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How a Designer Can Support Sustainability in a Creative
INTERNATIONAL DESIGN CONFERENCE - DESIGN 2010 Dubrovnik - Croatia, May 17 - 20, 2010. HOW A DESIGNER CAN SUPPORT SUSTANABILITY IN A CREATIVE WAY K. I. Kazamia and M. O. Kafaridou Keywords: sustainability, design process, paper-mass, product design 1. Introduction This paper explores the term “Interior Design” and in particular the relationship of the interior design profession with its direct and indirect impacts on the environment. Through a brief analysis, we explore this close relationship, establishing opportunities designers have to promote environmental sustainability. This work goes on to elucidate the role of the interior designer in the delivery of sustainability, providing examples from literature. Further, the process of design, within a context of sustainability is examined, from the design purpose, source of inspiration and subject through to the selection of materials, method of construction, communication of object’s messages and finally, the realization of the idea and usage. Finally, the paper expands the relationship of the interior design profession to the wider scope of social and economic sustainability and suggests a strategy which leads to the involvement of community to promote the uptake of sustainability. In summary, this paper presents an example of an innovative approach to design practice, working towards the promotion of holistic sustainable practice. 1.1 The definition of Interior Design/Architecture John F. Pile (1978 p.27) defined the term ‘design’ as a term which ‘describes all of the decisions that determine how a particular space will be.’ He explained further that ‘design’ can also be described as a determination of form, with form understood to mean every aspect of every quality including size, shape, material, structure, texture and colour that makes one particular physical reality different from any other’. -
An Interdisciplinary Approach
Education of Interaction Design – an Interdisciplinary Approach Anirudha Joshi Industrial Design Centre, Indian Institute of Technology, Mumbai, India Anirudha Joshi is a faculty member at the Industrial Design Centre, IIT Mumbai. He teaches and does research in the field of Human-Computer Interaction (HCI) design. His area of research interest is interaction design for needs of developing countries like India. He also works in the area overlapping between software engineering and HCI. He has authored papers related to HCI and given talks in Indian and international conferences and journals. Anirudha conducts workshops on HCI for IT professionals and is also a consultant to several IT companies on HCI projects. Recently, he was the co-chair of the program committee of the first India HCI conference held in December, 2004 in Bangalore. Before joining IIT Mumbai, Anirudha worked in the field of interaction design for software, multimedia and the Internet. Anirudha has a BTech in Electrical Engineering from IIT Mumbai, and a Masters in Design in Visual Communication also from IIT Mumbai. Email: [email protected] The field of interaction design is multidisciplinary in nature. A professional interaction designer needs to take the central responsibility towards all creative aspects of an interactive product. This alone can ensure that well- designed interactive products will emerge with conceptual integrity that proceeds from the thinking of one mind. Education of interaction design therefore needs to be multidisciplinary. The Industrial Design Centre (IDC) in IIT Bombay has had an interdisciplinary approach towards design education for several years. The results of this approach have been very effective for the field of interaction design. -
Aligning Around Design and Performance: 3 GSA Projects
