The Domain of Spain How Likely Is Catalan Independence?
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Claiming Independence in 140 Characters. Uses of Metaphor in the Construction of Scottish and Catalan Political Discourses on Twitter
CLAIMING INDEPENDENCE IN 140 CHARACTERS. USES OF METAPHOR IN THE CONSTRUCTION OF SCOTTISH AND CATALAN POLITICAL DISCOURSES ON TWITTER Carlota Maria Moragas Fernández ADVERTIMENT. L'accés als continguts d'aquesta tesi doctoral i la seva utilització ha de respectar els drets de la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials d'investigació i docència en els termes establerts a l'art. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix l'autorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No s'autoritza la seva reproducció o altres formes d'explotació efectuades amb finalitats de lucre ni la seva comunicació pública des d'un lloc aliè al servei TDX. Tampoc s'autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o materiales de investigación y docencia en los términos establecidos en el art. 32 del Texto Refundido de la Ley de Propiedad Intelectual (RDL 1/1996). Para otros usos se requiere la autorización previa y expresa de la persona autora. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
The Catalan Struggle for Independence
THE CATALAN STRUGGLE FOR INDEPENDENCE An analysis of the popular support for Catalonia’s secession from Spain Master Thesis Political Science Specialization: International Relations Date: 24.06.2019 Name: Miquel Caruezo (s1006330) Email: [email protected] Supervisor: Dr. Angela Wigger Image Source: Photo by NOTAVANDAL on Unsplash (Free for commercial or non-commercial use) Table of Contents Abstract ................................................................................................................................................... 1 Introduction ............................................................................................................................................ 2 Chapter 1: Theoretical Framework ......................................................................................................... 7 1.1 Resource Mobilization Theory ...................................................................................................... 7 1.1.1 Causal Mechanisms ................................................................................................................ 9 1.1.2 Hypotheses........................................................................................................................... 10 1.2 Norm Life Cycle Theory ............................................................................................................... 11 1.2.1 Causal Mechanisms ............................................................................................................. -
An Ever More Divided Union?
An ever more divided Union? Contemporary separatism in the European Union: a comparative case study of Scotland, Catalonia and Flanders MA Thesis by T.M. Wencker (s1386042) European Union Studies, Leiden University [email protected] Supervisor: Prof. Dr. J.Q.T. Rood Second Marker: Dr. Mr. Anne-Isabelle Richard 2 1 Figure A: 'If all separatists had their way... 1 One Europe, If all separatists had their way…, (25-07-2013) accessed at 07-09-2014 via: http://one- europe.info/in-brief/if-all-separatists-had-their-way 3 Table of contents: - Introduction p.6 o Note on sources and methods p.9 o Note on Scottish case p.9 - Part I: An analysis of European separatism o Chapter I: Separatism as a phenomenon . Definitions p.11 . Origins p.12 . Self-determination p.14 . Unilateral Secession p.15 . Chapter review and conclusions p.18 - Part II: The cases of Scotland, Catalonia and Flanders o Chapter II: Scotland . Background p.21 . The case for Scottish independence p.23 . The imagined community of Scotland p.25 . It’s Scotland’s oil! P.28 . Scotland and the EU p.31 . EU-membership: a contested bone p.34 . Chapter review and conclusions p.37 o Chapter III: Catalonia . Background p.39 . The imagined community of Catalonia p.42 . The case for Catalonian independence p.47 . Unilateral secession and the EU? P.50 . Chapter review and conclusions p.54 o Chapter IV: Flanders . Background p.55 . The Belgian imagined communities p.56 . Understanding Flemish separatism p.59 . Flanders and the EU p.61 . Chapter review and conclusions p.62 - Part III: Connecting the dots: conclusions about separatism in the European Union o Chapter V: connecting the dots . -
