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Grumbles from the Grave
GRUMBLES FROM THE GRAVE Robert A. Heinlein Edited by Virginia Heinlein A Del Rey Book BALLANTINE BOOKS • NEW YORK For Heinlein's Children A Del Rey Book Published by Ballantine Books Copyright © 1989 by the Robert A. and Virginia Heinlein Trust, UDT 20 June 1983 All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Ballantine Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Grateful acknowledgment is made to the following for permission to reprint the following material: Davis Publications, Inc. Excerpts from ten letters written by John W. Campbell as editor of Astounding Science Fiction. Copyright ® 1989 by Davis Publications, Inc. Putnam Publishing Group: Excerpt from the original manuscript of Podkayne of Mars by Robert A. Heinlein. Copyright ® 1963 by Robert A. Heinlein. Reprinted by permission of the Putnam Publishing Group. Library of Congress Catalog Card Number: 89-6859 ISBN 0-345-36941-6 Manufactured in the United States of America First Hardcover Edition: January 1990 First Mass Market Edition: December 1990 CONTENTS Foreword A Short Biography of Robert A. Heinlein by Virginia Heinlein CHAPTER I In the Beginning CHAPTER II Beginnings CHAPTER III The Slicks and the Scribner's Juveniles CHAPTER IV The Last of the Juveniles CHAPTER V The Best Laid Plans CHAPTER VI About Writing Methods and Cutting CHAPTER VII Building CHAPTER VIII Fan Mail and Other Time Wasters CHAPTER IX Miscellany CHAPTER X Sales and Rejections CHAPTER XI Adult Novels CHAPTER XII Travel CHAPTER XIII Potpourri CHAPTER XIV Stranger CHAPTER XV Echoes from Stranger AFTERWORD APPENDIX A Cuts in Red Planet APPENDIX B Postlude to Podkayne of Mars—Original Version APPENDIX C Heinlein Retrospective, October 6, 1988 Bibliography Index FOREWORD This book does not contain the polished prose one normally associates with the Heinlein stories and articles of later years. -
{PDF EPUB} the Day After Tomorrow by Robert A. Heinlein Sixth Column (The Day After Tomorrow) by Robert A
Read Ebook {PDF EPUB} The Day After Tomorrow by Robert A. Heinlein Sixth Column (The Day After Tomorrow) by Robert A. Heinlein. Published 1949. Originally published as The Day After Tomorrow by Anson McDonald in Astounding Magazine , (later Analog ),1941. 241 pages (from the Virginia Heinlein edition, based on the 1949 Gnome Press hardback.) Review by Mark Yon. Here’s one of my occasional re-reads of Robert Anson Heinlein’s novels. This one is what they call ‘a fixup’, originally being in three parts in the January, February and March editions of Astounding Magazine , under the editorial tuition of John W. Campbell. It became a slightly revised novel in 1949, with the author’s real name rather than his pseudonym, and a little tidying up. Putting it in the context of Heinlein’s other writing, it was published as a novel after his juvenile book Red Planet and before Farmer in the Sky . As written by Anson McDonald, however, it was not written with the intention of being for the juvenile market, but as something more adult. I found it less satisfying than Red Planet and Farmer in the Sky , its adult voice both uncertain and unreal. It reflects the fact that it was written before Heinlein had had any novels published, and seems a little wobbly both in its concept and its delivery: something which would become much less noticeable as Heinlein becomes more confident in later writing. This lack of success may also be partly due to the fact that Sixth Column was based upon an idea given to Heinlein from Campbell, the only major work of Heinlein’s career to be plotted by someone else. -
The New Heinlein Opus List