Aligning Around Design and Performance: 3 GSA Projects LCI Design Forum June 17, Chicago Acknowledgments/Credits Research Team - University of Minnesota, School of Architecture Primary Participating Projects and Team Members Interviewed Renée Cheng, AIA, Principal Investigator GSA Office of Federal High-Performance Green Buildings Katy Dale, Primary Consultant on Project Delivery and Report Structure Kevin Kampschroer, GSA, Office of Federal High-Performance Green Buildings, Federal Director Chris Wingate, LEED AP, Contributing Author, Coordinator, and Graphics Judith Heerwagen, GSA, Office of Federal High-Performance Green Buildings, Program Expert Dustin Harford, Research Assistant and Graphics Wayne N. Aspinall Federal Building and U.S. Courthouse Linda Lee, Editor Jason Sielcken, GSA, Design and Construction Division – Region 8, Project Manager Courtney Westlie, GSA, Design and Construction Division – Region 8, Contracting Officer Survey Development and Analysis Consultants Kenya Freeman, GSA, Design and Construction Division – Region 8, Contracting Officer Carrie Sturts Dossick, PhD, PE, University of Washington – Department of Construction Demi Chavez, GSA, Design and Construction Division – Region 8 Management Kim Bailey, GSA, Design and Construction Division – Region 8 Gina Neff, PhD, University of Washington – Department of Communication Michael Murray, The Beck Group, Principal Laura Osburn, PhD, University of Washington – Department of Communication Todd Berry, The Beck Group, Senior Project Manager Louis Sierra, The Beck Group, Senior Project Architect Study Contracted and Managed by Steve Ludwig, The Beck Group, Assistant Project Manager Bryan Steverson, GSA, Office of Federal High-Performance Green Buildings, Green Buildings Advisor Paul Westlake, Westlake Reed Leskoski, Managing Principal Don Horn, GSA, Office of Federal High-Performance Green Buildings, Deputy Director Rodger Chang, Westlake Reed Leskoski, Principal Ravi Maniktala, M.E. -
How Interior Design Insiders Use Government Power to Exclude Minorities & Burden Consumers
Designed To Exclude How Interior Design Insiders Use Government Power To Exclude Minorities & Burden Consumers February 2009 Institute for Justice David E. Harrington Jaret Treber In states where interior designers are regulated, consumers are paying higher prices for design services, fewer entrepreneurs are able to enter the market, and blacks, Hispanics and those wishing to switch careers later in life are being disproportionately excluded from the field. Designed To Exclude How Interior Design Insiders Use Government Power To Exclude Minorities & Burden Consumers February 2009 Institute for Justice David E. Harrington Jaret Treber Kenyon College 1 Executive Summary Americans used to be free to practice interior Drawing upon national census data, this design work and succeed or fail based solely on report finds that interior design regulations their skills. But, to the detriment of consumers not only create serious barriers to entry and would-be entrepreneurs, that is changing. for entrepreneurs, but also raise costs for The American Society of Interior Designers, consumers. an industry trade group, would like state governments to define what it means to be an We find evidence that in states where interior interior designer and then dictate who may designers are regulated, consumers are perform that work. The group and its allies have paying higher prices for design services, successfully lobbied 22 states and the District fewer entrepreneurs are able to enter the of Columbia to impose stringent education and market, and blacks, Hispanics and those training requirements that create a single route wishing to switch careers later in life are to practicing interior design or to using titles being disproportionately excluded from the associated with interior design work. -
Application of Advanced Building Techniques to Enhance the Environmental Performance of Interior Components
buildings Article Application of Advanced Building Techniques to Enhance the Environmental Performance of Interior Components Magdalena Celadyn 1,* and Waclaw Celadyn 2 1 Faculty of Interior Design, Academy of Fine Arts in Krakow, 31-157 Krakow, Poland 2 Faculty of Architecture, Cracow Technical University, 31-155 Krakow, Poland; [email protected] * Correspondence: [email protected] Abstract: This paper discusses the impact of advanced building techniques, in tune with selected building materials and their physical attributes, applied to complete constitutive interiors components on these components’ environmental performance and aesthetics. There is an understanding of technological practices as essential for the effective management of the design process; still, the creative introduction of advanced building techniques is not commonly recognized by interior architects. The objective of the research is to indicate the possible multidimensional consequences of the analysis of materials’ physical attributes and the consistent application of advanced building techniques to complete interior components. The