Joan Maragall, at the Edge of Modernity Geoffrey Ribbans
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Revistes Catalanes amb Accés Obert You are accessing the Digital Archive of the Esteu accedint a l'Arxiu Digital del Catalan Catalan Review Journal. Review By accessing and/or using this Digital A l’ accedir i / o utilitzar aquest Arxiu Digital, Archive, you accept and agree to abide by vostè accepta i es compromet a complir els the Terms and Conditions of Use available at termes i condicions d'ús disponibles a http://www.nacs- http://www.nacs- catalanstudies.org/catalan_review.html catalanstudies.org/catalan_review.html Catalan Review is the premier international Catalan Review és la primera revista scholarly journal devoted to all aspects of internacional dedicada a tots els aspectes de la Catalan culture. By Catalan culture is cultura catalana. Per la cultura catalana s'entén understood all manifestations of intellectual totes les manifestacions de la vida intel lectual i and artistic life produced in the Catalan artística produïda en llengua catalana o en les language or in the geographical areas where zones geogràfiques on es parla català. Catalan Catalan is spoken. Catalan Review has been Review es publica des de 1986. in publication since 1986. Joan Maragall, at the Edge of Modernity Geoffrey Ribbans Catalan Review, Vol. XVIII, number 1-2, (1998), p. 97-105 JOAN MARAGALL, AT THE EDGE OF MODERNITY (IN MEMORY OF ARTHUR TERRY) GEOFFREY RIBBANS ABSTRACT In a tribute to the renowned scholar of Catalan literature, Arthur Terry, this paper offers a reassessment of certain aspects of the poet Joan Maragall. -
The Poetry of Joan Maragall
THE ANNUAL JOAN GILI MEMORIAL LECTURE ARTHUR TERRY The Poetry of Joan Maragall THE ANGLO-CATALAN SOCIETY 2001 © The text and English translations: Arthur Terry This edition: The Anglo-Catalan Society Produced and typeset by The Hallamshire Press Limited, Sheffield This text is Arthur Terry's own translation of the third Annual Joan Gili Memorial Lecture, La poesia de Joan Maragall, delivered at the Palau de la Generalitat during the Anglo-Catalan Society's XLVI Annual Conference, Barcelona, 14-17 December, 2000. Grateful acknowledgement is made of regular sponsorship of The Annual Joan Gili Memorial Lectures provided by the Institució de Les Lletres Catalanes, and of the grant towards publication costs received from the Fundació Congrés de Cultura Catalana. The author Arthur Terry was born in York on February 17th, 1927. After studying French and Spanish at Cambridge, he spent a year in Barcelona and then took up an Assistant Lectureship in Spanish at the Queen's University of Belfast in 1950. He remained there until 1972, ascending by slow degrees to the Chair of Spanish, which he held from 1963. In his last ten years there, he was a member of a writing group which included Philip Hobsbaum, Seamus Heaney and Michael Longley, for which he produced his first serious translations of Spanish and Catalan poetry. In 1973, he went to the University of Essex as Professor of Literature, a post he held until his retirement in 1993. Since then, he has been Visiting Professor at the Universities of Nottingham and London (Queen Mary and Westfield College), and is now an Emeritus Professor. -
Daniela Ortiz + Xose Quiroga Estat Nació Part I
angelsbarcelona.com I NP I eng Daniela Ortiz + Xose Quiroga Estat Nació Part I 14.02.14, 20 h. The system of nation state is characterized by a clearly defined territory, a constant population with common cultural and linguistic traits, ruled by a government and organized on the basis of laws that apply to the population and to the different bodies and entities that are developed within it. The project Estat Nació (nation state) outlines a critical look at the construction of sovereignty through the use of discourses, laws and regulations involving people not recognized as citizens by the various immigration laws and regulations affecting the rights and freedoms of migrants. In turn, the project presents an analysis of various historical figures linked to colonial processes recognized in the public space today. The recognition that is given today by the city of Barcelona to historical figures and their direct involvement in colonial processes is being analyzed here through a series of photographs. At the same time, a video projection shows a Catalan language class given to non-EU migrants in which the learning process of language pronunciation it’s being performed through the repetition of several Catalan political discourses in relation to the subject of immigration. Likewise, the students in class were invited to transcribe a series of newspaper articles and official documents that are also displayed in the exhibition space . The exhibition ends with the video projection CC-13 that shows images that were recorded during the event of the Via Catalana * (Catalan Way) on the 11th of September 2013. -
