DOCSLIB.ORG

The Hope of Spring Concert Program

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

The Hope of Spring Haddonfieldumc.org Sunday May 2nd 7pm HUMC Ensembles Directed By Harriet & Wayne Richmond and Matt Smith SOLI DEO GLORIA The Hope of Spring A Virtual Concert Produced by the Music Ministry of Haddonfield United Methodist Church, Haddonfield, New Jersey Sunday, May 2, 2021 at 7:00 p.m. Watch online: haddonfieldumc.org Dedicated to the memory of Sean Clancy Ancient Airs and Dances No. 1, first movement ........................................................... Ottorino Respighi Matt Smith, HUMC Organist Welcome ................................................................................................ Rev. Chris Heckert, Senior Pastor The Heavens Are Telling (Creation)..........................................................................Franz Joseph Haydn Soloists: Alisyn Stoffel, Tom Knight, Fred Robinson HUMC Combined Adult Choirs NJ MasterChorale President’s Message ............................................................................ Jackie Williams Younger Than Springtime (South Pacific) ......................................................... Rodgers & Hammerstein Cody Austin, tenor; Michael Fennelly, piano All Things Bright and Beautiful .............................................................................................. John Rutter HUMC Combined Adult Choirs Morning Has Broken ....................................................................................................... trad. Gaelic tune arr. Cathy Moklebust Jan Schopfer, handbells; Jackie Williams, piano Thanks Be to God (Elijah) ............................................................................................ Felix Mendelssohn HUMC Combined Adult Choirs NJMC Business Manager’s Message ................................................................................... Robert Shaffer Histoire du Tango, part one ............................................................................................... Astor Piazzolla Christine Wu, violin; Sae Hashimoto, vibraphone Ride On, King Jesus .............................................................................................................. Hall Johnson Chrystal E. Williams, mezzo-soprano; Felipe Hostins, accordion Movement III (Chichester Psalms-translation below) ................................................. Leonard Bernstein Soloists: Carol Richmond, Carol Walton, Stephen Dagrosa HUMC Combined Adult Choirs Sanctus (Requiem) ............................................................................................................. Guiseppe Verdi NJ MasterChorale (archive 2009) Chichester Psalms – III – translation from Hebrew Psalm 131:1-3 Adonai, Adonai Lord, Lord Lo gavah libi, My heart is not haughty, V’lo ramu einai Nor mine eyes lofty, V’lo hilachti Neither do I exercise myself Big’dolot uv’niflaot In great matters or in things Mimeni. Too wonderful for me. Im lo shiviti Surely I have calmed V’domam’ti, And quieted myself, Naf’shi k’gamul alei imo, As a child that is weaned of his mother, Kagamul alai naf’shi. My soul is even as a weaned child. Yaḥel Yis’rael el Adonai Let Israel hope in the Lord Me'atah v’ad olam. From henceforth and forever. Psalm 133:1 Hineh mah tov, Behold how good, Umah nayim, And how pleasant it is, Shevet aḥim For brethren to dwell Gam yaḥad. Together in unity. We wish to thank the Symphony in C Orchestra for providing the Histoire du Tango duet performed by Chistine Wu, a member of their Violin Section, and Sae Hashimoto, their Principal Percussionist. ~ SPECIAL THANKS ~ Senior Pastor & Producer .......................................................................................................... Chris Heckert Directors ........................................................................................ Wayne & Harriet Richmond, Matt Smith Program ................................................................................................... Jaimé Charlton, Erica Rose Smith, Robert Shaffer, Harriet Richmond, Jackie Williams Publicity/Social Media .......................................................................... Erica Rose Smith, Kate MacLennan, Megan Martin, Kathleen Bandaruk, Carol Richmond Video/Audio Production ................................................................. Chris Heckert, JiSun Yang, Matt Smith, Megan Martin, Erica Rose Smith, Akin Salawu, Kate MacLennan, Katie Robertson, Josh Robertson Symphony in C Liaison .................................................................................. Denise Stuart and Joseph Hart Archive Video ......................................................................................................................... Brent Donaway Archive Recording ............................................................................................... Charles & Joanne Edwards Financial Accounting ......................................................................... Robert & Joan Shaffer, Karen Bertoldi HUMC Combined Adult Choirs (NJ MasterChorale, HUMC Chancel Choir, and friends) Kathleen Bandaruk John Gamble Fred Robinson Larry Berger Robert Hoskins* Jim Robinson Amy Boyd Thomas Knight Carol Scarborough Rev. Ed Carll* Kate MacLennan Jan Schopfer Stephen Dagrosa Ginny Marcin Joan Shaffer Pat Del Camp Jay Margolis* Jennifer Sleppy Robert Dilks Nancy Masarek Erica Rose Smith Barbara Doose Bruce Melson* Alisyn Stoffel Rebecca Field Patricia Nyce* Peggy Van Name Patricia Fisher Daniel Penrith Carol Walton Bonnie Ford Lynda Plank Kym Weiler Marilyn Frynkewicz Carol Richmond Jackie Williams Laura Gaffney Harriet Richmond Constance Windus *denotes audio only About the Artists Cody Austin Cody's Haddonfield appearances began when he was attending Philadelphia's prestigious Academy of Vocal Arts. As a member of the HUMC Chancel Choir and a frequent soloist with the NJ MasterChorale during his student days, he is well-known to many in the church's congregation as well as this program's audience. His ensuing operatic career has included performances with opera companies in Philadelphia, Pittsburgh, Sarasota, Knoxville, Tampa and also in Sweden. Recently, Cody became a founding member of Bad Boys of Opera, a new touring concert production featuring three highly-acclaimed male opera stars. In addition, other concert work has taken him from Beijing to Dubai as well as several cities across the USA. Welcome back, Cody! Sae Hashimoto Hailing from Osaka, Japan, Sae Hashimoto is an exhilarating percussionist in New York City. Her unique performance has been described as "seductive yet sharp" by the New York Times, and "remarkably dynamic" in the New York Classical Review. She has served as guest timpanist with the New York Philharmonic and the New York City Ballet Orchestras. Since September 2018 she has been a member of Ensemble Connect, a program based at Carnegie Hall that combines musical excellence with education, advocacy, and entrepreneurship. Sae was a recipient of the Kovner Fellowship at the Juilliard School where she received her Bachelor's and Master's degrees. Jan Schopfer Jan, of Manlius, NY, has been honored to share the joy of music her entire life. First learning the recorder at age 5 and being a self-taught pianist by age 8, she began solo bell ringing in the ‘70s. She is a member of the Philadelphia Handbell Ensemble and HUMC’s Holtz Handbell Choir. Besides bells, recorders, voice and piano, she also plays the melodica, penny whistle, krummhorn, baritone, autoharp, and xylophone. Memorable musical moments overall include singing at Carnegie Hall, playing 6-hands piano in concert, and being the featured recorder soloist for NJ MasterChorale with members of the Philadelphia Orchestra. Matthew Smith Matt has served as the Organist at Haddonfield UMC since January 2017, and was recently appointed Organist/Choirmaster at HUMC. He obtained his Master of Music degree from Princeton, New Jersey’s Westminster Choir College in May 2017. He was awarded First Place at the 2017 Joan Lippincott Competition for Excellence in Organ Performance and continues to perform recitals on organ at various venues. Matt’s most recent recital as featured organist at the 2020 Mi Wha Lee Memorial Recital can be enjoyed by visiting HUMC’s website (haddonfieldumc.org) or our YouTube channel. Chrystal E. Williams Chrystal’s recent past seasons’ engagements have included her 2019 debut at the Metropolitan Opera and appearances at other major venues in the United States and abroad, including performances under the batons of Sir Simon Rattle and Yannick Nezet-Seguin. The upcoming season sees the launch of “Forropera”, which she co- created with duo partner, Brazilian accordionist Felipe Hostins, who appears with her in this performance. An alumna of Philadelphia’s world-renowned Academy of Vocal Arts, Chrystal also holds a Master of Music degree in Opera Performance from the Yale School of Music and a Bachelor of Fine Arts degree in Voice Performance from Carnegie Mellon University. Jackie Williams Jackie studied piano with Eleanor Sokoloff and Susan Starr after moving with her family, from Ann Arbor to Haddonfield, at age 10. She received a B.A. in music from Barnard College, moved back to NJ, and taught piano for many years. Jackie has accompanied the NJ MasterChorale in An Evening with Rossini, served as interim rehearsal accompanist prior to the hire of Matthew Smith, and appreciates opportunities to play and accompany in worship. Jackie currently serves as President of NJ MasterChorale, having been a singer in NJMC, as well as in the HUMC Chancel Choir, for 13
Recommended publications
  • 2019 Round Top Music Festival

