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Naked Lunch for Lawyers: William S. Burroughs on Capital Punishment
Batey: Naked LunchNAKED for Lawyers: LUNCH William FOR S. Burroughs LAWYERS: on Capital Punishme WILLIAM S. BURROUGHS ON CAPITAL PUNISHMENT, PORNOGRAPHY, THE DRUG TRADE, AND THE PREDATORY NATURE OF HUMAN INTERACTION t ROBERT BATEY* At eighty-two, William S. Burroughs has become a literary icon, "arguably the most influential American prose writer of the last 40 years,"' "the rebel spirit who has witch-doctored our culture and consciousness the most."2 In addition to literature, Burroughs' influence is discernible in contemporary music, art, filmmaking, and virtually any other endeavor that represents "what Newt Gingrich-a Burroughsian construct if ever there was one-likes to call the counterculture."3 Though Burroughs has produced a steady stream of books since the 1950's (including, most recently, a recollection of his dreams published in 1995 under the title My Education), Naked Lunch remains his masterpiece, a classic of twentieth century American fiction.4 Published in 1959' to t I would like to thank the students in my spring 1993 Law and Literature Seminar, to whom I assigned Naked Lunch, especially those who actually read it after I succumbed to fears of complaints and made the assignment optional. Their comments, as well as the ideas of Brian Bolton, a student in the spring 1994 seminar who chose Naked Lunch as the subject for his seminar paper, were particularly helpful in the gestation of this essay; I also benefited from the paper written on Naked Lunch by spring 1995 seminar student Christopher Dale. Gary Minda of Brooklyn Law School commented on an early draft of the essay, as did several Stetson University colleagues: John Cooper, Peter Lake, Terrill Poliman (now at Illinois), and Manuel Ramos (now at Tulane) of the College of Law, Michael Raymond of the English Department and Greg McCann of the School of Business Administration. -
Everything Lost
Everything Lost Everything LosT THE LATIN AMERICAN NOTEBOOK OF WILLIAM S. BURROUGHS GENERAL EDITORS Geoffrey D. Smith and John M. Bennett VOLUME EDITOR Oliver Harris THE OHIO STATE UNIVERSITY PRESS / COLUMBUS Copyright © 2008 by the Estate of William S. Burroughs. All rights reserved. Library of Congress Cataloging-in-Publication Data Burroughs, William S., 1914–1997. Everything lost : the Latin American notebook of William S. Burroughs / general editors: Geoffrey D. Smith and John M. Bennett ; introduction by Oliver Harris. p. cm. Includes bibliographical references. ISBN-13: 978-0-8142-1080-2 (alk. paper) ISBN-10: 0-8142-1080-5 (alk. paper) 1. Burroughs, William S., 1914–1997—Notebooks, sketchbooks, etc. 2. Burroughs, William S., 1914–1997— Travel—Latin America. I. Smith, Geoffrey D. (Geoffrey Dayton), 1948– II. Bennett, John M. III. Title. PS3552.U75E63 2008 813’.54—dc22 2007025199 Cover design by Fulcrum Design Corps, Inc . Type set in Adobe Rotis. Text design and typesetting by Jennifer Shoffey Forsythe. Printed by Sheridan Books, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanance of Paper for Printed Library Materials. ANSI Z39.49-1992. 9 8 7 6 5 4 3 2 1 coNtents ACKNOWLEDGMENTS vii INTRODUCTION BY OLIVER HARRIS ix COMMENTS ON THE TEXT BY GEOFFREY D. SMITH xxvii NOTEBOOK FACSIMILE 1 TRANSCRIPT AND FAIR COPY (with notes and variant readings) 105 ABOUT THE EDITORS 217 acknoWledgments First and foremost, the editors wish to thank James Grauerholz, literary execu- tor of the William S. Burroughs estate, for permission to publish this seminal holograph notebook. -
Snedeker: "Closing Time"
Closing Time George Snedeker In his novels, William Burroughs constructs a complex mythological structure. The tropes of evolution and religion are central to novels like Nova Express and The Western Lands. In this essay, I will argue that these novels are political/philosophical representations of contemporary society. Burroughs moves concrete political conflicts to the plane of metatheoretical reflections by means of the construction of grand mythological frameworks. He rarely ever addresses politics directly. Instead, he offers movie-like narratives that the reader is forced to reconnect to everyday reality. Both the cut-ups and his fragmented narratives try to force the