Blackeagles Sports & C
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Table of Contents
TABLE OF CONTENTS System Requirements . 3 Installation . 3. Introduction . 5 Signing In . 6 HOYLE® PLAYER SERVICES Making a Face . 8 Starting a Game . 11 Placing a Bet . .11 Bankrolls, Credit Cards, Loans . 12 HOYLE® ROYAL SUITE . 13. HOYLE® PLAYER REWARDS . 14. Trophy Case . 15 Customizing HOYLE® CASINO GAMES Environment . 15. Themes . 16. Playing Cards . 17. Playing Games in Full Screen . 17 Setting Game Rules and Options . 17 Changing Player Setting . 18 Talking Face Creator . 19 HOYLE® Computer Players . 19. Tournament Play . 22. Short cut Keys . 23 Viewing Bet Results and Statistics . 23 Game Help . 24 Quitting the Games . 25 Blackjack . 25. Blackjack Variations . 36. Video Blackjack . 42 1 HOYLE® Card Games 2009 Bridge . 44. SYSTEM REQUIREMENTS Canasta . 50. Windows® XP (Home & Pro) SP3/Vista SP1¹, Catch The Ten . 57 Pentium® IV 2 .4 GHz processor or faster, Crazy Eights . 58. 512 MB (1 GB RAM for Vista), Cribbage . 60. 1024x768 16 bit color display, Euchre . 63 64MB VRAM (Intel GMA chipsets supported), 3 GB Hard Disk Space, Gin Rummy . 66. DVD-ROM drive, Hearts . 69. 33 .6 Kbps modem or faster and internet service provider Knockout Whist . 70 account required for internet access . Broadband internet service Memory Match . 71. recommended .² Minnesota Whist . 73. Macintosh® Old Maid . 74. OS X 10 .4 .10-10 .5 .4 Pinochle . 75. Intel Core Solo processor or better, Pitch . 81 1 .5 GHz or higher processor, Poker . 84. 512 MB RAM, 64MB VRAM (Intel GMA chipsets supported), Video Poker . 86 3 GB hard drive space, President . 96 DVD-ROM drive, Rummy 500 . 97. 33 .6 Kbps modem or faster and internet service provider Skat . -
The Penguin Book of Card Games
PENGUIN BOOKS The Penguin Book of Card Games A former language-teacher and technical journalist, David Parlett began freelancing in 1975 as a games inventor and author of books on games, a field in which he has built up an impressive international reputation. He is an accredited consultant on gaming terminology to the Oxford English Dictionary and regularly advises on the staging of card games in films and television productions. His many books include The Oxford History of Board Games, The Oxford History of Card Games, The Penguin Book of Word Games, The Penguin Book of Card Games and the The Penguin Book of Patience. His board game Hare and Tortoise has been in print since 1974, was the first ever winner of the prestigious German Game of the Year Award in 1979, and has recently appeared in a new edition. His website at http://www.davpar.com is a rich source of information about games and other interests. David Parlett is a native of south London, where he still resides with his wife Barbara. The Penguin Book of Card Games David Parlett PENGUIN BOOKS PENGUIN BOOKS Published by the Penguin Group Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.) Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd) Penguin Group (Australia) Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia -
HERODOTUS Volume XXVIII • Spring 2018
Stanford University Department of History Stanford University Department of History HERODOTUS Volume XXVIII • Spring 2018 Department of History Stanford University Stanford University Department of History HERODOTUS Herodotus is a student-run publication founded in 1990 by the Stanford University Department of History. It bears the name of Herodotus of Halicarnassus, the 5th century BCE historian of the Greco-Persian Wars. His Histories, which preserve the memory of the battles of Marathon and Thermopylae, were written so that “human achievements may not become forgotten in time, and great and marvelous deeds . may not be without their glory.” Likewise, this journal is dedicated to preserving and show- casing the best undergraduate work of Stanford University’s Department of History. Our published pieces are selected through a process of peer review. For additional information, please visit us online at