    2019 Round Top Music Festival

    James Dick, Founder & Artistic Director 2019 Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE Bravo! We salute those who have provided generous gifts of $10,000 or more during the past year. These gifts reflect donations received as of May 19, 2019. ROUND TOP FESTIVAL INSTITUTE 49th SEASON PArtNER THE BURDINE JOHNSON FOUNDATION HERITAGE CIrcLE H-E-B, L .P. FOUNDERS The Brown Foundation Inc. The Clayton Fund The Estate of Norma Mary Webb BENEFACTORS The Mr. and Mrs. Joe W. Bratcher, Jr. Foundation James C. Dick Mark and Lee Ann Elvig Robert J. Kleberg, Jr. and Helen C. Kleberg Foundation Richard R. Royall V Rose P. VanArsdel SUSTAINERS Blue Bell Creameries, L.P. William, Helen and Georgina Hudspeth Nancy Dewell Braus Luther King Capital Management The Faith P. and Charles L. Bybee Foundation Paula and Kenneth Moerbe Malinda Croan Anna and Gene Oeding Mandy Dealey and Michael Kentor The Gilbert and Thyra Plass Arts Foundation Dickson-Allen Foundation Myra Stafford Pryor Charitable Trust June R. Dossat Dr. and Mrs. Rolland C. Reynolds and Yvonne Reynolds Dede Duson Jim Roy and Rex Watson Marilyn T. Gaddis Ph.D. and George C. Carruthers Tod and Paul Schenck Ann and Gordon Getty Foundation Texas Commission on the Arts Alice Taylor Gray Foundation Larry A. Uhlig George F. Henry Betty and Lloyd Van Horn Felicia and Craig Hester Lola Wright Foundation Joan and David Hilgers Industry State Bank • Fayetteville Bank • First National Bank of Bellville • Bank of Brenham • First National Bank of Shiner ® Bravo! Welcome to the 49th Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE The sole endeavor of The James Dick Foundation for the Performing Arts To everything There is a season And a time to every purpose, under heaven A time to be born, a time to die A time to plant, a time to reap A time to laugh, a time to weep This season at Festival Hill has been an especially sad one with the loss of three of our beloved friends and family.
  • 2016 Program Booklet

