Lovesickness” in Late Chos Ǒn Literature
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22. the Immortal Bhaktas
22. The Immortal Bhaktas AMONG all forms of Sadhana, Bhakti (devotion to the Lord) is the easiest and holiest. Bhakti is derived from the root "Bhaj", with the suffix "thi." It means Seva (Service). It denotes a feeling of friendship coupled with awe. For one who is a creature of the gunas (Satwa, Rajas, Tamas), to understand what transcends the gunas, an attitude of humility and reverence is required. "Bhaja Sevaayaam" (worship the Divine through Seva). Bhakti calls for utilising the mind, speech and body to worship the Lord. It represents total love. Devotion and love are inseparable and interdependent. Bhakti is the means to salvation. Love is the expression of Bhakti. Narada declared that worshipping the Lord with boundless love is Bhakti. Vyasa held that performing worship with love and adoration is Bhakti. Garga Rishi declared that serving the Lord with purity of mind, speech and body is Bhakti. Yajnavalkya held that true Bhakti consists in controlling the mind, turning it inwards and enjoying the bliss of communion with the Divine. Another view of Bhakti is concentration of the mind on God and experiencing oneness with the Divine. Win love through love Although many sages have expressed different views about the nature of Bhakti, the basic characteristic of devotion is Love. Love is present in every human being in however small a measure. The riva (individual) is an aspect of the Divine, who is the supreme embodiment of Love. Man also is an embodiment of Love, but because his love is directed towards worldly objects, it gets tainted and he is unable to get a vision of God in all His beauty. -
The Love Triangle: Reasons Romantic Relationships Don't Work and How to Attain a Relationship That Does Mary Beth Navo Regis University
Regis University ePublications at Regis University All Regis University Theses Spring 2012 The Love Triangle: Reasons Romantic Relationships Don'T Work and How to Attain a Relationship that Does Mary Beth Navo Regis University Follow this and additional works at: https://epublications.regis.edu/theses Part of the Arts and Humanities Commons Recommended Citation Navo, Mary Beth, "The Love Triangle: Reasons Romantic Relationships Don'T Work and How to Attain a Relationship that Does" (2012). All Regis University Theses. 576. https://epublications.regis.edu/theses/576 This Thesis - Open Access is brought to you for free and open access by ePublications at Regis University. It has been accepted for inclusion in All Regis University Theses by an authorized administrator of ePublications at Regis University. For more information, please contact [email protected]. Regis University Regis College Honors Theses Disclaimer Use of the materials available in the Regis University Thesis Collection (“Collection”) is limited and restricted to those users who agree to comply with the following terms of use. Regis University reserves the right to deny access to the Collection to any person who violates these terms of use or who seeks to or does alter, avoid or supersede the functional conditions, restrictions and limitations of the Collection. The site may be used only for lawful purposes. The user is solely responsible for knowing and adhering to any and all applicable laws, rules, and regulations relating or pertaining to use of the Collection. All content in this Collection is owned by and subject to the exclusive control of Regis University and the authors of the materials. -
Mirror, Moon, and Memory in Eighth-Century China: from Dragon Pond to Lunar Palace
EUGENE Y. WANG Mirror, Moon, and Memory in Eighth-Century China: From Dragon Pond to Lunar Palace Why the Flight-to-the-Moon The Bard’s one-time felicitous phrasing of a shrewd observation has by now fossilized into a commonplace: that one may “hold, as ’twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.”1 Likewise deeply rooted in Chinese discourse, the same analogy has endured since antiquity.2 As a commonplace, it is true and does not merit renewed attention. When presented with a physical mirror from the past that does register its time, however, we realize that the mirroring or showing promised by such a wisdom is not something we can take for granted. The mirror does not show its time, at least not in a straightforward way. It in fact veils, disfi gures, and ultimately sublimates the historical reality it purports to refl ect. A case in point is the scene on an eighth-century Chinese mirror (fi g. 1). It shows, at the bottom, a dragon strutting or prancing over a pond. A pair of birds, each holding a knot of ribbon in its beak, fl ies toward a small sphere at the top. Inside the circle is a tree fl anked by a hare on the left and a toad on the right. So, what is the design all about? A quick iconographic exposition seems to be in order. To begin, the small sphere refers to the moon. -
The Prevalence and Nature of Unrequited Love
SGOXXX10.1177/2158244013492160SAGE OpenBringle et al. 492160research-article2013 Article SAGE Open April-June 2013: 1 –15 The Prevalence and Nature © The Author(s) 2013 DOI: 10.1177/2158244013492160 of Unrequited Love sgo.sagepub.com Robert G. Bringle1,2, Terri Winnick2,3 and Robert J. Rydell4 Abstract Unrequited love (UL) is unreciprocated love that causes yearning for more complete love. Five types of UL are delineated and conceptualized on a continuum from lower to greater levels of interdependence: crush on someone unavailable, crush on someone nearby, pursuing a love object, longing for a past lover, and an unequal love relationship. Study 1a found all types of UL relationships to be less emotionally intense than equal love and 4 times more frequent than equal love during a 2-year period. Study 1b found little evidence for limerent qualities of UL. Study 2 found all types of UL to be less intense than equal love on passion, sacrifice, dependency, commitment, and practical love, but more intense than equal love on turmoil. These results suggest that UL is not a good simulation of true romantic love, but an inferior approximation of that ideal. Keywords unrequited love, interdependence, love, friendship Although virtually all aspire to consummate romantic love, Baumeister et al., 1993). Interdependence encompasses the path toward achieving the ideal love relationship is lit- influence, behavioral control, and the frequency, diversity, tered with relationships that are incomplete approximations. and length of interaction (Berscheid, Snyder, & Omoto, Many of these are discarded, whereas some relationships are 2004). Berscheid and Ammazzalorso (2001) posited that maintained in spite of their imperfections. -
The Unrequited Love As Reflected in William Blake's “Love's Secret”
1 THE UN5(4UITED L29( AS REF/ECTED IN WIL/IAM B/$.E‘S —L29(‘S SECRET“ Submitted by: Olivia Fergie Risthania 13020110110008 ABSTRACT The purpose of this final academic paper is to describe the love story which tells sadness in :illiam Blake‘s —Love's Secret“. The writer adopts Erich Fromm‘s theory of unrequited love from The Art of Loving. This final academic paper concerns intrinsic and extrinsic side of the poem. In the intrinsic side, the writer discusses about the existing diction and figurative language such as denotation and connotation and imagery to understand the true meaning of the poem. The extrinsic side, the writer discusses about unrequited love. The writer used library research, note-taking and internet browsing for collecting the data. The result is that love does not only bring happiness but also deep sadness for the speaker of the poem as unrequited love which is reflected in —/ove's Secret“. So, it succeeds in bringing the readers to feel what the speaker feels. Keywords: Love, Diction, Figurative Language, Unrequited Love, Deep Sadness 1. Introduction Poetry is universal because there are a lot of topics can be shown, for example: love, family, life, sadness, happiness, death, marriage and others. Those issues are the reflection of the ordinary life which the ordinary person is concerned. In all ages and in some countries, poetry has been regarded as one of important thing in human‘s existence. Love is an incredibly powerful word. This word is so easy to say, but it has a great meaning and feeling to every human being. -
Aristotle on Love and Friendship
ARISTOTLE ON LOVE AND FRIENDSHIP DAVID KONSTAN Philia is exceptional among ancient Greek value terms for the number of still unre- solved, or at least intensely debated, questions that go to the heart of its very nature.1 Does it mean “friendship”, as it is most commonly rendered in discussions of Aris- totle, or rather “love”, as seems more appropriate in some contexts? Whether it is love, friendship, or something else, is it an emotion, a virtue, or a disposition? The same penumbra of ambiguity surrounds the related term philos, often rendered as “friend” but held by some to include kin and other relations, and even to refer chiefly to them. Thus, Elizabeth Belfiore affirms that “the noun philos surely has the same range as philia, and both refer primarily, if not exclusively, to relationships among close blood kin” (2000: 20). In respect to the affective character of philia, Michael Peachin (2001: 135 n. 2) describes “the standard modern view of Roman friendship” as one “that tends to reduce significantly the emotional aspect of the relationship among the Ro- mans, and to make of it a rather pragmatic business”, and he holds the same to be true of Greek friendship or philia. Scholars at the other extreme maintain that ancient friendship was based essentially on affection. As Peachin remarks (ibid., p. 7), “D. Konstan [1997] has recently argued against the majority opinion and has tried to inject more (modern-style?) emotion into ancient amicitia”. Some critics, in turn, have sought a compromise between the two positions, according to which ancient friend- ship involved both an affective component and the expectation of practical services. -
