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Pittsfield Building 55 E
LANDMARK DESIGNATION REPORT Pittsfield Building 55 E. Washington Preliminary Landmarkrecommendation approved by the Commission on Chicago Landmarks, December 12, 2001 CITY OFCHICAGO Richard M. Daley, Mayor Departmentof Planning and Developement Alicia Mazur Berg, Commissioner Cover: On the right, the Pittsfield Building, as seen from Michigan Avenue, looking west. The Pittsfield Building's trademark is its interior lobbies and atrium, seen in the upper and lower left. In the center, an advertisement announcing the building's construction and leasing, c. 1927. Above: The Pittsfield Building, located at 55 E. Washington Street, is a 38-story steel-frame skyscraper with a rectangular 21-story base that covers the entire building lot-approximately 162 feet on Washington Street and 120 feet on Wabash Avenue. The Commission on Chicago Landmarks, whose nine members are appointed by the Mayor, was established in 1968 by city ordinance. It is responsible for recommending to the City Council that individual buildings, sites, objects, or entire districts be designated as Chicago Landmarks, which protects them by law. The Comm ission is staffed by the Chicago Department of Planning and Development, 33 N. LaSalle St., Room 1600, Chicago, IL 60602; (312-744-3200) phone; (312 744-2958) TTY; (312-744-9 140) fax; web site, http ://www.cityofchicago.org/ landmarks. This Preliminary Summary ofInformation is subject to possible revision and amendment during the designation proceedings. Only language contained within the designation ordinance adopted by the City Council should be regarded as final. PRELIMINARY SUMMARY OF INFORMATION SUBMITIED TO THE COMMISSION ON CHICAGO LANDMARKS IN DECEMBER 2001 PITTSFIELD BUILDING 55 E. -
Rachel Michelin, AIA, LEED AP BD+C Vice President
1 | December 2019 Rachel Michelin, AIA, LEED AP BD+C Vice President Summary Rachel Michelin joined Thornton Tomasetti in 2005. She plays an essential role in building envelope improvement and renovation projects. She investigates building material and building envelope problems and designs repairs for masonry, concrete, stone, curtain walls, roofi ng and waterproofi ng. Rachel is a certifi ed Building Enclosure Commissioning Agent and has extensive experience in the forensic evaluation of building envelopes. Education Select Project Experience • M. Arch. (Structures Option), 2005, University of Illinois at Litigation Support Urbana-Champaign Individual Members/Unit Owners of the Hemingway House • B.S. Architectural Studies, 2003, University of Illinois at Condominium Assn. vs. Hemingway House Condominium Urbana-Champaign Association, regarding the necessity of proposed facade repairs. Continuing Education Facade Investigations and Restorations •University of Wisconsin, Commissioning Building Enclosure Assemblies and Systems 350 E. Cermak Road, Façade Repairs and Window Replacement, Chicago, IL. Professional services for façade Registrations repairs and window replacement at the historic R.R. Donnelly •Registered Architect in Illinois Building located at 350 East Cermak, which is a fully occupied data center and Landmarked building. The construction scope •NCARB Certifi cate Holder included brick masonry, limestone, and terra cotta façade repairs •LEED Accredited Professional, Building Design+Construction and window replacement throughout the -
Lbbert Wayne Wamer a Thesis Presented to the Graduate
I AN ANALYSIS OF MULTIPLE USE BUILDING; by lbbert Wayne Wamer A Thesis Presented to the Graduate Committee of Lehigh University in Candidacy for the Degree of Master of Science in Civil Engineering Lehigh University 1982 TABLE OF CCNI'ENTS ABSI'RACI' 1 1. INTRODlCI'ICN 2 2. THE CGJCEPr OF A MULTI-USE BUILDING 3 3. HI8rORY AND GRami OF MULTI-USE BUIIDINCS 6 4. WHY MULTI-USE BUIIDINCS ARE PRACTICAL 11 4.1 CGVNI'GJN REJUVINATICN 11 4. 2 EN'ERGY SAVIN CS 11 4.3 CRIME PREVENTIOO 12 4. 4 VERI'ICAL CANYOO EFFECT 12 4. 5 OVEOCRO'IDING 13 5. DESHN CHARACTERisriCS OF MULTI-USE BUILDINCS 15 5 .1 srRlCI'URAL SYSI'EMS 15 5. 2 AOCHITECI'URAL CHARACTERisriCS 18 5. 