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Samedi 19 Juin Bhangra Diaspora Bha Ngra Diasp Roch-Olivier Maistre, Président du Conseil d’administration Laurent Bayle, Directeur général Samedi 19 juin Bhangra diaspora Dans le cadre du cycle Le continent indien | De la tradition à Bollywood Du jeudi 17 au vendredi 25 juin | Samedi juin 19 MONDOMIXCOM Vous avez la possibilité de consulter les notes de programme en ligne, 2 jours avant chaque concert, à l’adresse suivante : www.citedelamusique.fr Bhangra diaspora diaspora Bhangra Cycle Le continent indien De la tradition à Bollywood L’éclectisme des spectacles qui composent le nouveau cycle consacré à l’Inde et à Bollywood est à l’image de la composition religieuse et linguistique de cette vaste aire culturelle. Inaugurant ce parcours, le concert-promenade Inde, un salon de musique présente un aperçu des traditions classiques de l’Inde, chantées et dansées depuis les XVIIe et XVIIIe siècles. Celles-ci ont été transmises de génération en génération, depuis l’époque des cours princières jusqu’aux patronages contemporains des institutions et académies artistiques gouvernementales et privées. Cette promenade musicale mène ensuite le spectateur sur la route des grands sanctuaires religieux de l’Inde et du Pakistan. Forte de ses nombreuses communautés religieuses, l’Inde du Nord est à l’honneur à travers les principales traditions dévotionnelles de cette région. La première, le qawwâli, rituel soui associé aux mausolées des grands saints musulmans, est connue de longue date en France et dans le monde entier. Elle tient notamment à l’un de ses plus célèbres représentants, Nusrat Fateh Ali Khan, qui a fait connaître ces chants sur les scènes internationales, avec tout le génie que savent généralement porter ces « passeurs » de musiques du monde. La seconde tradition, bien moins connue en France, est inscrite dans l’univers du sikhisme, religion née au XVe siècle et dont la capitale religieuse se situe à Amristar, au Panjāb. Sont ici mis à l’honneur les répertoires épiques interprétés par le groupe Sewak Dhadi Jatha du district de Sangrur. Autres événements marquants de ce cycle, les musiques modernes du XXe siècle, dont il sera donné un très large éventail, alliant l’héritage local des artistes des grandes mégalopoles indiennes à l’efervescence des appropriations culturelles les plus internationales. On pense bien sûr à la tentaculaire industrie cinématographique de Bollywood, dont la scène musicale et chorégraphique demeure la plus proliique en Inde et la plus exportée dans le monde. D’autres musiques, comme le jazz et le rock, ont aussi circulé très tôt en Inde dans les clubs et cabarets de Delhi, Bombay et Calcutta, et furent relayées par les stations radiophoniques dès les années cinquante. Dans ce milieu d’abord anglo-indien, puis plus largement lié à la jeunesse issue des classes moyennes urbaines, ces appropriations musicales datent de plus d’un demi-siècle. Ce processus se poursuit aujourd’hui avec cette génération actuelle d’artistes appartenant souvent à plusieurs mondes, des traditions classiques à la scène électro, comme le collectif Sizero Tabla Experience. Elle concerne aussi les stars et DJ de bhangra (musique empruntant sa rythmique au répertoire régional du même nom originaire du Panjāb) ici réélaborée sur les territoires des « Non Resident Indians » (NRI), au Royaume-Uni ou aux États-Unis. Musique identitaire, elle fournit un univers de référence particulièrement vivace pour les jeunes générations urbaines issues de la diaspora. Christine Guillebaud 2 DU JEUDI 17 AU VENDREDI 25 JUIN JEUDI 17 JUIN – 20H SAMEDI 19 JUIN – 15H VENDREDI 25 JUIN – 20H Salle des concerts Amphithéâtre Salle des concerts Chants sikhs et qawwâli Forum : Musique et cinéma en Inde Bollywood Flashback (Inde du Nord) Avec Emmanuel Grimaud, Ek anokha safaar, Un voyage insolite anthropologue, (création) Chants épiques et de bravoure Christine Guillebaud, sikhs de Sangrur ethnomusicologue, Terence Lewis Contemporary Ingrid Le Gargasson, ethnologue Dance Company Ensemble Sewak Dhadi Jatha Projection d’extraits du ilm Dilwale Dulhania Le Jayenge d’Aditya Chopra, Chants qawwâli Inde, 1995, VOSTF, éditions Bodega Films Ensemble Nizami Bandhu ET À LA SALLE PLEYEL SAMEDI 26 JUIN – 16H SAMEDI 19 JUIN – 20H Salle des concerts Kutiyattam VENDREDI 18 JUIN – 20H (Théâtre rituel d’Inde du Sud) Salle des concerts Bhangra diaspora Shakuntala et l’anneau du souvenir (Grande-Bretagne) Sizero Tabla Experience (création) Troupe du Natana Kairali (Inde du Nord et Grande-Bretagne) The Dohl Foundation Gopal Venu, direction artistique Johnny Kalsi, direction artistique Vijay Ghate, tabla Ensemble Sitar Funk Niladri Kumar, sitar, zitar Danseuses Bollywood et danseurs Talvin Singh, tabla électronique, DJ bhangra Taalis, percussions Hardip Soor, DJ Agnelo Fernandes, clavier Jags