Cobra Strike the 13Th Scroll Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Cobra Strike The 13th Scroll mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop / Rock Album: The 13th Scroll Country: US Released: 2010 Style: Abstract, Breaks, Heavy Metal MP3 version RAR size: 1818 mb FLAC version RAR size: 1686 mb WMA version RAR size: 1220 mb Rating: 4.7 Votes: 511 Other Formats: XM TTA MP3 AAC ASF WMA DXD Tracklist 1 The 13th Scroll 5:10 2 Water Ceiling 0:29 3 7th Hall / 6th Door 2:24 4 Blank Sky 0:53 5 Torn Face 5:14 6 Wound 0:55 7 Inferno 6:18 8 Braingate 2:59 9 CS-118 1:55 10 Torture Tunnel 3:49 11 Headstone 1:10 12 Hidden Tomb 6:23 13 32nd Degree 1:39 14 Helicopter Kick 3:12 15 Black Sea River 1:15 16 Silent Scream 1:40 17 Buried Alive 1:38 18 The 13th Scroll (Digging To The Devil) 5:31 Companies, etc. Copyright (c) – Ion Records Engineered At – Moseleum Tunnel Made By – www.allmediasolutions.com Manufactured By – Ion Records Marketed By – Ion Records Credits Artwork – Shinya Takamura Design [Material] – John Brown Drums – Pinchface Engineer – Travis Dickerson Executive-Producer – Infared Otis Guitar, Bass – Buckethead - Call Him Torker 1313* Loops, Beats – Brain Loops, Programmed By [Wedge] – DJ Disk Performer [Invisible Hand, Subliminal Projections] – Bill Laswell Producer [Created By] – Buckethead, Jerry Mano, Travis Dickerson Notes Engineered at Moseleum Tunnel, Chatsworth, Cali Manufactured and marketed by Ion Records All tracks copyright Ion Records 1998 Made in USA Barcode and Other Identifiers Barcode (Text): 6 11688 20072 1 Barcode (Scanned, UPC_A): 611688200721 Matrix / Runout: www.AllMediaSolutions.com / 17009 Mastering SID Code: IFPI LT74 Mould SID Code: IFPI VL02 Other versions Category Artist Title (Format) Label Category Country Year IN 2009-2 Cobra Strike The 13th Scroll (CD, Album) Ion IN 2009-2 US 1998 IN 2009-2 Cobra Strike The 13th Scroll (CD, Album) Ion IN 2009-2 US 1999 Related Music albums to The 13th Scroll by Cobra Strike The Contemporary Chamber Players Of The University Of Chicago, Ralph Shapey - Ben-Zion Orgad: Dialogues On The First Scroll / Jacob Gilboa: The Beth Alpha Mosaic 13th Draft - Demo Vic Cook Trio - Friday 13th / Blues In Motion z3r0c00l - The Scroll of the Elders Shingo Nakamura - Behind The Sunset / Scroll Carlos Rios - The 13th Baktun 13th District 3 The Hardway - Our Streets R Hard Buckethead - Secret Recipe 13th Anniversary Edition The 13th Amendment - Hard To Be In Love 13th Floor Elevator - Never Come Down The 13th Floor Elevators - The Psychedelic Sounds Of The 13th Floor Elevators Cornbugs - Rest Home For Robots.