3 ELEVATOR CHARACTERisriCS 19 6. PSYCHOI..OCICAL ASPECTS 21 7. CASE srUDIES 24 7 .1 JOHN HANCOCK CENTER 24 7 • 2 WATER TOiVER PlACE 25 7. 3 CITICORP CENTER 27 8. SUMMARY 29 9. GLOSSARY 31 10. TABLES 33 11. FIGJRES 41 12. REFERENCES 59 VITA 63 iii ACKNCMLEI)(}IIENTS The author would like to express his appreciation to Dr. Lynn S. Beedle for the supervision of this project and review of this manuscript. Research for this thesis was carried out at the Fritz Engineering Laboratory Library, Mart Science and Engineering Library, and Lindennan Library. The thesis is needed to partially fulfill degree requirenents in Civil Engineering. Dr. Lynn S. Beedle is the Director of Fritz Laboratory and Dr. David VanHom is the Chainnan of the Department of Civil Engineering. The author wishes to thank Betty Sumners, I:olores Rice, and Estella Brueningsen, who are staff menbers in Fritz Lab, for their help in locating infonnation and references. -
Parkinson's Update
Parkinson’s Disease and Movement Disorders Center Parkinson’s Update Feinberg School of Medicine Northwestern University Fall 2013 Vol. 17 Talking about PD with Your Family By Diane B. Breslow disorder that occurs when dopamine-producing nerve cells die or become impaired. The four major motor symptoms that are key to diagnosis are resting tremor, slowness, stiffness, and trouble with balance. Other motor symptoms may include small handwriting, reduced arm swing, soft voice, and loss of facial expres- sion. Nonmovement symptoms may include sleep disturbances, depression, anxiety, and slowed thinking. Caregivers say that they want to allay their children’s fears about PD and genetics. Some young- onset cases may demonstrate a genetic pattern, but for the vast majority of people, PD is not inherited. Most scientists feel that PD results from a tendency or o one knows and understands Parkinson’s predisposition to develop the disorder coupled with a disease like the people who have the diagnosis trigger such as environment, past illness, or trauma. At and those who live with and help care for them. N this time, however, there is no test that can accurately Even so, you yourself, whether patient or caregiver, predict who will develop PD. Extensive gene and may not yet accept the reality of the disease, or you may feel frightened, burdened, or sad. At the same time, “biomarker” research is under way. The purpose of bio- you have family members—adult children, young chil- marker research is to uncover the possible precursors— dren, siblings—who are affected and perhaps confused not necessarily causes—to disease development. -
Chicago No 16
CLASSICIST chicago No 16 CLASSICIST NO 16 chicago Institute of Classical Architecture & Art 20 West 44th Street, Suite 310, New York, NY 10036 4 Telephone: (212) 730-9646 Facsimile: (212) 730-9649 Foreword www.classicist.org THOMAS H. BEEBY 6 Russell Windham, Chairman Letter from the Editors Peter Lyden, President STUART COHEN AND JULIE HACKER Classicist Committee of the ICAA Board of Directors: Anne Kriken Mann and Gary Brewer, Co-Chairs; ESSAYS Michael Mesko, David Rau, David Rinehart, William Rutledge, Suzanne Santry 8 Charles Atwood, Daniel Burnham, and the Chicago World’s Fair Guest Editors: Stuart Cohen and Julie Hacker ANN LORENZ VAN ZANTEN Managing Editor: Stephanie Salomon 16 Design: Suzanne Ketchoyian The “Beaux-Arts Boys” of Chicago: An Architectural Genealogy, 1890–1930 J E A N N E SY LV EST ER ©2019 Institute of Classical Architecture & Art 26 All rights reserved. Teaching Classicism in Chicago, 1890–1930 ISBN: 978-1-7330309-0-8 ROLF ACHILLES ISSN: 1077-2922 34 ACKNOWLEDGMENTS Frank Lloyd Wright and Beaux-Arts Design The ICAA, the Classicist Committee, and the Guest Editors would like to thank James Caulfield for his extraordinary and exceedingly DAVID VAN ZANTEN generous contribution to Classicist No. 16, including photography for the front and back covers and numerous photographs located throughout 43 this issue. We are grateful to all the essay writers, and thank in particular David Van Zanten. Mr. Van Zanten both contributed his own essay Frank Lloyd Wright and the Classical Plan and made available a manuscript on Charles Atwood on which his late wife was working at the time of her death, allowing it to be excerpted STUART COHEN and edited for this issue of the Classicist. -
