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Spanish Videos Use the Find Function to Search This List
Spanish Videos Use the Find function to search this list Velázquez: The Nobleman of Painting 60 minutes, English. A compelling study of the Spanish artist and his relationship with King Philip IV, a patron of the arts who served as Velazquez’ sponsor. LLC Library – Call Number: SP 070 CALL NO. SP 070 Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness. LLC Library CALL NO. Look in German All About My Mother Director: Pedro Almodovar with Cecilia Roth, Penélope Cruz, Marisa Perdes, Candela Peña, Antonia San Juan. 1999, 102 minutes, Spanish with English subtitles. Pedro Almodovar delivers his finest film yet, a poignant masterpiece of unconditional love, survival and redemption. Manuela is the perfect mother. A hard-working nurse, she’s built a comfortable life for herself and her teenage son, an aspiring writer. But when tragedy strikes and her beloved only child is killed in a car accident, her world crumbles. The heartbroken woman learns her son’s final wish was to know of his father – the man she abandoned when she was pregnant 18 years earlier. Returning to Barcelona in search on him, Manuela overcomes her grief and becomes caregiver to a colorful extended family; a pregnant nun, a transvestite prostitute and two troubled actresses. With riveting performances, unforgettable characters and creative plot twists, this touching screwball melodrama is ‘an absolute stunner. -
Ladyslipper Tenth Anniversary
Ladyslipper Tenth Anniversary Resource Guide apes by Women T 1986 About Ladyslipper Ladyslipper is a North Carolina non-profit, tax- 1982 brought the first release on the Ladys exempt organization which has been involved lipper label: Marie Rhines/Tartans & Sagebrush, in many facets of women's music since 1976. originally released on the Biscuit City label. In Our basic purpose has consistently been to 1984 we produced our first album, Kay Gard heighten public awareness of the achievements ner/A Rainbow Path. In 1985 we released the of women artists and musicians and to expand first new wave/techno-pop women's music al the scope and availability of musical and liter bum, Sue Fink/Big Promise; put the new age ary recordings by women. album Beth York/Transformations onto vinyl; and released another new age instrumental al One of the unique aspects of our work has bum, Debbie Tier/Firelight Our purpose as a been the annual publication of the world's most label is to further new musical and artistic direc comprehensive Catalog and Resource Guide of tions for women artists. Records and Tapes by Women—the one you now hold in your hands. This grows yearly as Our name comes from an exquisite flower the number of recordings by women continues which is one of the few wild orchids native to to develop in geometric proportions. This anno North America and is currently an endangered tated catalog has given thousands of people in species. formation about and access to recordings by an expansive variety of female musicians, writers, Donations are tax-deductible, and we do need comics, and composers. -
El Cuerpo De Las Actrices Al Encarnar a Eva Perón Desde 1983-2014 En Buenos Aires
Culturales, año I, número 2, julio-diciembre de 2017 El cuerpo de las actrices al encarnar a Eva Perón desde 1983-2014 en Buenos Aires The body of the actresses to portraying Eva Peron between 1983-2014 in Buenos Aires Jimena Cecilia Trombetta Universidad de Buenos Aires/Conicet [email protected] Resumen: El objetivo de este artículo es comprender cómo las actrices y actores que representaron a Eva Perón en el cine y en el teatro de Buenos Aires entre 1983 y 2014 construían la figura partiendo de archivos históricos, para evocar dicho personaje desde sus bagajes históricos y políticos, y de sus experiencias profesionales previas. Con la finalidad de analizar este fenómeno, es fructífero considerar los conceptos de imágenes-recuerdo (Bergson, 2006), imagen-afección (Deleuze, 2013), memoria (Deleuze, 2012), aura (Benjamín, 2015), espectralidad (Carlson, 2009), historia (White, 1992) y punctum y spectrum (Barthes, 1995), y analizar las intenciones poéticas de los directores de cada obra, así como los testimonios de los actores y actrices que se acercaron a Eva y cómo fueron afectados y emocionados por el personaje histórico y produjeron, a su vez, un afecto y emociones en el espectador. Palabras claves: Eva Perón, teatro, cine, historia. memoria. Abstract: The objective of this article is to understand how the actresses and actors who have represented Eva Perón in the cinema and in the theater of Buenos Aires between 1983 and 2014 constructed the figure starting from historical archives, to evoke this personage from their historical -