Copy Link

Recommended publications

UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Filipino youth cultural politics and DJ culture Permalink https://escholarship.org/uc/item/4gh239b3 Author Tiongson, Antonio T. Publication Date 2006 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Filipino Youth Cultural Politics and DJ Culture A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnic Studies by Antonio T. Tiongson Jr. Committee in charge: Professor Jane Rhodes, Co-Chair Professor Yen Le Espiritu, Co-Chair Professor Rick Bonus Professor Lisa Park Professor Anthony Davis Professor Dylan Rodriguez 2006 Copyright Antonio T. Tiongson Jr., 2006 All rights reserved. Table of Contents Signature Page………………………………………………………………… iii Table of Contents……………………………………………………………… iv Vita…………………………………………………………………………….. v Abstract………………………………………………………………………… vi I. Framing Culture: The Politics of Youth Culture and the Negotiation of Cultural Meanings and Identities………………………………………. 1 II. Contextualizing Filipino Migration and Racial Formations…………… 55 III. Hip Hop, DJ Culture, and Filipino Youth……………………………… 92 IV. Reconfiguring the Boundaries of Filipinoness Within the Contexts of U.S. Racial Formations and the Filipino Diaspora…………………….. 129 V. Conclusion: Critical Considerations…………………………………… 181 Appendix A…………………………………………………………………….. 187 Bibliography……………………………………………………………………. 206 iv VITA 1987-1991 B.A. in Psychology at the University of California, Berkeley 1992-1994 M.A. in Clinical Psychology at San Francisco State University 1994 Completed a Master’s Thesis, Sexual and Contraceptive Knowledge and Efficacy Among Pilipinos and Other Ethnic Groups, exploring sexual and contraceptive knowledge among Filipino youth compared to other ethnic groups using both quantitative and qualitative methods. San Francisco State University, San Francisco, California 1994-1995 M.A.
[Show full text]
The Acoustics and Performance of DJ Scratching. Analysis and Modelling
The acoustics and performance of DJ scratching Analysis and modeling KJETIL FALKENBERG HANSEN Doctoral Thesis Stockholm, Sweden 2010 TRITA-CSC-A 2010:01 ISSN 1653-5723 KTH School of Computer Science and Communication ISRN KTH/CSC/A–10/01-SE SE-100 44 Stockholm ISBN 978-91-7415-541-9 SWEDEN Akademisk avhandling som med tillst˚andav Kungl Tekniska högskolan framlägges till offentlig granskning för avläggande av teknologie doktorsexamen i datalogi Fredagen den 12 februari 2010 klockan 10:00 i F2, Kungl Tekniska Högskolan, Lindstedtsvägen 26, Stockholm. © Kjetil Falkenberg Hansen, February 2010 Tryck: Universitetsservice US AB iii Abstract This thesis focuses on the analysis and modeling of scratching, in other words, the DJ (disk jockey) practice of using the turntable as a musical instru- ment. There has been experimental use of turntables as musical instruments since their invention, but the use is now mainly ascribed to the musical genre hip-hop and the playing style known as scratching. Scratching has developed to become a skillful instrument-playing practice with complex musical output performed by DJs. The impact on popular music culture has been significant, and for many, the DJ set-up of turntables and a mixer is now a natural instru- ment choice for undertaking a creative music activity. Six papers are included in this thesis, where the first three approach the acoustics and performance of scratching, and the second three approach scratch modeling and the DJ interface. Additional studies included here expand on the scope of the papers. For the acoustics and performance studies, DJs were recorded playing both demonstrations of standard performance techniques, and expressive perfor- mances on sensor-equipped instruments.
[Show full text]
Thi$ Week Ultimately, We're All in the Busi- R Ess of Picking Hits
THE MOST TRUSTED NAME IN RADIO ISSUE 2066 AUGUST 4 1995 Thi$ Week Ultimately, we're all in the busi- r ess of picking hits. On the record side, it's called A&R. On tie radio side, it's what adds up tj adds. In the earlier days of Top 40, DJs played their own "pick hits of the week," 11 and stations had KDWB GAVIN "DisCoveries," KYAces in the holes, hitbounds, picks to click Here at Gavin, we're always 'coking around the corner at artists wno've got whatever it takes to make it. Sometimes we're right, sometimes, wrong, bit it's always fun for us and, hopefully, interesting and useful fcr you. This issue, we asked all our 4ormat editors to pick an artist they believe is ready to break through, tell why they're betting on them, and offer a brief profile. The artists can be brand new (like Jon B., top) or well - weathered (like Joe Ely, middle). Or like Take That, they can be ricing the charts outside the U.3., but still on the verge of ge:ting radioactive here. One thing they have in common: there's a buzz around them. Listen. In .,.!!!!!thl .1..1. OOOOOOOOOO News, it's media merger - mania (again), as Disney lards Capital Cities/ABC and And Take Our Word for It, CBS slips into the .11144*".;" Westinghouse. We weigh ............ ... .... Warner's response to bad raps 44,11i8.446" 118... from Bob Dole and company, " ....... welcome Kato Kaelin as a radio As We Pickalion Artists Who talk host (!), and salute some of the many great names who've trooped through Los Angeles rad o.