herodotus. stanford.edu. EDITORIAL BOARD Editor-in-Chief Naomi Subotnick '18 Managing Editor Zachary Brown '18 Section Editors Gabriela Romero '19 InHae Yap '19 Editors Seth Chambers '19 Jason Seter '18 Benjamin Gardner-Gill '19 Emily Shah '19 Lucia Lopez-Rosas '18 Julian Watrous '19 Rosalind Lutsky '18 Victoria Yuan '20 Jennifer Peterson '18 Faculty Advisor Professor Thomas Mullaney Authors retain all rights to the work that appears in this journal. Cover Image: Stanford Historical Photograph Collection, Green Library West, 1919 Courtesy of Stanford University Libraries, Stanford, CA. Stanford University Department of History EDITOR’S NOTE According to Professor James T. Campbell, studying history is like traveling to a new place. One encounters people and ideas at once utterly foreign and strangely familiar. A journey enables us to see home with new perspective and depth. -
CASINO from NOWHERE, to VAGUELY EVERYWHERE Franco Pratesi - 09.10.1994
CASINO FROM NOWHERE, TO VAGUELY EVERYWHERE Franco Pratesi - 09.10.1994 “Fishing games form a rich hunting ground for researchers in quest of challenge”, David Parlett writes in one of his fine books. (1) I am not certain that I am a card researcher, and I doubt the rich hunting-ground too. It is several years since I began collecting information on these games, without noticeable improvements in my knowledge of their historical development. Therefore I would be glad if some IPCS member could provide specific information. Particularly useful would be descriptions of regional variants of fishing games which have − or have had − a traditional character. Within the general challenge mentioned, I have encountered an unexpected specific challenge: the origin of Casino, always said to be of Italian origin, whereas I have not yet been able to trace it here. So it appears to me, that until now, it is a game widespread from nowhere in Italy. THE NAME As we know, even the correct spelling of the name is in dispute. The reason for writing Cassino is said to be a printing mistake in one of the early descriptions. The most probable origin is from the same Italian word casino, which entered the English vocabulary to mean “a pleasure-house”, “a public room used for social meetings” and finally “a public gambling-house”. So the name of the game would better be written Casino, as it was spelled in the earliest English descriptions (and also in German) towards the end of the 18th century. If the origin has to be considered − and assuming that information about further uses of Italian Casino is not needed − it may be noted that Italian Cassino does exist too: it is a word seldom used and its main meaning of ‘box-cart’ hardly has any relevance to our topic. -
Games Played at the Rocky Mountain Rendezvous
”There goes hoss and beaver!” By Sebastian ”Char” Scheler “There goes hoss and beaver!” Games played at Rocky Mountain Rendezvous 1825-1840 By: Sebastian “Char” Scheler ”Shortly after, General Ashley and Mr. Sublet came in, accompanied with three hundred pack mules, well laden with goods and all things necessary for the mountaineers and the Indian trade. It may well be supposed that the arrival of such a vast amount of luxuries from the East did not pass off without a general celebration. Mirth, songs, dancing, shouting, trading, running, jumping, singing, racing, target-shooting, yarns, frolic, with all sorts of extravagances that white men or Indians could invent, were freely indulged in. The unpacking of the medicine water contributed not a little to the heightening of our festivities.“1 -James P. Beckwourth Although known as a notorious liar, Beckwourth is probably right when he describes the Rocky Mountain rendezvous as a wild place attended by wild men. Getting together after a year of working their trapping grounds and hard trails seems to have brought out the drunk, the gambler and the “Don Juan” dressed in greasy buckskins. The purpose of this article is to take a closer look at the games actually played by mountaineers and Indians when they attended this festival of the wilderness. Games can be fun and games can be devastating. Loosing “hoss and beaver” 2can turn any man bitter. So be careful, you don’t want to buy next years supply on credit! Card games ”There was a game of cards going on upon a clean apichimoe, by light of a fire of pitch-pine cut in small pieces, which continually fed, kept up a bright blaze, and there were several persons round a tin kettle of shrub…”3-William D. -
