Winter, T and Keegan-Phipps, S (2009) English Folk Music as World Music. In: International Association for the Study of Popular Music Conference, 13-17 Jul 2009, University of Liverpool. Downloaded from: http://sure.sunderland.ac.uk/id/eprint/6272/ Usage guidelines Please refer to the usage guidelines at http://sure.sunderland.ac.uk/policies.html or alternatively contact
[email protected]. Conference Proceedings Edited by Geoff Stahl and Alex Gyde International Association for the Study of Popular Music IASPM09 - LIVERPOOL (QJOLVK)RON0XVLFDV:RUOG0XVLF 'U7ULVK:LQWHUDQG'U6LPRQ.HHJDQ3KLSSV here has been, building over the last 10 years or PRYHPHQWWRZDUGVZRUOGPXVLFZLWKVSHFL¿FUHIHUHQFH Tso, a resurgence of interest in English folk arts to the band The Imagined Village, before going on to – that is, in folk or traditional music, and dance that consider what it means for English folk music to be H[SOLFLWO\RIWHQHPSKDWLFDOO\LGHQWL¿HVLWVHOIDVEnglish. reframed in this way, and in particular to examine the Folk festivals in England have become increasingly constructions of Englishness that are associated with popular; an increasing number of professional folk it. acts are foregrounding their Englishness; and it is now easier to secure bookings for English bands in England The discourse of ‘English folk music as world music’ WKDQIRU,ULVKRU&HOWLFLGHQWL¿HGEDQGV $ODQ%HDUPDQ has emerged and developed over the last decade. It LQWHUYLHZ 0DUFK 7KH SUR¿OH RI IRON KDV appears to enter into public circulation in April 1997 with increased beyond the boundaries