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Book by Marshall Brickman and Rick Elice Music And
BOOK BY MARSHALL BRICKMAN AND RICK ELICE MUSIC AND LYRICS BY ANDREW LIPPA BASED ON CHARACTERS CREATED BY CHARLES ADDAMS ORIGINALLY PRODUCED ON BROADWAY BY STUART OKEN, ROY FURMAN, MICHAEL LEAVITT, FIVE CENT PRODUCTIONS, STEPHEN SCHULER, DECCA THEATRICALS, SCOTT M. DELMAN, STUART DITSKY, TERRY ALLEN KRAMER, STEPHANIE P. MCCLELLAND, JAMES L. NEDERLANDER, EVA PRICE, JAM THEATRICALS/MARY LUROFFE, PITTSBURGH CLO/GUTTERMAN-SWINSKY, VIVEK TIWARY/GARY KAPLAN, THE WEINSTEIN COMPANY/CLARENCE, LLC, ADAM ZOTOVICH/TRIBE THEATRICALS BY SPECIAL ARRANGEMENT WITH ELEPHANT EYE THEATRICAL DIRECTED BY LAURA NEGRAEFF MUSIC DIRECTION BY SHAUN BZDEL & ANDREW LINSLEY CHOREOGRAPHY BY MEGHAN MCDONALD THE ADDAMS FAMILY A NEW MUSICAL is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide 1180 Avenue of the Americas, Suite 640, New York, NY 10036. www.theatricalrights.com It is with gratitude and humility that Saskatoon Summer Players acknowledges that we create and perform on Treaty Six Territory which is the traditional territory of many First Nations and is the homeland of the Metis. In particularly difficult times such as these, we are thankful for the support of the businesses and granting organizations who stand with arts organizations like Saskatoon Summer Players to ensure that the show goes on. We offer our sincere thanks to these organizations. This production would not have been possible without the generous support of our community partners. They have helped us when we needed access to space, equipment, and expertise. We are eternally grateful for their generosity and for their commitment to making theatre happen in our community at this difficult time. -
Cast Script & Vocal Book
- CAST SCRIPT & VOCAL BOOK - Book by Marshall Brickman & Rick Elice Music and Lyrics by Andrew Lippa 570 Seventh Avenue, Suite 2100 New York, NY 10018 866-378-9758 toll-free 212-643-1322 fax www.theatricalrights.com Like us! Follow us! www.facebook.com/TheatricalRightsWorldwide @theatricalright The materials contained herein are copyrighted by the authors, are not for sale, and may only be used for the single specifically licensed live theatrical production for which they were originally provided. Any other use, transfer, reproduction or duplication including print, electronic or digital media is strictly prohibited by law. 12/11/13 THE ADDAMS FAMILY © copyright, 2010 by Marshall Brickman, Rick Elice & Andrew Lippa. All Rights Reserved The Addams Family Scenes, Characters, Musical Numbers and Pages Act I Scene 1…………………………………………………………………………………………………………………………1 Full Ensemble (except Beinekes) #1 Overture/Prologue (Ancestors, Gomez, Morticia) #2 When You’re An Addams (Ensemble except Beinekes) #2A (We Have) A Problem (Underscore) #3 Fester’s Manifesto (Fester) Scene 2…………………………………………………………………………………………………………………………8 Gomez, Lurch, Morticia, Wednesday #3A Two Things (Gomez) #4 Wednesday’s Growing Up (Gomez) #5 Trapped (Gomez, Morticia) Scene 3…………………………………………………………………………………………………………………………17 Full Ensemble #5A Honor Roll (Pugsley) #6 Pulled (Wednesday, Pugsley) #6A Four Things (Gomez, Morticia) #7 One Normal Night (Full Ensemble) Scene 4………………………………………………………………………………………………………………………26 Full Ensemble (#7 One Normal Night cont.) Scene 5…………………………………………………………………………………………………………………………35 -
ADDAMS FAMILY CONCERT VERSION Character Descriptions
ADDAMS FAMILY CONCERT VERSION Character Descriptions Addams Family Members Gomez Addams, Tenor: Gomez is an attractive man of Spanish descent, who adores his wife, Morticia. He takes great pride in his children, Wednesday & Pugsley. He is immensely proud to be an Addams. Wednesday has told her father that she is getting married, however, she has made him promise not to tell her mother until after the dinner party. Gomez and Morticia do not keep secrets from each other. He feels completely trapped having to keep his daughter happy by keeping her secret and keeping his wife happy by telling her what the secret is. Keeping them both happy is his greatest job. He must have great comedic timing, move well, and have strong vocals. Fencing skills a plus. Morticia Addams, Alto: She is beautiful and the real head of the family; the critical and moving force behind it. This role requires an easy comedic sense with a sexy, dry wit. She feels her husband, Gomez, is hiding something from her and will use any tactic to lure the secret out. Morticia must move and sing well. Wednesday Addams, Mezzo/Sop, Strong belt: Wednesday is the goth daughter of Gomez and Morticia. She is a charming girl who has the same dry wit and sensibility of her mother. Wednesday has fallen in love with a “normal” boy (Lucas) and to get married. She just wants her family to be “normal” for one night to meet Luca’s parents. She needs strong pop belt vocals and a good sense of sarcasm. Pugsley Addams, strong high vocals, Tenor (or Alto): Pugsley is a charming, funny, husky boy (or girl who can play a boy) who loves being tortured by his sister. -
Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
The Addams Family
The Addams Family Aaaaaaahh ... The intoxicating smell of auditions ....! You are welcome to consider the information below and if interested, we invite you to audition for this exciting, challenging musical to be presented in May 2016 at the Devonport Entertainment and Convention Centre. THE ADDAMS FAMILY is a contemporary musical comedy based on the cartoons and popular TV series inspired by the creations of the legendary American cartoonist Charles Addams (1912-1998). http://www.theaddamsfamilymusical.com THE ADDAMS FAMILY features an original story. It’s every parent’s nightmare. Your little girl has suddenly become a young woman, and what’s worse, has fallen deliriously in love with a ‘normal’, sweet, smart young man from a respectable ‘normal’ family. Yes, Wednesday Addams, the ultimate princess of darkness, has a “normal” boyfriend, and for parents Gomez and Morticia, it’s a shocking development that turns the Addams house upside down when they are forced to host a dinner for the young man and his parents. Our production will feature a cast of 20+ zany characters from the popular TV and cartoon series – Gomez, Morticia, Wednesday and Pugsley Addams, Uncle Fester, Grandma, Lurch, some new characters Mal, Alice and Lucas Beineke, and a group of 10-12 highly engaged Addams Ancestors who help progress the adventure. Here is an extract from a review of the show: “ ... the slight plot has the comically morbid family in a quandary as a nearly-grown-up Wednesday falls in love with Lucas, a boy from the right side of the tracks. His straight-laced parents, the Beinekes, come to the decrepit Addams manse for a dinner party where secrets are revealed and the young lovebirds break up over their differences. -
MTV Revisited After 20 Years
The Bronx Journal/September 2001 E N T E RTA I N M E N T A 11 MTV Revisited after 20 Years VIRGINIA ROHAN a description of the network’s influence that They seemed to wait for Europe to experi- still holds true: ence success with its “Real World” imita- or better or worse, the television “MTV has changed the video language,” tors before jumping into the reality fray. landscape in 2001 owes much of its said Herzog, who’s now president of USA The producers of “Big Brother” and its look and feel to MTV -- which cel- Network. current sequel may insist that it’s based on ebrates its 20th birthday this week, though “Whether it’s a movie or a TV show or an a Dutch show of the same name that has it's still a long way from acting like a stodgy advertisement, there’s a new way of telling conquered Europe, but the original inspira- TV grownup. stories, a new way of communicating that I tion was surely “Real World.” Hard to believe, but it's been two decades think has really evolved. Things are defi- The challenges of “Survivor” and shows since the birth of the cable network, offi- nitely happening faster, and [MTVis] clear- like “The Mole” and “Fear Factor” also cially known as Music Television. The his- ly part of that evolution.” clearly owe a debt to “Road Rules,” MTV’s toric first cablecast, on Aug. 1, 1981, actu- MTV has also introduced a number of “docu-adventure series,” which debuted in ally had a North Jersey connection: The television and movie personalities to July 1995. -
Life Episode Guide Episodes 001–032
Life Episode Guide Episodes 001–032 Last episode aired Wednesday April 8, 2009 www.nbc.com c c 2009 www.tv.com c 2009 www.nbc.com The summaries and recaps of all the Life episodes were downloaded from http://www.tv.com and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ^¨ This booklet was LATEXed on December 31, 2011 by footstep11 with create_eps_guide v0.31 Contents Season 1 1 1 Merit Badge . .3 2 Tear Asunder . .7 3 Let Her Go . .9 4 What They Saw . 11 5 The Fallen Woman . 13 6 Powerless . 15 7 A Civil War . 17 8 Farthingale . 19 9 Serious Control Issues . 21 10 Dig a Hole . 23 11 Fill It Up . 25 Season 2 27 1 Find Your Happy Place . 29 2 Everything... All the Time . 31 3 The Business of Miracles . 35 4 Not For Nothing . 39 5 Crushed . 43 6 Did You Feel That? . 47 7 Jackpot . 51 8 Black Friday . 