Nhol.fm Page 253 Wednesday, March 22, 2000 7:21 PM Excerpted from the book Robert A. Heinlein: A Reader’s Companion. This excerpt is from the final press version of the book, and the numbering scheme herein can be considered final. Any updates or changes to this list will use the addendum numbering described on the second page. ©1996–2000 James Gifford. All Rights Reserved. May be duplicated and quoted from according to the terms described in “Reproduction & Use of the Hew Heinlein Opus List” within. The author may be contacted at: [email protected] www.nitrosyncretic.com Nitrosyncretic Press PO Box 4313, Citrus Heights, CA 95611 916-723-4765 voice & fax The New Heinlein Opus List This section presents a complete listing of every known work by Robert A. Heinlein, in the order of creation. Each work is prefaced by a unique identify- ing number, the New Heinlein Opus Number. These numbers, in the format ‘G.nnn,’ have been used throughout this book to identify the work in ques- tion. These numbers have not been used previously for Heinlein’s works. Those readers who are familiar with Heinlein’s opus list may wonder why I did not use Heinlein’s own numbers for these works. The answer is simple: Heinlein’s list was developed and maintained as the core of a filing system for the business management of his works. It was not created until about 1948, with the number of existing works approaching three digits. It is neither complete nor completely accurate in its numbering: there are minor works that do not appear on it, as well as some works that appear out of sequence. -
The New Heinlein Opus List
The New Heinlein Opus List This list, taken from Robert A. Heinlein: A Reader’s Companion’s 2020 update, presents a complete listing of ev- ery known work by Robert A. Heinlein, in the order of creation. Each work is prefaced by a unique identifying number, the New Heinlein Opus Number. These numbers, in the format ‘G.nnn,’ have been used throughout this book to identify the work in question. These numbers have not been used previously for Heinlein’s works. Those readers who are familiar with Heinlein’s opus list may wonder why I did not use Heinlein’s own numbers for these works. The answer is simple: Heinlein’s list was developed and maintained as the core of a filing system for the business management of his works. It was not created until about 1948, with the number of existing works approaching three digits. It is neither complete nor completely accurate in its numbering: there are minor works that do not appear on it, as well as some works that appear out of sequence. To accommodate these anomalies, I developed a new opus listing that accurately reflects the works and the order in which they were created. Although the numbers are, for obvious reasons, close to those of Heinlein’s list, the deviation between the two sets of numbers begins with the first works. Thus, Heinlein’s first pub- lished work, the short story “Life-Line,” is his own opus number 2 but is number G.005 in my list. I believe that this numbering list represents a better framework for future study of Heinlein’s works than does the original, which was never intended for the use of scholars and researchers. -
1941 Final Results for Best Novel
1941 Final Results for Best Novel 869 valid ballots cast. 25% cutoff = 218 voters. 756 valid votes cast in category. Race For Position 1 Finalist Pass 1 Pass 2 Pass 3 Pass 4 Pass 5 Runoff Slan 264 264 281 297 360 599 Gray Lensman 254 254 269 274 332 Ill-Made Knight 128 129 139 165 Kallocain 55 55 58 Reign of 48 49 Wizardry No Award 7 35 Preference 756 751 747 736 692 634 No Preference 0 5 9 20 64 122 Total Votes 756 756 756 756 756 756 Race For Position 2 Race For Position 3 Finalist Pass 1 Finalist Pass 1 Pass 2 Pass 3 Gray Lensman 393 Ill-Made Knight 273 275 312 Ill-Made Knight 168 Reign of 236 237 263 Reign of Wizardry 84 Wizardry Kallocain 85 85 Kallocain 64 No Award 18 No Award 9 Preference 612 597 575 Preference 718 No Preference 144 159 181 No Preference 38 Total Votes 756 756 756 Total Votes 756 Race For Position 4 Race For Position 5 Finalist Pass 1 Finalist Pass 1 Reign of Wizardry 359 Kallocain 308 Kallocain 127 No Award 70 No Award 34 Preference 378 Preference 520 No Preference 378 No Preference 236 Total Votes 756 Total Votes 756 1941 Final Results for Best Novella 869 valid ballots cast. 25% cutoff = 218 voters. 742 valid votes cast in category. Race For Position 1 Finalist Pass 1 Pass 2 Pass 3 Pass 4 Pass 5 Runoff If This Goes On... 258 258 267 318 389 609 Magic, Inc. 190 191 194 216 288 Mathematics of Magic 151 153 178 186 Coventry 85 85 87 Roaring Trumpet 43 43 No Award 15 27 Preference 742 730 726 720 677 636 No Preference 0 12 16 22 65 106 Total Votes 742 742 742 742 742 742 Race For Position 2 Race For Position 3 Finalist Pass 1 Pass 2 Pass 3 Pass 4 Finalist Pass 1 Pass 2 Pass 3 Magic, Inc. -
