Design with LED Technology for Interior Designers
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Design Statement Interior Design
Design Statement Interior Design Sam recrystallizes his salvo singeing heartily, but sharp-tongued Gomer never effaced so betweentimes. Innumerous Chariot frill or blast-off some taenia anarchically, however julienne Traver trichinised logarithmically or settled. Igor still savors compactedly while acerous Walter craning that sheik. Its fluid and sophisticated look at the best consultant will provide the interior is so one is brought to interior design innovation, but together the stress on. Norman is adept at composing convincing personal essays in medicine, written in nursing. As air Of Houston's Top Interior Design Firms We anticipate Full Service making-key Interior Design. Its best statement interior design statements was employed for your document to? You statements designed spaces inspire. Thus, his overall dark neutral color palette will be livened up big bright with rich accents, such sound deep reds and burnt oranges. Why Is A Needs Statement Important? Statement Ceilings are Romantic and Dramatic interior design. This rule goes with accessories, too. The proposed solution and scope and goals of the solution are made clear through this statement. Interior Design Artist Statement Ms Lawson's Foundations 1. What you statements interior is basically puts your statement! Without it, you would face major obstacles and may never see the light of day. Management tool to designing which continue to know what is designed with statements showcase your post the designers. The Houzz Community recommends this professional. Download it to create stunning partitions in small room like i could this user needs and organizational skills you can be something that. Why ello Lob Jakora! We have many different types of subcontractors that we work with on a regular basis and can highly recommend. -
How a Designer Can Support Sustainability in a Creative
INTERNATIONAL DESIGN CONFERENCE - DESIGN 2010 Dubrovnik - Croatia, May 17 - 20, 2010. HOW A DESIGNER CAN SUPPORT SUSTANABILITY IN A CREATIVE WAY K. I. Kazamia and M. O. Kafaridou Keywords: sustainability, design process, paper-mass, product design 1. Introduction This paper explores the term “Interior Design” and in particular the relationship of the interior design profession with its direct and indirect impacts on the environment. Through a brief analysis, we explore this close relationship, establishing opportunities designers have to promote environmental sustainability. This work goes on to elucidate the role of the interior designer in the delivery of sustainability, providing examples from literature. Further, the process of design, within a context of sustainability is examined, from the design purpose, source of inspiration and subject through to the selection of materials, method of construction, communication of object’s messages and finally, the realization of the idea and usage. Finally, the paper expands the relationship of the interior design profession to the wider scope of social and economic sustainability and suggests a strategy which leads to the involvement of community to promote the uptake of sustainability. In summary, this paper presents an example of an innovative approach to design practice, working towards the promotion of holistic sustainable practice. 1.1 The definition of Interior Design/Architecture John F. Pile (1978 p.27) defined the term ‘design’ as a term which ‘describes all of the decisions that determine how a particular space will be.’ He explained further that ‘design’ can also be described as a determination of form, with form understood to mean every aspect of every quality including size, shape, material, structure, texture and colour that makes one particular physical reality different from any other’. -
Electroindustry, February 2017 Issue
