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Improve Your Night Photography
IMPROVE YOUR NIGHT PHOTOGRAPHY By Jim Harmer SMASHWORDS EDITION * * * * * Improve Your Night Photography Copyright © 2010 Jim Harmer. All rights reserved THE SALES FROM THIS BOOK HELP TO SUPPORT THE AUTHOR AND HIS FAMILY. PLEASE CONSIDER GIVING THIS BOOK A 5-STAR REVIEW ON THE EBOOK STORE FROM WHICH IT WAS PURCHASED. * * * * * All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the prior written permission of both the copyright owner and the above publisher of this book. This is a work of non-fiction, but all examples of persons contained herein are fictional. Persons, places, brands, media, and incidents are either the product of the author's imagination or are used fictitiously. The trademarked and/or copyrighted status and trademark and/or copyright owners of various products referenced in this work of fiction, which have been used without permission, is acknowledged. The publication/use of these trademarks and/or copyrights isn’t authorized, associated, or sponsored by the owners. The copyright notice and legal disclaimer at the end of this work is fully incorporated herein. Smashwords Edition License Notes This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person you share it with. If you're reading this book and did not purchase it, or it was not purchased for your use only, then you should return to Smashwords.com and purchase your own copy. -
A Quick Guide to HDR Photography
A quick guide to HDR photography PUBLISHED - 15 AUG 2017 Make sure that what your eye sees is what your camera captures, by using HDR in contrasty light situations. HDR – high dynamic range – imaging enables your camera to create an image that captures all the range of contrast in a scene, from the depths of the shadows to the highlights of the brightest areas. This is essentially how your eyes see, but it's a tall order for a camera to record the furthest ends of such a drastic range – if you meter for the highlights (the bright areas), you might lose detail in the shadow areas of the scene, while the other way round you risk 'blown-out' highlights. A common example is a well-exposed room interior flooded with light from the windows. If you expose to capture what's outside those windows, the room's details will be lost in shadow. Another is when shooting outdoors: the sunlight that creates bright highlights will also create dark shadows, but expose for one and you'll lose detail in the other. When you make an HDR image, on the other hand, what you see is what you're going to get, because you create it with a series of bracketed exposures to capture both the highlights and the shadow detail. 1 of 3 © NIKON SCHOOL Built-in HDR Some Nikon DSLRs have a built-in HDR mode that does it for you. Available when shooting JPEG only, it automatically takes two quick shots – the first slightly underexposed (darker) and the second exposure slightly overexposed (brighter) – then combines them in-camera to create one well-balanced, tonally wide-ranging image. -
BLUETOOTH SHUTTERBOSS User Manual THANK YOU for CHOOSING VELLO
BLUETOOTH SHUTTERBOSS User Manual THANK YOU FOR CHOOSING VELLO The Vello Bluetooth ShutterBoss ideal for eliminating vibrations shutter exposures in multiple Advanced Intervalometer during macro, close-up, and firing modes, the Bluetooth represents the new generation long exposure photography, ShutterBoss is the future of of wireless triggering. Utilizing as well as for taking images wireless camera controls. the power of Bluetooth of hard to approach subjects, technology, the Bluetooth such as wildlife. The Integrated ShutterBoss empowers the user intervalometer and 10 setting to an Apple® iPhone®, iPad®, schedules allow you to trigger iPad mini™, or iPod touch® up to 9,999 shots during a to wirelessly trigger their period of almost a full day – camera’s shutter. This makes 23 hours, 59 minutes, and 59 the Bluetooth ShutterBoss seconds. Capable of activating 2 FEATURES • Wireless Bluetooth • Multiple shooting modes communication with Apple iPhone, iPad, or iPod touch • Compact and easy to use • Advanced intervalometer with • Ideal for advanced up to 10 scheduling modes intervalometer photography, macro, close-up, and long • Free app on the App StoreSM exposures 3 PRECAUTIONS • Please read and follow these • Do not handle with wet hands • Observe caution when instructions and keep this or immerse in or expose handling batteries. Batteries manual in a safe place. to water or rain. Failure to may leak or explode if observe this precaution could improperly handled. Use • Do not attempt to result in fire or electric shock. only the batteries listed in disassemble or perform any this manual. Make certain to unauthorized modification. • Keep out of the reach of align batteries with correct children. -
JJC RM-E6L Remote Control