A Research Guide to the Fiction of Robert A. Heinlein
The Man Who Sold the Future: A Research Guide to the Fiction of Robert A. Heinlein. Candace R. Benefiel College Station, TX March , 2001 1 2 Section One Introduction In the years between 1939 and 1969, Robert A. Heinlein was widely acknowledged to be the “Dean of American Science Fiction Writers.” Although styles and tastes in science fiction have changed over the years, Heinlein is still considered one of the foremost writers in the field, and many of his works are considered classics. Bibliography for Heinlein presents several challenges. The primary materials are often publications in “pulp” magazines and other popular periodicals. For many of these serials indexing is at best spotty, at worst, non-existant. Many of Heinlein’s novels were first published in serial form, then published as books under different titles. In some cases, the book versions were revised extensively. As many of the young adult novels were published just in time to take advantage of the Christmas buying season, one has to imagine the disappointment of children excitedly opening their new Heinlein book, only to find a story they had already read in Boy’s Life. Some of the short stories have been anthologized repeatedly; others remained uncollected for decades after their first appearances. Non-fiction essays and speeches pose yet another problem, one which the present guide sidesteps by focusing only on fiction. Citations for primary sources were drawn from the various bibliographies on Heinlein, including a bibliography which appeared as an appendix to Grumbles from the Grave, and Donald Day’s Index to the Science Fiction Magazines, 1926-1950 (Boston: Hall 1982). -
Robert A. Heinlein: a Philosophical Novelist Marie Guthrie Western Kentucky Univeristy, [email protected]
Western Kentucky University TopSCHOLAR® Masters Theses & Specialist Projects Graduate School Summer 1985 Robert A. Heinlein: A Philosophical Novelist Marie Guthrie Western Kentucky Univeristy, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/theses Part of the American Literature Commons, English Language and Literature Commons, and the Philosophy Commons Recommended Citation Guthrie, Marie, "Robert A. Heinlein: A Philosophical Novelist" (1985). Masters Theses & Specialist Projects. Paper 1559. http://digitalcommons.wku.edu/theses/1559 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Masters Theses & Specialist Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Guthrie, Patricia Marie 1985 ROBERT A. HEINLEIN: A PHILOSOPHICAL NOVELIST A Thesis Presented to the Faculty of the Department of English Western Kentucky University Bowling Green, Kentucky In Partial Fulfillment of the Requirements for the De~ree Masler of Arts by Patricia Marie Guthrie July 1985 · . A UTHORlZA nON FOil un: OF THESIS Perrnl ..toD I. here." o ,r_teel to the Weaten Keata~ ODlYenltF Ultra.y .. make. or .n_ .. H made ~otocopl ••• mlcroftlJn or oth.r copt•• of thh th.at. lor .ppropriate r ....rd or .cholarl7 Plll'po •••• fVI r ...,.".eI to the ••Baor 10, 0.. ...... Dl ..,. copt•• of W. ta th•• h .xcept for hrief ..ct .. _ 101' r ....rcIa or .chol.r17 p!l1'pD •••• Pl.... pl.c. _ "X" lD the .ppNp"'''' .... nat. form win he mad willa tit. o",.iDaI Dl the thad. aM wW c_t... l lutu... a •• of tit. -
Robert Anson Heinlein 1907 - 1988