Copyright by Enrique Jose Gonzalez-Conty 2014
Copyright by Enrique Jose Gonzalez-Conty 2014 The Dissertation Committee for Enrique Jose Gonzalez-Conty certifies that this is the approved version of the following dissertation: Archiving the Revolution: Claiming History in Cuban Literature and Film Committee: Cesar A. Salgado, Supervisor Jossianna Arroyo Martinez Jason R. Borge Enrique H. Fierro Charles Ramirez-Berg Alan West-Duran Archiving the Revolution: Claiming History in Cuban Literature and Film by Enrique Jose Gonzalez-Conty, B.S.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2014 Dedication To my family, for all their unconditional love and immeasurable support. Acknowledgements This dissertation was made possible thanks to the intellectual guidance of César A. Salgado, my supervisor. I will be forever in debt to him, especially for his acute observations and comments on my work. Without him, this project would not have been possible. I would also like to thank the other members of my committee: Jossianna Arroyo-Martínez, Jason R. Borge, Enrique H. Fierro, Charles Ramirez-Berg, and Alan West-Durán for reading my work in-depth and for their suggestions on how it could improve. I was lucky to have committee members with diverse research interests whose expertise helped improve my manuscript. The funding provided for my research was also crucial. I would like to thank the Department of Spanish and Portuguese for the Professional Development Awards and a Summer Research Grant that enabled me to present my research at national and international conferences for valuable feedback as well as consult libraries in the United States and abroad. -
University Microfilms
INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a' blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
La Protesta Subterránea Del Café- Concert. Identidades Amenazadas
ISSN 1669-6301 doi: 10.34096/tdf.n30.7251 128 DOSSIER [128-142] telondefondo /30 (julio-diciembre, 2019) La protesta subterránea del café- concert. Identidades amenazadas Patricia Fischer " Universidad de Buenos Aires, Argentina [email protected] Fecha de recepción: 26/08/2019. Fecha de aceptación: 03/10/2019. Resumen La afirmación ontológica de la identidad supone una lucha discursiva/simbólica (y en Palabras clave ocasiones también física) entre enunciadores de la historia –en este caso, los artistas Café-concert del café concert, por un lado, y quienes se oponían a dicho proceso de constitución identidad amenaza alternativo de identidad, por el otro–. La coerción directa por parte del campo de lucha discursiva poder sobre estos espectáculos contestatarios hizo mermar uno de estos términos, dado que la identidad era pensada desde una concepción esencialista/totalizadora y no había cauce para un discurso cuestionador. En los café concert se desarticulaba el concepto de identidad. Esta problematización en el concepto puede analizarse, como bien lo hace Arfuch (2005: 24), en la sustitución de las preguntas “cómo somos” o “de dónde venimos” por el “cómo usamos los recursos del lenguaje, la historia y la cultura en el proceso de devenir más que de ser, cómo nos representamos, somos representados o podríamos representarnos”. La puesta en escena puso en cuestión la representatividad de quienes actuaban en la esfera del poder y deconstruyó su mundo simbólico; la consecuencia fue el pase de la lucha discursiva a la violencia física como intento de supresión de la configuración de una identidad alternativa. The underground protest of the café concert Abstract The ontological assertion of identity supposes a discursive/ symbolic (and sometimes Keywords also physical) struggle between enunciators of history –in this case, the artists of Café concert the café concert and those who opposed such process of alternative constitution of identity threat identity–. -
LARC Resources on Film
LARC Resources on Film The LARC Lending Library has an extensive collection of educational materials for teacher and classroom use such as videos, slides, units, books, games, curriculum units, and maps. They are available for free short term loan to any instructor in the United States. These materials can be found on the online searchable catalog: http://stonecenter.tulane.edu/pages/detail/48/Lending-Library The resources examined here are not a comprehensive list of all LARC resources about film. Additional resources may be found on the LARC website. The films listed here are separated by general themes. ENVIRONMENT Bananas!* Juan “Accidentes” Dominguez is on his biggest case ever. On behalf of twelve Nicaraguan banana workers he is tackling Dole Food in a ground-breaking legal battle for their use of a banned pesticide that was known by the company to cause sterility. Can he beat the giant, or will the corporation get away with it? In the suspenseful documentary BANANAS!*, filmmaker Fredrik Gertten sheds new light on the global politics of food. 2009. English with Spanish subtitles. 87 minutes. GE NIC 01 Justicia Now! (Justice Now!) Over the past 43 years, Chevron Texaco has intentionally spilled over ten times the amount of oil in and around Lago Agrio, Ecuador, than was lost in the Exxon Valdez disaster and yet not one drop has been cleaned up. An area of pristine rain-forest the size of Rhode Island has been devastated, and one tribe of indigenous Indians has been wiped out. For those remaining natives, water supplies are completely contaminated and serious health issues such as cancer, Leukemia, birth defects and skin disease run rampant, affecting every family. -
Filmfestdc 2003 1 WHEREAS, the Washington, D.C
Introduction It is with great pleasure that we present the 17th Annual Washington, DC International Film Festival, a celebration of the best in world cinema! There is nothing like a great movie, and this year’s festival lineup promises to deliver exceptional Photo: Chad Evans Wyatt entertainment and inspiration. We have scoured the globe for the freshest and the best, the most provocative and the most creative. The filmmak- ers included represent an enormous breadth of interests, backgrounds, and passions. Tony Gittens, Festival Director, Politics in Film is a new section in this year’s festi- and Shirin Ghareeb, Assistant Director val. What city is better suited than the nation’s capital to present a selection of films examining ries, images, and ideas, and the talents of the how politics affects our daily lives? Themes in this filmmakers who tell our stories with such passion series range from the very personal (My Terrorist and artistry. and Off to the Revolution by a 2CV) to the ideo- logical (Slogans and Iran, Veiled Appearances). It is a pleasure to acknowledge with heartfelt Filmmakers use films to challenge domestic con- thanks the faithful, invaluable support of our cerns in their respective countries (Jiyan and The sponsors. The Government of the District of Last Witness). Several films draw upon historical Columbia is our major sponsor. Filmfest DC also contexts (Amen. and The Weather Underground), greatly appreciates the generous contributions of while others remind us of why this issue requires all our patrons, numerous volunteers, local busi- our immediate attention (11’09”01 and nesses, and the diplomatic community. -
Fascículo #18
Fascículo #18 COSA DE GRANDES Edición BICENTENARIO de la provincia de Buenos Aires (3ª Parte) página 1 ¡Hola! En esta tercera entrega de la edición Bicentenario de Cosa de Grandes, seguimos conociendo la historia, las tradiciones y costumbres bonaerenses. Con motivo de los 200 años de nuestra provincia, nos hemos propuesto indagar aspectos que forman parte de la identidad bonaerense, para conocer, disfrutar y entretenernos con los hechos fascinantes que atraviesan nuestra historia. Este material contiene: Un relato sobre la fundación de la ciudad de La Plata. Historias que explican el nombre de un pueblo bonaerense y dan cuenta de nuestros modos de hablar. Testimonios de inmigrantes y descendientes que mantienen costumbres culinarias imperdibles. Datos sobre los clubes de fútbol más antiguos de nuestra provincia. Entrevista a la nonna youtuber de Campana. Más Juegos del Bicentenario. ¡Ayudanos a compartir este material con otras personas! página 2 NDICE 4 Edición especial Bicentenario de la provincia de Buenos Aires 5 Momentos: Año 1882. La fundación de La Plata, capital de la provincia de Buenos Aires 8 Así lo viví yo. Sabores de tierras lejanas 13 Pequeñas grandes historias del Bicentenario. Clubes, el otro lugar en el que nacimos los bonaerenses 16 Los pueblos por su nombre 17 Los bonaerenses andan diciendo… 18 Un proyecto familiar: el canal de YouTube de la nonna de Campana. Entrevista a Violeta Fantini 23 Juegos del Bicentenario Quienes quieran leer y compartir los fascículos ya publicados de la serie Cosa de Grandes, pueden hacer clic aquí. Estos materiales son producidos por el Ministerio de Comunicación Pública de la Provincia de Buenos Aires. -
Argentina-Defense Lawyers-Fact-Finding Mission Report
tffcrmp INTERNATIONAL COMMISSION OF JURISTS W ' COMMISSION INTERNATIONALE DE JURISTES - COMISION INTERNACIONAL DE JURISTAS INTERNATIONALE JURISTEN-KOMMISSION 109, ROUTE DE CHENE, 1224 CHENE-BOUGERIES / GENEVA, SWITZERLAND • TEL. 35.19.73 CABLE ADDRESS: INTERJURISTS, GENEVA REPORT b y Dr- Heleno Claudio Fragoso, Brazil, o n \ THE SITUATION OF DEFENCE LAWYERS IN ARGENTINA, March 1975 INTERNATIONAL COMMISSION OF JURISTS ' COMMISSION INTERNATIONALE DE JURISTES - COMISION INTERNACIONAL DE JURISTAS INTERNATIONALE JURISTEN-KOMMISSION 109, ROUTE DE CHENE, 1224 CHENE-BOUGERIES / GENEVA, SWITZERLAND - TEL. 35.19.73 CABLE ADDRESS: INTERJURISTS, GENEVA REPORT b y Dr. Heleno Claudio Fragoso, Brazil, o n THE SITUATION OF DEFENCE LAWYERS IN ARGENTINA, March 1975 * * * 3% v’fi ft ft * INTRODUCTION: 1. In carrying out the mission with which I was entrusted, I went to Buenos Aires on March 3 last and stayed in that city until March 20. During that period of time I undertook my work on an intensive basis and was in contact with many lawyers of the most diverse political per suasions, amongst whom figured some of the most respected persons in our profession. I had interviews with the leaders and members of the representative institutions of the profession, the Buenos Aires Bar, the Buenos Aires Lawyers’ Association, and the Federation of Bar Soci eties. I was also in contact with journalists, university professors and magistrates of differing degrees. During my time in Buenos Aires I benefited from the full-time as sistance of two diplomats who, in the name of the Argentine government, placed themselves at my disposal, thus facilitating by their great ef ficiency and courtesy all of the official contacts which I wished to establish. -
Latin American Resource Center Lending Library Stone Center for Latin American Studies
Latin American Resource Center Lending Library Stone Center for Latin American Studies http://stonecenter.tulane.edu/ TITLE CALL # MEDIA DESCRIPTION LANGUAGE LENGTH TYPE 10 Days to Paint the GE PER 02 Film An international group of artists are in Peru & Ecuador to support English 82 min Forest VIDEO C 01 the rare Dry Forest with its many endemic birds, such as White- winged Guan and Amazilia Hummingbird. We not only watch them draw and paint, but also take a broad look at the Tumbes region, the scenery and the people from the reed boat fishermen to the cloud forest. 2004 13 Pueblos en IND MEX 04 Film In the future, wars will be fought over water. In the Mexican state Spanish with 1 hour, 3 defensa del agua el VIDEO C 01 of Morelos, this war has already begun. A documentary that English minutes aire y la tierra (13 contemplates Mexico’s destiny, 13 Peoples defending water, air subtitles Peoples defending and land tells the story of the struggle of Mexican indigenous water air and land) people to preserve their natural resources and their cultural identity. Finalist in the 2009 Latin American Environmental Media Festival. Directed by Atahualpa Caldera Sosa and Fernanda Robinson. filmed in Mexico. 1932: Scar of the HC ELS 11 Film January 22, 1932. An unprecedented peasant uprising erupts in English 47 Memory VIDEO C 02 western El Salvador, as a group of Ladino and indigenous minutes peasants cut army supply lines, attack a military garrison, and take control over several towns. Retribution is swift. After three days, the army and militias move in and, in some villages, slaughter all males over age 12. -
Copyright by Sandra Edith Sotelo-Miller 2016
Copyright by Sandra Edith Sotelo-Miller 2016 The Dissertation Committee for Sandra Edith Sotelo-Miller Certifies that this is the approved version of the following dissertation: “Hazme un Guagüis”: The politics of Relajo, Humor, Gender, and Sexuality in Teatro de Revista, Teatro de Carpa, and Cabaret Político in Mexico City Committee: Héctor Domínguez Ruvalcaba, Supervisor Jason Borge Laura G. Gutiérrez Naomi Lindstrom Lorraine Moore “Hazme un Guagüis”: The politics of Relajo, Humor, Gender and Sexuality in Teatro de Revista, Teatro de Carpa, and Cabaret Político in Mexico City by Sandra Edith Sotelo-Miller B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2016 Dedication A mi papá, Gilberto Sotelo Ávila. Acknowledgements I would like to thank several people who have helped me on this journey. To Professor Héctor Domínguez-Ruvalcaba, thank you for guiding me through this process via countless conversations, suggestions, and most importantly by asking questions that challenged me and helped shape my research. I am also indebted to Professor Laura Gutiérrez who introduced and guided me in the understanding of the work of amazing Mexican and Latino artists and intellectuals. The hours you spent discussing their work with me through Skype or a delicious home cooked meal were invaluable to me. I would also like to thank Prof. Naomi Lindstrom for inviting me to explore the work of Jesusa Rodríguez in her “Writing and Gender in Spanish American Literature” class.