Works by Robert A. Heinlein
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Saturday Auction Preliminary Catalog
LOT TITLE DESCRIPTION Collection of Letters from Henry Steeger — founder of 400 Popular Publications — to Nick Carr Proceeds to Wooda “Nick” Carr 1/28/28, 2/4/28, 2/18/28, 2/25/28, 3/10/28, 4/7/28, 4/21/28, 401 12 issues WESTERN STORY MAGAZINE (1928) 5/12/28, 5/19/28, 6/23/28, 7/14/28, 7/28/28 8/4/28, 8/18/28, 8/25/28, 9/8/28, 9/15/28, 9/22/28, 11/24/28, 402 10 issues WESTERN STORY MAGAZINE (1928-1929) 12/22/28, 1/5/29, 1/26/29 2/9/29, 3/9/29, 7/27/29, 8/3/29, 8/10/29, 8/17/29, 8/24/29, 403 12 issues WESTERN STORY MAGAZINE (1929) 9/7/29, 9/14/29, 9/21/29, 9/28/29, 11/16/29 1/11/30, 2/8/30, 3/22/30, 4/5/30, 5/17/30, 7/19/30, 8/2/30, 404 10 issues WESTERN STORY MAGAZINE (1930) 8/9/30, 11/8/30, 12/27/30 5/9/31, 5/23/31, 6/13/31, 7/18/31, 4/16/32, 8/13/32, 8/27/32, 405 10 issues WESTERN STORY MAGAZINE (1931-1932) 9/3/32, 10/22/32, 11/19/32 5/13/33, 5/27/33, 8/19/33, 9/9/33, 9/23/33, 11/25/33, 1/13/34, 406 10 issues WESTERN STORY MAGAZINE (1933-1934) 2/10/34, 2/17/34, 3/17/34 3/31/34, 5/12/34, 5/26/34, 12/15/34, 1/19/35, 1/26/35, 2/2/35, 407 10 issues WESTERN STORY MAGAZINE (1934-1935) 2/9/35, 2/23/35, 3/16/35 3/10/35, 4/6/35, 4/20/35, 5/4/35, 5/11/35, 5/18/35, 5/25/35, 408 10 issues WESTERN STORY MAGAZINE (1935) 6/1/35, 6/8/35, 6/15/35 2/5/44, 10/44, 2/45, 8/45, 10/45, 1/46, 2/46, 3/46, 4/46, 5/46, 409 15 issues WESTERN STORY MAGAZINE (digest size) 6/46, 7/46, 8/46, 9/46, 10/46 1/47, 3/47, 4/47, 9/47, 2/48, 5/48, 1948 annual, 3/49, 5/49, 8 & 410 10 issues WESTERN STORY MAGAZINE (digest size) 9/49 CONAN THE CONQUEROR & THE SWORD OF 411 RHIANNON -
Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
Asimov on Science Fiction
Asimov On Science Fiction Avon Books, 1981. Paperback Table of Contents and Index Table of Contents Essay Titles : I. Science Fiction in General 1. My Own View 2. Extraordinary Voyages 3. The Name of Our Field 4. The Universe of Science Fiction 5. Adventure! II. The Writing of Science Fiction 1. Hints 2. By No Means Vulgar 3. Learning Device 4. It’s A Funny Thing 5. The Mosaic and the Plate Glass 6. The Scientist as Villain 7. The Vocabulary of Science Fiction 8. Try to Write! III. The Predictions of Science Fiction 1. How Easy to See The Future! 2. The Dreams of Science Fiction IV. The History of Science Fiction 1. The Prescientific Universe 2. Science Fiction and Society 3. Science Fiction, 1938 4. How Science Fiction Became Big Business 5. The Boom in Science Fiction 6. Golden Age Ahead 7. Beyond Our Brain 8. The Myth of the Machine 9. Science Fiction From the Soviet Union 10. More Science Fiction From the Soviet Union Isaac Asimov on Science Fiction Visit The Thunder Child at thethunderchild.com V. Science Fiction Writers 1. The First Science Fiction Novel 2. The First Science Fiction Writer 3. The Hole in the Middle 4. The Science Fiction Breakthrough 5. Big, Big, Big 6. The Campbell Touch 7. Reminiscences of Peg 8. Horace 9. The Second Nova 10. Ray Bradbury 11. Arthur C. Clarke 12. The Dean of Science Fiction 13. The Brotherhood of Science Fiction VI Science Fiction Fans 1. Our Conventions 2. The Hugos 3. Anniversaries 4. The Letter Column 5. -
A History of the Future David J. Staley
History and Theory,Theme Issue 41 (December 2002), 72-89 ? Wesleyan University 2002 ISSN: 0018-2656 A HISTORYOF THE FUTURE DAVIDJ. STALEY ABSTRACT Does history have to be only about the past? "History"refers to both a subject matterand a thoughtprocess. That thoughtprocess involves raising questions, marshallingevidence, discerningpatterns in the evidence, writing narratives,and critiquingthe narrativeswrit- ten by others. Whatever subject matter they study, all historians employ the thought process of historicalthinking. What if historianswere to extend the process of historicalthinking into the subjectmat- ter domain of the future?Historians would breach one of our profession's most rigid dis- ciplinarybarriers. Very few historiansventure predictions about the future, and those who do are viewed with skepticism by the profession at large. On methodological grounds, most historiansreject as either impractical,quixotic, hubristic,or dangerousany effort to examine the past as a way to make predictionsabout the future. However, where at one time