Franz Kafka's
Kafka and the Universal Interdisciplinary German Cultural Studies Edited by Irene Kacandes Volume 21 Kafka and the Universal Edited by Arthur Cools and Vivian Liska An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. ISBN 978-3-11-045532-8 e-ISBN (PDF) 978-3-11-045811-4 e-ISBN (EPUB) 978-3-11-045743-8 ISSN 1861-8030 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2016 Walter de Gruyter GmbH, Berlin/Boston Cover image: Franz Kafka, 1917. © akg-images / Archiv K. Wagenbach Printing and binding: CPI books GmbH, Leck ♾ Printed on acid-free paper Printed in Germany www.degruyter.com Table of Contents Arthur Cools and Vivian Liska Kafka and the Universal: Introduction 1 Section 1: The Ambiguity of the Singular Stanley Corngold The Singular Accident in a Universe of Risk: An Approach to Kafka and the Paradox of the Universal 13 Brendan Moran Philosophy and Ambiguity in Benjamin’s Kafka 43 Søren Rosendal The Logic of the “Swamp World”: Hegel with Kafka on the Contradiction of Freedom 66 Arnaud Villani The Necessary Revision of the Concept of the Universal: Kafka’s “Singularity” 90 Section 2: Before the Law Eli Schonfeld Am-ha’aretz: The Law of the Singular. -
The Gaming Table: Its Votaries and Victims
THE GAMING TABLE: ITS VOTARIES AND VICTIMS, In all Times and Countries, especially in England and in France. BY ANDREW STEINMETZ, ESQ., OF THE MIDDLE TEMPLE, BARRISTER-AT-LAW; FIRST-CLASS EXTRA CERTIFICATE SCHOOL OF MUSKETRY, HYTHE; late OFFICER INSTRUCTOR MUSKETRY, THE QUEENS OWN LIGHT INFANTRY MILITIA. AUTHOR OF 'THE HISTORY OF THE JESUITS,' 'JAPAN AND HER PEOPLE,' 'THE ROMANCE OF DUELLING,' &c., &c. 'The sharp, the blackleg, and the knowing one, Livery or lace, the self-same circle, run; The same the passion, end and means the same-- Dick and his Lordship differ but in name.' IN TWO VOLUMES.--VOL. II. CONTENTS OF VOL. II. I. CHEVALIERS D'INDUSTRIE, OR POLITE SHARPERS II. PROFESSIONAL GAMESTERS AND THEIR FRAUDS III. ANECDOTES OF THE PASSIONS AND VICISSITUDES OF GAMESTERS IV. ACTROCITIES, DUELS. SUICIDES, AND EXECUTION OF GAMBLERS V. ODDITIES AND WITTICISMS OF GAMBLERS VI. THE GAMING CLUBS VII. DOINGS IN GAMING HOUSES VIII. THE DOCTRINE OF PROBABILITIES APPLIED TO GAMBLING IX. THE HISTORY OF DICE AND CARDS X. PIQUET, BASSET, FARO, HAZARD, PASSE-DIX, PUT, CROSS AND PILE, THIMBLE-RIG XI. COCK-FIGHTING XII. THE TURF, HISTORICAL, SOCIAL, MORAL XIII. FORTUNE-TELLING BY CARDS (FOR LADIES) XIV. AMUSING CARD TRICKS THE GAMING TABLE. CHAPTER I. CHEVALIERS D'INDUSTRIE, OR POLITE SHARPERS. Chevaliers d'industrie, or polite and accomplished sharpers, have always existed in every city, from the earliest times to the present. The ordinary progress of these interesting gentlemen is as follows. Their debut is often difficult, and many of them are stopped short in their career. They only succeed by means of great exertion and severe trials; but they endure everything in order to be tolerated or permitted to exercise their calling. -
Notices of the Pagan Igorots in 1789