electroindustry www.nema.org | February 2017 | Vol. 22 No. 2 10 | Agility Overcomes Risks of a Maturing Technology 16 | Solutions for Wide Open Spaces 20 | Illuminating Symbolism 26 | Cover Story: A Designer's Perspective Photograph by by Eric Laignel 2016 Hermes Award Winner 2016 MarCom Award Winner A Revolutionary Design Vocabulary for the Grid. Empower your creativity without complexity. www.acuitybrands.com/Rubik CONTENTS 4 33 Setting new standards 5 Using common sense Wild West of lighting protocols Agility Overcomes Risks of electroindustry 10 a Maturing Technology Jes Munk Hansen, CEO, LEDVANCE, formerly known as OSRAM SYLVANIA Publisher | Tracy Cullen Editor in Chief | Pat Walsh Editor | Christine Coogle Daylight Management Opens the Contributing Editors | Ann Brandstadter, William E. Green III 12 Art Director | Jennifer Tillmann Window to Energy Efficiency National Advertising Representative | Bill Mambert Konstantinos Papamichael, PhD, Professor, University of California, Davis A Zoo and a College Campus: electroindustry (ei) magazine (ISSN 1066-2464) is published monthly by the National Electrical Manufacturers Association (NEMA), 1300 N. 17th Street, Suite 900, Rosslyn, VA 22209; 22 Different Venues, Same Goals 703.841.3200. Periodicals postage paid at Rosslyn, Virginia; York, Pennsylvania; and additional mailing offices. POSTMASTER: Tom Salpietra, President and COO, EYE Lighting International Send address changes to NEMA, 1300 N. 17th Street, Suite 900, Rosslyn, VA 22209. The opinions or views expressed in ei do not necessarily reflect the positions of NEMA or any of its subdivisions. The editorial staff reserves the right to Regulatory Update and 2017 Outlook edit all submissions but will not alter the author’s viewpoint. Alex Boesenberg, Manager, Government Relations, NEMA Every attempt is made to ensure that information is current 37 and accurate. -
Aligning Around Design and Performance: 3 GSA Projects
Aligning Around Design and Performance: 3 GSA Projects LCI Design Forum June 17, Chicago Acknowledgments/Credits Research Team - University of Minnesota, School of Architecture Primary Participating Projects and Team Members Interviewed Renée Cheng, AIA, Principal Investigator GSA Office of Federal High-Performance Green Buildings Katy Dale, Primary Consultant on Project Delivery and Report Structure Kevin Kampschroer, GSA, Office of Federal High-Performance Green Buildings, Federal Director Chris Wingate, LEED AP, Contributing Author, Coordinator, and Graphics Judith Heerwagen, GSA, Office of Federal High-Performance Green Buildings, Program Expert Dustin Harford, Research Assistant and Graphics Wayne N. Aspinall Federal Building and U.S. Courthouse Linda Lee, Editor Jason Sielcken, GSA, Design and Construction Division – Region 8, Project Manager Courtney Westlie, GSA, Design and Construction Division – Region 8, Contracting Officer Survey Development and Analysis Consultants Kenya Freeman, GSA, Design and Construction Division – Region 8, Contracting Officer Carrie Sturts Dossick, PhD, PE, University of Washington – Department of Construction Demi Chavez, GSA, Design and Construction Division – Region 8 Management Kim Bailey, GSA, Design and Construction Division – Region 8 Gina Neff, PhD, University of Washington – Department of Communication Michael Murray, The Beck Group, Principal Laura Osburn, PhD, University of Washington – Department of Communication Todd Berry, The Beck Group, Senior Project Manager Louis Sierra, The Beck Group, Senior Project Architect Study Contracted and Managed by Steve Ludwig, The Beck Group, Assistant Project Manager Bryan Steverson, GSA, Office of Federal High-Performance Green Buildings, Green Buildings Advisor Paul Westlake, Westlake Reed Leskoski, Managing Principal Don Horn, GSA, Office of Federal High-Performance Green Buildings, Deputy Director Rodger Chang, Westlake Reed Leskoski, Principal Ravi Maniktala, M.E. -
How Interior Design Insiders Use Government Power to Exclude Minorities & Burden Consumers
Designed To Exclude How Interior Design Insiders Use Government Power To Exclude Minorities & Burden Consumers February 2009 Institute for Justice David E. Harrington Jaret Treber In states where interior designers are regulated, consumers are paying higher prices for design services, fewer entrepreneurs are able to enter the market, and blacks, Hispanics and those wishing to switch careers later in life are being disproportionately excluded from the field. Designed To Exclude How Interior Design Insiders Use Government Power To Exclude Minorities & Burden Consumers February 2009 Institute for Justice David E. Harrington Jaret Treber Kenyon College 1 Executive Summary Americans used to be free to practice interior Drawing upon national census data, this design work and succeed or fail based solely on report finds that interior design regulations their skills. But, to the detriment of consumers not only create serious barriers to entry and would-be entrepreneurs, that is changing. for entrepreneurs, but also raise costs for The American Society of Interior Designers, consumers. an industry trade group, would like state governments to define what it means to be an We find evidence that in states where interior interior designer and then dictate who may designers are regulated, consumers are perform that work. The group and its allies have paying higher prices for design services, successfully lobbied 22 states and the District fewer entrepreneurs are able to enter the of Columbia to impose stringent education and market, and blacks, Hispanics and those training requirements that create a single route wishing to switch careers later in life are to practicing interior design or to using titles being disproportionately excluded from the associated with interior design work. -