thinking about the future did mean making a scientifical- ly-based prediction,futurists today arejust as likely to think in terms of scenarios.Where a predictionis a definitive statementabout what will be, scenarios are heuristicnarratives that explore alternativeplausibilities of what might be. Scenario writers, like historians, understandthat surprise,contingency, and deviations from the trend line are the rule, not the exception; among scenario writers, context matters.The thought process of the sce- nario method shares many features with historical thinking. With only minimal intellec- tual adjustment,then, most professionally trainedhistorians possess the necessary skills to write methodologicallyrigorous "historiesof the future." History, according to Kevin Reilly, is both a noun and a verb.' By this Reilly means that "history" refers to both a subject matter-a body of knowledge-and a thought process, a disciplined habit of mind. -
1: for Me, It Was Personal Names with Too Many of the Letter "Q"
1: For me, it was personal names with too many of the letter "q", "z", or "x". With apostrophes. Big indicator of "call a rabbit a smeerp"; and generally, a given name turns up on page 1... 2: Large scale conspiracies over large time scales that remain secret and don't fall apart. (This is not *explicitly* limited to SF, but appears more often in branded-cyberpunk than one would hope for a subgenre borne out of Bruce Sterling being politically realistic in a zine.) Pretty much *any* form of large-scale space travel. Low earth orbit, not so much; but, human beings in tin cans going to other planets within the solar system is an expensive multi-year endevour that is unlikely to be done on a more regular basis than people went back and forth between Europe and the americas prior to steam ships. Forget about interstellar travel. Any variation on the old chestnut of "robots/ais can't be emotional/creative". On the one hand, this is realistic because human beings have a tendency for othering other races with beliefs and assumptions that don't hold up to any kind of scrutiny (see, for instance, the relatively common belief in pre-1850 US that black people literally couldn't feel pain). On the other hand, we're nowhere near AGI right now and it's already obvious to everyone with even limited experience that AI can be creative (nothing is more creative than a PRNG) and emotional (since emotions are the least complex and most mechanical part of human experience and thus are easy to simulate). -
Grumbles from the Grave
GRUMBLES FROM THE GRAVE Robert A. Heinlein Edited by Virginia Heinlein A Del Rey Book BALLANTINE BOOKS • NEW YORK For Heinlein's Children A Del Rey Book Published by Ballantine Books Copyright © 1989 by the Robert A. and Virginia Heinlein Trust, UDT 20 June 1983 All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Ballantine Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Grateful acknowledgment is made to the following for permission to reprint the following material: Davis Publications, Inc. Excerpts from ten letters written by John W. Campbell as editor of Astounding Science Fiction. Copyright ® 1989 by Davis Publications, Inc. Putnam Publishing Group: Excerpt from the original manuscript of Podkayne of Mars by Robert A. Heinlein. Copyright ® 1963 by Robert A. Heinlein. Reprinted by permission of the Putnam Publishing Group. Library of Congress Catalog Card Number: 89-6859 ISBN 0-345-36941-6 Manufactured in the United States of America First Hardcover Edition: January 1990 First Mass Market Edition: December 1990 CONTENTS Foreword A Short Biography of Robert A. Heinlein by Virginia Heinlein CHAPTER I In the Beginning CHAPTER II Beginnings CHAPTER III The Slicks and the Scribner's Juveniles CHAPTER IV The Last of the Juveniles CHAPTER V The Best Laid Plans CHAPTER VI About Writing Methods and Cutting CHAPTER VII Building CHAPTER VIII Fan Mail and Other Time Wasters CHAPTER IX Miscellany CHAPTER X Sales and Rejections CHAPTER XI Adult Novels CHAPTER XII Travel CHAPTER XIII Potpourri CHAPTER XIV Stranger CHAPTER XV Echoes from Stranger AFTERWORD APPENDIX A Cuts in Red Planet APPENDIX B Postlude to Podkayne of Mars—Original Version APPENDIX C Heinlein Retrospective, October 6, 1988 Bibliography Index FOREWORD This book does not contain the polished prose one normally associates with the Heinlein stories and articles of later years. -