55 9 Badge Bunny . 59 10 Evil...and his brother Ziggy . 63 11 Canyon Flowers . 67 12 Trapdoor . 71 13 Re-Entry . 75 14 Mirror Ball . 79 15 I Heart Mom . 81 16 Hit Me Baby . 85 17 Shelf Life . 89 18 3Women ............................................ 93 19 5 Quarts . 97 20 Initiative 38 . 101 21 One ............................................... 105 Actor Appearances 109 Life Episode Guide II Season One Life Episode Guide Merit Badge Season 1 Episode Number: 1 Season Episode: 1 Originally aired: Wednesday September 26, 2007 on NBC Writer: Rand Ravich Director: David Semel Show Stars: Damian Lewis (Charlie Crews), Brooke Langton (Constance), Brent Sexton (Bobby Starks), Adam Arkin (Ted Early), Sarah Shahi (Dani Reese), Robin Weigert (Lt. -
Information Pack
Information Pack for The South Coast Choral and Arts Society’s production of May 3-18 2019 Victor Harbor Town Hall Book by Marshall Brickman & Rick Elice Music and Lyrics by Andrew Lippa Based on Characters Created by Charles Addams Licensed by ORiGiN Theatrical™ IN THIS PACK Welcome (page 2) The Team (page 2) History (page 3) Songs (page 3) Synopsis (page 4) Characters (page 5-6) Production Schedule (page 7) Further Research (page 7) Auditions (page 8) CONTACT What to do now? (page 8) [email protected] WELCOME Hi there! Let’s start off by saying congratulations for downloading or picking up a copy of our Information Pack. You’re already about 23% more prepared for your audition than you were 14 seconds ago. Now, let’s move on to the stuff you need to know if you want to pull off the other 77% of this process and land the part of Wednesday. Or Fester. Or whoever. This pack is not supposed to be intimidating. But it is jam-packed full of information we think will help you prepare for your audition. It’s the kind of stuff we always look for when we audition for shows. If there’s something we missed, or if you have any questions, feel free to drop us a line at: [email protected] Important things to note: • All roles auditioned for are on an unpaid basis. • Diversity is encouraged, and all ethnic groups are welcome to audition. • Everyone involved in the show is expected to become a financial member of SCCAS for the 2019 calendar year. -
The Addams Family
DLO DINNER THEATRE PRODUCTION 2017 AUDITIONS FOR VIOLET Sun., Nov. 13, 2 p.m.,Tues., Nov. 15, 6 p.m. Callbacks (if needed) Wed., Nov. 16, TBA “It’s about the journey you take to discover who you are.” PERFORMANCES: Feb. 17-19, 2017 FURTHER INFORMATION ABOUT AUDITIONS: All details are not set at this time. Watch for further information on the DLO website and Facebook page as arrangements and plans are finalized. FURTHER INFORMATION ABOUT VIOLET: CAST: 5 women and 6 men and a possibility of a small gospel choir. CHARACTERS: Character descriptions are available on the DLO website. THE STORY: This multiple award-winning musical follows a scarred woman who embarks on a cross-country bus trip to be healed by a minister, and discovers the true meaning of beauty along the way. As a girl, Violet was struck by a wayward axe blade when her father was chopping wood, leaving her with a visible scar across her face. With enough money finally saved she’s traveling across the 1964 Deep South towards a miracle: the healing touch of a TV evangelist that will make her beautiful. Along the way, she befriends two young soldiers – one white, one African-American – friendships that could grow into something more. Will Violet find the healing she seeks? QUESTIONS?: Contact director, Jeanne Dunn, at [email protected] RATINGS: DLO has given Violet a PG-13 rating for language, mature themes and adult situations in the story. Director’s Note In Loving Memory of MYRTLE YOUNG CLIFTON “The unknown may be frightening, the darkness overwhelming, but 1927–2016 if we don’t run from it, we may see our mysterious, miraculous lives a major force in founding DLO finally illuminated. -
Playbill Possible and Have Been Enhancing Our Theatre Program with Other “Extras” for Many Years Now
Marshall Brickman & Rick Elice Based on the book by Music and Lyrics by Andrew Lippa GrahamsAd2020.pdf 1 9/8/20 9:30 AM C M Y CM MY CY CMY K 302 S. 3rd St., Geneva, IL 318 S. 3rd St., Geneva, IL Phone: (630)232-6655 Phone: (630)845-3180 www.grahamschocolate.com www.318coffeehouse.com Families ~ Seniors ~ Headshots Book by MARSHALL BRICKMAN and RICK ELICE Music and Lyrics by ANDREW LIPPA Based on Characters Created by Charles Addams. Originally produced on Broadway by Stuart Oken, Roy Furman, Michael Leavitt, Five Cent Productions, Stephen Schuler, Decca Theatricals, Scott M. Delman, Stuart Ditsky, Terry Allen Kramer, Stephanie P. McClelland, James L. Nederlander, Eva Price, Jam Theatricals/Mary LuRoffe, Pittsburgh CLO/Gutterman-Swinsky, Vivek Tiwary/Gary Kaplan, The Weinstein Company/Clarence, LLC, Adam Zotovich/Tribe www.kimayarsphotography.com Theatricals; By Special Arrangement with Elephant Eye Theatrical. THE ADDAMS FAMILY A NEW MUSICAL is presented through special arrangement with and [email protected] all authorized performance materials are supplied by Theatrical Rights Worldwide 1180 Avenue of the Americas, Suite 640, New York, NY 10036. www.theatricalrights.com Geneva Community High School 416 McKinley Avenue Phone: (630) 463-3800 Geneva, Illinois 60134 Fax: (630) 463-3809 Dear Friends of Geneva’s Theatre Productions: Welcome to Geneva Community High School’s performance of The Addams Family - A New Musical. Our cast, crew, and directors have devoted themselves to the creation of this production, and they’ve had a lot of fun doing it. Their commitment to our drama and music programs underscores the rich tradition of excellence and success in our performing arts endeavors. -
Follow the Stanner Players
Archbishop Molloy High School’s The Addams Family: Stanner Players Present Quarantined Concert Edition Book by MARSHALL BRICKMAN and RICK ELICE Music and Lyrics by ANDREW LIPPA Based on Characters Created by Charles Addams - - - - - - - - - - THE ADDAMS FAMILY Quarantined Concert Edition is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide 1180 Avenue of the Americas, Suite 640, New York, NY 10036. www.theatricalrights.com The video or audio recording of this performance by any means is strictly prohibited. FOLLOW THE STANNER PLAYERS @stannerplayers Performed Live from Use hashtags #stannerplayers #addamsfamily ! the Ralph DiChiaro Theater Livestreamed via BookTix [email protected] Stanner Players Voicemail: Friday April 23, 2021 at 7 PM (347)-441-0015 Saturday April 24, 2021 at 7 PM Cast List Production/Stage Crew Producers Mr. Darius Penikas, Principal Gomez Addams Maggie Saffian Mr. Richard Karsten, President Morticia Addams Michelle Ramirez Director Ms. Shannon Winters, ’06 Wednesday Addams Molly McGuinness Pugsley Addams Charlize Collado Music Director Ms. Ashley Brown Fester Addams Anthony LaRussa Choreographer Grandma Keren Elmore Mr. Charles Siguenza, ’14 Lurch Hailey Ramzan Stage Managers Tatiana Egas ‘22 Lucas Beineke Joseph Bruno Nadia Persaud ‘21 Mal Beineke Max L. Ortof Lighting Matthew Ciniglio ‘21 Alice Beineke Julia Warren Pablo Ortega ‘22 Lupe Addams Nikita Persaud Sound Julia Goncalves ‘23 Ancestors Camera Operator Daphne Camacho Wanda -
Addams Family
CenterPoint Academy presents THE ADDAMS FAMILY SCHOOL EDITION in CONCERT CLASSCLASS SESSIONSSESSIONS 1111 && 1212 October 20-29 The Addams Family is a comical feast that embraces the wackiness in every family. boxoffi[email protected] • 525 N 400 W, CENTERVILLE CPT.ACADEMY CenterPoint Academy Making A Dramatic Difference The CenterPoint Academy motto is “You Belong Here,” and nobody knows that better than the 587 people, ages 3-18, that we train in performing arts. What we really teach them, however, is how to be the awesomest version of themselves. While the performing arts training we offer is top-notch, taught by the best local working artists, the end result for the vast majority of our students isn’t the Broadway stage. Instead, we use the arts to teach lessons that matter in any facet of life - confidence, discipline, leadership, self-esteem, teamwork, friendship, and creativity. Our students learn these universally-relevant skills and become assets wherever they go – at school, at work, at church and at home. The Academy provides unique performance opportunities to these students on the CenterPoint Theatre stages, performing for more than 15,000 people per year, in over 125 performances of more than a dozen different shows. Announcing Academy At Home We’re excited to announce CenterPoint Academy at Home, our flexible, home- based musical theatre classes! Academy at Home offers the absolute same quality experience our 600 students from 400 families experience every single week, but provided flexibly, with much of the experience based at home. Academy at Home is hands-on, active learning where students participate in classes and collaborations each week, interact with instructors and classmates, focus on skill development and personal improvement, prepare and perform material that they select in consultation with instructors, and learn singing, acting, dancing, technical theatre, and all of the other great interpersonal skills that come along with musical theatre training.