Thank you for purchasing the ProMaster® Multi-Function Infrared Timer Remote. For the best performance, please read this instruction manual carefully before using. Parts Identification 1. Control Panel 2. Shutter Release Button 3. Background Light / Lock Button 4. Arrow Button 5. Indicator Light 6. Timer Start/Stop Button 7. SET Button 8. Infrared Signal Output 9. Wired Remote Cord Socket 10. Power Button 11. Selection cursor 12. Timer display 13. LOCK indicator 14. Low power indicator 15. Timer active indicator 16. Speaker ON/OFF 17. SET indicator 18. Release indicator 19. Number of shots 20. Multi-Exposure indicator 21. Infrared Signal indicator Included in the package The following items included in the package: 1. IR Timer Remote Control 2. Instruction Manual 3. 2 pcs. - AAA 1.5V Battery Installing and replacing the batteries Using the remote in the wireless infrared mode Setting the infrared channel 1. Use the arrow button to select the correct infrared signal for your camera. 2. Press the left or right button to move the selection cursor until it disappears. 3. Press the SET button to go into the infrared signal section. When the infrared signal number is flashing, press the up or down button to edit. 4. Press the SET button at any time to complete the operation and display the new setting for the selected item. OFF Quick Response Remote for CANON Delayed Remote for CANON Quick Response Remote for Quick Response Remote for Quick Response Remote for SAMSUNG PENTAX OLYMPUS Quick Response Remote for NIKON Quick Response Remote for SONY Delayed Remote for SONY Video stop/start for SONY NOTE: In the autofocus mode, most cameras will not take a picture until they have achieved focus lock. -
Digital Camera Basics Slides
DIGITAL CAMERA BASICS BRIC AGENDA • Part 1: Camera Basics • Part 2: Composition PART 1: CAMERA BASICS • The exposure triangle • Depth of field, macro, focus • Shooting modes: Automatic, AV, TV, Manual • White balance • Holding the camera, angles, position THE EXPOSURE TRIANGLE LIGHT METER THE EXPOSURE TRIANGLE: ISO • Film speed, sensor sensitivity: 100, 200, 400, 800, 1600, 3200 • Each setting is double or half the brightness than the previous • Low ISO = sharper pictures • High ISO = lowers the light you need • Trade off: while it offers more flexibility, the higher the ISO, the grainier the picture THE EXPOSURE TRIANGLE: ISO ISO 100 ISO 3200 from digital photography school THE EXPOSURE TRIANGLE: ISO A few questions to ask yourself: 1. Do I have a tripod? 2. Do I want a grainy shot? 3. How is the light? 4. Is the subject still or moving around? Situations where you may need a higher ISO: 1. Indoor sporting events 2. Concerts, galleries, churches 3. Birthdays, or dinners THE EXPOSURE TRIANGLE: ISO Rules of thumb: Use a tripod if you can Try to shoot with the lowest ISO possible Rest camera on a solid surface if there's no tripod Hold your breath LET'S TRY IT! Set your camera to the following manual settings: Shutter Speed: 1/60 Aperature: 2.8 ISO: Shoot the same object four times with four different ISO settings, write down which picture has which ISO. What do you notice? THE EXPOSURE TRIANGLE: SHUTTER SPEED THE EXPOSURE TRIANGLE: SHUTTER SPEED Refers to how much time the shutter is open (in seconds) 1/4000, 1/2000, 1/1000, 1/500, 1/250, -
Making the Transition from Film to Digital
TECHNICAL PAPER Making the Transition from Film to Digital TABLE OF CONTENTS Photography became a reality in the 1840s. During this time, images were recorded on 2 Making the transition film that used particles of silver salts embedded in a physical substrate, such as acetate 2 The difference between grain or gelatin. The grains of silver turned dark when exposed to light, and then a chemical and pixels fixer made that change more or less permanent. Cameras remained pretty much the 3 Exposure considerations same over the years with features such as a lens, a light-tight chamber to hold the film, 3 This won’t hurt a bit and an aperture and shutter mechanism to control exposure. 3 High-bit images But the early 1990s brought a dramatic change with the advent of digital technology. 4 Why would you want to use a Instead of using grains of silver embedded in gelatin, digital photography uses silicon to high-bit image? record images as numbers. Computers process the images, rather than optical enlargers 5 About raw files and tanks of often toxic chemicals. Chemically-developed wet printing processes have 5 Saving a raw file given way to prints made with inkjet printers, which squirt microscopic droplets of ink onto paper to create photographs. 5 Saving a JPEG file 6 Pros and cons 6 Reasons to shoot JPEG 6 Reasons to shoot raw 8 Raw converters 9 Reading histograms 10 About color balance 11 Noise reduction 11 Sharpening 11 It’s in the cards 12 A matter of black and white 12 Conclusion Snafellnesjokull Glacier Remnant. -
DSLR Astrophotography They Say… Start with a Joke
