Dr Who Dvd Set
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CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Technologies Journal of Research Into New Media
Convergence: The International Journal of Research into New Media Technologies http://con.sagepub.com Doctor Who and the Convergence of Media: A Case Study in `Transmedia Storytelling' Neil Perryman Convergence 2008; 14; 21 DOI: 10.1177/1354856507084417 The online version of this article can be found at: http://con.sagepub.com/cgi/content/abstract/14/1/21 Published by: http://www.sagepublications.com Additional services and information for Convergence: The International Journal of Research into New Media Technologies can be found at: Email Alerts: http://con.sagepub.com/cgi/alerts Subscriptions: http://con.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.co.uk/journalsPermissions.nav Citations http://con.sagepub.com/cgi/content/refs/14/1/21 Downloaded from http://con.sagepub.com by Roberto Igarza on December 6, 2008 021-039 084417 Perryman (D) 11/1/08 09:58 Page 21 Convergence: The International Journal of Research into New Media Technologies Copyright © 2008 Sage Publications London, Los Angeles, New Delhi and Singapore Vol 14(1): 21–39 ARTICLE DOI: 10.1177/1354856507084417 http://cvg.sagepub.com Doctor Who and the Convergence of Media A Case Study in ‘Transmedia Storytelling’ Neil Perryman University of Sunderland, UK Abstract / The British science fiction series Doctor Who embraces convergence culture on an unprecedented scale, with the BBC currently using the series to trial a plethora of new technol- ogies, including: mini-episodes on mobile phones, podcast commentaries, interactive red-button adventures, video blogs, companion programming, and ‘fake’ metatextual websites. In 2006 the BBC launched two spin-off series, Torchwood (aimed at an exclusively adult audience) and The Sarah Jane Smith Adventures (for 11–15-year-olds), and what was once regarded as an embarrass- ment to the Corporation now spans the media landscape as a multi-format colossus. -
Doctor Who 1 Doctor Who
Doctor Who 1 Doctor Who This article is about the television series. For other uses, see Doctor Who (disambiguation). Doctor Who Genre Science fiction drama Created by • Sydney Newman • C. E. Webber • Donald Wilson Written by Various Directed by Various Starring Various Doctors (as of 2014, Peter Capaldi) Various companions (as of 2014, Jenna Coleman) Theme music composer • Ron Grainer • Delia Derbyshire Opening theme Doctor Who theme music Composer(s) Various composers (as of 2005, Murray Gold) Country of origin United Kingdom No. of seasons 26 (1963–89) plus one TV film (1996) No. of series 7 (2005–present) No. of episodes 800 (97 missing) (List of episodes) Production Executive producer(s) Various (as of 2014, Steven Moffat and Brian Minchin) Camera setup Single/multiple-camera hybrid Running time Regular episodes: • 25 minutes (1963–84, 1986–89) • 45 minutes (1985, 2005–present) Specials: Various: 50–75 minutes Broadcast Original channel BBC One (1963–1989, 1996, 2005–present) BBC One HD (2010–present) BBC HD (2007–10) Picture format • 405-line Black-and-white (1963–67) • 625-line Black-and-white (1968–69) • 625-line PAL (1970–89) • 525-line NTSC (1996) • 576i 16:9 DTV (2005–08) • 1080i HDTV (2009–present) Doctor Who 2 Audio format Monaural (1963–87) Stereo (1988–89; 1996; 2005–08) 5.1 Surround Sound (2009–present) Original run Classic series: 23 November 1963 – 6 December 1989 Television film: 12 May 1996 Revived series: 26 March 2005 – present Chronology Related shows • K-9 and Company (1981) • Torchwood (2006–11) • The Sarah Jane Adventures (2007–11) • K-9 (2009–10) • Doctor Who Confidential (2005–11) • Totally Doctor Who (2006–07) External links [1] Doctor Who at the BBC Doctor Who is a British science-fiction television programme produced by the BBC. -
BBC Group Annual Report and Accounts 2018/19