Bhara, VJ Shounak Abhisheki, chant Sheetal Kolvalkar, Kaveri Agashe, danse kathak Vikram Shankar, VJ 3 N A T IS N A H G CHINE F JAMMU-ET A CACHEMIRE HIMACHAL TIBET ARUNACHAL Amritsar PRADESH PRADESH Lahore PENJAB Chandigarh BHOUTAN UTTARANCHAL PAKISTAN Sangrur SIKKIM HARYANA Delhi NÉPAL UTTAR PRADESH ASSAM NAGALAND Jaipur Agra Lucknow Patna MEGHALAYA RAJASTHAN Kanpur MANIPUR BIHAR TRIPURA D AN MIZORAM H K BENGALE R A OCCIDENTAL Jabalpur H Ahmadabad J Calcutta MYANMAR H MADHYA PRADESH R A G S I GUJARAT T T ORISSA A BANGLADESH H Nagpur H Surat C MAHARASHTRA Bombay INDE Poona Golfe du Bengale Hyderâbâd ANDHRA PRADESH GOA ILES KARNATAKA ANDAMAN Mer et d’Oman Bangalore Madras NICOBAR PONDICHÉRY TAMIL NADU Madurai KERALA SRI LANKA 300 km OCÉAN INDIEN © Jean-Pierre Magnier © Jean-Pierre 4 SAMEDI 19 JUIN – 20H Salle des concerts Bhangra diaspora (Grande-Bretagne) Sitar Funk Ensemble Sheema Mukherjee, sitar Mitel Purohit, tabla Dharmesh Mistry, batterie Sundeep Bhambra, synthétiseur Rakhi Sood, première danseuse Bollywood Priya, Jyotsna, Tanvi, Sonam, danseuses entracte The Dohl Foundation Johnny Kalsi, chef d’ensemble et dhol Gurpal Bachu,Onkar Phull, Harjit Bains, Ravinder Sandhu, dhol Ian Markin, batterie Rob Gilmour, guitare basse Gavin Lombos, guitare Manwinder Sagoo, tabla Kulwant Singh Bhamrah, chant Rob Waite, ingénieur du son Sukhi Randhawa, Marni Dhinsa, Giesh Singh, Sunny Sandher, danseurs bhangra Hardip Soor, DJ Jags Bhara, VJ Fin du concert vers 23h30. 5 Johnny Kalsi, fondateur de The Dhol Foundation (TDF), propose une soirée bhangra mettant en valeur toute la créativité de ce mouvement musical, apanage de la communauté panjābī de Grande-Bretagne. Pour ce concert exceptionnel, il s’associe à l’ensemble Sitar Funk, membre du collectif Earth Tribe, ainsi qu’à plusieurs autres représentants de la scène bhangra. La tradition bhangra, originaire du Panjāb indien et pakistanais, région située au nord-ouest du sous-continent, s’est imposée comme le genre musical le plus répandu auprès de la communauté en exil. Avec ses grands tambours dhol, ses rythmes traditionnels des villages lointains, ses mélodies aux accents pop teintées de reggae ou de dub, son adhésion au mouvement électro, ses DJ et VJ, la bhangra traverse les modes et les époques. Issue du monde rural, la danse bhangra est l’une des formes traditionnelles les plus populaires du Panjāb. Cette danse masculine pratiquée lors des célébrations de la moisson et du nouvel an sikh (baishaki ou vaishaki) côtoie la danse féminine gidda. Diférentes expressions chorégraphiques se grefent à ce style, comme la danse du bâton daankara, la danse circulaire dhamal ou la danse du sabre gatka. La bhangra se présente ainsi comme le symbole de l’identité panjābī et, par extension, son nom recouvre les genres et pratiques dérivés ou associés qui sédimentent la diaspora. Dès le début des années soixante-dix, grâce à des artistes comme A. S. Kang ou Kuldip Manak, elle est devenue un genre à part entière, à l’évidente dimension internationale, occupant une place croissante dans l’extraordinaire production cinématographique indienne. Conservant sa structure rythmique à huit temps, le kaherava tâl, structure mise en valeur par la puissance tellurique des dhol, la bhangra s’est adaptée aux diférents courants musicaux populaires comme le reggae, le raï, la techno, la house music, le rap, le ragamuin ou encore la jungle music. Ce mouvement original réussit ainsi à intégrer, voire à absorber les autres composantes culturelles de l’émigration, telle la musique jamaïcaine, et à se fondre dans le melting-pot commercial bollywoodien, tout en conservant des contours déinis. Les signaux musicaux s’enchevêtrent et fusionnent, témoin l’ensemble Sitar Funk. Par une sorte de renversement d’inluences, l’Inde se ré-inspire de la période psychédélique des années soixante, dont elle fut elle-même la muse, et se nourrit des distorsions électroniques d’un sitar pris d’assaut par une nouvelle esthétique sonore. The Dhol Foundation a été créé par Johnny Kalsi. Une pratique assidue du tambour dhol fera de ce musicien autodidacte l’un des principaux acteurs de la culture bhangra. Dès 1986, il sera amené à vivre de grandes expériences musicales auprès des stars de la bhangra comme Malkit Singh ou Balwinder Safri, les groupes Alaap, DCS band, Asian Dub Foundation, Fun-Da-Mental ou Trans-Global Underground, mais il côtoiera aussi toute la scène world et rock britannique en participant à Afro Celt Sound System ou en jouant avec Nusrat Fateh Ali Khan, U2, Sinead O’Connor ou Peter Gabriel. Il assurera aussi avec son ensemble Trans Global Johnny & The Dhol Foundation la première partie de la tournée mondiale de Robert Plant et Jimmy Page en 1997. Alain Weber, assisté d’Édith Nicol 7 Et aussi… > CONCERTS > SALLE PLEYEL > MÉDIATHÈQUE Retrouvez
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