Robert Anson Heinlein 1907 - 1988 “The obituaries called Heinlein ‘the most influential SF writer since H.G. Wells,’ and that was accurate enough. He pioneered the techniques of modern sf writing, the matter-of-fact acceptance of change and the economical ways of evoking that change in his stories, and he pioneered new fields in which that sf could present itself: the slick magazines, books, the juveniles, film, and finally the bestseller. Like Moses he led sf into the promised land . perhaps he was the writer Wells might have been if he had been born in Butler, Missouri, in 1907. Certainly it is as impossible to imagine contemporary sf existing as it is without Heinlein as without Wells.” James Gunn, Ph.D. “Robert A. Heinlein: In Memoriam” LOCUS magazine, July 1988, p. 42 OBERT A. HEINLEIN came late to writing: his first support himself, he hit on what would become his third — and story was sold at age 32, more than a decade after final — career. most writers start their writing careers. Writing was Heinlein has said that he read all the science fiction he R Heinlein’s third career, after the Navy and could lay hands on from the age of 16. The cosmic romances of California politics — but it was the last, and it was the most Olaf Stapledon affected him particularly. He read the first series important. of Tom Swift books, Edgar Rice Burroughs, Jules Verne, and Heinlein was born on July 7, 1907, in Butler, Missouri. A H.G. Wells. He had read the pulp magazines where most few months after he was born, his family moved from Butler to science fiction appeared, and noticed that the pulp science Kansas City, where he was to grow up as the family grew, by fiction field was expanding. -
Works by Robert A. Heinlein
About This Volume Rafeeq O. McGiveron Critical Insights: Robert A. Heinlein explores the work of perhaps the PRVWIDPRXVDQGLQÀXHQWLDOQDPHLQPRGHUQVFLHQFH¿FWLRQ:ULWHUV such as -XOHV9HUQHDQG+*:HOOVGLGPXFKLQYHU\GLIIHUHQWZD\V to shape a genre born of nineteenth-century industrialism, invention, and rapidly accelerating technological change, but for the evolution of VFLHQFH¿FWLRQIURPWKHPLGtwentieth century onward, we must look to Robert Anson Heinlein. His career may have begun a lifetime ago—and his own lifetime ended a generation ago, in 1988, before many of his current readers were born—but still the man’s works are read, pondered, hotly debated. Heinlein’s writing ranges from now-retro futures, in which hat and tie are always worn in public and cigarettes are offered at the beginning of every business meeting, to future cultures embracing unusual religions and polyamorous group marriages, and he employs VHWWLQJVIURPSXOS¿FWLRQVZDPSDQGMXQJOHSURGXFHGSXOS¿FWLRQ VHWWLQJVWKDWGHSLFWVZDPSDQGMXQJOH9HQXVDQGFDQDOJLUGHG0DUV to the twistily nested dimensions of the multiverse and the literally DXWKRUFUHDWHG:RUOGDV0\WK7KLVDXWKRUPD\QRWKDYHEHHQWKH ¿UVWWRHQYLVLRQVD\WKHJHQHUDWLRQVWDUVKLSWKHFORVHGWLPHORRS or the powered military exoskeleton, but his early treatments have EHFRPHWKHFODVVLFVWDQGDUGV,QDGGLWLRQKLV¿FWLRQH[SORUHVQRW only “hard” science but also, at times, magic, spirituality, sociological systems, and methods of government. Heinlein published short VWRULHVQRYHOODV³MXYHQLOH´QRYHOV²ZKLFKDUHQRWMXYHQLOHDWDOO² DQGQRYHOVGH¿QLWHO\VRPHWLPHVmostGH¿QLWHO\IRUDGXOWVKHZURWH -
A Listing of Errors in Leon Stover's Robert A. Heinlein
A Listing of Errors in Leon Stover’s ROBERT A. HEINLEIN James Gifford Introduction Leon Stover's 1988 critique of Robert Heinlein, Robert A. Heinlein, is significant in that it was the first full-length scholarly analysis of Heinlein and his work to take a positive approach and appraise Heinlein as a great and significant American writer. All prior major critical works, such as those by Alexei Panshin (Heinlein In Dimension), James Blish (various essays including “Heinlein, Son of Heinlein”), Brian Aldiss (Billion- Year Spree and update, Trillion-Year Spree), George Slusser (“Robert A. Heinlein: Stranger in His Own Land” and “The Classic Years of Robert A. Heinlein”), and most especially H. Bruce Franklin (Robert A. Heinlein: America As Science Fiction) were harshly critical of Heinlein, his attitudes, and his work. Stover's comparison of Heinlein with Twain and his analysis