(Purple Masque) Scenic Design Checklist
SECOND STAGE (PURPLE MASQUE) SCENIC DESIGN CHECKLIST MANDATORY ATTENDANCE AT: All director/designer meetings Minimum of two meetings with Faculty Scenic Designer: one prior to preliminary deadline, and one prior to final deadline. All production meetings Minimum of one run-through rehearsal prior to crew watch Crew watch All technical and dress rehearsals Strike Any conflicts with attending the above meetings/rehearsals must be cleared ahead of time with the faculty designer and the director. IMPORTANT INFORMATION There is a very limited time frame for installation and painting of scenery in the masque. Therefore, it is extremely important for you to be organized prior to your load in date. Some things to consider: You will be working late nights/weekends during load in and tech, so plan ahead to have papers/homework/studying done ahead of time. “I had to write a paper so the set didn’t get done until opening night” is not a valid excuse. EVERYTHING needs to be built prior to load in. It is best if you can paint pieces beforehand, also. If you are building a large unit, make sure it will fit through all doors. Large units in pieces should be “dry fit” in the scene shop to make sure they assemble as planned. Make sure you arrange for help ahead of time. People will be more willing to assist you if they know a week or two beforehand. This is not just your show. Having the scenery unfinished not only affects the actors, but the lighting and costume designs as well. ROUGH DESIGNS Rough designs will include research image boards of conceptual, architectural and detail inspirations for the set. -
Application of Advanced Building Techniques to Enhance the Environmental Performance of Interior Components
buildings Article Application of Advanced Building Techniques to Enhance the Environmental Performance of Interior Components Magdalena Celadyn 1,* and Waclaw Celadyn 2 1 Faculty of Interior Design, Academy of Fine Arts in Krakow, 31-157 Krakow, Poland 2 Faculty of Architecture, Cracow Technical University, 31-155 Krakow, Poland; [email protected] * Correspondence: [email protected] Abstract: This paper discusses the impact of advanced building techniques, in tune with selected building materials and their physical attributes, applied to complete constitutive interiors components on these components’ environmental performance and aesthetics. There is an understanding of technological practices as essential for the effective management of the design process; still, the creative introduction of advanced building techniques is not commonly recognized by interior architects. The objective of the research is to indicate the possible multidimensional consequences of the analysis of materials’ physical attributes and the consistent application of advanced building techniques to complete interior components. The basis for this study formed the design concepts of aesthetic functionalism, place attachment, and a content-context model of the association between interior components and the building fabric. Some theoretical frameworks were used for a qualitative evaluation of interior components of selected cultural facilities completed in the last decade in Poland. Citation: Celadyn, M.; Celadyn, W. The performance of these components was measured in the function of applied innovative building Application of Advanced Building techniques and specified building materials. Research findings have proved the impact of building Techniques to Enhance the techniques on the performance of interior components as instruments to increase interior functional Environmental Performance of use, formal uniformity, and aesthetic cohesion of buildings and their inner spaces, as well as the scale Interior Components. -
Sean Michael Savoie ˘ Lighting Designer 7358 Pershing Ave
Sean Michael Savoie ˘ Lighting Designer 7358 Pershing Ave. Apt 2W z St. Louis, MO 63130 z 513.319.8407 [email protected] Professional Vita Employment Washington University in St. Louis St. Louis, MO Lighting Designer / Production Manager (Summer 2007 ˘ Present) • Teach all Lighting Design courses and others as assigned • Lead Designer for main stage productions and supervisor of student designs • Production Manager for Performing Arts Department • Design / Technology Coordinator The Muny St. Louis, MO Production Manager ( 2008 ˘ 2011) • Manage build, installation and tech of a very demanding seven show summer season • Coordination between IATSE crew and Broadway designers, directors and stage managers • 11,000 seat performance venue; over $7 million budget; Broadway’s top performers • Oversee design internship company • Nation’s oldest and largest outdoor musical theatre University of Cincinnati, College Conservatory of Music Cincinnati, OH Production Manager / Adjunct Instructor (Autumn 2005 ˘ Summer 2007) • Technical coordinator of all CCM Dance & Preparatory Department concerts • Technical coordinator of all CCM Unsupported (non-mainstage) workshops for Drama, Opera and Musical Theatre • Average academic year will include about 14 productions • Coordinate and manage student crews for any non-university performance group • Instructor of Stage Lighting I in BFA curriculum (full year course) • Instructor of Introduction to Lighting (quarterly) • Numerous lectures on Architectural Lighting Design & Practice Cincinnati Fringe Festival Cincinnati, -
Requirements for the Bachelor of Interior Design College of Architecture the University of Oklahoma
REQUIREMENTS FOR THE BACHELOR OF INTERIOR DESIGN COLLEGE OF ARCHITECTURE THE UNIVERSITY OF OKLAHOMA For Students Entering the Credit Hours and Grade Averages Required Interior Design Oklahoma State System Total Credit Hours...................124 for Higher Education: Minimum Upper-Division Hours Required .......48 0203B Minimum OU Retention GPA.............2.00 Summer 2002 through Minimum Combined Retention GPA .........2.00 Bachelor of Spring 2003 Minimum GPA on all Required Professional Courses . 2.00 Interior Design Year FIRST SEMESTER Hours SECOND SEMESTER Hours ENGL 1113, Principles of English Composition (Core I) 3 ENGL 1213, Principles of English Composition (Core I) 3 MATH 1523, Elementary Functions (Core I)‡ 3 PHYS 1114, Physics for Non-Science Majors (Core II) 4 HIST 1483 or 1493, U.S. History (Core IV-Western Civ.) 3 P SC 1113, American Federal Government (Core III) 3 EN D 1011, Introduction to the Built Environment 1 EN D 1524, Design I 4 EN D 1511, Studies in Visual Acuity 1 EN D 1133, Graphics I 3 ARCH 1012, Computers in Architecture 2 EN D 2212, Nature and Use of Materials 2 FRESHMAN TOTAL CREDIT HOURS 15 TOTAL CREDIT HOURS 17 A HI 2213, General Survey I (Core IV-Artistic Forms) 3 A HI 2223, General Survey II 3 EN D 2143, Graphics II 3 EN D 2013, Human Aspects of Design 3 EN D 2534, Design II 4 I D 2544, Architectural Design/Human Factors 4 I D 2773, Interior Construction 3 NATURAL SCIENCE with lab —Advised Elective (Core II) 4 OPEN ELECTIVE—Upper-Division 3 SOPHOMORE TOTAL CREDIT HOURS 14 TOTAL CREDIT HOURS 16 ECON 1113, Principles of Economics—Macro (Core III) 3 ACCT 2113, Fundamental Financial Accounting 3 ARCH 3223, Environmental Systems in Architecture 3 I D 3734, Interior Design III 4 I D 3724, Interior Design II 4 I D 3763, History of Interior Design, 19th & 20th Cent. -
Lighting for the Workplace
Lighting for the Workplace AWB_Workplace_Q_Produktb_UK.qxd 02.05.2005 10:35 Uhr Seite 3 CONTENTS 3 Foreword by Paul Morrell, 4–5 President of the British Council for Offices INTRODUCTION 6–7 The Changing Corporate Perspective 6–7 WORKPLACE LIGHTING – PAST, PRESENT AND FUTURE 8–51 Lighting Research versus the Codes 10–11 – The Lessons of Lighting Research 12–15 – Current Guidance and its Limitations 16–23 Key Issues in Workplace Lighting 24–29 Natural Light, Active Light & Balanced Light 30–37 Further Considerations in Workplace Lighting 38–47 Lighting Techniques – Comparing the Options 48–51 WORKPLACE LIGHTING – APPLICATION AREAS 52–97 Open Plan Offices 56–67 Cellular Offices 68–71 Dealer Rooms 72–75 Control Rooms 76–79 Call Centres 80–83 Communication Areas/Meeting Rooms 84–87 Break-Out Zones 88–91 Storage 92–93 Common Parts 94–97 WORKPLACE LIGHTING – LIGHTING DESIGN 98–135 Product Selector 100–133 Advisory Services 134–135 References & Useful Websites 135 IMPRINT Publisher: Zumtobel Staff GmbH, Dornbirn/A Design: Marketing Communication Reprints, even in part, require the