[Show full text]
V. 16-08-2012 DJ ʻD CD
v. 16-08-2012 D.J. ʻD CD: "The Workers Union – A Story by D.J. ʻD" Molemen Records/Revolver, 2000 Workers (intro) / Shine (the supersoul flow) [feat. Genstar & Lady Blue] / Union theory [feat. Abstract Rude, Trend & Aceyalone] / From North America to the world [feat. Abstract Rude] / Static [feat. Awol One] / Live at The Lounge pt. 1 [feat. Improvize on the 1 and 2s] / You ain't gotta lie [feat. Abstract Rude & D.K. Toon] / 50 years / Live long & prosper [feat. Abstract Rude & Buku-One] / The world goes on [feat. D.K. Toon & Nina Lorin] / Commiting random acts of peaceful crime [feat. Virtue] / Casino pt. 2 [feat. Street Reportaz] / In the hood [feat. D.K. Toon & Nina Lorin] / Down (outro). D12 feat. Eminem, Proof, Bizarre, Kon Artist, Swift & Kuniva 12": Shit on you: Street / Clean / Acapella • – Shady/Interscope promo, 2000 2CD: "Devil's Night" – limited edition w/ bonus disc Interscope, 2001 Another public service announcement / Shit can happen / Pistol pistol / Bizarre (skit) / Nasty mind / Ain't nuttin' but music / American psycho / That's how (skit) / That's how… / Purple pills / Fight music / Instigator / Pimp like me / Blow my buzz / Obie Trice (skit) / Devils night / Steve Barman (skit) / Revelation • These drugs / Words are weapons / Shit on you / Shit on you – video (explicit) / Dirty TV international – video / D-12 picture gallery / weblink. CD: "D12 World" Shady/Interscope Records, 2004 Git up / Loyalty [feat. Obie Trice] / Just like U / I'll be damned / Dude (skit) / My band / U R the one / 6 in the morning / How come / Leave dat boy alone / Get my gun / Bizarre (skit) / Bitch / Steve's coffee house (skit) / D-12 world / 40 oz.
[Show full text]
Innerviews Book
INNERVIEWS: MUSIC WITHOUT BORDERS EXTRAORDINARY CONVERSATIONS WITH EXTRAORDINARY MUSICIANS Anil Prasad ABSTRACT LOGIX BOOKS CARY, NORTH CAROLIna Abstract Logix Books A division of Abstract Logix.com, Inc. 103 Sarabande Drive Cary, North Carolina 27513 USA 919.342.5700 [email protected] www.abstractlogix.com Copyright © 2010 by Anil Prasad ISBN 978-0-578-01518-7 Library of Congress Control Number: Pending Printed in India First Printing, 2010 All rights reserved. No part of this book may be reproduced in any form by any means without the written permission of the author. Short excerpts may be used without permission for the purpose of a book review. For Grace, Devin and Mimi CONTENTS Acknowledgements vii Foreword by Victor Wooten viii Introduction x Jon Anderson: Harmonic engagement 1 Björk: Channeling thunderstorms 27 Bill Bruford: Storytelling in real time 37 Martin Carthy: Traditional values 51 Stanley Clarke: Back to basics 65 Chuck D: Against the grain 77 Ani DiFranco: Dynamic contrasts 87 v Béla Fleck: Nomadic instincts 99 Michael Hedges: Finding flow 113 Jonas Hellborg: Iconoclastic expressions 125 Leo Kottke: Choice reflections 139 Bill Laswell: Endless infinity 151 John McLaughlin & Zakir Hussain: Remembering Shakti 169 Noa: Universal insights 185 David Sylvian: Leaping into the unknown 201 Tangerine Dream: Sculpting sound 215 David Torn: Mercurial mastery 229 Ralph Towner: Unfolding stories 243 McCoy Tyner: Communicating sensitivity 259 Eberhard Weber: Foreground music 271 Chris Whitley: Melancholic resonance 285 Victor Wooten: Persistence and equality 297 Joe Zawinul: Man of the people 311 Photo Credits 326 Artist Websites 327 About the Author 329 vi ACKNOWLEDGEMENTS Many people have contributed to Innerviews, both the website and the book, across the years.