Presentación De Powerpoint
Sitges Tourism Press Kit 2021 ENGLISH Pressbook 2 Table of contents • Sitges 3 • Sitges Seaside Town 67 • Location and transport 4 • Sitges Convention Bureau 71 • Tourist profile 6 • Sitges LGTBIQ 74 • Sitges online 8 • Sitges Weddings 78 • Annual Events Calendar 9 • Sitges Cultura 80 • Top 10 things to do in Sitges 11 • Sitges by Night 85 Beaches and marinas • Sitges Family 88 Garraf Park • Sitges Coastline 91 Museums and Palau de Maricel Sitges Malvasia Interpretation Center • Accommodations in Sitges 92 Casa Bacardí • Sitges in numbers 98 Gastronomy Festivals and traditions • Sitges’ History 99 Shopping • Useful Addresses 102 Terramar Golf Course • Press contacts+ newsletter 103 Terramar Gardens • Latest news and trends 60 • Audiovisual material and studies 104 • Sustainable Tourism 61 Pressbook 3 Sitges Cosmopolitan, creative, diverse, respectful and devoted Welcome to the sea. Sitges is all that, the place that inspired to Sitges Catalan Modernisme and that continues to inspire millions of tourists and visitors from all over the world year after year. For many, its secret lies in its 26 fine sandy beaches. For others, its 300-plus days of sunshine a year. But in Sitges, we go way beyond all that. We are local cuisine, culture, festivals, traditions, shopping and sports. We are an accessible and top-quality destination. Sitges agrees with you, and our locals' friendly character wins over hearts and minds. Because if you visit Sitges, you're from Sitges. Don't just let them tell you about it. Pressbook 4 Location and transport Location and transport Whether you are travelling by land, sea or air, wherever you are coming from, we are so close to you. -
New Perspectives on Nationalism in Spain • Carsten Jacob Humlebæk and Antonia María Ruiz Jiménez New Perspectives on Nationalism in Spain
New Perspectives on Nationalism in Spain in Nationalism on Perspectives New • Carsten Humlebæk Jacob and Antonia María Jiménez Ruiz New Perspectives on Nationalism in Spain Edited by Carsten Jacob Humlebæk and Antonia María Ruiz Jiménez Printed Edition of the Special Issue Published in Genealogy www.mdpi.com/journal/genealogy New Perspectives on Nationalism in Spain New Perspectives on Nationalism in Spain Editors Carsten Humlebæk Antonia Mar´ıaRuiz Jim´enez MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade • Manchester • Tokyo • Cluj • Tianjin Editors Carsten Humlebæk Antonia Mar´ıa Ruiz Jimenez´ Copenhagen Business School Universidad Pablo de Olavide Denmark Spain Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Genealogy (ISSN 2313-5778) (available at: https://www.mdpi.com/journal/genealogy/special issues/perspective). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03943-082-6 (Hbk) ISBN 978-3-03943-083-3 (PDF) c 2020 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. -
The Existential Landscape. on the Geographical Value of the Work of Joan Maragall
Boletín de la A.G.E. N.º 51 - 2009, págs. 401-404 THE EXISTENTIAL LANDSCAPE. ON THE GEOGRAPHICAL VALUE OF THE WORK OF JOAN MARAGALL Joan Tort i Donada Universitat de Barcelona ON THE IDEAS AND THE THOUGHT OF JOAN MARAGALL A key figure in the Catalan arts, Joan Maragall i Gorina, worked in many registers as poet, journalist, essayist and translator and displayed a prodigious intellect that incorporated successfully, and within the context of his age, the widely differing and complex geographical scales of Europe, Spain and Catalonia. Maragall, a member of the generation of Modernisme (albeit that his inclusion within the Catalan artistic movement has been qualified in a number of senses, see Terry, 2000; Marfany, 1976), worked predominantly in the creative production of poetry. A body of work in which the critics (Fuster, 1976) find significant reflections of Goethe, of