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L1 FAME3ORIGINALS 374 18 Maart 2012 Arnold Rypens

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L1 FAME3ORIGINALS 374 18 Maart 2012 Arnold Rypens L1 FAME3ORIGINALS 374 18 maart 2012 Arnold Rypens - Kirsten 2:06 1 The Magnificent Seven (Bernstein) Liberty ELMER BERNSTEIN L126b 16 Dit zijn The Originals bij L1 Radio met het thema van The Magnificent Seven, een 70mm western in CinemaScope met muziek van Elmer Bernstein, gekopieerd aan het begin van Sweet Soul Music van Arthur Conley, opgenomen (en dit brengt ons waar we wezen moeten) in Muscle Shoals, Alabama. 2:20 2 Sweet Soul Music (Conley/Cooke/Redding) Atlantic ARTHUR CONLEY F2 5 Sweet Soul Music indeed, drie weken lang al bij The Originals want de FAME studio staat hier al die tijd centraal en daar was Arthur Conley naartoe geloodst. Sam Cooke wordt hiervoor als coauteur aangeduid en geen wonder. 2:37 3 Yeah Man (Cooke) RCA SAM COOKE L126b 15 2:30 4 I Can't Stop (No No No) (Penn/Hawkins) FAME ARTHUR CONLEY L121a 9 FAME-originals met eerst Sam Cooke en Yeah Man, het (toegegeven) origineel van Sweet Soul Music van Arthur Conley, daarna Conley zelf en I Can't Stop (No No No), ook bij FAME opgenomen en achteraf gecoverd door James & Bobby Purify, The Blues Busters en Solomon Burke. Omgekeerd coverde Arthur Conley (ook bij FAME) Keep On Talking, daar twee jaar eerder al geïntroduceerd door deze James Barnett. 2:30 5 Keep On Talking (Penn/Oldham) FAME JAMES BARNETT L122a 8 James Barnett voor FAME in 1965 en Keep On Talking, trouw naar de demo van Dan Penn want dit was een Penn/Oldman-compositie. Hen krijgen straks hier nog, eerst even een andere demo: die van You Left The Water Running, bij FAME vereeuwigd door the one and only Otis Redding, de enige keer dat die daar was trouwens, wellicht om een idee te geven aan Arthur Conley die hij daar zou produceren. Otis speelt zelf (rudimentaire) gitaar en al even rudimentaire hulp krijgt ie van zijn manager Phil Walden, studiobaas Rick Hall en coauteur Dan Penn. 4:09 6 You Left The Water Running (Hall/Penn) FAME OTIS REDDING F2 1 You Left The Water Running, we kennen het van tientallen soulversies, sedert aflevering 1 van deze FAME-serie ook van de eerst uitgebrachte van Don Varner, maar dit was dus de demo, opgespaard voor de al even driedelige FAME Studio Story, uitgebracht door ACE records in Londen. Otis nam in 1966 voor zijn Soul Album het Eddie Floyd-nummer Everybody Makes A Mistake Sometimes op, Mitty Collier nam dat bij FAME op voor Chess, maar het origineel is voor Roy Arlington op het label van Eddie Floyd (Safice) in 1965. 2:54 7 Everybody Makes A Mistake Sometimes (Floyd) Safice ROY ARLINGTON L121b 9 FAME-originals voor gevorderden deze zeldzame van Roy Arlington en wat dan te zeggen van een Just As I Am door auteur Dan Penn zelf onder pseudoniem Lonnie Ray. 2:45 8 Just As I Am (Penn/Oldham) FAME LONNIE RAY L115a 11 Just As I Am van en door Dan Penn, gecoverd door Arthur Conley (weer hij), Solomon Burke (weer hij), Mitty Collier (weer zij) en Spencer Wiggins (als Take Me Just As I Am). Samen met Percy Sledge en Van Broussard coverde diezelfde Spencer Wiggins een tweede Penn & Oldman-compositie, Feed The Flame, origineel van Billy Young. 