Notes for Frek and the Elixir by Rudy Rucker Copyright (C) Rudy Rucker, 2004
Frek and the Elixir Notes, Rudy Rucker, 1/22/04 Notes for Frek and the Elixir by Rudy Rucker Copyright (C) Rudy Rucker, 2004. Started preliminary notes on December 15, 2000. Made this formal notes document on May 1, 2001. Started the novel on June 12, 2001. Finish dates as follows. First draft on March 2, 2003. Second draft on April 29, 2003. Third draft on August 10, 2003. Copy edits on November 1, 2003. Page proofs on December 15, 2003. Closed out notes on January 22, 2004. Notes word count 75,500 Notes last revised for posting on January 22, 2004. Word Count.......................................................................................................................7 Progress Table...............................................................................................................7 Estimates and Calculations of Length and Chapter Count............................................8 Lengths of recent novels...........................................................................................8 July 5, 2001. Chap 1 nearly Done. ..........................................................................8 September 7, 2001. Rolling on Chap 3....................................................................8 May 13, 2002. Longer Chapters. .............................................................................8 June 19, 2002. 15, not 17 chapters. .........................................................................8 July 6, 2002. Maybe 16 Chaps. ...............................................................................8 -
You Zombies, Click and a Novel, 1632, Both of Which Are Available Online from Links in the Handout
Instructor's notes to F402 Time Travel in Science Fiction Session 1 – Introduction Welcome to F402, Time Travel in Science Fiction. The objective of this course is to help you to read, understand and enjoy stories in the genre. The course is in two parts; the first is Today's lecture and discussion on the genre while the second is class discussions of two stories of opposite types. click The reading assignment consists of a short story, All You Zombies, click and a novel, 1632, both of which are available online from links in the handout. click For the convenience of those who prefer dead trees, I have listed a number of anthologies1 containing All You Zombies. Reading Assignment for Sessions 2-3 click All You Zombies is one of two tour de force stories by Robert A. Heinlein that left their mark on the genre for decades. Please read All You Zombies prior to the next session click and 1632 click click Part One, chapters 1-14 prior to the third session. Esc Session 1 Keep in mind that science fiction is a branch of literature, so the normal criteria of, e.g., characterization, consistency, continuity, plot structure, style, apply; I welcome comments, especially from those who have expertise in those areas. In addition, while a science fiction author must rely on the willing suspension of disbelief, he should do so sparingly. There is a lapse of continuity in 1632 between chapters 8 and 9; see whether you can spot it. I will suggest specific discussion points to start each discussion, but please bring up any other issues that you believe to be important or interesting. -
The Ridicule of Time: Science Fiction, Bioethics, and the Posthuman
The Ridicule of Time: Science Fiction, Bioethics, and the Posthuman Jay Clayton American Literary History, Volume 25, Number 2, Summer 2013, pp. 317-340 (Article) Published by Oxford University Press For additional information about this article http://muse.jhu.edu/journals/alh/summary/v025/25.2.clayton.html Access provided by Vanderbilt University Library (6 Jun 2013 09:56 GMT) The Ridicule of Time: Science Fiction, Bioethics, and the Posthuman Jay Clayton* Suppose you were a science fiction fan, a Trekkie, and a transhumanist; you once paid to attend a seminar with Rae¨l, knew all about Extropy back in the day, and subscribed to Longevity Meme Newsletter; you have read articles about an “immortality gene” and were thrilled to see Science publish a genome-wide association study in 2010 identifying 150 genes that might improve your chances of living to 100; and you practice extreme caloric restriction while spending a fortune on dietary supple- ments. Over the years, you have zealously collected the following quotes but have forgotten the sources. Which of them do you think came from classic 1950s works of science fiction and which from publications by distinguished scientists, doctors, philosophers, and law professors? 