DSLR Astrophotography They say… start with a joke. DLSR Wide-field Astrophotography The Advantages It’s Relatively Inexpensive All you need is a DLSR camera …and a tripod You Don’t Need This! Nikon v.s. Canon Most DSLR astrophotographers use Canon cameras. Canon releases the details of the camera’s software. This allows the development of third party software, designed specifically for astrophotography. Nikon does not create a truly raw image A simple median blurring filter is always applied... removing many stars, as they are seen as noise. This prohibits precise image calibration. Some Nikons allow the “Mode 3” work around. Using Nikon’s Mode 3 Simply start the bulb time exposure and terminate it by turning off the camera. The camera sees this as a low-power warning and immediately saves the image without running the median blurring filter Testing For Mode 3 Availability Take a one-minute dark exposure in Mode 1. This is a raw image with “no noise reduction” selected. Take a one-minute Mode 3 dark exposure. If Mode 3 is available, that exposure will have noticeably more hot pixels and noise. For Starters… Keep It Simple Set the focus to infinity... before it’s dark Mount the camera on a sturdy tripod Use a wide angle lens (18mm is nice) Set the lens to its lowest f-stop Use the RAW image format, at the highest ISO setting Shoot 20-30 second exposures Take about five dark exposures (more on this later) …and you can get an image like this! Nikon D40X 18mm @ f/4 ISO 1600 Mode 1 4 30-Sec exposures 4 30-Sec darks After taking several Milky Way shots it may be time to get more adventurous. -
A Guide to Smartphone Astrophotography National Aeronautics and Space Administration
National Aeronautics and Space Administration A Guide to Smartphone Astrophotography National Aeronautics and Space Administration A Guide to Smartphone Astrophotography A Guide to Smartphone Astrophotography Dr. Sten Odenwald NASA Space Science Education Consortium Goddard Space Flight Center Greenbelt, Maryland Cover designs and editing by Abbey Interrante Cover illustrations Front: Aurora (Elizabeth Macdonald), moon (Spencer Collins), star trails (Donald Noor), Orion nebula (Christian Harris), solar eclipse (Christopher Jones), Milky Way (Shun-Chia Yang), satellite streaks (Stanislav Kaniansky),sunspot (Michael Seeboerger-Weichselbaum),sun dogs (Billy Heather). Back: Milky Way (Gabriel Clark) Two front cover designs are provided with this book. To conserve toner, begin document printing with the second cover. This product is supported by NASA under cooperative agreement number NNH15ZDA004C. [1] Table of Contents Introduction.................................................................................................................................................... 5 How to use this book ..................................................................................................................................... 9 1.0 Light Pollution ....................................................................................................................................... 12 2.0 Cameras ................................................................................................................................................ -
A Curriculum Guide
FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE This page is an excerpt from Focus on Photography: A Curriculum Guide Written by Cynthia Way for the International Center of Photography © 2006 International Center of Photography All rights reserved. Published by the International Center of Photography, New York. Printed in the United States of America. Please credit the International Center of Photography on all reproductions. This project has been made possible with generous support from Andrew and Marina Lewin, the GE Fund, and public funds from the New York City Department of Cultural Affairs Cultural Challenge Program. FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE PART IV Resources FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE This section is an excerpt from Focus on Photography: A Curriculum Guide Written by Cynthia Way for the International Center of Photography © 2006 International Center of Photography All rights reserved. Published by the International Center of Photography, New York. Printed in the United States of America. Please credit the International Center of Photography on all reproductions. This project has been made possible with generous support from Andrew and Marina Lewin, the GE Fund, and public funds from the New York City Department of Cultural Affairs Cultural Challenge Program. FOCUS ON PHOTOGRAPHY: A CURRICULUM GUIDE Focus Lesson Plans Fand Actvities INDEX TO FOCUS LINKS Focus Links Lesson Plans Focus Link 1 LESSON 1: Introductory Polaroid Exercises Focus Link 2 LESSON 2: Camera as a Tool Focus Link 3 LESSON 3: Photographic Field -
TAKING TIME EXPOSURES (Bulb) M-MODE – MANUAL