basis for this study formed the design concepts of aesthetic functionalism, place attachment, and a content-context model of the association between interior components and the building fabric. Some theoretical frameworks were used for a qualitative evaluation of interior components of selected cultural facilities completed in the last decade in Poland. Citation: Celadyn, M.; Celadyn, W. The performance of these components was measured in the function of applied innovative building Application of Advanced Building techniques and specified building materials. Research findings have proved the impact of building Techniques to Enhance the techniques on the performance of interior components as instruments to increase interior functional Environmental Performance of use, formal uniformity, and aesthetic cohesion of buildings and their inner spaces, as well as the scale Interior Components. -
MINUTES Board of Architecture and Interior Design the Breakers One South Court Road Palm Beach, Florida 33480 561.655.6611 July
MINUTES Board of Architecture and Interior Design The Breakers One South Court Road Palm Beach, Florida 33480 561.655.6611 July 28, 2008 9:00 a.m. General Business Meeting Call to Order Mr. Kuritzky, Chair called the meeting to order at 9:05 a.m. Board Members Present: John Ehrig E. Wendell Hall Rossana Dolan Lourdes Solera Eric Kuritzky, Chair Mary Jane Grigsby Roymi Membiela Wanda Gozdz Joyce Shore Board Member Absent: Garrick Gustafson, unexcused Others Present: Mary Ellen Clark, Board Counsel David Minacci, Prosecuting Attorney Juanita Chastain, Executive Director Terri Estes, Government Analyst Trent Manausa Emory Johnson Dwight Chastain Bob Lamar David DeHaas Mickey Marrero Ingrid Burgos Willie Peterson Steven Mickley Board of Architecture and Interior Design July 28-29, 2008 General Business Page 1 of 27 Court Reporter: Alexandra Ramirez, Official Reporting Services, LLC, 524 S. Andrews Avenue, Suite 302N, Ft. Lauderdale, FL 33301 Disciplinary Cases Mr. Minacci requested that the board approve the following cases on a consent agenda. Settlement Stipulation Licensed DBPR vs. Oscar Benetiz Case Numbers 2006-066090 and 2007-013072 PCP: Rodriguez, Wirtz and Gustafson DBPR vs. Hugo De Ley and J Design Group, Inc. Case Numbers 2007-062663 and 2007-049107 PCP: Rodriguez, Wirtz, and Gustafson DBPR vs. William Edwin Wallace Case Number 2007-065241 PCP: Rodriguez, Wirtz, and Gustafson Unlicensed DBPR vs. Teena M. Benton and Benton Drafting and Design Case Number 2007-008550 PCP: Rodriguez, Wirtz, and Gustafson Motion: Ms. Membiela moved that the board approve the settlement stipulations as presented. Second: Mr. Hall seconded the motion and it passed unanimously. -
Requirements for the Bachelor of Interior Design College of Architecture the University of Oklahoma
REQUIREMENTS FOR THE BACHELOR OF INTERIOR DESIGN COLLEGE OF ARCHITECTURE THE UNIVERSITY OF OKLAHOMA For Students Entering the Credit Hours and Grade Averages Required Interior Design Oklahoma State System Total Credit Hours...................124 for Higher Education: Minimum Upper-Division Hours Required .......48 0203B Minimum OU Retention GPA.............2.00 Summer 2002 through Minimum Combined Retention GPA .........2.00 Bachelor of Spring 2003 Minimum GPA on all Required Professional Courses . 2.00 Interior Design Year FIRST SEMESTER Hours SECOND SEMESTER Hours ENGL 1113, Principles of English Composition (Core I) 3 ENGL 1213, Principles of English Composition (Core I) 3 MATH 1523, Elementary Functions (Core I)‡ 3 PHYS 1114, Physics for Non-Science Majors (Core II) 4 HIST 1483 or 1493, U.S. History (Core IV-Western Civ.) 3 P SC 1113, American Federal Government (Core III) 3 EN D 1011, Introduction to the Built Environment 1 EN D 1524, Design I 4 EN D 1511, Studies in Visual Acuity 1 EN D 1133, Graphics I 3 ARCH 1012, Computers in Architecture 2 EN D 2212, Nature and Use of Materials 2 FRESHMAN TOTAL CREDIT HOURS 15 TOTAL CREDIT HOURS 17 A HI 2213, General Survey I (Core IV-Artistic Forms) 3 A HI 2223, General Survey II 3 EN D 2143, Graphics II 3 EN D 2013, Human Aspects of Design 3 EN D 2534, Design II 4 I D 2544, Architectural Design/Human Factors 4 I D 2773, Interior Construction 3 NATURAL SCIENCE with lab —Advised Elective (Core II) 4 OPEN ELECTIVE—Upper-Division 3 SOPHOMORE TOTAL CREDIT HOURS 14 TOTAL CREDIT HOURS 16 ECON 1113, Principles of Economics—Macro (Core III) 3 ACCT 2113, Fundamental Financial Accounting 3 ARCH 3223, Environmental Systems in Architecture 3 I D 3734, Interior Design III 4 I D 3724, Interior Design II 4 I D 3763, History of Interior Design, 19th & 20th Cent. -
Mapping the Range of User Roles in Open Development Games Projects
Not just users: Mapping the range of user roles in open development games projects Luke Thominet Florida International University Miami, FL, USA [email protected] ABSTRACT love what you’re doing, and they’re not playing a lot, Open video game development systems provide a useful model but they might be writing fanfction, they might be for designing an engaging user experience (UX) research project. drawing, they might be doing other things, and they’re While UX research has typically framed people simultaneously as not actually just a hardcore player. [19] research subjects and users of a technology, some work has also At the 2015 Game Developers Conference, a panel of experienced problematized each of these categorizations. For instance, UX prac- developers discussed their experiences with open development titioners have questioned the framing of people as generic users, projects. In the quote above, Jamie Cheng described how partici- and participatory design has repositioned participants as co-owners pants in these projects were doing a lot more than just playing the of the results of research. This article ofers a complimentary per- game. This paper expands on this observation to review the broad spective by applying the concept of user roles to the activity of range of roles that user-participants adopt in open development participation in open development. Open development, which is the systems. prolonged process where incomplete games are publicly released Broadly speaking, open development is publicly distributing an and iterated on based on player feedback, is fundamentally a UX incomplete game, sharing information about the game develop- research process. -
Environmental Building Newstm the Leading Source for Environmentally Responsible Design & Construction
Environmental Building NewsTM The Leading Source for Environmentally Responsible Design & Construction A Publication of BuildingGreen, Inc. www.BuildingGreen.com Volume 25, Number 5 · May 2016 How To Run a Great Workshop: 37 Tips and Ideas Whether you call it a charrette, a workshop, or simply a meeting, We’ll start off talking about what kind these suggestions from experts will make your next event more fun of mindset to bring into a workshop, and productive. then move to: • how to plan one By Tristan Roberts • what kinds of exercises to do A design team can enable real progress squeeze the life out of a room with an • some ideas for follow-up by setting aside a day or longer for agenda that feels like a forced march. a focused workshop. Or it could just You can read it from start to finish, waste a lot of high-priced time. This article is about design workshops: or skip around and pick out what’s who, what, where, when, and why. useful. You can break down barriers and My hope is that in reading it, you’ll build a functioning team if you bring pick up at least three ideas that you Whatever ideas or thoughts it sparks, together people in different roles who can’t wait to apply in your next work- or whatever feedback you have, please don’t usually get to talk with one shop—whether it’s a short internal consider sharing. There’s a flipchart another. Or you might just reinforce meeting, a half-day design exercise, or and marker (actually just a link to the existing stereotypes. -
Getting to YIMBY: Building Support for Livable Communities
Getting to YIMBY: Building Support for Livable Communities Environmental Benefit Statements (EBS) for Transit-Oriented Communities (TOC) Rail-Volution ∙ October 18, 2011 Don Vehige, AIA Senior Urban Designer / Architect [email protected] 206.902.5484 GGLO GGLO Disciplines: Urban Design, Architecture, Landscape Architecture, Interior Design Expertise: TOD, Mixed Use, Urban Infill, Affordable Housing, Suburban Town Centers, Research in Sustainable Urbanism and Building Performance Mt. Baker ASA ∙ Portland OR Station ∙ Seattle GGLO architecture | interior design | urban design | landscape architecture Project Areas Northgate Roosevelt South Lake Union Mt. Baker Station ∙ Seattle Mt. Baker Station Area Workshop GGLO architecture | interior design | urban design | landscape architecture Mt. Baker Station Northgate Roosevelt South Lake Union Mt. Baker Station Area 65’ 125’ GGLO architecture | interior design | urban design | landscape architecture Roosevelt TOC Station Scheduled to open 2020 GGLO architecture | interior design | urban design | landscape architecture Roosevelt TOC Northgate Roosevelt South Lake Union GGLO architecture | interior design | urban design | landscape architecture Roosevelt TOC GGLO architecture | interior design | urban design | landscape architecture RooseveltStudy Areas TOC GGLO architecture | interior design | urban design | landscape architecture Mixed 3/1 Stacked Flats Roosevelt TOC Existing Zoning GGLO architecture | interior design | urban design | landscape architecture Roosevelt TOC Existing Uses GGLO architecture -
Design and Boundaries: Exploring the Boundary Relations Within the Context of Interactive Family-Oriented Museum Space
1 Design and Boundaries: Exploring the Boundary Relations within the Context of Interactive Family-Oriented Museum Space John Frane, Predock_Frane Architects Hadrian Predock, Predock_Frane Architects The problem of designing family-oriented museum space is ripe with opportunities stemming from the complex matrix of relationships between the collections, curators, educational objectives, and spatial parameters. These same relationships are rife with complexities and potentially competing agendas. Our brief will focus on the edges that exist where these ideologies meet, both in terms of the dynamic design process and as it relates to the resultant architectural space of the Getty Family Room. We are fascinated with how these slippages and inherently unpredictable forces have the ability to reshape interactive environments in a positive, and sometimes negative way. The new Getty Family Room project is simple in concept – a space that introduces families to art concepts and activities. As a built work it is also quite easy to engage and occupy. However, this simplified experiential understanding veils the complex and dynamic relationships that underpin the project. The accumulated evolutionary design process of testing, learning, discarding, and saving is hidden from sight, but this invisibility is in a way a project also – one that deserves to be “exhibited,” revealed, and critiqued. In the case of the Getty Family Room, this involved an expanded field of client, consultants, specialists, and a series of nuanced negotiations across the various disciplinary boundaries. In addition, boundaries between institution and project, new and existing, and young and old become important areas to re-visit. These boundaries deserve a special focus – because the way that these edges are defined, approached, engaged, or ignored can mean radically different results for each project. -
Design with LED Technology for Interior Designers
Design with LED Technology for Interior Designers This unit will discuss LED technology from the point of view of an Interior Designer and a custom LED lighting fabricator. LED lighting technology applications will be showcased in a variety of Interior Design projects, residential and commercial, by Paris K Interior Design. They will be analyzed for their availability, affordability and applicability in various design scenarios. A discussion will follow to help audience understand the difficulties still to be surpassed, but also abundance of available custom led light options an Interior Designer or Architect has in the market place today. Paris Kostopoulos, Paris K Interior Design After working along Industry notable designers such as Jeffrey Bilhuber, Susan Orsini and Richard Mervis, Paris Kostopoulos founded Paris K Interior Design in 2001. He has since completed various hi-end residential and commercial projects in the New York Metropolitan area. Paris Kostopoulos used lighting extensively in his projects implementing LED technology early on in his career and has strived to push the boundaries of conventional design and construction methods in every project he delivers to his clients. In addition, he served as the Operations Manager for the Department of the "Look of the Games", for the Organizing Committee for the Olympic Games Athens 2004 and as a consultant to the same department of the Organizing Committee for the Winter Olympic Games, Torino, Italy, Oct 2004 – Jan 2006. Education: Pratt Institute, June 1992, New York, NY. Master of Industrial Design (M.I.D.). Technological Educational Institute, June 1988, (T.E.I.), Athens, Greece. Bachelor of Art in Interior Design.