Novalis and of Nietzsche –authors whom he translated, as he also translated Homer. Any present-day interpretation and appraisal of the hugely significant, complex intellectual figure of Joan Maragall necessarily requires a consideration of the context of the age in which he lived and worked (that is, the last four decades of the nineteenth century and the first of the twentieth). Maragall was, moreover, a multifaceted author of an immense curiosity and a very broad range of interests, which means that if we examine him solely in terms of the facet of his literary (and, specifically his poetic) output, we run the risk of oversimplifying our subject. Furthermore, his position as a Catalan intellectual who tackled, both directly and openly and in a manner that was firmly founded on dialogue, the age-old problem of the relationship of Catalonia with Spain makes him an author of great importance when dealing with this question –and not only, I believe, from a historical perspective. -
Social Structure of Catalonia
THE SOCIAL STRUCTURE OF CATALONIA By SALVADOR GINER 1984 THE ANGLO-CATALAN SOCIETY THE ANGLO-CATALAN SOCIETY OCCASIONAL PUBLICATIONS No 1. Salvador Giner. The Social Structure of Catalonia. No 2. J Salvat-Papasseit. Selected Poems. Translated with an Introduction by D. Keown and T. Owen. © Salvador Giner, 1980. Printed by The University of Sheffield Printing Unit. Cover design by Joan Gili. ISSN No. 0144-5863 ISBN No. 09507137 08 IN MEMORIAM JOSEP MARIA BATISTA I ROCA (1895-1978) Dr. J. M. Batista i Roca, founder member of the Anglo-Catalan Society and its first Honorary Life President, always hoped that the Society would at some stage be able to publish some of the work of its members and guest speakers. Unfortunately this was never possible during his lifetime, but now that the Society, with the help of a grant from Omnium Cultural, is undertaking the publication of Occasional Papers it seems appropriate that this Series as a whole should be dedicated to the fond memory which the Society holds of him. CONTENTS Foreword 1 I. The historical roots of an open society. 4 II. Social classes and the rise of Catalan industrial capitalism. 15 III. A broken progress. 28 IV. The structure and change of Catalan society, 1939-1980. 38 V. The reconquest of democracy. 54 VI. The future of the Catalans. 65 Appendices. Maps. 75 A Select Bibliography. 77 FOREWORD A la memòria de Josep Maria Sariola i Bosch, català com cal The following essay is based on a lecture given at a meeting of the Anglo- Catalan Society in November 1979* Members of the Society's Committee kindly suggested that I write up the ideas presented at that meeting so that they could be published under its auspices in a series of Occasional Papers then being planned. -
RUSIÑOL (Barcelona 1861 - Aranjuez 1931)
- RUSINOL English Cover - Stately Garden. Raixa II (Majorca, 1902, private collection) SANTIAGO RUSIÑOL (Barcelona 1861 - Aranjuez 1931) The leader of the Modernist movement Santiago Rusiñol was the eldest son of a family of textile manufacturers with a factory in Manlleu and an office on Carrer de la Princesa in Barcelona. At the age of twenty- eight, when he was married with one daughter, he decided to turn his back on middle class life and become a professional painter. The atmosphere created by the Barcelona Universal Exposition of 1888 prompted him, the following year, to set off for Paris. There he took up a Bohemian lifestyle, first in Montmartre and then on the Île Saint-Louis, where he moved in 1895. Rusiñol immersed himself in the intellectual and artistic circles of the city that was then the epitome of modernity and played a key role in importing the new trends into Catalonia and Spain. Towards the close of the century, he frequented the Académie de la Palette, where Pierre Puvis de Chavannes worked, met the musician Erik Satie, became an habitué of Le Chat Noir and Le Mirliton alongside Toulouse- Lautrec, saw Maeterlinck's plays, attended performances at the Théâtre de l'Œuvre and Antoine's Théâtre-Libre, and Reciprocal Portraits (Santiago Rusiñol and Ramon Casas) (c. 1890, Cau Ferrat) observed the new advertising techniques – posters, cafés and newspapers. Rusiñol assimilated all the new aesthetic trends that were emerging in Europe in the wake of the crisis of Positivism and Realism – notably the Decadent facet of Symbolism – and made his own personal interpretation of Zola's Naturalism.