Notices of the Pagan Igorots in 1789 By F r a n c is c o A n t o l in , O.P. Translated by William Henry Scott Translator’s Introduction When 23-year-old Dominican Fray Francisco Antolin ar rived in the Philippines in 1769,his first assignment was as missionary vicar of St. Catherine’s,Buhay, in the Mission of Ituy. Ituy,or Tuy,was the name applied to the flatlands along the headwaters of the Magat River around Aritao, Dupax and Bambang in the present province of Nueva Vizcaya just north of the Caraballo Sur,and Buhay was located a few kilometers up a small tributary just south of Aritao. Some ten and twenty miles downstream was the so-called Mission of Paniqui around the present towns of Bayombong, Bagabag* and Solano, and these two mission districts were considered to lie between the pro vinces of Pangasinan, Pampanga and Cagayan, and to fall under the jurisdiction of none of them. To the northwest of these missions— in the present provices of Ifugao and Benguet, and Kay apa municipality of N ueva V izcaya— were unexplored mountain ranges inhabited by totally unsubjugated tribes called Igorots. It was the proximity of these independent, headtaking neighbors which required a military garrison in Aritao and another in Bagabag, and made Father Antolin’s frontier as signment one of considerable adventure and hardship, and not a little danger. These mountaineer Igorots had been a thorn in the side of Spanish sovereignty in the Philippines for two hundred years. They monopolized the richest gold mines in the archipelago, and collected tribute from lowlanders, carried them off into slavery or held them for ranson, and attacked them when they con 178 ANTOLIN-SCOTT verted to the missions; they made communications with Caga yan impossible for unarmed travellers, and absorbed any re calcitrant lowlanders fleeing government authority. -
J^P^^^^^^^B^L Ill This Is a Reproduction of a Book from the Mcgill University Library Collection
rpM* ' HE B # y 'A^. - '^BSBBH j^P^^^^^^^B^L ill This is a reproduction of a book from the McGill University Library collection. Title: Christmas in French Canada Author: Fréchette, Louis Honoré, 1839-1908 Publisher, year: Toronto : G.N. Morang, 1899 The pages were digitized as they were. The original book may have contained pages with poor print. Marks, notations, and other marginalia present in the original volume may also appear. For wider or heavier books, a slight curvature to the text on the inside of pages may be noticeable. ISBN of reproduction: 978-1-77096-088-6 This reproduction is intended for personal use only, and may not be reproduced, re-published, or re-distributed commercially. For further information on permission regarding the use of this reproduction contact McGill University Library. McGill University Library www.mcgill.ca/library CHRISTMAS IN FRENCH CANADA ^ / sfo*. " Via I'bon vent! Via l/joli cent" Frontispiece I BY LO RECHETXt TO ILLUSTRATIONS BY n TORONTO GEOPOE MMORANG &GOMRANYXIMIITED 89: Entered according to Act of Parliament of Canada, in the year one thousand eight hundred and ninety-nine, by GEORGE N. MORANG & COMPANY, LIMITED, in the Office of the Minister of Agriculture. Ob? Ubree Excellent jfrienbs ani> JSrotber poets GEORGE MURRAY WILLIAM MCLENNAN AND WILLIAM HENRY DRUMMOND THIS FIRST ENGLISH BOOK OF MINE IS CORDIALLY AND THANKFULLY DEDICATED L. F. PREFACE MERE glance at most of the stories A which compose this collection will con vince anyone that the author is not an Eng lish writer. It may be added, moreover, that he entertains no ambition of ever becoming one. -
GAMES and Rricks Wnu CARDS
AN EXPOSITION GAMES AND rRICKS wnu CARDS. J. H. GREEN, TJlE REFORMED GAMBLER . --.- . i\ ElY YOKK: GARRETT &. CO., PUBL1SHl::W::I, 18 .\XS STREET. ,.-,;;:----. -~ -_ .._--- - _._.- .•• _---,-- i:llln\~d. IIlCOI\IiIl;; In ."" .~ rl ':. ~.t,.us. h the ye:.r 111,)(1, • Uy JOS 'TitAN H. G l n:~;S, Ja tbe (Auk", Office t( the :~i~ ' dc ' ' "0:1'1 .,(tlle l "niteJ 5:0.1(1, in and Ioc tile SIIUI\.erll !Jlilr;c;t ot" N.·w York. f CONTENTS. CHAPTER I. The InTention of Carc:i~How to tell a Card thought of-How to Shift or Change Cards frem one position to anotht:I-Tho Four Associates-How to make a Card jump out of the Pack-How to Change Cards to Pictures-Three Jacks as Thieves Caught by a Policeman-How to Burn a Card and Find it in a Watch, 7 CHAPTE~ ~: . • Hoyle on All-fours, High, Low, Jack, or Old Sledge-Three Up, &<;./ with numerous Cheats Exposell-Deah~g a Big Hand-Turnin:,: a Jack every Deal-Watching the Tens, Signs-Cheats in ShufDing -Cutting and Dealing in Three Up-Marked Cards, &c., 14 CHAPTER III. DoC Loc, or the way they play it on Red River: together with the foilowing: The Trick Played by the H Peter Funk)) Brckers oC New Orleans-How to Nail a Card to th~ Wall by a Pistol Shot -The way to Change a Card by Words-How 10 make a Card a penon draws from a Pack Dance on the Wall-How to CbarJ,e • CONTENTS. -