Lasting-Love-At-Last-By-Amari-Ice.Pdf
Lasting Love at Last The Gay Guide to Attracting the Relationship of Your Dreams By Amari Ice 2 Difference Press McLean, Virginia, USA Copyright © Amari Ice, 2017 Difference Press is a trademark of Becoming Journey, LLC All rights reserved. No part of this book may be reproduced in any form without permission in writing from the author. Reviewers may quote brief passages in reviews. Published 2017 ISBN: 978-1-68309-218-6 DISCLAIMER No part of this publication may be reproduced or transmitted in any form or by any means, mechanical or electronic, including photocopying or recording, or by any information storage and retrieval system, or transmitted by email without permission in writing from the author. Neither the author nor the publisher assumes any responsibility for errors, omissions, or contrary interpretations of the subject matter herein. Any perceived slight of any individual or organization is purely unintentional. Brand and product names are trademarks or registered trademarks of their respective owners. Cover Design: Jennifer Stimson Editing: Grace Kerina Author photo courtesy of Donta Hensley (photographer), Jay Lautner (editor) 3 To My Love: Thank you for being unapologetically and unwaveringly you, and for being a captive audience for my insatiably playful antics. #IKeep 4 Table of Contents Foreword 6 A Note About the #Hashtags 8 Introduction – Tardy for the Relationship Party 9 Chapter 1 – #OnceUponATime 16 Chapter 2 – What’s Mercury Got to Do with It? 23 Section 1 – Preparing: The Realm of #RelationshipRetrograde 38 Chapter -
Bridging Worlds: Buddhist Women's Voices Across Generations
BRIDGING WORLDS Buddhist Women’s Voices Across Generations EDITED BY Karma Lekshe Tsomo First Edition: Yuan Chuan Press 2004 Second Edition: Sakyadhita 2018 Copyright © 2018 Karma Lekshe Tsomo All rights reserved No part of this book may not be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage or retreival system, without the prior written permission from the publisher, except in the case of brief quotations. Cover Illustration, "Woman on Bridge" © 1982 Shig Hiu Wan. All rights reserved. "Buddha" calligraphy ©1978 Il Ta Sunim. All rights reserved. Chapter Illustrations © 2012 Dr. Helen H. Hu. All rights reserved. Book design and layout by Lillian Barnes Bridging Worlds Buddhist Women’s Voices Across Generations EDITED BY Karma Lekshe Tsomo 7th Sakyadhita International Conference on Buddhist Women With a Message from His Holiness the XIVth Dalai Lama SAKYADHITA | HONOLULU, HAWAI‘I iv | Bridging Worlds Contents | v CONTENTS MESSAGE His Holiness the XIVth Dalai Lama xi ACKNOWLEDGMENTS xiii INTRODUCTION 1 Karma Lekshe Tsomo UNDERSTANDING BUDDHIST WOMEN AROUND THE WORLD Thus Have I Heard: The Emerging Female Voice in Buddhism Tenzin Palmo 21 Sakyadhita: Empowering the Daughters of the Buddha Thea Mohr 27 Buddhist Women of Bhutan Tenzin Dadon (Sonam Wangmo) 43 Buddhist Laywomen of Nepal Nivedita Kumari Mishra 45 Himalayan Buddhist Nuns Pacha Lobzang Chhodon 59 Great Women Practitioners of Buddhadharma: Inspiration in Modern Times Sherab Sangmo 63 Buddhist Nuns of Vietnam Thich Nu Dien Van Hue 67 A Survey of the Bhikkhunī Saṅgha in Vietnam Thich Nu Dong Anh (Nguyen Thi Kim Loan) 71 Nuns of the Mendicant Tradition in Vietnam Thich Nu Tri Lien (Nguyen Thi Tuyet) 77 vi | Bridging Worlds UNDERSTANDING BUDDHIST WOMEN OF TAIWAN Buddhist Women in Taiwan Chuandao Shih 85 A Perspective on Buddhist Women in Taiwan Yikong Shi 91 The Inspiration ofVen. -
Live, Laugh, Limerence
Live, Laugh, Limerence An Opera Buffa in four acts Libretto by Marijke De Roover 2019 De Roover’s introductory notes: The performance needs the naturalism of the text. All characters exist all at once all as one. The landscape in which the experience is set could be a metropolitan studio apartment, an AA meeting, a deep dream or a dead star (more chance of it being a karaoke booth tbh). The I in the text is collective, the time suggestive. The simultaneity of the four parts of the text can be portrayed any which way. Me to me: You have a responsibility towards your audience. Please keep all the ducks in a row! The ducks: 1 CAST OF CHARACTERS When reading this story out loud, please use the following voices: ELETTRA: fast-paced, sweet, melodic. LOTTE (V.O.): distant but sensitive, straight forward. TURANDOT (V.O.): wild but judgemental (but their friendship is like this). → darlin’, this kind of love is not viable (I can just see it with this fat american country accent lol) Or (Marilyn is so sweet and Jane is much more rough/tough) NARRATOR (V.O.): voice of god (distant), ironic, calm . 2 SCENES PROLOGUE: IN WHICH THE NARRATOR EXPRESSES HER DOUBTS ACT ONE: THE DAY I STOPPED DRINKING I BECAME A PLAYWRIGHT THAT JUST SITS IN COFFEE BARS Which introduces us to the tragedy and its Scene 1: protagonist A brief encounter Scene 2: I took a deep breath and listened to the old bray Scene 3: of my heart. I am. I am. I am A realistic portrayal of someone using love as an Scene 4: escapist drug ACT TWO: A KISS. -
Traditional Legal Thoughts in Korea
Journal of Korean Law, Vol.2, No.3, 2003 Traditional Legal Thoughts in Korea Chongko Choi * Abstract In spite of the scarcity of research related to traditional Korean law, this article attempts to offer a general overview of traditional Korean legal concepts for Western readers. It surveys the legal history of Korea, from ancient times to the reception of Western law in the 19th Century. Due to Korea’s geographic location--between China and Japan--Korean law holds many similarities to that of “East Asian Common Law.” However, Korea has continuously endeavoured to indigenize imported foreign laws. The Tangun mythology offers the archetype of the Korean concept of law and justice. On the subject of medieval legal concepts influenced by Buddhism, Wonhyo, Choe Chiwon and Chong Mongju are mainly analysed. In regard to early modern legal concepts, the Neo-Confucianists Chong Tojon, Yi Hwang (Toegye) are discussed. When discussing the legal concepts of the late modern period, the Sirhak School, namely Yi I (Yulgok), Yi Ik (Songho), Chong Yakyong (Tasan) are analysed. Kang Hang, Yi Chinyoung and Yi Maegye are included due to their contribution towards “East Asian Common Law”. Each period had dominant morals and values that were enforced by the law. Whilst analysing the dominant legal values during the different periods, the article tries to offer a philosophical foundation of traditional Korean law and East Asian jurisprudence. * Professor of Law, College of Law, Seoul National University; 1970 BA; 1972 LLM at Seoul National University; 1979 Dr. Jur. at Freiburg University; 1987-88 Visiting Scholar at Berkeley and Harvard Law Schools; 1996 Visiting Professor at Freiburg University; 1997 Visiting Professor at University of Hawaii; 2002 Distinguished Adjunct Professor at Santa Clara University Law School; Author of 20 books on Legal History, Jurisprudence, especially on the History of East Asian Legal Thoughts. -
Source Readings in Javanese Gamelan and Vocal Music, Volume 2
THE UNIVERSITY OF MICHIGAN CENTER FOR SOUTH AND SOUTHEAST ASIAN STUDIES MICHIGAN PAPERS ON SOUTH AND SOUTHEAST ASIA Editorial Board Alton L. Becker Karl L. Hutterer John K. Musgrave Peter E. Hook, Chairman Ann Arbor, Michigan USA KARAWITAN SOURCE READINGS IN JAVANESE GAMELAN AND VOCAL MUSIC Judith Becker editor Alan H. Feinstein assistant editor Hardja Susilo Sumarsam A. L. Becker consultants Volume 2 MICHIGAN PAPERS ON SOUTH AND SOUTHEAST ASIA; Center for South and Southeast Asian Studies The University of Michigan Number 30 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Library of Congress Catalog Card Number: 82-72445 ISBN 0-89148-034-X Copyright ©' 1987 by Center for South and Southeast Asian Studies The University of Michigan Publication of this book was assisted in part by a grant from the Publications Program of the National Endowment for the Humanities. Additional funding or assistance was provided by the National Endowment for the Humanities (Transla- tions); the Southeast Asia Regional Council, Association for Asian Studies; The Rackham School of Graduate Studies, The University of Michigan; and the School of Music, The University of Michigan. Printed in the United States of America ISBN 978-0-89-148034-1 (hardcover) ISBN 978-0-47-203819-0 (paper) ISBN 978-0-47-212769-6 (ebook) ISBN 978-0-47-290165-4 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ CONTENTS PREFACE: TRANSLATING THE ART OF MUSIC A. -
Lovesickness
DSBC Date: 3/7/06 PT: Ron Adema Text: SOS 5:2-8 Study: Requested Studies File: D060307 LOVESICKNESS Request: I was surprised to experience lovesickness as a grown adult. I had experienced it as a teen and thought of it as part of first love. Does the Bible talk about lovesickness? There are many forms of sickness such as homesick, carsick, seasick, lovesick, even heaven sick. (Phil.1: 23) “But I am hard-pressed from both directions, having the desire to depart and be with Christ, for that is very much better.” These can be experienced at any age. To answer your question, the Bible does mention lovesickness in the Song of Solomon (SOS 2:5; 5:8). The word lovesick consists of two Hebrew words (achabah) [love] and (chalah / kal ptc) [sick] “Sustain (samak / piel pf) me with raisin cakes, refresh (raphad / piel impv) me with apples, because I am lovesick.” (2:5) This was a natural remedy for the physical problems associated with lovesickness. This lesson will study Five aspects of Lovesickness. 1. Lovesickness is not related to age, but rather to romance of the heart. It is part of the early stages of romantic love. · It is part of the early stage of romance known as infatuation love -“You have made my heart beat faster with a single glance of your eyes.” (SOS 4:9) When the young of age experience it, we refer to it as puppy love. · It is part of the early stage of intimacy interest. · It is part of the early stage of commitment interest.