of Heinlein’s use of Calvinist and classical doctrines are interesting, well worked out, and (in my opinion) largely on the mark. In much of its literary analysis and “positioning” of Heinlein in the literary spectrum, Robert A. Heinlein is an excellent, well- wrought work. It is all the more disappointing, then, to read Stover and find one factual error after another, and incorrect analyses based thereon. He misquotes names, confuses events, and completely misstates the plots of stories. Errors such as these are not acceptable even in casual literary discussion, and are com- pletely out of place and near-unforgivable in a published scholarly work. Some of these errors are minor, such as a misspelling of a character's name. -
The Man Who Sold the Moon and Orphans of the Sky by Robert A
TEACHER’S GUIDE TO THE MAN WHO SOLD THE MOON AND ORPHANS OF THE SKY BY ROBERT A. HEINLEIN Contents: • recommended reading levels • Heinlein biographical material and links • background of the book and plot summary • character sketches • chapter guides include a more detailed plot summary and may also include some of the following: • Prepare to read… • vocabulary • focus questions or initiating activity • plot summary • quiz/reading comprehension questions—multiple choice/short answer questions to testing reading comprehension • reflection and discussion questions—may be used to initiate classroom discussion, as short writing assignments, or as test questions • suggested activities/inquiry-based exploration—suggestions for activities and projects 1 Recommended reading levels: Heinlein’s fiction appeals to readers of many ages, from early middle-school readers to adults, and much of his earlier work can also be read by young adults although they were originally marketed to older readers. For use in the classroom, The Man Who Sold the Moon and Orphans of the Sky are probably most appropriate for readers in grades 9-12. Biographical information on Robert Heinlein: Robert Anson Heinlein is considered to be one of the best, if not the best, writers of science fiction of all time. He was a prolific, commercially and critically successful, and at times controversial, contributor to the genre. He was born in Butler, Missouri on July 7, 1907, and graduated from the United States Naval Academy in 1929. Heinlein served in the Navy until 1934, but was forced to retire because of tuberculosis. After a few failed business and political ventures, he decided to try writing and sold “Lifeline”, a short story, in 1939 to Astounding Science Fiction, which was a “pulp” magazine. -
Robert A. and Virginia G. Heinlein Papers
http://oac.cdlib.org/findaid/ark:/13030/kt596nd35k No online items Guide to the Robert A. and Virginia G. Heinlein papers D. Roussopoulos University of California, Santa Cruz 2006 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Guide to the Robert A. and MS.095 1 Virginia G. Heinlein papers Contributing Institution: University of California, Santa Cruz Title: Robert A. and Virginia G. Heinlein papers Creator: Heinlein, Robert A. (Robert Anson), 1907-1988 Creator: Heinlein, Virginia Identifier/Call Number: MS.095 Physical Description: 175 Linear Feet366 boxes, 3 oversize items Date (inclusive): 1907-2004 Abstract: The collection documents the professional and personal lives of science fiction author Robert Heinlein and his wife, Virginia Heinlein. Materials in the collection include manuscripts, short stories, articles, book reviews, screen plays, television and radio programs, personal and professional correspondence, legal and financial papers, illustrations, photographs, slides, scrapbooks, yearbooks, memorabilia, and realia. Stored offsite: Advance notice is required for access to the papers. Language of Material: English . Access Collection open for research. Publication Rights Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. Preferred Citation Robert A. and Virginia G. Heinlein papers. MS 95. Special Collections and Archives, University Library, University of California, Santa Cruz.