Minutes of the Meeting Commission on Chicago Landmarks October 4, 2012
MINUTES OF THE MEETING COMMISSION ON CHICAGO LANDMARKS OCTOBER 4, 2012 The Commission on Chicago Landmarks held a regular meeting on October 4, 2012. The meeting was held at City Hall, 121 N. LaSalle St., City Hall Room 201-A, Chicago, Illinois. The meeting began at 12:50 p.m. PHYSICALLY PRESENT: Rafael Leon, Chairman John Baird, Secretary Tony Hu James Houlihan (arrived after item 1) Ernest Wong Anita Blanchard Christopher Reed Mary Ann Smith Andrew Mooney, Commissioner of the Department of Housing and Economic Development ALSO PHYSICALLY PRESENT: Eleanor Gorski, Assistant Commissioner, Department of Housing and Economic Development, Historic Preservation Division Arthur Dolinsky, Department of Law, Real Estate Division Members of the Public (The list of those in attendance is on file at the Commission office.) A tape recording of this meeting is on file at the Department of Housing and Economic Development, Historic Preservation Division offices and is part of the permanent public record of the regular meeting of the Commission on Chicago Landmarks. Chairman Leon called the meeting to order. 1. Approval of the Minutes of the September 6, 2012, Regular Meeting Motioned by Smith, seconded by Wong. Approved unanimously. (8-0) Commission member Jim Houlihan arrived. 2. Final Landmark Recommendation to City Council MARTIN SCHNITZIUS COTTAGE WARD 43 1925 N. Fremont Street Resolution to adopt the Final Landmark Recommendation to City Council that the MARTIN SCHNITZIUS COTTAGE be designated as a Chicago Landmark. Alderman Michelle Smith, (43rd Ward), within whose ward the building is located, expressed support for the designation. Michael Spock on behalf of the Barbara Spock Trust, the property owner, also expressed support for the landmark designation. -
EVENT GUIDE SPECIAL ADVERTISING SECTION: This Section Was Edited and Produced by the Chicago Architecture Foundation
ARCHITECTUREFREE FESTIVAL This weekend, get FREE, behind-the-scenes access to 200 buildings across Chicago. openhousechicago.org EVENT GUIDE SPECIAL ADVERTISING SECTION: This section was edited and produced by the Chicago Architecture Foundation. 1 PRESENTED BY About the Chicago Architecture Foundation Five years ago, the Chicago to embark on a tour, workshops for Architecture Foundation (CAF) students, lectures for adults and decided to bring a city-wide festival of field trip groups gathered around architecture and design to Chicago— our 1,000-building scale model of the quintessential city of American Chicago. architecture. London originated the In addition to Open House Chicago, “Open House” concept more than 20 CAF is best known for our 85 different years ago, New York City had several Chicago-area tours, including the top- years under its belt and even Toronto ranked tour in the city: the Chicago produced a similar festival. By 2011, it Architecture Foundation River Cruise was Chicago’s time and Open House aboard Chicago’s First Lady Cruises. Chicago was born. Our 450 highly-trained volunteer CAF was founded in 1966. As a docents lead more than 6,000 walking, STS. VOLODYMYR & OLHA UKRAINIAN CATHOLIC CHURCH (P. 10) photo by Anne Evans nonprofit organization dedicated boat, bus and L train tours each year. to inspiring people to discover why CAF also offers exhibitions, public designed matters, CAF has grown programs and education activities Ten things to know about over the years to become a hub for for all ages. Open House Chicago learning about and participating in Learn more about CAF and our architecture and design. -
Firmness, Commodity, and Delight: Architecture in Special Collections
1 FIRMNESS, COMMODITY, AND DELIGHT: ARCHITECTURE IN SPECIAL COLLECTIONS Writing near the end of the first century B.C.E., Roman architect Vitruvius Pollio identified three elements necessary for a well-designed building: firmitas, utilitas,and venustas. Firmness or physical strength secured the building’s structural integrity. Utility provided an efficient arrangement of spaces and mechanical systems to meet the functional needs of its occupants. And venustas, the aesthetic quality associated with the goddess Venus, imparted style, proportion, and visual beauty. Rendered memorably into English by Henry Wotton, a seventeenthcentury translator, “firmness, commodity, and delight” remain the essential components of all successful architectural design. Architecture has been a part of the Library’s holdings since 1891, when President William Rainey Harper purchased the complete stock of a Berlin book dealer for the University of Chicago. Among the treasures acquired for the Library with this collection were early editions of works on classical architecture, sculpture, and design, along with a 15th-century manuscript of Leon Battista Alberti’s influential architectural treatise, De re aedificatoria. Subsequent gifts, acquisitions, and archival transfers have brought added distinction and variety to the Library’s architecture collections: theoretical works and popular manuals, records of the University’s physical development, papers of urban planners, postcards and ephemera, photographs, and architectural drawings and blueprints. Based on the holdings of the Special Collections Research Center, the architectural selections displayed in this exhibition suggest the diversity of these resources and their rich potential for research across a broad range of topics in the arts of building and design. “Firmness, Commodity, and Delight” celebrates the opening of the new Special Collections Research Center Exhibition Gallery and the completion of the Joe and Rika Mansueto Library. -
Les Numéros En Bleu Renvoient Aux Cartes
276 Index Les numéros en bleu renvoient aux cartes. 10 South LaSalle 98 American Writers Museum 68 35 East Wacker 88 Antiquités 170, 211 55 West Monroe Building 96 Aon Center 106 57th Street Beach 226 Apollo Theater 216 63rd Street Beach 226 Apple Michigan Avenue 134 75 East Wacker Drive 88 Aqua Tower 108 77 West Wacker Drive 88 Archbishop Quigley Preparatory Seminary 161 79 East Cedar Street 189 Architecture 44 120 North LaSalle 98 Archway Amoco Gas Station 197 150 North Riverside 87 Argent 264 181 West Madison Street 98 Arrivée 256 190 South LaSalle 98 Arthur Heurtley House 236 225 West Wacker Drive 87 Articles de voyage 145 300 North LaSalle Drive 156 Art Institute of Chicago 112 311 South Wacker Drive Building 83 Artisanat 78 321 North Clark 156 Art on theMART 159 A 325 North Wells 159 Art public 49 330 North Wabash 155 Arts and Science of the Ancient World: 333 North Michigan Avenue 68 Flight of Daedalus and Icarus 98 333 West Wacker Drive 87 Arts de la scène 40 360 CHICAGO 138 Astor Court 190 INDEX 360 North Michigan Avenue 68 Astor Street 189 400 Lake Shore Drive 158 AT&T Plaza 118 515 North State Building 160 Atwood Sphere 127 543-545 North Michigan Avenue 134 Auditorium Building 73 606, The 233 Auditorium Theatre 80 646 North Michigan Avenue 134 Autocar 258 730 North Michigan Avenue Building 137 Avion 256 860-880 North Lake Shore Drive 178 Axis Apartments & Lofts 179 875 North Michigan Avenue 138 900 North Michigan Shops 139 919 North Michigan Avenue 139 B 1211 North LaSalle Street 192 Baha’i House of Worship 247 1260 North Astor -
EVENT GUIDE SPECIAL ADVERTISING SECTION: This Section Was Edited and Produced by the Chicago Architecture Foundation
ARCHITECTUREFREE FESTIVAL This weekend, get FREE, behind-the-scenes access to 200+ buildings across Chicago. openhousechicago.org EVENT GUIDE SPECIAL ADVERTISING SECTION: This section was edited and produced by the Chicago Architecture Foundation. 2 PRESENTED BY ABOUT THE CHICAGO ARCHITECTURE FOUNDATION Six years ago, the Chicago Architecture Foundation (CAF) launched the first Open House Chicago. This free, citywide festival drew 23,000 people in its first year. By 2016, it grew to 100,000 attendees, making it one of the largest architecture events in the world. This year is our biggest yet, with more than 200 sites. OHC is just one of many CAF programs that inspire people to discover why design matters. Today, when you visit CAF at 224 S. Michigan Ave., you’ll find visitors embarking on tours, FIRST CHURCH OF DELIVERANCE, BRONZEVILLE (p. 15) camps for children, lectures for adults and field trip groups gathered around our 3D model of Chicago. TEN THINGS TO KNOW ABOUT In summer 2018, CAF will open the Chicago Architecture Center at CHICAGO ARCHITECTURE CENTER — OPEN HOUSE CHICAGO (OHC) COMING IN SUMMER 2018 111 E. Wacker Dr. This new location is situated above the dock for the 1. OHC is a FREE public festival with behind-the-scenes access Chicago Architecture Foundation River CAF’s 450 expert volunteer docents to 200+ buildings across Chicago—no tickets required. Cruise aboard Chicago’s First Lady will lead 85+ tours from the Center, Cruises—the city’s top-ranked tour. by boat, bus, L train and on foot for SPECIAL CHICAGO ARCHITECTURE FOUNDATION ADVERTISING SECTION | THURSDAY, OCTOBER 12, 2017 ADVERTISING SECTION | THURSDAY, SPECIAL CHICAGO ARCHITECTURE FOUNDATION 2. -
Historic Properties Identification Report
Section 106 Historic Properties Identification Report North Lake Shore Drive Phase I Study E. Grand Avenue to W. Hollywood Avenue Job No. P-88-004-07 MFT Section No. 07-B6151-00-PV Cook County, Illinois Prepared For: Illinois Department of Transportation Chicago Department of Transportation Prepared By: Quigg Engineering, Inc. Julia S. Bachrach Jean A. Follett Lisa Napoles Elizabeth A. Patterson Adam G. Rubin Christine Whims Matthew M. Wicklund Civiltech Engineering, Inc. Jennifer Hyman March 2021 North Lake Shore Drive Phase I Study Table of Contents Executive Summary ....................................................................................................................................... v 1.0 Introduction and Description of Undertaking .............................................................................. 1 1.1 Project Overview ........................................................................................................................... 1 1.2 NLSD Area of Potential Effects (NLSD APE) ................................................................................... 1 2.0 Historic Resource Survey Methodologies ..................................................................................... 3 2.1 Lincoln Park and the National Register of Historic Places ............................................................ 3 2.2 Historic Properties in APE Contiguous to Lincoln Park/NLSD ....................................................... 4 3.0 Historic Context Statements ........................................................................................................ -
2020-2021 Parent & Student Handbook
PARENT AND STUDENT HANDBOOK Ashley Wheater, The Mary B. Galvin Artistic Director Greg Cameron, President and CEO Raymond Rodriguez, Academy Director Joffrey Tower 10 East Randolph Street Chicago, IL 60601 Phone: 312.784.4600 Attendance Hotline: 312.784.4698 Fax: 312.784.4683 [email protected] JOFFREY.ORG Joffrey Academy of Dance, Official School of The Joffrey Ballet, is the only training program owned, operated or endorsed by The Joffrey Ballet. The Joffrey Ballet is not affiliated with any other dance training or school program, including the Joffrey Ballet School in New York. The Joffrey Academy, located in the Exelon Education Center at Joffrey Tower in Chicago, Illinois is the only school that follows the organizational mission, training syllabi, and artistic vision of The Joffrey Ballet. No other program, including those holding the Joffrey name, is sanctioned by The Joffrey Ballet. For more information, please contact Academy Reception at 312.784.4600. Table of Contents INTRODUCTION………………………………………………………………………………………….4 RULES AND REGULATIONS ..................................................................................................... 4 JOFFREY ACADEMY INFORMATION AND POLICIES .............................................................. 4 Registration ............................................................................................................................ 5 Communication....................................................................................................................... 5 Inquiry