    2016 Program Booklet

    Rebecca Penneys Piano Festival Fourth Year July 12 – 30, 2016 University of South Florida, School of Music 4202 East Fowler Avenue, Tampa, FL The family of Steinway pianos at USF was made possible by the kind assistance of the Music Gallery in Clearwater, Florida Rebecca Penneys Ray Gottlieb, O.D., Ph.D President & Artistic Director Vice President Rebecca Penneys Friends of Piano wishes to give special thanks to: The University of South Florida for such warm hospitality, USF administration and staff for wonderful support and assistance, Glenn Suyker, Notable Works Inc., for piano tuning and maintenance, Christy Sallee and Emily Macias, for photos and video of each special moment, and All the devoted piano lovers, volunteers, and donors who make RPPF possible. The Rebecca Penneys Piano Festival is tuition-free for all students. It is supported entirely by charitable tax-deductible gifts made to Rebecca Penneys Friends of Piano Incorporated, a non-profit 501(c)(3). Your gifts build our future. Donate on-line: http://rebeccapenneyspianofestival.org/ Mail a check: Rebecca Penneys Friends of Piano P.O. Box 66054 St Pete Beach, Florida 33736 Become an RPPF volunteer, partner, or sponsor Email: [email protected] 2 FACULTY PHOTOS Seán Duggan Tannis Gibson Christopher Eunmi Ko Harding Yong Hi Moon Roberta Rust Thomas Omri Shimron Schumacher D mitri Shteinberg Richard Shuster Mayron Tsong Blanca Uribe Benjamin Warsaw Tabitha Columbare Yueun Kim Kevin Wu Head Coordinator Assistant Assistant 3 STUDENT PHOTOS (CONTINUED ON P. 51) Rolando Mijung Hannah Matthew Alejandro An Bossner Calderon Haewon David Natalie David Cho Cordóba-Hernández Doughty Furney David Oksana Noah Hsiu-Jung Gatchel Germain Hardaway Hou Jingning Minhee Jinsung Jason Renny Huang Kang Kim Kim Ko 4 CALENDAR OF EVENTS University of South Florida – School of Music Concerts and Masterclasses are FREE and open to the public Donations accepted at the door Festival Soirée Concerts – Barness Recital Hall, see p.
  • Recital Programs 1954-55; 1955-56; 1956-57

    Recital Programs 1954-55; 1955-56; 1956-57

    THE CURTIS INSTITUTE OF MUSIC CURTIS HALL, THIRTY-FIRST SEASON — 1954.55 GRADUATION RECITAL BY MICHAEL TREE, Violinist Student of Mr. Zimbalist Vladimir Sokoloff at the Piano TUESDAY AFTERNOON, NOVEMBER 16, 1954 AT 5:15 O'CLOCK PROGRAM I Ciaccona Tommaso Antonio Vitali II Sonata in B flat major (K.378) Wolfgang Amadeus Mozart Allegro moderate Andantino eostenuto e cantabile Rondo : Allegro III Concerto Aram Khachaturian Allegro con fermeEza Andante eoetenuto Allegro vivace IV Fantasia appassionata Henri Vieuxtemps V Sarasateana Efrem Zimbalist Tango Playera Habanera Polo Malagnefia Zapateado steinway piano THE CURTIS INSTITUTE OF MUSIC CUETIS HAXL, THIETY -FIRST SEASON - 195^-55 RECITAL OF MUSIC FOR THE HARP By Students of Mr Salzedo Monday Afternoon, November 22, 195^ at 5^15 o'clock PROGRAM I Sonata in C minor GIOVAMI-BATTISTA PESCETTI 1704-1766 Allegro vigoroso Andantino espressivo Presto " Prelude in C (1913 ) • • -SERGE PROKOFIEV 1891-1953 NADIA BERKEY^^ II Five Poetical Studies (1918) CARLOS SALZEDO Flight Mirage Idyllic Poem Inquietude Communion PHYLLIS ENSHER III . The Harmonious Blacksmith GEORG FRIEDRICH HAHIEL 1685-1759 Scintillation (1936) CARLOS SALZEDO PEGGY SCEUMACKER Lyon & Healy Harps **Did not play because of sore finger THE CURTIS INSTITUTE OF MUSIC CURTIS HALL. THIRTY-FIRST SEASON — 1954-55 FACULTY RECITAL BY MR MIECZYSLAW HORSZO^TSKI TVE5DAY AFTERNOON. NOVEMBER 30. 19S4 AT 5:15 OCLOCK BEETHOVEN PROGRAM Sonata in D major. Opus 28 Allegro Andante Scherzo : Alleero viTace Rondo : Allegro ma non troppo n Sis \ ariations on the duet AeZ cor piii non mi sento (Tvom Paiiiello's opera La .Vo'.inarci) HI Rondo a capriccio in G major.
  • Program Notes | Berstein's Age of Anxiety

