Addams Family
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Addams Family Values: a Campy Cult Classic
Addams Family Values: A Campy Cult Classic By: Katie Baranauskas The Addams family is quite the odd bunch. Created by Charles Addams in a 1938 comic strip, the family has received countless renditions of their misadventures, including the 1993 sequel to The Addams Family: Addams Family Values. This is a rare instance in which the sequel is better than the original. The cast is by far one of the best, including greats like Anjelica Huston as Morticia, Christina Ricci as Wednesday, and Christopher Lloyd as Fester, as well as so many others. Every actor plays to their strengths, as well as their character's strengths, to craft a wonderful mix of comedy and drama. Some characters such as Fester and Gomez Addams have extreme slapstick comedy, whereas other characters such as Wednesday and Morticia Addams have a dry humor that also makes the audience chuckle: no laugh track needed. Along with all these fantastic characters comes an equally fantastic villain in Debbie Jelinsky, played by Joan Cusack. Debbie is immediately explored as a two-faced black widow, who will do anything to get the wealth and opulence she desires. Joan Cusack did the absolute most in this performance, and she looked fabulous as well. All of this is topped with an amazing script, which produced hundreds of lines I use to this day. A whole other article could be written on the iconic quotes from this movie, but my all-time favorite has to be when Morticia tells Debbie in the most monotone voice, "All that I could forgive, but Debbie… pastels?" This movie has just the right balance of creepiness and camp, reminding me of a Disney story set in a Tim Burton-esque world, where being "weird" is the new normal and everything is tinged with a gothic filter. -
Book by Marshall Brickman and Rick Elice Music And
BOOK BY MARSHALL BRICKMAN AND RICK ELICE MUSIC AND LYRICS BY ANDREW LIPPA BASED ON CHARACTERS CREATED BY CHARLES ADDAMS ORIGINALLY PRODUCED ON BROADWAY BY STUART OKEN, ROY FURMAN, MICHAEL LEAVITT, FIVE CENT PRODUCTIONS, STEPHEN SCHULER, DECCA THEATRICALS, SCOTT M. DELMAN, STUART DITSKY, TERRY ALLEN KRAMER, STEPHANIE P. MCCLELLAND, JAMES L. NEDERLANDER, EVA PRICE, JAM THEATRICALS/MARY LUROFFE, PITTSBURGH CLO/GUTTERMAN-SWINSKY, VIVEK TIWARY/GARY KAPLAN, THE WEINSTEIN COMPANY/CLARENCE, LLC, ADAM ZOTOVICH/TRIBE THEATRICALS BY SPECIAL ARRANGEMENT WITH ELEPHANT EYE THEATRICAL DIRECTED BY LAURA NEGRAEFF MUSIC DIRECTION BY SHAUN BZDEL & ANDREW LINSLEY CHOREOGRAPHY BY MEGHAN MCDONALD THE ADDAMS FAMILY A NEW MUSICAL is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide 1180 Avenue of the Americas, Suite 640, New York, NY 10036. www.theatricalrights.com It is with gratitude and humility that Saskatoon Summer Players acknowledges that we create and perform on Treaty Six Territory which is the traditional territory of many First Nations and is the homeland of the Metis. In particularly difficult times such as these, we are thankful for the support of the businesses and granting organizations who stand with arts organizations like Saskatoon Summer Players to ensure that the show goes on. We offer our sincere thanks to these organizations. This production would not have been possible without the generous support of our community partners. They have helped us when we needed access to space, equipment, and expertise. We are eternally grateful for their generosity and for their commitment to making theatre happen in our community at this difficult time. -
Cast Script & Vocal Book
- CAST SCRIPT & VOCAL BOOK - Book by Marshall Brickman & Rick Elice Music and Lyrics by Andrew Lippa 570 Seventh Avenue, Suite 2100 New York, NY 10018 866-378-9758 toll-free 212-643-1322 fax www.theatricalrights.com Like us! Follow us! www.facebook.com/TheatricalRightsWorldwide @theatricalright The materials contained herein are copyrighted by the authors, are not for sale, and may only be used for the single specifically licensed live theatrical production for which they were originally provided. Any other use, transfer, reproduction or duplication including print, electronic or digital media is strictly prohibited by law. 12/11/13 THE ADDAMS FAMILY © copyright, 2010 by Marshall Brickman, Rick Elice & Andrew Lippa. All Rights Reserved The Addams Family Scenes, Characters, Musical Numbers and Pages Act I Scene 1…………………………………………………………………………………………………………………………1 Full Ensemble (except Beinekes) #1 Overture/Prologue (Ancestors, Gomez, Morticia) #2 When You’re An Addams (Ensemble except Beinekes) #2A (We Have) A Problem (Underscore) #3 Fester’s Manifesto (Fester) Scene 2…………………………………………………………………………………………………………………………8 Gomez, Lurch, Morticia, Wednesday #3A Two Things (Gomez) #4 Wednesday’s Growing Up (Gomez) #5 Trapped (Gomez, Morticia) Scene 3…………………………………………………………………………………………………………………………17 Full Ensemble #5A Honor Roll (Pugsley) #6 Pulled (Wednesday, Pugsley) #6A Four Things (Gomez, Morticia) #7 One Normal Night (Full Ensemble) Scene 4………………………………………………………………………………………………………………………26 Full Ensemble (#7 One Normal Night cont.) Scene 5…………………………………………………………………………………………………………………………35 -