permission of the publishers © 2005 Zumtobel Staff GmbH, Dornbirn/A Paul Morrell President of the British Council for Offices (BCO) London aims to continue being Europe’s leading financial centre and will need more, higher quality office space in the future (photo: Piper’s model of the future City of London, shown at MIPIM 2005) FOREWORD 5 The UK office market, in particular in London, is changing, driven by a number of long-term trends in international banking and finance. Informed forecasts, such as the recent Radley Report*, point, firstly, to a shift towards our capital city, at the expense of Paris and Frankfurt, as Europe’s leading financial centre, with a commensurate pressure on office space. -
LIGHT's LABOUR's LOST Policies for Energy-Efficient Lighting
INTERNATIONAL ENERGY AGENCY LIGHT'S LABOUR'S LOST Policies for Energy-efficient Lighting In support of the G8 Plan of Action Warning: Please note that this PDF is subject to specific restrictions that limit its use and distribution. The terms and conditions are available online at http://www.iea.org/w/ bookshop/pricing.html ENERGY EFFICIENCY POLICY PROFILES 01 - 23 Pages début + 531-537 abbr.qxd 15/06/06 16:55 Page 1 LIGHT'S LABOUR'S LOST Policies for Energy-efficient Lighting In support of the G8 Plan of Action ENERGY EFFICIENCY POLICY PROFILES INTERNATIONAL ENERGY AGENCY The International Energy Agency (IEA) is an autonomous body which was established in November 1974 within the framework of the Organisation for Economic Co-operation and Development (OECD) to implement an international energy programme. It carries out a comprehensive programme of energy co-operation among twenty-six of the OECD’s thirty member countries. The basic aims of the IEA are: • to maintain and improve systems for coping with oil supply disruptions; • to promote rational energy policies in a global context through co-operative relations with non-member countries, industry and international organisations; • to operate a permanent information system on the international oil market; • to improve the world’s energy supply and demand structure by developing alternative energy sources and increasing the efficiency of energy use; • to assist in the integration of environmental and energy policies. The IEA member countries are: Australia, Austria, Belgium, Canada, the Czech Republic, Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Japan, the Republic of Korea, Luxembourg, the Netherlands, New Zealand, Norway, Portugal, Spain, Sweden, Switzerland, Turkey, the United Kingdom, the United States. -
Jeffrey N. Kahn, Ies Senior Lighting Designer
JEFFREY N. KAHN, IES SENIOR LIGHTING DESIGNER EDUCATION LIGHTING PROJECTS (partial list) Temple University 30th Street Station. Philadelphia, PA Bachelor of Arts; Radio, Television and Film Facade lighting design and interior concourse for historic landmark and train station in West Philadelphia EXPERIENCE Entercom. Philadelphia, PA Senior Lighting Designer, BEAM, 2017–present Interior lighting design for 60,000sf headquarters for local Director of Lighting Design, Jacobs, 2014-2016 and national radio stations and offices Senior Lighting Designer, Kling/Jacobs 2006-2014 Mitten Hall Career Center at Temple University. Lighting Designer / Project Manager, Grenald Waldron Philadelphia, PA Associates, 1999-2006 Interior lighting design for renovations including training rooms, student labs, offices and support spaces PROFESSIONAL AFFILIATIONS Prior to focusing on architectural lighting design, Jeffrey Hotel Rock Lititz. Lititz, PA worked in lighting for film, television and theater where Member 1999-present, IES (Illuminating Engineering Society) lighting is considered another character, reinforcing the Interior, exterior and facade lighting for new construction thematic boutique hotel emotion and the story. Recognizing the link between HONORS AND ACTIVITIES visual storytelling and how we experience our planned environments, Jeffrey brought his skills to architectural Contributing author Sustainable Design of Research Celgene Incubator lab. Summit, NJ lighting design, using current and appropriate technologies Laboratories, Wiley Publishing, 2010) Interior lab and office renovation for rental chemistry and enhancing that experience. biology labs designed to stimulate innovation Campbell Employee Center: Campbell’s Soup Company, Art Yard. Frenchtown, NJ Jeffrey has been practicing his passion for light in the built Camden NJ Interior and exterior lighting for the new home of an art environment for over 19 years.