M-MODE – MANUAL TAKING TIME EXPOSURES (buLb) M-Mode Flash Set the shutter speed to bulb when you want to take time When the built-in flash is up or an attached accessory flash is on, it exposures. When bulb is selected, will fire each time a picture is taken. Flash exposure is controlled by the shutter remains open as long the camera’s TTL automatic flash metering system. as the shutter-release button is pressed. 1. Press the flash-mode button to pop-up the built-in flash. • will appear in the data panel. 1. Mount the camera on a tripod. 2. Turn the control dial to select 2. Set the camera to M-mode, any shutter speed up to then turn the control dial until 1/125th of a second. appears in the data panel. 3. Press the exposure- 3. Press the exposure- compensation button and turn compensation button and turn the control dial to select the the control dial to select the aperture. aperture. • Refer to the flash range table on page 26 to determine the aperture setting and the flash range. Cancelling the Flash 4. Compose the scene and Push the built-in flash down or turn the accessory flash off. focus on your subject. • If the scene is too dark for autofocus to • will be displayed in the data panel. operate, press the focus-mode button and focus the lens manually (p54). Continued on next page. 48 49 TAKING TIME EXPOSURES (buLb) 5. Firmly press the eyepiece cap into the eyepiece. • The eyepiece cap prevents light from entering thru the viewfinder and affecting the metered exposure. -
Aperture Digital Photography Fundamentals
Aperture Digital Photography Fundamentals K Apple Computer, Inc. © 2005 Apple Computer, Inc. All rights reserved. No part of this publication may be reproduced or transmitted for commercial purposes, such as selling copies of this publication or for providing paid for support services. Every effort has been made to ensure that the information in this manual is accurate. Apple is not responsible for printing or clerical errors. The Apple logo is a trademark of Apple Computer, Inc., registered in the U.S. and other countries. Use of the “keyboard” Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws. Apple, the Apple logo, Apple Cinema Display and ColorSync are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Aperture is a trademark of Apple Computer, Inc. 1 Contents Preface 5 An Introduction to Digital Photography Fundamentals Chapter 1 7 How Digital Cameras Capture Images 7 Types of Digital Cameras 8 Digital Single-Lens Reflex (DSLR) 9 Digital Rangefinder 11 Camera Components and Concepts 11 Lens 12 Understanding Lens Multiplication with DSLRs 14 Understanding Digital Zoom 14 Aperture 15 Understanding Lens Speed 16 Shutter 17 Using Reciprocity to Compose Your Image 17 Digital Image Sensor 20 Memory Card 20 External Flash 21 Understanding RAW, JPEG, and TIFF 21 RAW 21 Why Shoot RAW Files? 22 JPEG 22 TIFF 22 Shooting Tips 22 Reducing Camera Shake 23 Minimizing Red-Eye in Your Photos 25 Reducing Digital Noise Chapter 2 27 How Digital Images Are Displayed 27 The Human Eye’s Subjective View of Color 29 Understanding How the Eye Sees Light and Color 30 Sources of Light 30 The Color Temperature of Light 31 How White Balance Establishes Color Temperature 3 31 Measuring the Intensity of Light 32 Bracketing the Exposure of an Image 33 Understanding How a Digital Image Is Displayed 33 Additive vs. -
E-M10 Mark III Instruction Manual
Table of Contents Quick task index 1. Preparation DIGITAL CAMERA 2. Shooting 3. Playback 4. Menu functions Instruction Manual Connecting the camera to a 5. smartphone Connecting the camera to a 6. computer and a printer 7. Cautions 8. Information 9. SAFETY PRECAUTIONS Model No. : IM006 Thank you for purchasing an Olympus digital camera. Before you start to use your new camera, please read these instructions carefully to enjoy optimum performance and a longer service life. Keep this manual in a safe place for future reference. We recommend that you take test shots to get accustomed to your camera before taking important photographs. The screen and camera illustrations shown in this manual were produced during the development stages and may differ from the actual product. If there are additions and/or modifications of functions due to firmware update for the camera, the contents will differ. For the latest information, please visit the Olympus website. Indications used in this manual The following symbols are used throughout this manual. $ Notes Points to note when using the camera. Useful information and hints that will help you get the most out of % Tips your camera. g Reference pages describing details or related information. 2 EN Table of Contents Quick task index 7 Choosing shutter speed (Shutter Priority mode) .............47 of Contents Table Choosing aperture and Names of parts 10 shutter speed (Manual mode)...48 Shooting with long exposure time Preparation 12 (BULB/LIVE TIME) ...................49 Unpacking the box contents .....12