BBC Group Annual Report and Accounts 2018/19 BBC Group Annual Report and Accounts 2018/19 Laid before the National Assembly for Wales by the Welsh Government Return to contents © BBC Copyright 2019 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Photographs are used ©BBC or used under the terms of the PACT agreement except where otherwise identified. Permission from copyright holders must be sought before any photographs are reproduced. You can download this publication from bbc.co.uk/annualreport Designed by Emperor emperor.works Prepared pursuant to the BBC Royal Charter 2016 (Article 37) Return to contents OVERVIEW Contents About the BBC 2 Inform, Educate, Entertain 4 Highlights from the year p.2 6 Award-winning content Strategic report 8 A message from the Chairman About the BBC 10 Director-General’s statement 16 Delivering our creative remit Highlights from the year and 18 – Impartial news and information award-winning content 22 – Learning for people of all ages 26 – Creative, distinctive, quality output 34 – Reflecting the UK’s diverse communities 48 – Reflecting the UK to the world 55 Audiences and external context 56 – Audience performance and market context 58 – Performance by Service 61 – Public Service Broadcasting expenditure p.8 62 – Charitable work -
Acclaim for Fish Fingers and Custard 1 & 2
Fish Fingers and Custard Issue 3 So This Is Christmas Before this year, I wasn’t a fan of Christmas. I was too busy ranting about the commercialism of it all and drinking myself silly, rather than looking what really matters. However this year I’ve learned it’s what you make of it that matters. So I’m going to make sure I’m going to enjoy this Christmas! (and having a few drinks along the way of course!) A big part of Christmas now is Doctor Who. You’ve got kids growing up now who will have fond memories of watching Doctor Who on Christmas Day, whilst eating turkey and opening presents. And maybe sneaking a bit of Dad’s whiskey. It’s perfect for Christmas Day. Doctor Who is traditionally a program that all the family can watch and what better day to show it on? The news that the episode, ‘A Christmas Carol’, is going to be shown on Christmas Day on BBC America and, at the time of writing, earlier than normal in Canada and Australia, people all around the world can share this Doctor Who Christmas experience. Yes, fans will moan about it, yes we’ll analyse it like pathologists in Silent Witness, but at the end of the day, Doctor Who isn’t made to please its fans. It’s made to get people, families mainly, to tune in and enjoy. And whatever the story is like, it’ll still be a damn- sight more better and intelligent than the influx of reality tat we will have to endure on the same day. -
VOD Kangaroo Inquiry
BBC Worldwide Limited, Channel Four Television Corporation and ITV plc A report on the anticipated joint venture between BBC Worldwide Limited, Channel Four Television Corporation and ITV plc relating to the video on demand sector 4 February 2009 © Competition Commission 2009 Website: www.competition-commission.org.uk ii Members of the Competition Commission who conducted this inquiry Peter Freeman (Chairman of the Group) Ivar Grey Peter Jones Christopher Smallwood Chief Executive and Secretary of the Competition Commission Martin Stanley The Competition Commission has excluded from this published version of the provisional findings report information which the inquiry group considers should be excluded having regard to the three considerations set out in section 244 of the Enterprise Act 2002 (specified information: considerations relevant to disclosure). The omissions are indicated by . Some numbers have been replaced by a range. These are shown in square brackets. Non-sensitive alternative wording is also indicated in square brackets. iii Anticipated joint venture between BBC Worldwide Limited, Channel Four Television Corporation and ITV plc Contents Page Summary................................................................................................................................. 3 Findings .................................................................................................................................. 8 1. The reference................................................................................................................... -
2E-V-Sony-Final-24.4.20.Pdf