reader into the work of reconstructing the existential field of action. There are no blueprints or programs for action to guide our struggles in his novels. Burroughs' radicalism was a radicalism of the imagination. He tried to revive the capacity to dream and imagine alternative worlds, not to get stuck in this highly corrupt universe of thought. How does one think his/her way out of a prisonhouse of language and the symbolic order of domination? This is why there is so much emphasis on individual and collective struggles for personal liberty in his novels. I will argue that Burroughs understood the quest for freedom in both quotidian and global terms. In books like The Wild Boys, Cities of the Red Night and The Place of Dead Roads there is a clear attempt to formulate a collective struggle against the cosmic and social forces of evil. In The Wild Boys, this struggle takes the form of the politics of the imaginary. -
Abstract Art, 29 Abstract Writing, 29, 31, 43, 81, 83, 84, 160
Index Abstract art, 29 254, 260 Abstract writing, 29, 31, 43, 81, 83, Authorship, 2, 30, 43, 47, 62, 65, 109, 84, 160 121, 143, 144, 158, 59, 197, Abstraction, 82, 158 201, 207, 209, 221, 223 Acker, Kathy, 3, 4, 18, 131, 149, 151- Author Function, 7, 27, 56, 57, 206, 197, 199, 207, 209, 210n, 211, 223 218, 219, 222, 225, 230, 232, Authority, 43, 48, 86, 128, 142, 152, 238, 241, 242-243, 250, 251, 167, 243, 250 253, 261 Automatic Writing, 6, 25, 77 and antagonism, 152, 164 Avant-bard, 205-206 biographical details, 151-153, Avant-garde, 4-5, 7, 8, 9, 11, 12-13, 160, 162 17-18, 22-23, 26, 38, 42, 47, 65, and censorship, 167, 188 67, 68, 70, 83, 152, 153, 156, critical reception, 164-165 163, 165, 182, 202-205, 213- and identity, 153n, 163-164 214, 216, 223, 226, 237, 249, influences, 151, 153, 155-156, 251, 252-253, 260, 265 181-182 Ballard, J.G., 70 and plagiarism, 153-154, 157- Balch, Anthony, 58, 63-65, 99, 125, 160, 163, 170, 180-181, 191, 161 193, 196 Barthes, Roland, 11, 15, 38, 40, 100- and tattoos, 190 101, 243, 263 Ah Pook is Here (Burroughs), 116, Beach, Mary, 70, 74, 75, 76, 106 121, 125-126, 127, 130, 145 Beach Books, Text and Documents, Allen, Richard, 200, 205, 218-220, 70, 73, 75 223-224, 226 Beat Generation, 1, 2, 22, 27, 71, 76, Anti-Oedipus, 168-169 88, 91, 159, 204 Antin, David, 163 Beckett, Samuel, 4, 208, 240 Anti-novel, 208, 228, 229, 238, 243 Beiles, Sinclair, 27-28, 47, 70, 234 Appropriation, 13-14, 95, 108, 156, Belle de Jour, 201, 246 160, 162, 163, 165, 175, 183, Bergson, Henri, 219 184, 189, 195, 198, 205, 210, -
Authorship in Burroughs's Red Night Trilogy and Bowles's Translation of Moroccan Storytellers
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 18 (2016) Issue 5 Article 5 Authorship in Burroughs's Red Night Trilogy and Bowles's Translation of Moroccan Storytellers Benjamin J. Heal National Chung Cheng University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the African Languages and Societies Commons, American Literature Commons, Literature in English, North America Commons, Other Arts and Humanities Commons, and the Translation Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Heal, Benjamin J. "Authorship in Burroughs's Red Night Trilogy and Bowles's Translation of Moroccan Storytellers." CLCWeb: Comparative Literature and Culture 18.5 (2016): <https://doi.org/10.7771/1481-4374.2966> This text has been double-blind peer reviewed by 2+1 experts in the field. -
Addictation Machines
ADDICTATION MACHINES ADDICTATION MACHINES AUTHOR • JAMES GODLEY ARTIST • VALENTIN HENNIG L’entrée dans la crypte à laquelle participent William Burroughs et sa mère s’ouvre et se ferme autour d’une Entry into the crypt William Burroughs shared with his représentation échouée de la légende de Guillaume Tell mother opened and shut around a failed re-enactment essayant d’atteindre une pomme placée sur la tête d’un of William Tell’s shot through the prop placed upon a être aimé. Le meurtre accidentel de sa femme achève loved one’s head. The accidental killing of his wife Joan l’installation de la machine d’addictation qui file la completed the installation of the addictation machine mélancolie comme une diffusion frénétique. Un encod- that spun melancholia as manic dissemination. An early age précoce auquel s’ajoute une part audio de l’abus encryptment