2:32 9 Feed The Flame (Penn/Oldham) Chess BILLY YOUNG F1 19 Feed The Flame, alsof het voor Otis Redding geschreven is, zo klinkt het althans. Het was trouwens Otis die Billy Young (net als hij uit Macon, GA) naar de FAME studio stuurde. En ook door Spencer Wiggins gecoverd maar absoluut geen FAME- nummer origineel: Love Me Tonight van Carmol Taylor. 10 Love Me Tonight (Claunch/Taylor) Timmy CARMOL TAYLOR L121a 15 Carmol Taylor in The Originals, man die ook hits schreef voor George Jones en Tammy Wynette en op één of andere manier moet FAME recording artist Spencer Wiggins hier iets in gezien hebben. Zijn enige chart-succes scoorde Wiggins met een nummer van George Jackson, waarvan de demo de FAME Studio Story boxset haalde. Double Lovin'. 2:38 11 Double Lovin' (Buckins/Jackson) FAME GEORGE JACKSON F3 16 Double Lovin', George Jackson; we kennen het naast Spencer Wiggins ook van The Osmonds(!), dit was de opvolger van hun One Bad Apple, ook dàt is nl. bij FAME opgenomen en daar wordt op hun boxset niet smalend over gedaan. Searching For My Love kan je dan weer kennen van Huey Lewis en van Ted Hawkins. Van en door Bobby Moore in 1966. 2:27 12 Searching For My Love (Moore) Checker BOBBY MOORE & The RHYTHM ACES F1 15 2:40 13 Why Not Tonight (Gilreath) FAME JAMES GILREATH F1 24 FAME in Muscle Shoals ligt niet voor niks op het snijvlak van country en soul, na Searching For My Love van Bobby Moore & The Rhythm Aces, Why Not Tonight van en door James Gilreath tijdens zijn enige sessie voor FAME. Jimmy Hughes haalde hier op de R&B charts een top 10 notering mee. En dit was Jimmy's opvolger, Don't Lose Your Good Thing, achteraf een hit voor de betreurde Etta James. 2:50 14 Don't Lose Your Good Thing (Hall/Oldham) FAME JIMMY HUGHES L123a 15 Don't Lose Your Good Thing van Jimmy Hughes, de laatste song die Dan Penn bij FAME naliet alvorens in Memphis voor Chips Moman te gaan werken. Penn & Oldham-stuff, daar eindigen we mee: met om te beginnen hun meest geslaagde poging om de Motownsound naar Muscle Shoals toe te vertalen; Everytime van Linda Carr. 2:26 15 Everytime (Penn/Oldham) Bell LINDA CARR F2 14 Everytime van Linda Carr, wat Dan Penn achteraf in Memphis ook aan The Box Tops wist te slijten. Denver, ook weer getekend Penn & Oldham, was ook van alle markten thuis: reggae met Alton Ellis en Byron Lee, soul met Clyde McPhatter en country met Ronnie Milsap (de versie op de Penn & Oldham compilatie Sweet Inspirations), origineel van pop-zanger Steve Alaimo. 2:59 16 Denver (Penn/Oldham) Atco STEVE ALAIMO L127a 4 2:22 17 Let's Do It Over (Penn/Oldham) Vee-Jay JOE SIMON F1 17 Dan Penn/Spooner Oldham-time in The Originals, Denver van Steve Alaimo, Let's Do It Over van Joe Simon, man die nog vast heeft gezeten in de Angola staatsgevangenis van Louisiana lazen we onlangs; hoe kan dat nou, met zo'n mooie soulstem! En met Slippin' Around With You halen we de mosterd uit de Penn & Oldham-comp Sweet Inspiration; gecoverd door onze Detroit Cobras, origineel van deze Art Freeman. 2:56 18 Slippin' Around With You (Penn/Oldham) ACE ART FREEMAN 10 Slippin' Around With You, Art Freeman. Eentje om het af te leren maar wat voor eentje: yes, ook A Woman Left Lonely is Penn & Oldham stuff en mistte zijn doel niet: sprak duidelijk zangeressen aan, van Irma Thomas tot Cat Power en van Rita Coolidge tot Ricky Koole. EINDAFK. Janis Joplin op Pearl. 3:30 19 A Woman Left Lonely (Penn/Oldham) CBS JANIS JOPLIN 3 20 Body And Soul (Green) CARROLL GIBBONS .
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