1. We, or our descendents, will cease to be human in the sense in which we now understand that idea. (3) 2. By the standards of evolution, it will be cataclysmic— instantaneous. It has already begun. (181) 3. The new immortals, in the decisive sense, would not be like us at all. (265) 4. Man will go into history along with the Java ape man, the Neanderthal beast man, and the Cro-Magnon Primitive. -
Bantam Books, 1977 Frederik Pohl Was
Yue Wang Team 2B Before The Universe Frederik Pohl. & C.M. Kornbluth New York: Bantam Books, 1977 Frederik Pohl was one of the early members of The Futurian Society of New York in the 1930s, Cyril Kornbluth, a bright fellow from the farthest north part of Manhattan joined later around 1938. Pohl became editor of two profession science fiction magazines called Astonishing Stories and Super Science Stories. Both of the magazines were low-budget projects that the magazines were sold for a dime and fifty cents. Pohl often needed to find cheap talents for stories to fill the blank pages. The Futurian Society was the first place where Pohl could seek help. Before The Universe is one of the Futurian collaborations by Frederik Pohl and Cyril Kornbluth. Furthermore, the two names have appeared on many other science fiction books. The book compiled with eight individual science fiction stories. One of the stores called Mars-Tube is about an expedition team on Mars from earth after a half century interplanetary war that Mars was eventually defeated and the entire Martian population was annihilated. The story began with the three members of the expedition team, Ray Stanton, Annamarie Hudgins, and Ogden Josey a roentgenologist encountered a Mars robot on an underground train, that the robot blocked them from exiting the train at a certain stop, which arose their curiosity. The three in the next day exited the train at a near by stop and walked back to the stop where they were blocked from exiting the train. At the suspicious train stop, the three expeditors encountered some spider-like robots and were attacked by those robots. -
Third Person : Authoring and Exploring Vast Narratives / Edited by Pat Harrigan and Noah Wardrip-Fruin
ThirdPerson Authoring and Exploring Vast Narratives edited by Pat Harrigan and Noah Wardrip-Fruin The MIT Press Cambridge, Massachusetts London, England 8 2009 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. For information about special quantity discounts, please email [email protected]. This book was set in Adobe Chapparal and ITC Officina on 3B2 by Asco Typesetters, Hong Kong. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Third person : authoring and exploring vast narratives / edited by Pat Harrigan and Noah Wardrip-Fruin. p. cm. Includes bibliographical references and index. ISBN 978-0-262-23263-0 (hardcover : alk. paper) 1. Electronic games. 2. Mass media. 3. Popular culture. 4. Fiction. I. Harrigan, Pat. II. Wardrip-Fruin, Noah. GV1469.15.T48 2009 794.8—dc22 2008029409 10987654321 Index American Letters Trilogy, The (Grossman), 193, 198 Index Andersen, Hans Christian, 362 Anderson, Kevin J., 27 A Anderson, Poul, 31 Abbey, Lynn, 31 Andrae, Thomas, 309 Abell, A. S., 53 Andrews, Sara, 400–402 Absent epic, 334–336 Andriola, Alfred, 270 Abu Ghraib, 345, 352 Andru, Ross, 276 Accursed Civil War, This (Hull), 364 Angelides, Peter, 33 Ace, 21, 33 Angel (TV show), 4–5, 314 Aces Abroad (Mila´n), 32 Animals, The (Grossman), 205 Action Comics, 279 Aparo, Jim, 279 Adams, Douglas, 21–22 Aperture, 140–141 Adams, Neal, 281 Appeal, 135–136 Advanced Squad Leader (game), 362, 365–367 Appendixes (Grossman), 204–205 Afghanistan, 345 Apple II, 377 AFK Pl@yers, 422 Appolinaire, Guillaume, 217 African Americans Aquaman, 306 Black Lightning and, 275–284 Arachne, 385, 396 Black Power and, 283 Archival production, 419–421 Justice League of America and, 277 Aristotle, 399 Mr. -
The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine.