Understanding the EOS 250D Especially Written for Canon EOS Users
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Improve Your Night Photography
IMPROVE YOUR NIGHT PHOTOGRAPHY By Jim Harmer SMASHWORDS EDITION * * * * * Improve Your Night Photography Copyright © 2010 Jim Harmer. All rights reserved THE SALES FROM THIS BOOK HELP TO SUPPORT THE AUTHOR AND HIS FAMILY. PLEASE CONSIDER GIVING THIS BOOK A 5-STAR REVIEW ON THE EBOOK STORE FROM WHICH IT WAS PURCHASED. * * * * * All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the prior written permission of both the copyright owner and the above publisher of this book. This is a work of non-fiction, but all examples of persons contained herein are fictional. Persons, places, brands, media, and incidents are either the product of the author's imagination or are used fictitiously. The trademarked and/or copyrighted status and trademark and/or copyright owners of various products referenced in this work of fiction, which have been used without permission, is acknowledged. The publication/use of these trademarks and/or copyrights isn’t authorized, associated, or sponsored by the owners. The copyright notice and legal disclaimer at the end of this work is fully incorporated herein. Smashwords Edition License Notes This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person you share it with. If you're reading this book and did not purchase it, or it was not purchased for your use only, then you should return to Smashwords.com and purchase your own copy. -
BLUETOOTH SHUTTERBOSS User Manual THANK YOU for CHOOSING VELLO
BLUETOOTH SHUTTERBOSS User Manual THANK YOU FOR CHOOSING VELLO The Vello Bluetooth ShutterBoss ideal for eliminating vibrations shutter exposures in multiple Advanced Intervalometer during macro, close-up, and firing modes, the Bluetooth represents the new generation long exposure photography, ShutterBoss is the future of of wireless triggering. Utilizing as well as for taking images wireless camera controls. the power of Bluetooth of hard to approach subjects, technology, the Bluetooth such as wildlife. The Integrated ShutterBoss empowers the user intervalometer and 10 setting to an Apple® iPhone®, iPad®, schedules allow you to trigger iPad mini™, or iPod touch® up to 9,999 shots during a to wirelessly trigger their period of almost a full day – camera’s shutter. This makes 23 hours, 59 minutes, and 59 the Bluetooth ShutterBoss seconds. Capable of activating 2 FEATURES • Wireless Bluetooth • Multiple shooting modes communication with Apple iPhone, iPad, or iPod touch • Compact and easy to use • Advanced intervalometer with • Ideal for advanced up to 10 scheduling modes intervalometer photography, macro, close-up, and long • Free app on the App StoreSM exposures 3 PRECAUTIONS • Please read and follow these • Do not handle with wet hands • Observe caution when instructions and keep this or immerse in or expose handling batteries. Batteries manual in a safe place. to water or rain. Failure to may leak or explode if observe this precaution could improperly handled. Use • Do not attempt to result in fire or electric shock. only the batteries listed in disassemble or perform any this manual. Make certain to unauthorized modification. • Keep out of the reach of align batteries with correct children. -
JJC RM-E6L Remote Control
Thank you for purchasing the ProMaster® Multi-Function Infrared Timer Remote. For the best performance, please read this instruction manual carefully before using. Parts Identification 1. Control Panel 2. Shutter Release Button 3. Background Light / Lock Button 4. Arrow Button 5. Indicator Light 6. Timer Start/Stop Button 7. SET Button 8. Infrared Signal Output 9. Wired Remote Cord Socket 10. Power Button 11. Selection cursor 12. Timer display 13. LOCK indicator 14. Low power indicator 15. Timer active indicator 16. Speaker ON/OFF 17. SET indicator 18. Release indicator 19. Number of shots 20. Multi-Exposure indicator 21. Infrared Signal indicator Included in the package The following items included in the package: 1. IR Timer Remote Control 2. Instruction Manual 3. 2 pcs. - AAA 1.5V Battery Installing and replacing the batteries Using the remote in the wireless infrared mode Setting the infrared channel 1. Use the arrow button to select the correct infrared signal for your camera. 2. Press the left or right button to move the selection cursor until it disappears. 3. Press the SET button to go into the infrared signal section. When the infrared signal number is flashing, press the up or down button to edit. 4. Press the SET button at any time to complete the operation and display the new setting for the selected item. OFF Quick Response Remote for CANON Delayed Remote for CANON Quick Response Remote for Quick Response Remote for Quick Response Remote for SAMSUNG PENTAX OLYMPUS Quick Response Remote for NIKON Quick Response Remote for SONY Delayed Remote for SONY Video stop/start for SONY NOTE: In the autofocus mode, most cameras will not take a picture until they have achieved focus lock. -
Owner's Manual Read Before Using
Preparation Basic Advance Read before using Owner’s Manual this camera. Mode Thank you for purchasing this product. Please follow the instructions given in this manual carefully. Features d The 28mm F2.8 and 38mm F2.8 SUPER-EBC FUJINON lens delivers high quality images. d The program AE mode offers beginners easy photo taking while the aperture AE mode widens the range of expression. d High-speed shutter up to 1/500 sec. with aperture setting of F2.8 enables various photos to be taken. d The viewfinder display shows all functions you need such as shutter speed (in 1/2 step) and the exposure modes. d Versatile aperture techniques realized with the easy-to-use exposure compensation dial and AEB (Auto Exposure Bracketing) function. d The separate AF lock button best suitable for snapshot photography d The film sensitivity mode enables you to set the film speed (ISO) manually. d N mode generates “natural” photos with non-flash shooting while using an ultra-sensitive film. Accessories The product includes following accessories. Make sure to check the contents of the package. Lithium battery CR2 (1) Owner’s Manual (this document) (1) Neck Strap (1) Warranty Certificate (1) 2 Contents Features ......................................... 2 Mode Important Safety Notice .......................... 4 Selecting Modes ............................. .40 Part Names. ..................................... 6 List of Modes ................................ .43 Preparation Selecting Flash Mode ........................ .44 e AEB (Auto Exposure Bracketing) Attaching the Strap........................... .12 Photography . 48 Loading the Battery .......................... .12 m Manual-Focus Photography . 52 Turning the Camera ON ...................... 14 b Bulb Photography . 56 Turning the Camera OFF..................... 14 T Self Timer Photography . -
DSLR Astrophotography They Say… Start with a Joke
DSLR Astrophotography They say… start with a joke. DLSR Wide-field Astrophotography The Advantages It’s Relatively Inexpensive All you need is a DLSR camera …and a tripod You Don’t Need This! Nikon v.s. Canon Most DSLR astrophotographers use Canon cameras. Canon releases the details of the camera’s software. This allows the development of third party software, designed specifically for astrophotography. Nikon does not create a truly raw image A simple median blurring filter is always applied... removing many stars, as they are seen as noise. This prohibits precise image calibration. Some Nikons allow the “Mode 3” work around. Using Nikon’s Mode 3 Simply start the bulb time exposure and terminate it by turning off the camera. The camera sees this as a low-power warning and immediately saves the image without running the median blurring filter Testing For Mode 3 Availability Take a one-minute dark exposure in Mode 1. This is a raw image with “no noise reduction” selected. Take a one-minute Mode 3 dark exposure. If Mode 3 is available, that exposure will have noticeably more hot pixels and noise. For Starters… Keep It Simple Set the focus to infinity... before it’s dark Mount the camera on a sturdy tripod Use a wide angle lens (18mm is nice) Set the lens to its lowest f-stop Use the RAW image format, at the highest ISO setting Shoot 20-30 second exposures Take about five dark exposures (more on this later) …and you can get an image like this! Nikon D40X 18mm @ f/4 ISO 1600 Mode 1 4 30-Sec exposures 4 30-Sec darks After taking several Milky Way shots it may be time to get more adventurous. -
A Guide to Smartphone Astrophotography National Aeronautics and Space Administration
National Aeronautics and Space Administration A Guide to Smartphone Astrophotography National Aeronautics and Space Administration A Guide to Smartphone Astrophotography A Guide to Smartphone Astrophotography Dr. Sten Odenwald NASA Space Science Education Consortium Goddard Space Flight Center Greenbelt, Maryland Cover designs and editing by Abbey Interrante Cover illustrations Front: Aurora (Elizabeth Macdonald), moon (Spencer Collins), star trails (Donald Noor), Orion nebula (Christian Harris), solar eclipse (Christopher Jones), Milky Way (Shun-Chia Yang), satellite streaks (Stanislav Kaniansky),sunspot (Michael Seeboerger-Weichselbaum),sun dogs (Billy Heather). Back: Milky Way (Gabriel Clark) Two front cover designs are provided with this book. To conserve toner, begin document printing with the second cover. This product is supported by NASA under cooperative agreement number NNH15ZDA004C. [1] Table of Contents Introduction.................................................................................................................................................... 5 How to use this book ..................................................................................................................................... 9 1.0 Light Pollution ....................................................................................................................................... 12 2.0 Cameras ................................................................................................................................................ -
A Curriculum Guide
FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE This page is an excerpt from Focus on Photography: A Curriculum Guide Written by Cynthia Way for the International Center of Photography © 2006 International Center of Photography All rights reserved. Published by the International Center of Photography, New York. Printed in the United States of America. Please credit the International Center of Photography on all reproductions. This project has been made possible with generous support from Andrew and Marina Lewin, the GE Fund, and public funds from the New York City Department of Cultural Affairs Cultural Challenge Program. FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE PART IV Resources FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE This section is an excerpt from Focus on Photography: A Curriculum Guide Written by Cynthia Way for the International Center of Photography © 2006 International Center of Photography All rights reserved. Published by the International Center of Photography, New York. Printed in the United States of America. Please credit the International Center of Photography on all reproductions. This project has been made possible with generous support from Andrew and Marina Lewin, the GE Fund, and public funds from the New York City Department of Cultural Affairs Cultural Challenge Program. FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE Focus Lesson Plans Fand Actvities INDEX TO FOCUS LINKS Focus Links Lesson Plans Focus Link 1 LESSON 1: Introductory Polaroid Exercises Focus Link 2 LESSON 2: Camera as a Tool Focus Link 3 LESSON 3: Photographic Field -
TAKING TIME EXPOSURES (Bulb) M-MODE – MANUAL
M-MODE – MANUAL TAKING TIME EXPOSURES (buLb) M-Mode Flash Set the shutter speed to bulb when you want to take time When the built-in flash is up or an attached accessory flash is on, it exposures. When bulb is selected, will fire each time a picture is taken. Flash exposure is controlled by the shutter remains open as long the camera’s TTL automatic flash metering system. as the shutter-release button is pressed. 1. Press the flash-mode button to pop-up the built-in flash. • will appear in the data panel. 1. Mount the camera on a tripod. 2. Turn the control dial to select 2. Set the camera to M-mode, any shutter speed up to then turn the control dial until 1/125th of a second. appears in the data panel. 3. Press the exposure- 3. Press the exposure- compensation button and turn compensation button and turn the control dial to select the the control dial to select the aperture. aperture. • Refer to the flash range table on page 26 to determine the aperture setting and the flash range. Cancelling the Flash 4. Compose the scene and Push the built-in flash down or turn the accessory flash off. focus on your subject. • If the scene is too dark for autofocus to • will be displayed in the data panel. operate, press the focus-mode button and focus the lens manually (p54). Continued on next page. 48 49 TAKING TIME EXPOSURES (buLb) 5. Firmly press the eyepiece cap into the eyepiece. • The eyepiece cap prevents light from entering thru the viewfinder and affecting the metered exposure. -
So You Want to Do Long Exposure Photography? in Daylight? What Do
So you want to do Long Exposure Photography? In Daylight? Not sure where and how to start? You've come to the right place! The above image shows one of the most important pieces of equipment you will need: It's called an ND Filter. ND stands for neutral density, which simply means that the filter is able to reduce the light that reaches your camera sensor (or film). The 'neutral' part means that the filter (should) do so without any color shift. Think of it somewhat similar to a pair of dark sunglasses. Using such a filter will let you achieve long exposures of several minutes in broad daylight. If you didn't have such a filter, your images would be completely 'blown out', because too much light would reach your sensor (film) causing any images to be completely white with no details left (that's what blown out means). If you do NOT have an ND filter, you can still do long exposures, but you would have to do it at night when it's dark. What do I use: As pictured above, I use ND Filters made by B+W predominately. I also use other brands such as Hoya and Tiffen. All of these filters come in various 'strengths', the darker they are the more they reduce the light reaching my sensor (film) which results in longer and longer exposure times. Your exposure time will be longer the darker (or stronger) your ND filter. Exposure time also varies with the amount of ambient light, the brighter your surroundings the darker (or stronger) your ND filter has to be to maintain long exposure times. -
User's Manual
DIGITAL CAMERA User’s Manual No reproduction in any form of this manual, in whole or in part (except for brief quotation in critical articles or reviews), may be made without written authorization from NIKON CORPORATION. En Printed in Thailand En 6MB01311-01 Trademark Information • Microsoft and Windows Vista are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. • Macintosh, Mac OS, and QuickTime are trademarks of Apple Inc. • Adobe and Acrobat are registered trademarks of Adobe Systems Inc. • The SD logo is a trademark of the SD Card Association. • The SDHC logo is a trademark. • PictBridge is a trademark. • All other trade names mentioned in this manual or the other documentation provided with your Nikon product are trademarks or registered trademarks of their respective holders. Introduction First Steps Basic Photography a, b, c, and d Modes Changing Shooting Settings More on Playback Connecting to a Computer, Printer, or TV Menu Guide Optional Accessories Maximizing the Life of the Camera Technical Notes i For Your Safety To prevent damage to your Nikon product or injury to yourself or to others, read the following safety precautions in their entirety before using this equipment. Keep these safety instructions where all those who use the product will read them. The consequences that could result from failure to observe the precautions listed in this section are indicated by the following symbol: This icon marks warnings. To prevent possible injury, read all warnings before using this Nikon product. WARNINGS Keep the sun out of the frame Do not place the strap around the neck of Keep the sun well out of the frame when an infant or child shooting backlit subjects. -
Photography in Industrial Arts Gerald D. Keeton
PHOTOGRAPHY IN INDUSTRIAL ARTS by GERALD D. KEETON '<\. Bac~elor of Science Northeastern State College ·,Tahie qU~h, Oklahoma 1952 Submitted to the Faculty of the Graduate School of the Oklahoma State University of Agriculture and Applied Sciences in partial fulfillment of the requirements for the degt~~· of Master of Science 1959 OKLAHOMA STATE UNtV£RSn'Y LIBRARY t NOV 1.:'I :359 t ~ •~• f PHOTOGRAPHY IN INDUSTRIAL ARTS GERAID D. KEETON MASTER OF SCIENCE THESIS APPROVED: Thesis Advisor and Head, D,epartment of Industrial Arts Education Dean of the Graduate School 430783 ACKNOWLEDGMENT.' l wish to express my appreciation and gratitude .to the following person for h:ts enc.ouragement, aid, and advice in making this thesis posslble. To Mr. c. L. Hill, Head, Department of Industrial Arts Education, Oklahoma State Uni versity, for his assistance and guidance given during the preparation of this thesis, and for his time and efforts in helping with my plan of study for the Master of Science Degree. G. D. K. iii TABLE OF:CONTENTS Chapter Page Io AN INTRODUCTORY STATEMENT • • • • 0 • • • • • • • • 1 Purpose of the Study •• • • • 0 • • • • • • • 1 Research Techniques Used • • • • • • • • • • • 2 Scope of Study ••••• • • • • • • • • • • • 2 Definitions of Terms •• • • • • • • • • e • .e 2 II. A BRIEF HISTORY OF INDUSTRIAL ARTS AND PHOT·OGRAPHY. 5 Part A. History of Industrial Arts • • • • • • • • 5 Unconscious Imitation • • • • • • • • • • • • 5 Conscious Imitation • • • • • • • • • • • • • 6 Apprenticeship • • • • • • • , • • • • • • • • • 6 -
Long Exposure Photography in Depth with Paul Reiffer
Pro-Photographer Guide Long Exposure Photography in Depth with Paul Reiffer © Paul Reiffer © Paul Reiffer Prologue by Phase One Meet Paul Reiffer Paul is a professional landscape and cityscape photographer, Phase One Ambassador, and all around awesome human being. Beyond that, he is an extremely charismatic teacher and is well-versed in all things long exposure. Let’s learn a bit more about Paul. Who is he and how did he become a photographer? Paul has had a camera for as long as he can remember. In fact, he still has his Kodak Disc 6000 8mm camera from his childhood, when his father had a dark room in the attic of his home on the south coast of England. We can only imagine the expanse of images he has taken, and the number of memories captured. Paul gained interest in cityscapes while living in China. To that he says, “being on top of a city roof, capturing the lives of everyone below, is one of the busiest views, yet most peaceful places, I know in the world.” In 2013, he switched to medium format when his clients started demanding BIG prints. That was his revolution - from growing up experiencing photography in one way, to then learning a whole new world of opportunities was available. Why is Paul qualified to teach you long exposure? Paul’s successful professional photography career is built on sweeping landscapes and busy cityscapes. He was the winner of the UNESCO International Year of Light competition with his shots of Shanghai, and his work has been exhibited all around the world - from the Royal Albert Hall and Houses of Parliament in London, to the largest screens in Times Square, and even a sandbank in the middle of the Indian Ocean.