    Program Notes | Berstein's Age of Anxiety

    27 Season 2017-2018 Friday, March 16, at 8:00 Saturday, March 17, at 8:00 The Philadelphia Orchestra Sunday, March 18, at 2:00 Yannick Nézet-Séguin Conductor Jean-Yves Thibaudet Piano Bernstein Symphony No. 2 for Piano and Orchestra (“The Age of Anxiety”) (after W.H. Auden) Part I: a. The Prologue— b. The Seven Ages (Variations 1-7)— c. The Seven Stages (Variations 8-14) Part II: a. The Dirge— b. The Masque— c. The Epilogue Intermission Schumann Symphony No. 4 in D minor, Op. 120 I. Ziemlich langsam—Lebhaft— II. Romanze: Ziemlich langsam— III. Scherzo: Lebhaft— IV. Langsam—Lebhaft—Schneller—Presto Strauss Don Juan, Op. 20 This program runs approximately 1 hour, 55 minutes. The Bernstein Centennial Celebration in its entirety is made possible in part by the generous support of the Presser Foundation. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 28 Please join us following the March 16 and 17 concerts for a free Organ Postlude with Peter Richard Conte. Schumann from Six Studies in Canonic Form, Op. 56: No. 4 in D-flat major No. 3 in F minor R. Strauss/transcr. Conte “Moonlight Music,” from Capriccio, Op. 85 Sullivan/transcr. Conte Overture to The Yeoman of the Guard Lemare Andantino No. 2 in D-flat major Please join us following the March 18 concert for a free Chamber Postlude featuring members of The Philadelphia Orchestra and special guest Pierre Tourville.
  • School Catalog, the Academy, 1974

    School Catalog, the Academy, 1974

    Published by Philadelphia Musical Academy, 1974 313 South Broad Street Philadelphia, Pennsylvania 19107 Preface The Philadelphia Musical Academy Catalogue is in four sections —each of which is used also separately as a brochure for its respective area. In the front of each section there is an alphabetical Table of Contents for that section. For each section, an identifying symbol is used. The symbol for this section ^J is aPorrectus; a neume from Gregorian Chant notation. Table of Contents Academy Facilities 4 Administration and Staff — listed it Biographical Notes — Faculty and Administration 13 Biographical Notes — Board of Directors 23 Board of Directors — listed 12 Electronic Music Center 5 Faculty — listed by area of specialty 8 History of the Academy 3 Map of Center City Cultural Institutions 26 Objectives of the Academy 2 Preparatory and Extension Division 5 Preparatory and Extension Division Faculty 10 Student Life in Philadelphia 25 Student Services — Placement Office, Concerts & Lectures, Counseling Services 30 N 2 aS^ Objectives of the A properly focused study of music reveals the subject both as a profession Academy andadiscipline. It develops skill, while fostering understanding; it provides information and preserves meaning; it supplies facts and seeks knowledge. Such a study insures respectforthe legacy of tradition and yet fosters the desire for the adventure of discovery. Two ingredients are essential to an institution dedicated to these aims: A professionally active faculty capable of serving as mentor and exemplar and a program of study to which the faculty is totally committed. These are abundantly represented at the Philadelphia Musical Academy. This is not to say that professional development is the only goal of the Academy.
  • Tetfiatipnal" L

    Tetfiatipnal" L

    tetfiatipnal" L -- THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN THE PHILADELPHIA ORCHESTRA RICCARDO MUTI, Music Director EUGENE ORMANDY, Conductor Laureate WILLIAM SMITH, Associate Conductor ALDO CECCATO, Conducting SUSAN STARR, Pianist THURSDAY EVENING, APRIL 29, 1982, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Symphony No. 2 for Piano and Orchestra, "The Age of Anxiety" BERNSTEIN Part One Part Two The Prologue The Dirge The Seven Ages The Masque The Seven Stages The Epilogue SUSAN STARR INTERMISSION *Symphony No. 4 in F minor, Op. 36 TCHAIKOVSKY Andante spstenuto, moderate con anima Andantino in modo di canzona Scherzo: pizzicato ostinato Finale: allegro con fuoco Angel, *RCA Red Seal, Delos, Telarc, and *CBS Master-works Records. The Philadelphia Orchestra performs in Ann Arbor this week as part of the "American Orchestras on Tour" Program of the Bell System, partially funded by the Bell System in association with the Bell Telephone Company of Michigan. Sixty-fifth Concert of the 103rd Season Eighty-ninth Annual May Festival PROGRAM NOTES by RICHARD FREED Symphony No. 2, "The Age of Anxiety" .... LEONARD BERNSTEIN (1918- ) As a composer, Leonard Bernstein's surest instincts have been of and for the theatre, as evidenced early on by the ballet Fancy Free and the brilliant musical comedy On the Town (which might be called an expansion of the ballet's scenario, but with new music), both produced in 1944 and followed over the years by such works as Trouble in Tahiti, Facsimile, Wonderful Town, Candide, West Side Story, Mass and Dybbuk. His three symphonies, too, reflect these instincts, in increasing measure, in fact, as the cycle has progressed from the Jeremiah of 1943 to the Kaddish produced twenty years later.
  • Admissions Bulletin, 1982-1983

    Admissions Bulletin, 1982-1983

    mmLmwmmMs COLLEGE OF THE PE^FOF(MI^G PlBJS Digitized by the Internet Archive in 2010 with funding from LYRASIS members and Sloan Foundation http://www.archive.org/details/admissionsbullet8283phil 1 E :- w! U\ m~ rip < « 1 ?»4; ~jc 1 COLLEGE OF THE TABLE OF CONTENTS The College 1 Graduate Studies 28 The Campus 4 Graduate Program in Music 29 Graduate Program in Opera 30 Board of Directors 5 Application Procedure 31 Administration and Staff 6 Concerts and Events 33 Faculty 7 General Information 34 School of Music 10 Student Life 35 Curriculum 12 Student Housing 35 Degree Programs 12 Summer Session 35 Music Education 12 ACT 101 35 Jazz Emphasis 13 Pre-College Training 35 Opera Emphasis 14 Early Admissions Program 36 Part-Time Students 36 Admissions 15 Transfer Students 36 Application Procedure 15 Foreign Students 36 Auditions 16 Audition Dates 16 Financial Aid 37 Audition Repertoire 17 PCPA Summer Institute 38 School of Dance 20 Tuition and Fees Curriculum 21 39 Degree Programs 22 Faculty Biographies 41 Dance Education 22 PCPA Student Body 53 Admissions 23 Calendar 54 Application Procedure 23 Auditions 23 Map 55 Audition Dates 25 Application for Admission 56 Facilities 27 H X m n o P Oin rn > D g or O z C03 m The Philadelphia College of the Performing The College plans to introduce a School of Arts is dedicated to excellence in the training of Theatre and a School of Creative Studies in the professional musicians, dancers, music educators, mid-1980's, offering degrees in such areas as acting, and dance educators.
  • The Competitors of the Seventh Van Cliburn Lntem.Ational Piano Competition