ADDAMS FAMILY CONCERT VERSION Character Descriptions
ADDAMS FAMILY CONCERT VERSION Character Descriptions Addams Family Members Gomez Addams, Tenor: Gomez is an attractive man of Spanish descent, who adores his wife, Morticia. He takes great pride in his children, Wednesday & Pugsley. He is immensely proud to be an Addams. Wednesday has told her father that she is getting married, however, she has made him promise not to tell her mother until after the dinner party. Gomez and Morticia do not keep secrets from each other. He feels completely trapped having to keep his daughter happy by keeping her secret and keeping his wife happy by telling her what the secret is. Keeping them both happy is his greatest job. He must have great comedic timing, move well, and have strong vocals. Fencing skills a plus. Morticia Addams, Alto: She is beautiful and the real head of the family; the critical and moving force behind it. This role requires an easy comedic sense with a sexy, dry wit. She feels her husband, Gomez, is hiding something from her and will use any tactic to lure the secret out. Morticia must move and sing well. Wednesday Addams, Mezzo/Sop, Strong belt: Wednesday is the goth daughter of Gomez and Morticia. She is a charming girl who has the same dry wit and sensibility of her mother. Wednesday has fallen in love with a “normal” boy (Lucas) and to get married. She just wants her family to be “normal” for one night to meet Luca’s parents. She needs strong pop belt vocals and a good sense of sarcasm. Pugsley Addams, strong high vocals, Tenor (or Alto): Pugsley is a charming, funny, husky boy (or girl who can play a boy) who loves being tortured by his sister. -
Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
View the Playbill
1 2 Department of Theater & Dance The Addams Family A New Musical Book by Marshall Brickman and Rick Elice Music and Lyrics by Andrew Lippa Based on characters created by Charles Addams Director—David McCamish Music Director—Melanie Guerin Choreographer—Kate Loughlin Production Manager—Candice Chirgotis Originally produced on Broadway by Stuart Oken, Roy Furman, Michael Leavitt, Five Cent Productions, Stephen Schuler, Decca Theatricals, Scott M. Delman, Stuart Ditsky, Terry Allen Kramer, Stephanie P. McClelland, James L. Nederlander, Eva Price, Jam Theatricals/Mary LuRoffe, Pittsburgh CLO/Gutterman-Swinsky, Vivek Tiwary/Gary Kaplan, The Weinstein Company/Clarence, LLC, Adam Zotovich/Tribe Theatricals. By Special Arrangement with Elephant Eye Theatrical The Addams Family is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide, 1180 Avenue of the Americas, Suite 640, New York, NY 10036. www.theatricalrights.com Front cover poster design by Stacy-Ann Rowe Photography by Rachel M. Engelke Set illustrations by Karen Sparks Mellon 3 Safeties of any kind. occupy the aisles or the lobby during the show. ** Please note: there will be theatrical strobe lights and loud sound effects in this production.** Courtesies Please turn off all cellphones, smartphones, and other personal electronic devices, and refrain from using them during the performance. allowed in the auditorium. minutes. There will be one intermission. Per contractual requirements with the publisher, the video or audio recording of this performance by any means is strictly prohibited. This includes, but is not limited to, absolutely No PostiNg to social Media. Gratitudes for the classy and fun luncheon celebration before our Saturday matinee performance. -
Rosemary Ellen Guiley
vamps_fm[fof]_final pass 2/2/09 10:06 AM Page i The Encyclopedia of VAMPIRES, WEREWOLVES, and OTHER MONSTERS vamps_fm[fof]_final pass 2/2/09 10:06 AM Page ii The Encyclopedia of VAMPIRES, WEREWOLVES, and OTHER MONSTERS Rosemary Ellen Guiley FOREWORD BY Jeanne Keyes Youngson, President and Founder of the Vampire Empire The Encyclopedia of Vampires, Werewolves, and Other Monsters Copyright © 2005 by Visionary Living, Inc. All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Guiley, Rosemary. The encyclopedia of vampires, werewolves, and other monsters / Rosemary Ellen Guiley. p. cm. Includes bibliographical references and index. ISBN 0-8160-4684-0 (hardcover : alk. paper) ISBN 978-1-4381-3001-9 (e-book) 1. Vampires—Encyclopedias. 2. Werewolves—Encyclopedias. 3. Monsters—Encyclopedias. I. Title. BF1556.G86 2004 133.4’23—dc22 2003026592 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Printed in the United States of America VB FOF 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. -
The Hilltop 11-22-1991
Howard University Digital Howard @ Howard University The iH lltop: 1990-2000 The iH lltop Digital Archive 11-22-1991 The iH lltop 11-22-1991 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_902000 Recommended Citation Staff, Hilltop, "The iH lltop 11-22-1991" (1991). The Hilltop: 1990-2000. 39. http://dh.howard.edu/hilltop_902000/39 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1990-2000 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. - Graduate school enhances research~ MORE FUNDS: Ayearaftera commission recommended that Howard become more research oriented, the Graduate School of Arts and Sciences has started a program to raise funds for more ed to bring in more money. students to conduct research. A3 By Depelsha R. Thomas ADUATE LOFAR Green is director of the Collaborative Core Unit Hilltop Staff Writer • in Labor, Race, and the Political Economy. DAVIS' DAY: Actor Ossie Davis He said, '''!'he~ groups are heading .attempts at will be on campus In acch{'dance with President Jenifer 's Howard Enrollment: 1,073 (based on 1990-91 figures) Howard Un1vers1ty to foster research systemati Monday as part of a 2000 pl')', the Graduate School of Arts and cally." lecture series spon Sciences 1s creating new initiatives to recruit top Number of programs: 30 Sadler said making the transition to a research sored by WHMM notch students and to make Howard a more institution is critical for the graduate school. -
The Addams Family
The Addams Family Aaaaaaahh ... The intoxicating smell of auditions ....! You are welcome to consider the information below and if interested, we invite you to audition for this exciting, challenging musical to be presented in May 2016 at the Devonport Entertainment and Convention Centre. THE ADDAMS FAMILY is a contemporary musical comedy based on the cartoons and popular TV series inspired by the creations of the legendary American cartoonist Charles Addams (1912-1998). http://www.theaddamsfamilymusical.com THE ADDAMS FAMILY features an original story. It’s every parent’s nightmare. Your little girl has suddenly become a young woman, and what’s worse, has fallen deliriously in love with a ‘normal’, sweet, smart young man from a respectable ‘normal’ family. Yes, Wednesday Addams, the ultimate princess of darkness, has a “normal” boyfriend, and for parents Gomez and Morticia, it’s a shocking development that turns the Addams house upside down when they are forced to host a dinner for the young man and his parents. Our production will feature a cast of 20+ zany characters from the popular TV and cartoon series – Gomez, Morticia, Wednesday and Pugsley Addams, Uncle Fester, Grandma, Lurch, some new characters Mal, Alice and Lucas Beineke, and a group of 10-12 highly engaged Addams Ancestors who help progress the adventure. Here is an extract from a review of the show: “ ... the slight plot has the comically morbid family in a quandary as a nearly-grown-up Wednesday falls in love with Lucas, a boy from the right side of the tracks. His straight-laced parents, the Beinekes, come to the decrepit Addams manse for a dinner party where secrets are revealed and the young lovebirds break up over their differences. -
Wednesday Addams Is a Fictional Character Created by American Cartoonist Charles Addams in His Comic Strip the Addams Family
Wednesday Addams is a fictional character created by American cartoonist Charles Addams in his comic strip The Addams Family. In Addams' cartoons, which first appeared in The New Yorker, Wednesday and other members of the family had no names. When the characters were adapted to the 1964 television series, Charles Addams gave her the name "Wednesday", based on the well-known nursery rhyme line, "Wednesday's child is full of woe." The idea for the name was supplied by the actress and poet Joan Blake, an acquaintance of Addams. She is the sister of Pugsley Addams, and she is the only daughter of Gomez and Morticia Addams. Wednesday's most notable features are her pale skin and long, dark twin braids. She seldom shows emotion and is generally bitter. Wednesday usually wears a black dress with a white collar, black stockings and black shoes. In the 1960s series, she is significantly more sweet-natured, although her favorite hobby is raising spiders; she is also a ballerina. Wednesday's favorite toy is her Marie Antoinette doll, which her brother guillotines (at her request). She is stated to be six years old in the television series' pilot episode. In one episode, she is shown to have several other headless dolls as well. She also paints pictures (including a picture of trees with human heads) and writes a poem dedicated to her favorite pet spider, Homer. Wednesday is deceptively strong; she is able to bring her father down with a judo hold. Wednesday has a close kinship with the family's giant butler Lurch. -
Matilda-Playbill-FINAL.Pdf
We’ve nevER been more ready with child-friendly emergency care you can trust. Now more than ever, we’re taking extra precautions to keep you and your kids safe in our ER. AdventHealth for Children has expert emergency pediatric care with 14 dedicated locations in Central Florida designed with your little one in mind. Feel assured with a child-friendly and scare-free experience available near you at: • AdventHealth Winter Garden 2000 Fowler Grove Blvd | Winter Garden, FL 34787 • AdventHealth Apopka 2100 Ocoee Apopka Road | Apopka, Florida 32703 Emergency experts | Specialized pediatric training | Kid-friendly environments 407-303-KIDS | AdventHealthforChildren.com/ER 20-AHWG-10905 A part of AdventHealth Orlando Joseph C. Walsh, Artistic Director Elisa Spencer-Kaplan, Managing Director Book by Music and Lyrics by Dennis Kelly Tim Minchin Orchestrations and Additional Music Chris Nightingale Presenting Sponsor: ADVENTHEALTH VIP Sponsor: DUKE ENERGY Matilda was first commissioned and produced by the Royal Shakespeare Company and premiered at The Courtyard Theatre, Stratford-upon-Avon, England on 9 November 2010. It transferred to the Cambridge Theatre in the West End of London on 25 October 2011 and received its US premiere at the Shubert Theatre, Broadway, USA on 4 March 2013. ROALD DAHL’S MATILDA THE MUSICAL is presented through special arrangement with Music Theatre International (MTI) All authorized performance materials are also supplied by MTI. 423 West 55th Street, New York, NY 10019 Tel: (212)541-4684 Fax: (212)397-4684 www.MTIShows.com SPECIAL THANKS Garden Theatre would like to thank these extraordinary partners, with- out whom this production of Matilda would not be possible: FX Design Group; 1st Choice Door & Millwork; Toole’s Ace Hardware; Signing Shadows; and the City of Winter Garden. -
Domino's Hosts Neighborhood Party After Racial Profiling Accusation
Covering all of Baldwin County, AL every Friday. Spanish Fort student wins Twenty-One Pilots poster contest The Baldwin Times PAGE 12 SEPTEMBER 13, 2019 | GulfCoastNewsToday.com | 75¢ Domino’s hosts neighborhood party after racial profiling accusation By ALLISON MARLOW grown all too typical across JOHN UNDERWOOD / [email protected] the United States. STAFF PHOTO Residents here say the as- Bruce Pearl FOLEY — Last weekend at sistant manager of a local the Beulah Heights neighbor- Domino’s Pizza racially pro- hood park, children played filed the neighborhood when Pearl with beach balls. They dan- she refused to send a delivery gled triangular slices of pizza driver there after nightfall. talks faith, above their mouths and gig- On June 30 Beulah Heights gled as the cheese slid down resident Debbie Smith logged onto their noses. on to the Domino’s Pizza opportunity It was a fun, typical neigh- website to place an order. borhood party in a typical When the website showed an at United neighborhood park. error, Smith called the store The reason for the celebra- Way kickoff tion, attendees said, has also SEE DOMINOS, PAGE 7 ALLISON MARLOW / STAFF PHOTO By JOHN UNDERWOOD [email protected] “War Eagle!” came Remembering 9-11 the shout from the stage at the 2019 Cam- paign Kick Off Lun- cheon, held Thursday, Sept. 5 at the Daphne Civic Center. When the shout was reciprocated by many of the Auburn faith- ful in attendance, Ti- gers men’s basketball coach Bruce Pearl re- sponded, “I don’t have a speech. That was it.” But he didn’t stop there, talking, of course, about the Ti- gers’ historic Final Four run, which ended in a 63-62 loss to Vir- ginia when Cavalier GUY BUSBY / STAFF PHOTO senior Kyle Guy sank First responders and city employees gathered in Fairhope Wednesday to commemorate those lost in the 9-11 attacks, 18 years ago.