[Show full text]
Journey Into Sound Radio Darmstadt - Radar 103,4 Mhz / Livestream: Live.Radiodarmstadt.De Artist Track Album Label Sendetermin
On Air every months's first Thursday 2100 - 2300 CET Journey into Sound Radio Darmstadt - RadaR 103,4 MHz / Livestream: live.radiodarmstadt.de Artist Track Album Label Sendetermin !!! AM/FM Strange Weather, isn't it? Warp 01.07.2010 Individual Dance Safarai !!! Hello? Is this Thing on? Hello? Is this thing on? Warp 28.08.2004 Math on lone Beats !!! Hello? Is this Thing on? V/A Warp 02.12.2010 Warp20 (Elemental) Christmas Mix Vol. IX !!! Shit, Scheisse, Merde Pt.2 2 Tracks Clean Edits Warp 22.05.2004 A Doctor's Journey !!! Steady as the Sidewalk cracks Strange Weather, isn't it? Warp 02.09.2010 Sweet voodoo message music !!! Sunday 5:17 am Hello? Is this thing on? Warp 28.08.2004 Math on lone Beats !((OrKZa1 How to kill N'Sync How to kill N'Sync Commie 26.04.2003 Open word soundscapes (Read by) Andreas Pietschmann CD1 Carlos Ruiz Zafón - Der Schatten des Windes Hoffmann und Campe 05.07.2007 La Sombra del Viento (Read by) Andreas Pietschmann CD2 Carlos Ruiz Zafón - Der Schatten des Windes Hoffmann und Campe 05.07.2007 La Sombra del Viento (read by) Andreas Pietschmann Mpipidi und der Motlopi-Baum Nelson Mandela - Meine afrikanischen Hoffmann und Campe 29.05.2005 Lieblingsmärchen African Myths (read by) Christian Brückner Löwe , Hase und Hyäne Nelson Mandela - Meine afrikanischen Hoffmann und Campe 29.05.2005 Lieblingsmärchen African Myths (read by) Eva Mattes Die Schlange mit den 7 Köpfen Nelson Mandela - Meine afrikanischen Hoffmann und Campe 29.05.2005 Lieblingsmärchen African Myths (read by) Judy Winter Bescherung bei König Löwe Nelson Mandela - Meine afrikanischen Hoffmann und Campe 29.05.2005 Lieblingsmärchen African Myths (read by) Leslie Malton Die Mutter, die zu Staub zerfiel Nelson Mandela - Meine afrikanischen Hoffmann und Campe 29.05.2005 Lieblingsmärchen African Myths ..
[Show full text]
A Novel Digital Haptic Turntable for Music Control
D'GROOVE - A NOVEL DIGITAL HAPTIC TURNTABLE FOR MUSIC CONTROL by TIMOTHY MARK EDWARD BEAMISH B.C.S., Acadia University, 2000 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE in THE FACULTY OF GRADUATE STUDIES DEPARTMENT OF COMPUTER SCIENCE We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA December 2003 © Timothy Mark Edward Beamish, 2003 Library Authorization In presenting this thesis in partial fulfillment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Name of Author (please print) Date Title of Thesis: 1>'6-we. - A Aeve-l Tv.^U rWfic Degree: MaSte f s, Year: ZOO Si Abstract D'GROOVE - A NOVEL DIGITAL HAPTIC TURNTABLE FOR MUSIC CONTROL Disc Jockeys (DJs) use creative methods to play pre-recorded music at social events. Their tools, however, are relatively archaic and there is a desire for advanced equipment with the capacity to increase the level of creativity involved in a DJ's performance. The overall goal of the work described here is to create an advanced DJ system that promotes creativity, allows control of digital music and improves upon previous DJ tools.