    The Competitors of the Seventh Van Cliburn Lntem.Ational Piano Competition

    The Competitors of the Seventh Van Cliburn lntem.ational Piano Competition Name Country Age Dickran Atamian United States 29 Dan Atanasiu Rumania 29 Cristian Beldi Ru mania 27 Philippe Bianconi France 25 William Bloomquist United States 28 Kathryn Brown United States 23 David Buechner United States 25 Hung-Kuan Chen United States 27 Chia Chou Canada 25 Marie-Noelle Damien Belgium 23 Sergio de los Cobos Spain 28 Rian de Waal Netherlands 27 Lora Dimitrova Bulgaria 22 Barry Douglas United Kingdom 25 Thomas Duis West Germany 26 Jose J=eghali Brazil 24 Eduardus Halim Indonesia 23 Diane Hidy United States 26 Ingrid Jacoby United States 26 Youngho Kim Korea 28 Norman Krieger United States 28 Paul Maillet United States 27 Joel Martin United States 19 Yuki Matsuzawa Japan 26 Karoly Mocsari Hungary 22 Thomas Otten United States 24 Ilan Rechtman Israel 22 Susan Savage United States 29 Kathryn Selby Australia 22 Eun Soo Son Korea 21. Emma Takhmizian Bulgaria 27 Sharon Joy Vogan New Zealand 25 David Allen Wehr United States 27 Andrew Wilde United Kingdom 20 Hans-Christian Wille West Germany 27 Patti Wolf United States 19 William Wolfram United States 29 - 59 1 • l l • Dickran Atamian I • United States, age 29 ' I : • Preliminaries Phase 1 • Bach English Suite no. 2 in A minor BWV 807 , in 13 I Beethoven Sonata C minor op. "Pathetique" ' Chopin Ballade no. 3 in A flat op. 4 7 i Chopin Etude in B minor op. 2 5 no. 10 •• 6 Llszt Grande etude de Paganini no. in A minor . • Preliminaries Phase 2 Mozart Sonata in A minor K.
  • Faculty Guide Digitized by the Internet Archive

    Faculty Guide Digitized by the Internet Archive

    Philadelphia Colleges of the Arts College of Performing Arts Faculty Guide Digitized by the Internet Archive in 2010 with funding from Lyrasis Members and Sloan Foundation http://www.archive.org/details/facultyguideOOphil Faculty College of Performing Arts It is our conviction that it takes professionals to educate and train future professional performing!; artists. That is what the College of Performing Arts is all about. It takes a verv special environment to nurture the growth of aspiring professional musicians, dancers, actors, and music and dance educators. And it is the faculty that is at the center of the very intensive yet personal and caring professional environment that has been developed at PCA. I take great pleasure and pride in introducing our ex- ceptional faculty to you. It is composed of practicing, performing professionals who know the career fields and how best to develop the aspiring artists of the twenty-first century. Stephen Jay Dean. College of Performing Arts ^TO School of Music Dr. Donald Chittum, Acting Director Keyboard Guitar Brass Opera Richard Alexander Robert DiNardo *Tyrone Breuninger ka\ \\ alkei Organ Id Flanagan Trombone Coordinator James V. Amadie John Leonard Joseph DeAngelis Marciem M. Bazell Piano Patrick Mercuri French Horn Makeup Jeanne Behrend Peter Segal Richard Genovese Sherry Bazell Piano Trombone Costumes Andrea Clearfield Harp James W. Hala Lelia Calder College Accompanist *Margarita Csonka Montanaro Trumpet Vocal Pedagogy Frances Fanelli Karin Fuller *Frank J. Kaderabek Leilani Dalpe Piano Trumpet Opera Assistant Woodwinds Yoheved Kaplinsky Jay Paul Krush Allison Green-Kelley Piano Adelchi Louis Angelucci Tuba Acting Bassoon Michael Stairs *Paul Krzywicki Dr.
  • Rudolf Serkin Papers Ms

    Rudolf Serkin Papers Ms

    Rudolf Serkin papers Ms. Coll. 813 Finding aid prepared by Ben Rosen and Juliette Appold. Last updated on April 03, 2017. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2015 June 26 Rudolf Serkin papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 6 Administrative Information........................................................................................................................... 6 Related Materials........................................................................................................................................... 7 Controlled Access Headings..........................................................................................................................7 Collection Inventory...................................................................................................................................... 9 I. Correspondence.................................................................................................................................... 9 II. Performances...................................................................................................................................274
  • Ulrich Boeckheler Susan Starr

    Ulrich Boeckheler Susan Starr

    s E R I E INTERNACIONAL C I C L o OBRAS MAESTRAS PARA EL VIOLONCHELO ULRICH BOECKHELER SUSAN STARR BANCO DE LA REPUBLICA BIBLIOTECA LUIS-ANGEL ARANGO s DE I R Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. ULRICH BOECKHELER SUSAN STARR Violonchelista - Alemania Pianista - Estados Unidos ULRICH BOECKHELER - Violonchelista - Alemania Raramente se presentan chelistas de este calibre. Con su tono lúdico, resuelto y varonil, y su brillante virtuosismo, templado con interpretaciones de impecable estilo, ha conquistado a los públicos europeos y norteamericanos. Antes de llegar a Norteamérica para trabajar con Leonard Rose en la Juilhard School of Music, Ulrich Boeckheler se presentó como solista en el Maggio Musicale en Florencia (ltalia).Realizó giras con el director Helmuth Rilling y el Bach Collegium de Stuttgart. y fue chelista principal de la Royal Philarmonic Orchestra de Flandes. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. Obtuvo numerosos premios, entre ellos los otorgados por el Concurso Internacio­ nal Tchaikovsky en Moscú y el Concurso Gaspar Cassadó de Florencia. F e alumno del reconocido maestro francés André Navarra. En los Estados Unidos se ha presentado en el Festival Musical Marlboro por invitación especial de Rudolf Serkin, y en el Festival Musical Grand Tetan. Actualmente es miembro distinguido del Concerto Soloists de Philadelphia. Este artista extraordinario se presenta como solista de orquesta, ofrece recitales, y dicta clases magistrales en diferentes universidades. Así mismo, realiza giras artísticas con la aclamada pianista Susan Starr. Este notable dúo interpreta, entre otras obras, el ciclo completo para piano y chelo de Beethoven.
  • ULRICH BOECHELER Cellista - Alemania

    ULRICH BOECHELER Cellista - Alemania

    Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. ULRICH BOECHELER Cellista - Alemania Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. ULRICH OECHELER Cellista ... Alemania Raramente se presentan cellistas de tinguido miembro del "Concerto este calibre. Con su lúcido tono, Soloists de Philadelphia". resuelto y varonil y su brillante vir­ Este artista extraordinario está reali­ tuosismo, templado con interpreta­ zando actualmente presentaciones ciones de impecable estilo, se ha como solista con orquesta, recita­ ganado los públicos europeos. Ahora les, y está en disponibilidad de reali­ está cosechando la admiración de zar clases magistrales y residencias los Estados Unidos. universitarias. Está igualmente dis­ Antes de llegar a Norteamérica para puesto para un número limitado de trabajar con Leonard Rose en la Jui­ recitales conjuntos con la pianista Iliard School of Music, Ulrich Boe­ Susan Starr, Internacionalmente acla­ cheler se presentó como solista en el mada. Este notable dúo interpreta, Maggio Musicale en Florencia (Ita­ entre otras obras, el ciclo completo lia). Realizó giras con el director para piano y cello de Beethoven. Helmuth Rilling y el Bach Collegium "Talento extraordinario... gran de Stuttgart y fue cellista principal temperamento musical". (Stuttgarter de la Royal Philarmonic Orchestra Nachrichten-Stuttgart News) . de Flanders. "Su intensidad y gran estilo están Ulrich Boecheler obtuvo numerosos siempre al servicio de una profunda premios, incluyendo aquellos otor­ maestría musical" (La Libre Belgi­ gados por el Concurso Internacio­ que - Bruselas, Bélgica). nal Tchaikovsky en Moscú y el Con­ curso Gaspar Cassadó de Florencia. "Encantador y bellamente coloreado Fue alumno del reconocido maestro sonido del cello" (Süddeutsche Zei­ francés, André Navarra.