Fam- Joffrey name, is sanctioned by Mai Iwaki ily Foundation, and its Jof- The Joffrey Ballet. For more frey Academy of Dance Sponsor, information, please contact Quinby Kasch Athletico. With special thanks Academy Reception at 312.784.4600. Akari Morimatsu to Generous Underwriters Patti S. Eylar and Charles R. Gardner and Joffrey Academy of Dance Tomo Muranaka Video Production Sponsor, BigFoot Joffrey Tower Productions. 10 E. Randolph St. Shun Nakajima Chicago, IL 60601 312.784.4600 Natasha Nunamaker Generous support for MCA Dance joffrey.org/joffreyacademy is provided by David Herro and Saki Ota Jay Franke. Mayu Sakai Joffrey Academy of Dance, Isabel Shimanski Official School of The Joffrey thejoffreyballet Ballet, is the only training Yuki Shimaoka program owned, operated or endorsed by The Joffrey Ballet. Rachel Skipor The Joffrey Ballet is not TheJoffreyBallet Mizuki Tajima Edlis Neeson affiliated with any other dance training or school program, Emma Terry Theater including the Joffrey Ballet Ludvina Theodor School in New York. The Joffrey @joffreyballet Academy, located in the Exelon Education Center at Joffrey Tower Megumi Tsuda in Chicago, Illinois is the only Joffrey Academy Trainee Graduate David Turnell school that follows the organiza- Photo: Herbert Migdoll tional mission, training syllabi, Katherine Turner *With the generous Cast aid and support of transition to the reality of her existing Winning Works Eduardo Vilaro and Artists Up Close James Floyd, Erin Dooley, Olivia Ballet Hispanico, state, which turns into a nightmare and Ben Rodriguez-Cubenas Windy Sand Duryea, Israel Garcia Chenge, and the Rockefeller brings her to the inevitability of life’s MCA Stage’s series of artist-centered Alexei Kremnev, Choreography Quinby Kasch, Natasha Nunamaker, Brothers Fund, Peg existence. This work is inspired by talks, workshops, and open studios Schuler-Armstrong Karen LeFrak, Music Shotaro Shimazaki, Ludvina and Lincoln Center and dedicated to Those Mothers, That allows the public to engage with Education, Ms. Judith Grace Kim, Live Music Theodor, Nat Wilson, Reagan Wise R. Hoffman, and Bill Mother. My Mother. artists in intimate settings and it B Michael, Costume Design T. J o n e s. provides a closer look at the creative Anna Reznik, Rehearsal Assistant Pause Pause process. Join us today. Jason Brown, Lighting Design Gabriel B. Hanson, Costume A Year From Now Ago* Non è Normale MCA Studio: Open Doors Construction It is said that in the end, one sees their Stephanie Martinez, Choreography Earlier this week, museum visitors were Cat Wilson, Projection Design life flash before their eyes. Aaron Smith, Choreographic Assistant invited inside the theater to observe the Suzanne Lopez, Rehearsal Assistant artists working on the production. Cast First Section: B.C. Alva Noto, Music Katelyn Conrad, Sara Falstad, James Second Section: M.D. Ridillo, Music MCA Talk Floyd, Quinby Kasch, Paulo Rodrigues, Third Section: T.O. Ezio Bosso, Music First Night Shotaro Shimazaki, Promise Smith, Black Strobe, Music Mar 7 Nat Wilson, Saori Yamashita, Yossi Abdul Latif, Choreography and Jason Brown, Lighting Design 7:30 pm Zarfati Video Direction Gabriel B. Hanson, Costume Design Audience members are invited to stay Alecia Hill, Nik Owens, Artistic Paul Christiano, Sound Design at the end of the performance for a Windy Sand is a collaboration between Associates conversation with the three Winning a composer, Karen LeFrak, and a fash- Ronn Stewart, Wade Schaaf, Cast Choreographers and Alexei Kremnev, ion designer, B Michael. We wanted Rehearsal Assistant Erin Dooley, Israel Garcia Chenge, Mai Academy Artistic Director, moderated to create a very elegant, sophisticated, Abdul Latif, Music Iwaki, Tomo Muranaka, Shun Nakajima, by Yolanda Cesta Cursach, Associate and beautiful piece that everyone, J. Astman, Music Paulo Rodrigues, Yuki Shimaoka, Director of Performance Programs. regardless of their dance experience, Steve Reich, Music Shotaro Shimazaki, Ludvina Theodor, would enjoy watching. Windy Sand Lois V. Vierk, Music Zoe White, Saori Yamashita is devoted to exploring Lake Michigan, Jason Brown, Lighting Design the City of Chicago, and the beauty Gabriel B. Hanson, Costume Design Running time is approximately 65–75 of nature. It will make its New York Ayman El-Sayed, Production Assistant minutes with no intermission. premiere at the David H. Koch Theater and Video Design at Lincoln Center on April 16, 2015. Cast Pause Katelyn Conrad, Erin Dooley, Olivia Duryea, Sara Falstad, Camila Ferrera, Our North James Floyd, Haruna Furukawa, Jennifer Archibald, Choreography Israel Garcia Chenge, Akilah Harris, Zoe Keating, Music Mai Iwaki, Quinby Kasch, Natasha Greg Haines, Music Nunamaker, Yuki Shimaoka, Promise Odesza, Music Smith, Ludvina Theodor, David Suzanne Lopez, Wade Schaaf, Turnell, Katherine Turner, Nat Wilson, Rehearsal Assistants Elisabeth White, Zoe White, Reagan Jason Brown, Lighting Design Wise, Yossi Zarfati Gabriel B. Hanson, Costume Design The piece is about a woman’s fantasy- filled look back on her life and its The Seldoms About The Joffrey Power Goes Ballet Staff Mar 20–29, 2015 Greg Cameron Executive Director Greg Cameron leads The Joffrey Ballet as Executive Director. He has extensive Ashley Wheater strategic leadership, community The Joffrey Ballet Artistic Director partnership, and development experi- Born in Scotland and raised in England, ence at the Museum of Contemporary Ashley Wheater was trained at the Art Chicago, the Art Institute of Chicago, Royal Ballet School. Mr. Wheater and the Chicago Department of Cultural began his professional career with the Affairs. Highlights of his three decades- Royal Ballet, and danced at the London long career include working at the Festival Ballet, The Australian Ballet, Department of Cultural Affairs and at The Joffrey Ballet, and San Francisco the MCA, where he become Director Ballet. In 1997, he became Ballet of Corporate and Foundation Relations. Master at San Francisco Ballet, and, in He then joined the Art Institute of 2002, Assistant to the Artistic Director. Chicago as the Director of Foundation and Corporate Relations before In 2007, Mr. Wheater was appointed returning to the MCA to serve in various Artistic Director of The Joffrey Ballet. roles, including Deputy Director and New work is the lifeblood of a company, Chief Development Officer. Most and he has introduced numerous recently, he served as Chief Operating premieres to the repertoire. In 2008, Officer at WTTW/WFMT, where he the Boeing Corporation recognized started as Executive Vice President and his commitment to community outreach Chief Development Officer in 2008. and diversity in the world of dance, presenting him the “Game Changer” Cameron has served as an Adjunct award. In 2010, Mr. Wheater, represent- Professor in Arts Administration of In Power Goes, choreographer Carrie Hanson Theater ing The Joffrey Ballet, was named the School of the Art Institute of and The Seldoms Dance Ensemble collaborate Lincoln Academy Laureate, the highest Chicago and as an Adjunct Professor with a stellar team of writers and designers Dance honor presented by the State of in Museum Practices at the University to ask how power is wielded to make or Music Illinois. The Chicago Tribune selected of Illinois at Chicago. He currently stop social change. Turning to the legacy of Mr. Wheater as the 2013 “Chicagoan of serves as a member on the board of President Lyndon Baines Johnson and the Buy tickets online at the the Year” for his contributions to dance. numerous cultural and community tumultuous era of the
Recommended publications
  • Natasha.Kautsky@Obt.Org OB

    [email protected] OB

    PRESS CONTACT: Natasha Kautsky Director of Marketing & Communications PHONE: 503.227.0977 EMAIL: [email protected] OBT’S 25TH ANNIVERSARY SEASON ENDS ON A DRAMATIC NOTE WITH IMPACT Four Powerful Works, Including a World Premiere from Darrell Grand Moultrie, set to music by Portland’s Kenji Bunch of fEARnoMUSIC FOR IMMEDIATE RELEASE - Portland, OR (March 4, 2015) - In the final program of Oregon Ballet Theatre’s 25th Anniversary Season, IMPACT, the company shows how the emotional, social, and artistic aspects of dance can create an experience that moves the audience and transcends the art form. Running April 16th through 25th, 2015 at the intimate Newmark Theatre, IMPACT opens with a world premiere work by one of the most sought-after choreographers in dance right now: Princess Grace Fellowship winner Darrell Grand Moultrie. The piece will be set to music by acclaimed composer and Artistic Director of Portland’s fEARnoMUSIC, Kenji Bunch. Moultrie’s work brings an innate sense of timing and theatricality that defies categorization, as shown by past commissions from renowned ballet companies, as well as superstars like Savion Glover and Beyoncé. Referring to his approach as “genre jumping,” Moultrie explains that it is the residue from his unique background growing up in New York City, where he was exposed to so many dance forms and forced to respect them. He finds that classically trained dancers welcome this versatility. “Ballet dancers now are not just one thing anymore,” Moultrie explains. “They really want to explore!” Following Moultrie’s premiere, the IMPACT program celebrates founding OBT Resident Choreographer Dennis Spaight, with the return of Crayola to the OBT stage for the first time in nearly 2 decades.
  • Rachel Michelin, AIA, LEED AP BD+C Vice President

    Rachel Michelin, AIA, LEED AP BD+C Vice President

    1 | December 2019 Rachel Michelin, AIA, LEED AP BD+C Vice President Summary Rachel Michelin joined Thornton Tomasetti in 2005. She plays an essential role in building envelope improvement and renovation projects. She investigates building material and building envelope problems and designs repairs for masonry, concrete, stone, curtain walls, roofi ng and waterproofi ng. Rachel is a certifi ed Building Enclosure Commissioning Agent and has extensive experience in the forensic evaluation of building envelopes. Education Select Project Experience • M. Arch. (Structures Option), 2005, University of Illinois at Litigation Support Urbana-Champaign Individual Members/Unit Owners of the Hemingway House • B.S. Architectural Studies, 2003, University of Illinois at Condominium Assn. vs. Hemingway House Condominium Urbana-Champaign Association, regarding the necessity of proposed facade repairs. Continuing Education Facade Investigations and Restorations •University of Wisconsin, Commissioning Building Enclosure Assemblies and Systems 350 E. Cermak Road, Façade Repairs and Window Replacement, Chicago, IL. Professional services for façade Registrations repairs and window replacement at the historic R.R. Donnelly •Registered Architect in Illinois Building located at 350 East Cermak, which is a fully occupied data center and Landmarked building. The construction scope •NCARB Certifi cate Holder included brick masonry, limestone, and terra cotta façade repairs •LEED Accredited Professional, Building Design+Construction and window replacement throughout the
  • HUBBARD STREET DANCE CHICAGO and FINAL BOW for YELLOWFACE PRESENT UNBOXED Three Short Works Reimagining the Nutcracker’S Tea Variation, May 10, 17 and 24, 2021

    HUBBARD STREET DANCE CHICAGO and FINAL BOW for YELLOWFACE PRESENT UNBOXED Three Short Works Reimagining the Nutcracker’S Tea Variation, May 10, 17 and 24, 2021

    FOR IMMEDIATE RELEASE Media Contact: Nick Harkin Carol Fox and Associates [email protected] HUBBARD STREET DANCE CHICAGO AND FINAL BOW FOR YELLOWFACE PRESENT UNBOXED Three Short Works Reimagining The Nutcracker’s Tea Variation, May 10, 17 and 24, 2021 Chicago, IL — Hubbard Street Dance (HSDC) in partnership with Final Bow for Yellowface presents Unboxed, three works that rewrite the future of a tradition. Unboxed features choreographers Yin Yue, Edwaard Liang, and Peter Chu using their voices and vocabularies to imagine their own versions of the Chinese Tea variation from The Nutcracker. These Asian and Asian-American dance-makers engaged in three-day workshops with Hubbard Street dancers exploring the questions: “What are the traditions we want to protect?” and “What do we want to leave behind?” Unboxed welcomes viewers to tear free from the confines of tradition and invites audiences to glimpse the promise of a future rewritten. HSDC is challenging what is known as canon, in this case, the Chinese Tea variation from The Nutcracker to ask, “Can a dance, only a minute long but fraught with stereotypes, exist within a more inclusive future?” Hubbard Street Dance Associate Artistic Director, Jessica Tong says “the idea for Unboxed was always about challenging conventions and stereotypes. But my main focus initially was really to create a fun way for Hubbard Street to interact with great choreographers while playfully researching this one-minute variation. I couldn't have foreseen how meaningful and timely this project would eventually become, as people of Asian descent in this country are now fighting more than ever for acceptance and visibility.” Founders of Final Bow for Yellowface Phil Chan and Georgina Pazcoguin share more about this partnership, "At a time when big ballet companies routinely revive orientalist ballets from a European perspective, they seldom include choreographers of Asian descent.
  • Vision / Dance Innovations

    Vision / Dance Innovations

    2020 FEBRUARY PROGRAMS 02 /03 CLASSICAL (RE)VISION / DANCE INNOVATIONS The people you trust, trust City National. Top Ranked in Client Referrals* “City National helps keep my financial life in tune.” Michael Tilson Thomas Conductor, Educator and Composer Find your way up.SM Visit cnb.com *Based on interviews conducted by Greenwich Associates in 2017 with more than 30,000 executives at businesses across the country with sales of $1 million to $500 million. City National Bank results are compared to leading competitors on the following question: How likely are you to recommend (bank) to a friend or colleague? City National Bank Member FDIC. City National Bank is a subsidiary of Royal Bank of Canada. ©2018 City National Bank. All Rights Reserved. cnb.com 7275.26 PROGRAM 02 | CLASSICAL (RE)VISION PROGRAM 03 | DANCE INNOVATIONS TABLE OF CONTENTS 05 Greetings from the Artistic Director & Principal Choreographer 05 06 Board of Trustees Endowment Foundation Board 07 SF Ballet Leadership 08 Season News 10 Off Stage 13 Pointe and Counterpoint: The Story of Programs 02 and 03 14 PROGRAM 02 Classical (Re)Vision Bespoke Director's Choice Sandpaper Ballet 22 PROGRAM 03 Dance Innovations The Infinite Ocean The Big Hunger World Premiere Etudes 30 Artists of the Company 14 39 SF Ballet Orchestra 40 SF Ballet Staff 42 Donor Events and News 46 SF Ballet Donors 61 Thank You to Our Volunteers 63 For Your Information 64 Designing Sandpaper Ballet FOLLOW US BEFORE AND AFTER THE PERFORMANCE! San Francisco Ballet SFBallet youtube.com/sfballet SFBallet 42 San Francisco Ballet | Program Book | Vol.
  • View Campaign Brochure

    View Campaign Brochure

    CAROLINA BALLET’S Carolina Ballet would like to thank the following supporters for their early Pleaseinvestment visit Carolina in Choreographing Ballet’s website for aCarolina list of all Campaign Ballet’s Gifts Future. through October 31, 2018. $1,000,000+ Mr. and Mrs. Andrew Steidinger Ronald and Maryllen Blum Enviromental Control Judy and Steve Zelnak Synergy Face & Body Hal Bowman and Mercedes Auger Liz and Britt Ferrill Ms. Vera Tayeh Richard Catlin and Associates, Inc. Mrs. Mary A. Fisher $250,000+ Beverly Taylor Dr. Margaret K. Champion Ms. Christina Floyd Anonymous NC Family Mr. and Mrs. Richard A. Thomas Matt and Gina Chapin Fonville Morisey Realty Dr. and Mrs. Malcolm McDougal Brown Rob and Sally Tiller Citrix Mr. and Mrs. Stanley H. Fox The John William Pope Foundation Lars and Elisabeth von Kantzow Mr. Brian Cook Dan Gaugert and Terry Harper Stefanie and Douglas Kahn Robert Weiss and Melissa Podcasy Jacobi Daley Nicholas and Carol Gillham Moise Khayrallah Katherine White and Thomas Urquhart Deloitte Alicia and Sean Gilsenan Martin Marietta Materials Brooklyn and Mike Winters Jamie Drake Danielle Greco and Tony Bryant Ms. Patricia Dube Eileen Greenbaum and Larry Mintz $100,000+ $7,500+ George Evans and Karen Monaco Bob and Laura Gutman Anonymous (1) Anonymous (1) Drs. Richard Felder and Rebecca Brent Annette and Richard Hagopian Capitol Broadcasting Company Mrs. Franc A. Barada, Jr. Finnamore Real Estate Ms. Gayla H. Halbrecht Ms. Ellyn E. Daniels Nancy and Christopher Bolen Sharon and J.C. Garbutt Cheryl and Charles Hall Mrs. Jolene B. McGehee Brigs Restaurants Carolyn Happer and Leonard Graham Dr.
  • The Shubert Foundation 2020 Grants

    The Shubert Foundation 2020 Grants

    The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company
  • Nicolle Greenhood Major Paper FINAL.Pdf (4.901Mb)

    Nicolle Greenhood Major Paper FINAL.Pdf (4.901Mb)

    DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Nicolle Mitchell Greenhood Major paper submitted to the faculty of Goucher College in partial fulfillment of the requirements for the degree of Master of Arts in Arts Administration 2016 Abstract Title of Thesis: DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Degree Candidate: Nicolle Mitchell Greenhood Degree and Year: Master of Arts in Arts Administration, 2016 Major Paper Directed by: Michael Crowley, M.A. Welsh Center for Graduate and Professional Studies Goucher College Ballet was established as a performing art form in fifteenth century French and Italian courts. Current American ballet stems from the vision of choreographer George Balanchine, who set ballet standards through his educational institution, School of American Ballet, and dance company, New York City Ballet. These organizations are currently the largest-budget performing company and training facility in the United States, and, along with other major US ballet companies, have adopted Balanchine’s preference for ultra thin, light skinned, young, heteronormative dancers. Due to their financial stability and power, these dance companies set the standard for ballet in America, making it difficult for dancers who do not fit these narrow characteristics to succeed and thrive in the field. The ballet field must adapt to an increasingly diverse society while upholding artistic integrity to the art form’s values. Those who live in America make up a heterogeneous community with a blend of worldwide cultures, but ballet has been slow to focus on diversity in company rosters.
  • Qurrat Ann Kadwani: Still Calling Her Q!

    Qurrat Ann Kadwani: Still Calling Her Q!

    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
  • To Gay Marriage by LISA KEEN Stars Page 22 KEEN NEWS SERVICE

    To Gay Marriage by LISA KEEN Stars Page 22 KEEN NEWS SERVICE

    THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 April 8, 2009 • vol 24 no 28 www.WindyCityMediaGroup.com Iowa says ‘I Do’ Chicago Red to gay marriage BY LISA KEEN Stars page 22 KEEN NEWS SERVICE In an enormous victory for equal marriage rights for gay couples, the Iowa Supreme Court ruled unanimously April 3 that gay couples should have the right to marriage licenses the same as heterosexual couples. The decision represents the first time a state supreme court has ruled unanimously in favor of equal marriage rights for gay couples, and it is the first time a state in America’s “heartland” has done so. The decision, which goes into ef- fect in 21 days, will make Iowa the third state to TrueChild be currently offering marriage licenses to same- sex couples. Cook-Off page 7 “We are firmly convinced the exclusion of gay and lesbian people from the institution of civil marriage does not substantially further any im- portant government objective,” wrote Justice Mark Cady, for the seven-member court. “The legislature has [with its 1998 law banning mar- riage] excluded a historically disfavored class of persons from a supremely important civil insti- tution without a constitutionally sufficient jus- tification.” The court said the law violated the state con- stitution’s guarantee of equal protection of the South by law and that the court’s own constitutional duty “requires” it to strike the law down. Southwest page 16 Noting that other supreme courts have al- lowed legislatures to provide “equal benefits” of Ingrid Olson (left) and Reva Evans of Council Bluffs, Iowa, talk with news reporters April 3 after marriage through civil unions, the Iowa court that state’s supreme court ruled unanimously in favor of same-sex marriage.
  • Tulsa Ballet Company Culture: the Pursuit of Excellence Mission

    Tulsa Ballet Company Culture: the Pursuit of Excellence Mission

    TULSA BALLET COMPANY CULTURE: THE PURSUIT OF EXCELLENCE MISSION To serve as an essential asset of our region through exciting, internationally-acclaimed artistic excellence and exemplary education and outreach. WE COMMIT TO: PRESERVE THE TRADITION OF CLASSICAL BALLET PROMOTE THE APPRECIATION OF CONTEMPORARY DANCE CREATE WORKS OF SUPERIOR AND ENDURING QUALITY EDUCATE THROUGH EXCEPTIONAL DANCE TRAINING, PERFORMANCES AND OUTREACH PROGRAMS. VISION To be an innovative leader, powerful partner and global cultural representative of a community in which the performing arts are valued and promoted as an indispensable resource. OUR CULTURE: THE PURSUIT OF EXCELLENCE At Tulsa Ballet, we ask our Staff, Company, and Students to share in our commitment to the ‘Pursuit of Excellence’ every day. We embrace this cultural pursuit knowing it is not an easy one. However, the work required to achieve excellence brings invaluable reward in the refinement of ourselves, our relationships, our processes & techniques, our performance, and our collective impact. KEY REQUIREMENTS FOR PROMOTING effective communication between individuals and departments ADAPTABILITY to push through challenges, individually and collaboratively INNOVATION in seeking new ways of working together to achieve desired results OWNERSHIP of your performance in your role, and ability to seek out help when needed ASPIRATION beyond the status quo; internal drive to elevate performance for yourself and others STEWARDING a positive culture… showing respect and appreciation for one another THRIVING
  • Fall 2015 Uchicago Arts Guide

    Fall 2015 Uchicago Arts Guide

    UCHICAGO ARTS FALL 2015 EVENT & EXHIBITION HIGHLIGHTS IN THIS ISSUE The Renaissance Society Centennial UChicago in the Chicago Architecture Biennial CinéVardaExpo.Agnès Varda in Chicago arts.uchicago.edu BerlinFullPage.pdf 1 8/21/15 12:27 PM 2015 Randy L. and Melvin R. BERLIN FAMILY LECTURES CONTENTS 5 Exhibitions & Visual Arts 42 Youth & Family 12 Five Things You (Probably) Didn’t 44 Arts Map Know About the Renaissance Society 46 Info 17 Film 20 CinéVardaExpo.Agnès Varda in Chicago 23 Design & Architecture Icon Key 25 Literature Chicago Architecture Biennial event 28 Multidisciplinary CinéVardaExpo event C M 31 Music UChicago 125th Anniversary event Y 39 Theater, Dance & Performance UChicago student event CM MY AMITAV GHOSH The University of Chicago is a destination where ON THE COVER CY artists, scholars, students, and audiences converge Daniel Buren, Intersecting Axes: A Work In Situ, installation view, CMY T G D and create. Explore our theaters, performance The Renaissance Society, Apr 10–May 4, 1983 K spaces, museums and galleries, academic | arts.uchicago.edu F, H, P A programs, cultural initiatives, and more. Photo credits: (page 5) Attributed to Wassily Kandinsky, Composition, 1914, oil on canvas, Smart Museum of Art, the University of Chicago, Gift of Dolores and Donn Shapiro in honor of Jory Shapiro, 2012.51.; Jessica Stockholder, detail of Rose’s Inclination, 2015, site-specific installation commissioned by the Smart Museum of Art;page ( 6) William G W Butler Yeats (1865–1939), Poems, London: published by T. Fisher Unwin; Boston: Copeland and Day, 1895, promised Gift of Deborah Wachs Barnes, Sharon Wachs Hirsch, Judith Pieprz, and Joel Wachs, AB’92; Justin Kern, Harper Memorial Reading Room, 2015, photo courtesy the artist; page( 7) Gate of Xerxes, Guardian Man-Bulls of the eastern doorway, from Erich F.
  • 2016 Program Book

    2016 Program Book

    2016 INDUCTION CEREMONY Friends of the Chicago LGBT Hall of Fame Gary G. Chichester Mary F. Morten Co-Chairperson Co-Chairperson Israel Wright Executive Director In Partnership with the CITY OF CHICAGO • COMMISSION ON HUMAN RELATIONS Rahm Emanuel Mona Noriega Mayor Chairman and Commissioner COPIES OF THIS PUBLICATION ARE AVAILABLE UPON REQUEST Published by Friends of the Chicago LGBT Hall of Fame 3712 North Broadway, #637 Chicago, Illinois 60613-4235 773-281-5095 [email protected] ©2016 Friends of the Chicago LGBT Hall of Fame In Memoriam The Reverend Gregory R. Dell Katherine “Kit” Duffy Adrienne J. Goodman Marie J. Kuda Mary D. Powers 2 3 4 CHICAGO LGBT HALL OF FAME The Chicago LGBT Hall of Fame (formerly the Chicago Gay and Lesbian Hall of Fame) is both a historic event and an exhibit. Through the Hall of Fame, residents of Chicago and the world are made aware of the contributions of Chicago’s lesbian, gay, bisexual, and transgender (LGBT) communities and the communities’ efforts to eradicate bias and discrimination. With the support of the City of Chicago Commission on Human Relations, its Advisory Council on Gay and Lesbian Issues (later the Advisory Council on Lesbian, Gay, Bisexual and Transgender Issues) established the Chicago Gay and Lesbian Hall of Fame (changed to the Chicago LGBT Hall of Fame in 2015) in June 1991. The inaugural induction ceremony took place during Pride Week at City Hall, hosted by Mayor Richard M. Daley. This was the first event of its kind in the country. Today, after the advisory council’s abolition and in partnership with the City, the Hall of Fame is in the custody of Friends of the Chicago LGBT Hall of Fame, an Illinois not- for-profit corporation with a recognized charitable tax-deductible status under Internal Revenue Code section 501(c)(3).