To Hell with Capitalism: Snapshots from the Crab Cannery Ship 資本主義の生き地獄より 「蟹工船」のスナップ数枚
Volume 13 | Issue 18 | Number 2 | Article ID 4315 | May 04, 2015 The Asia-Pacific Journal | Japan Focus To Hell With Capitalism: Snapshots from the Crab Cannery Ship 資本主義の生き地獄より 「蟹工船」のスナップ数枚 Zeljko Cipris “You lose, you lose, you lose, you lose, and then Miroslav Krleža, was to write in 1924: “Lenin’s you win.” name in the year 1917 signified a lighthouse beacon above the shipwreck of international Rosa Luxemburg civilization.” Not only was capitalism widely identified with a devastatingly bellicose form of imperialism epitomized by World War I, but also the notion that capitalism is genuinely compatible with freedom struck many contemporary observers as preposterous: The worker under capitalism is a “free” woman. She is free to go where she likes. She does not have to work for any one boss. If she does not like an employer she can quit, but if she does not like the employing class she cannot quit, unless she is prepared to starve. She is a slave to a class. Her freedom amounts to having a longer chain than her predecessors – the serf or chattel slave. It is true that she is not bought and sold and that she has liberties unknown to former generations of workers. It is also true that she takes greater risks than former workers and that The worldwide revolutionary movement while she is not sold she is obliged inspired by the Bolshevik Revolution of 1917 to sell herself. encompassed a powerful cultural component: hundreds of thousands of literary, visual, and performing artists – writers, painters,Yet how could it be otherwise so long as the filmmakers, photographers, composers, and ownership and control of life’s productive others – passionately devoted their work to the resources remained in the hands of a super- monumental task of a radical reconstitution of wealthy minority at the expense of everyone the world. -
Substitute Teacher from Hell Jass Richards
Substitute Teacher from Hell Jass Richards [email protected] www.jassrichards.com Cast: teacher (a woman in her 20s, wearing jeans) Set: The Classroom: teacher's desk (centre stage) teacher's chair (behind desk, facing audience) a two-sided flip blackboard (flips along horizontal axis) The Principal's Office: teacher's desk turned sideways teacher's chair to left of desk principal's chair (from offstage) to right of desk (plusher than teacher's chair) blackboard flipped with panelling and framed certificate and/or painting Props: chalk and brush (for classroom scenes) phone (for principal's desk, can be kept in drawer during other scenes) miscellaneous papers, files, etc. paperback copy of Romeo and Juliet copy of The Education Act prop box (on stage for Scene 19: Theatre Arts class only) with small stool sitting on top contents of prop box: suitcoat and tie, beard, large cucumber, small pickle Sound effects: class noise (30 minute cassette of, so volume can be controlled live according to scene's needs) bell or buzzer (to indicate class changes) Lighting: slight dimming between scenes Dialogue notes: The actor will pretend the principals exist (seated in principal's chair) just as she will pretend the students exist (one half of audience) - though audience participation should be anticipated and even encouraged if the actor is comfortable with some improvisation; when teacher speaks to audience as audience, her focus should be to the other side of the audience. ( ) indicates that implied student or principal has said something. Scene 1: (classroom) [Class noise. Bell rings.] [Teacher walks onto stage, carrying some files, papers, pens, texts, including Romeo and Juliet, all of which she puts onto the teacher's desk.