[Show full text]
Variations #7
Curatorial > VARIATIONS VARIATIONS #7 With this section, RWM continues a line of programmes devoted to exploring the complex map of sound art from The composer different points of view organised in curatorial series. In the nineties, sampling technology reached a level of sophistication and control 'Variation' is the formal term for a musical composition based that allowed musicians to truly assert themselves over their materials. While some on a previous musical work, and many of those traditional collagists innovated by confidently stepping into the traditional role of the methods (changing the key, meter, rhythm, harmonies or romantic composer, presenting the resulting music as an expression of self, tempi of a piece) are used in much the same manner today others continued to explore the intrinsic meanings suggested by the craft itself. by sampling musicians. But the practice of sampling is more than a simple modernization or expansion of the number of In this episode we trace through examples of the popular music that brought the options available to those who seek their inspiration in the term ‘remix’ into the popular lexicon, hear the CD player joining the turntable as refinement of previous composition. The history of this music a live performance instrument, and connect digital sampling to the history of traces nearly as far back as the advent of recording, and its musical borrowing: written notation’s classical equivalent to the editing techniques that modern composers use to transform existing music into new emergence and development mirrors the increasingly self- compositions. conscious relationship of society to its experience of music.
[Show full text]
The History of Rock Music - the Nineties
The History of Rock Music - The Nineties The History of Rock Music: 1995-2001 Drum'n'bass, trip-hop, glitch music History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Hip-hop Music (These are excerpts from my book "A History of Rock and Dance Music") Hip-hop becomes mainstream, 1995-2000 Pre-Life Crisis (1995) by Nashville's rapper, multi-instrumentalist and producer Count Bass D (Dwight Farrell) was the first rap album to feature all live instruments. New Orleans's Master P (Percy Miller) was the leading entrepreneur of unadulterated gangsta-rap. He turned it into the hip-hop equivalent of a serial show, with releases being manufactured according to Master P's script at his studios by a crew of producers. His own albums Ice Cream Man (1996) and Ghetto D (1997) were the ultimate stereotypes of the genre. In 1998, his musical empire had six albums in the Top-100 charts. Atlanta's producer Jonathan "Lil Jon" Smith and his East Side Boyz coined a fusion of hip-hop and synth-pop called "crunk", from the title of their debut, Get Crunk Who U Wit (1996). The first star of East Coast's Latino rap was Christopher "Big Punisher" Rios, a second-generation Puertorican of New York who died of a heart attack shortly after climbing the charts with Capital Punishment (1998).
[Show full text]
225768981.Pdf
Hip Hop Nowadays if you ask most people to give a definition of 'rap', they're likely to state that it's the reciting of rhymes to the best of music. It's a form of expression that finds its roots imbedded deep within ancient African culture and oral tradition. Throughout history here in America there has always been some form of verbal acrobatics or jousting involving rhymes within the Afro-American community. Signifying, testifying, Shining of the Titanic, the Dozens, school yard rhymes,prison 'jail house' rhymes and double Dutch jump rope' rhymes are some of the names and ways that various forms of rap have manifested. Modern day rap music finds its immediate roots in the toasting and dub talk over elements of reggae music. In the early 70's, a Jamaican dj known as Kool Herc moved from Kingston to NY'sWest Bronx. Here, he attempted to incorporate his Jamaican style of dj which involved reciting improvised rhymes over the dub versions of his reggae records. Unfortunately, New Yorkers weren't into reggae at the time. Thus Kool Herc adapted his style by chanting over the instrumental or percussion sections of the day's popular songs. Because these breaks were relatively short, he learned to extend them indefinitely by using an audio mixer and two identical records in which he continuously replaced the desired segment. In those early days, young party goers initially recited popular phrases and used the slang of the day. For example, it was fashionable for dj to acknowledge people who were in attendance at a party.
[Show full text]
Jazz Enciclopedia
John Abercrombie Джон Эберкромби Родился: 16 декабря 1944 в Порт Честере,штат Нью-Йорк Удивительное умение Джона Эберкромби сочетать в своем творче- стве многообразие джазовых направлений сделало его одним из самых влиятельных акустических и электро гитаристов 70-х и начала 80-х годов. Записи Эберкромби на ECM помогли этому рекорд лейблу обрести свою уникальную нишу в продвижении прогрессивного камерного джаза. В по- следнее время свет его звезды несколько угас - этому есть свои причины. Его излишняя дань консерватизму доминирует над джазом, но Эберкромби по-прежнему остается гранд-персоной с высокой творческой энергетикой. Есть понятие "стиля Эберкромби": он основан исключительно на джазе и содержит в себе весь арсенал современной импровизационной музыки. Но главное - он всегда подразумевает и демонст- рирует нечто большее, чем могут вместить все диапазоны музыки - от фолка и рока до Вос- точной и Западной классической музыки. С 1962 по 1966 год Эберкромби учился в Бостон- ском музыкальном колледже (Berklee College of Music), и во время учебы гастролировал с блюзменом Джонни Хэммондом (Johnny Hammond). В 1969 году Эберкромби переезжает в Нью-Йорк и некоторое время играет в группах, возглавляемых барабанщиками Чико Хамиль- тоном и Билли Кобэмом. Группа, в которой он впервые обратил на себя внимание, называлась "Spectrum", а первый альбом, где Эберкромби заявил о себе как бэнд-лидер, назывался "Timeless. Альбом был записан с барабанщи- ком Джеком ДеДжонетте и клавишником Яном Хаммером. Затем последовал "Gateway" в со- ставе другого трио с Джеком ДеДжонетте и ба- систом Дэйвом Холландом, заменившим Яна Хаммера. Тонкий и проникновенный стиль Эберкромби дает наибольший эффект в малых формах: в составе Gateway трио, или в дуэте с гитаристом Ральфом Таунером.
[Show full text]
Konzerte Von Jazz in Willisau
Alle Konzerte von Jazz in Willisau 1966 16. Dezember 1968 4. Oktober 1970 CHESTER GILL THE TRIO 16. Juli 1966 Chester Gill, g, voc John Surman, bs, ss, bcl THE SWINGHOUSE SIX Barre Phillips, b Ernst Gerber, ts Stu Martin, dr Willi Lang, tp 1969 Emil Frey, tb 1. November 1970 Peter Frei, b 3. März 1969 DAVE PIKE SET Hans Keller, p CHAMPION JACKDUPREE Dave Pike, vib Carlo Capello, dr Champion Jack Dupree, p, voc Volker Kriegel, g Hans Rettenbacher, b 11. November 1966 2. Mai 1969 Peter Baumeister, dr ILONA CAY & EDDIE BOYD, p, voc THE OLD TIME JAZZ BAND llona Cay, voc 28. Mai 1969 1971 Martin Grossenbacher, tp JAZZ IM FILM Rolf Rickenbacher, tb Joe Viera zeigt Jazzfilme 26. Januar 1971 Rolf Angst, cl THE TRIO Urs Walter, bj 14. Juni 1969 John Surman, bs, ss, bcl Fritz Tschumi, b EVAN PARKER & Barre Phillips, b Oski Furrer, dr PIERRE FAVRE TRIO Stu Martin, dr Evan Parker, ts ss Pierre Favre, dr 6. Februar 1971 1967 Peter KowaId, b THE NAKED HAMLET Irène Schweizer, p MUSIC ENSEMBLE 15. Juli 1967 John Tchicai, as, ss THE DIXIE FLYERS 14. Dezember 1969 Olé Thilo, p Henry Egli, cor DAVE PIKE SET Peter Warren, b Rolf Christen, tb Dave Pike, vib Pierre Favre, dr Carlo Induni, cl Volker Kriegel, g Peter Thomann, as Hans A. Rettenbacher, b 20. März 1971 George Scheibel, bj Alex Bally, dr MAKAYA meets Jost Egolf, p IRENE SCHWEIZER Franz Zürcher, b Makaya Ntshoko, dm Hugo Würsch, dr 1970 Irène Schweizer, p Jürg Grau, tp, g 15.
[Show full text]