Neutral Citation Number: [2020] EWHC 972 (TCC) Case No: HT-2017-000219 IN THE HIGH COURT OF JUSTICE BUSINESS AND PROPERTY COURTS OF ENGLAND AND WALES TECHNOLOGY AND CONSTRUCTION COURT (QBD) Rolls Building London, EC4A 1NL Date: 24/04/2020 Before: MRS JUSTICE O'FARRELL DBE - - - - - - - - - - - - - - - - - - - - - Between: (1) 2 ENTERTAIN VIDEO LIMITED (2) BBC STUDIOS DISTRIBUTION LIMITED (formerly known as BBC WORLDWIDE LIMITED) (3) DEMON MUSIC GROUP LIMITED Claimants - and - SONY DADC EUROPE LIMITED Defendant - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Neil Moody QC & Daniel Crowley (instructed by Ince Gordon Dadds LLP) for the Claimants Ben Quiney QC & Caroline McColgan (instructed by DAC Beachcroft LLP) for the Defendant Hearing dates: 8th, 9th, 10th 11th 15th, 16th, 17th, 18th, 22nd, 24th, 25th, 31st July 2019 - - - - - - - - - - - - - - - - - - - - - Approved Judgment I direct that pursuant to CPR PD 39A para 6.1 no official shorthand note shall be taken of this Judgment and that copies of this version as handed down may be treated as authentic. “Covid-19 Protocol: This judgment was handed down by the judge remotely by circulation to the parties’ representatives by email and release to Bailii. The date and time for hand-down is deemed to be Friday 24th April 2020 at 10:30am” ............................. MRS JUSTICE O'FARRELL DBE MRS JUSTICE O’FARRELL DBE 2 Entertain Video Limited and others v Sony DADC Approved Judgment Mrs Justice O’Farrell: 1. On the night of Monday 8 August 2011, during the rioting and violent civil disorder that occurred across London and other cities following the shooting of Mark Duggan, a distribution warehouse in the Innova Business and Science Park, Solar Way, Enfield was attacked by a group of young men. -
Table of Contents
TABLE OF CONTENTS Acknowledgments ...........................................................................................................................5 Table of Contents ..............................................................................................................................7 Foreword by Gary Russell ............................................................................................................9 Preface ..................................................................................................................................................11 Introduction .......................................................................................................................................13 Chapter 1 The New World ............................................................................................................16 Chapter 2 Daleks Are (Almost) Everywhere ........................................................................25 Chapter 3 The Television Landscape is Changing ..............................................................38 Chapter 4 The Doctor Abroad .....................................................................................................45 Sidebar: The Importance of Earnest Videotape Trading .......................................49 Chapter 5 Nothing But Star Wars ..............................................................................................53 Chapter 6 King of the Airwaves .................................................................................................62 -
An Unofficial and Unauthorised Guide to the Daleks
Version Ammendment Changed font from NOBILE to PHILOSPHER due to formatting issues with installed version of 1.5 NOBILE. Cover added. Styling updated. Open Font Licence added as appendix. Images replaced. Generations 1.4 expanded to include hierarchies. Some general tidying up of the text itself. History section removed. 1.3 History Sections 7.0.1 – 7.3.9. Reviewed and re-worded. Images added to 7.3.1 – 7.3.9. Information added for Generation 08 and 09. Glossary expanded. Read through and re-word of 1.2 sections 01-06. Images added for Gunbout and Omega Unit. 7.3.9. Includes references to building alliance against 1.1 Earth. Initial release for website. Need some images creating for the Designs section. Generation 08 1.0 information missing. History section incomplete. Typeface Cover: EXTERMINATE, Peter Blake. (http://thfonts.com/exterminate/); Header Text: SEGOE UI, Microsoft (Included in MS Office 365 licence); Main Text: PHILOSOPHER, Jovanny Lemonad. (http://www.1001fonts.com/philosopher-font.html) Used under the Open Font Licence (Licence included in Appendix D of this document). Table of Contents Table of Contents Table of Contents .................................................................................................................................................... i Table of Images ..................................................................................................................................................... vi Introduction ........................................................................................................................................................... -
Download from Itunes
Kent Academic Repository Full text document (pdf) Citation for published version Wassell, Ashley Steven (2021) Operation IRIS: How Commercialisation has Impacted Creativity with British Stand-Up Comedy. Master of Arts by Research (MARes) thesis, University of Kent,. DOI Link to record in KAR https://kar.kent.ac.uk/88279/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html OPERATION IRIS: How Commercialisation Has Impacted Creativity Within British Stand-Up Comedy By Ashley Steven Wassell Submitted in fulfilment of the degree of Master of Arts School of Arts University of Kent September 2020 Word Count: 43995 0 Acknowledgements Huge thanks go to my project supervisor Oliver Double, for his patience, time and encyclopaedic knowledge of stand-up comedy. I’ve learned more from the tangents our meetings take than I ever did at school! Thanks also go to my 2nd supervisor Sophie Quirk, for her invaluable feedback at final draft stage. -
BBC Full Financial Statements 2015/16
Statements 2015/16 BBC Financial Full BBC Full Financial Statements 2015/16 BBC Full Financial Statements 2015/16 Book 2 of 2 © BBC Copyright 2016 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Photographs are used ©BBC or used under the terms of the PACT agreement except where otherwise identified. Permission from copyright holders must be sought before any photographs are reproduced. You can download this publication from bbc.co.uk/annualreport Designed by FleishmanHillard Fishburn fhflondon.co.uk Prepared pursuant to the BBC Royal Charter 2006 (Art.45) Full Financial Statements 2015/16 These financial statements comprise both the primary statements and additional supporting disclosure notes. Consolidated income statement 28 Consolidated statement of comprehensive (loss)/income 29 Consolidated balance sheet 30 Consolidated statement of changes in equity 31 Consolidated cash flow statement 32 Notes to the accounts 34 BBC in the Nations Performance against public commitments 2015/16 In this section, we report income, expenditure and The BBC is accountable for a number of public commitments performance for the BBC in the devolved Nations of the each year, including programming and production quotas and UK – Wales, Scotland and Northern Ireland. service licence commitments. This section sets out the BBC’s performance against these. Wales 94 Ofcom tier 2 quotas 112 Scotland 99 Compliance with service licences 113 Northern Ireland 104 Access services 117 Window of Creative Competition 120 bbc.co.uk BBC Full Financial Statements 2015/16 01 Review of the Managing Director, BBC Finance and Operations “As we reach the end of the current Charter, the BBC is undergoing a substantial period of change and uncertainty alongside delivery of the final year of the DQF programme. -
MRS HEMINGWAY a Novel
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of East Anglia digital repository MRS HEMINGWAY A novel What Was Lost: Manuscripts and the Meaning of Loss in the Work of Ernest Hemingway Critical thesis Naomi Wood A thesis submitted to the School of Literature and Creative Writing, University of East Anglia, in partial fulfilment of the requirements for the degree of Doctor of Philosophy. October 2013 The author gratefully acknowledges the assistance provided by the Arts and Humanities Research Council and the Kluge Centre at the Library of Congress Washington DC. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that the use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation of extract must include full attribution. 1 Abstract Mrs Hemingway and ‘What Was Lost: Manuscripts and the Meaning of Loss in the Work of Ernest Hemingway’ Naomi Wood 2013 This thesis in Creative and Critical Writing comprises two parts. The novel, Mrs Hemingway, is an exploration of the lives of the Hemingway wives: Hadley Richardson, Pauline Pfeiffer, Martha Gellhorn and Mary Welsh. Set in the last weeks of each marriage, from bohemian Antibes to pre-war Key West, Liberation Paris to Cold War Idaho, each quarter is told from the point of view of the next Mrs Hemingway. The novel aims to bring to the fore the female voices that have been lost, or at least sidelined, by the hyper-masculinised narrative of the writer’s life.