to which was added the audio portion of induit un message impossible à livrer en WB. William abuse deposited an undeliverable message in WB. Wil- ne peut jamais le dire (tell), bien que son corps porte liam could never tell, although his corpus bears the in- l’inscription de cette impossibilité comme une autre scription of this impossibility as another form of pos- sorte de possibilité. sibility. James Godley est actuellement doctorant en anglais James Godley is currently a doctoral candidate in Eng- à l’Université de Buffalo où il étudie la psychanal- lish at SUNY Buffalo, where he studies psychoanalysis, yse, la philosophie continentale et la littérature du Continental philosophy, and nineteenth-century litera- dix-neuvième siècle des États-Unis, ainsi que celle de ture and poetry (British and American). -
Beat Generation Icon William S. Burroughs Found Love – and Loved Life – During His Years in Lawrence
FOR BURROUGHS, IT ALL ADDED UP BURROUGHS CREEK TRAIL & LINEAR PARK Beat Generation icon William S. Burroughs found love – and loved life – during his years in Lawrence William S. Burroughs, once hailed by In 1943, Burroughs met Allen Ginsberg America after charges of obscenity were 11th Street Norman Mailer as “the only American and Jack Kerouac. They became fast rejected by the courts. In the meantime, novelist living today who may conceivably friends, forming the nucleus of the Burroughs had moved to Paris in 1958, be possessed by genius,” lived in Lawrence nascent Beat Generation, a group of working with artist Brion Gysin, then on a few blocks west of this spot for the last 16 often experimental writers exploring to London in 1960, where he lived for 14 13th Street years of his life. Generally regarded as one postwar American culture. years, publishing six novels. of the most influential writers of the 20th century, his books have been translated Burroughs became addicted to narcotics In 1974, Burroughs returned to 15th Street into more than 70 languages. Burroughs in 1945. The following year, he New York City where he met James was also one of the earliest American married Joan Vollmer, the roommate Grauerholz, a former University of multimedia artists; his films, recordings, of Kerouac’s girlfriend. They moved Kansas student from Coffeyville, paintings and collaborations continue to to a farm in Texas, where their son Kansas, who soon became Burroughs’ venue venue A A inspire artists around the world. He is the Billy was born. In 1948, they relocated secretary and manager. -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
Gay Themes in the Film Interview with the Vampire
THESIS A QUEER PERSPECTIVE: GAY THEMES IN THE FILM INTERVIEW WITH THE VAMPIRE Submitted by Jared A. Bendel Department of Communication Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Spring 2013 Master’s Committee: Advisor: Carl R. Burgchardt Eric Aoki Sarah Sloane ABSTRACT A QUEER PERSPECTIVE: GAY THEMES IN THE FILM INTERVIEW WITH THE VAMPIRE There are a growing number of mainstream films and television shows which include gay characters or same-sex families as central figures: A Single Man, The Kids Are Alright, Will & Grace, Mad Men, Two and a Half Men, and Modern Family. This thesis sets out to determine if the film Interview with the Vampire, which preceded the above named films and television shows by more than five years, is a cite of queer cinema that focuses on gay themes while proposing a same-sex family. In coupling Seymour Chatman’s rhetorical theory of narrative in fiction - literature and film with Harry Benshoff and Sean Griffin’s theory of Queer Cinema, the study focuses on locating and citing specific instances where gay themes of identity and identification along with the theme of the same-sex family emerge. The study utilizes the novel Interview with the Vampire by Ann Rice as a critical touchstone and draws from Roland Barthes’ concept of “Rhetoric of the Image” to evaluate the strength of the themes found within the adapted film Interview with the Vampire. The research finds several examples of the re-presentation of individual gay lives and uncovers evidence of a cinematic representation of a same-sex family. -
Yage Letters Redux
RealityStudio A William S. Burroughs Community Bibliographic Bunker Yage Letters Redux Tags: Cut-Up, Drugs, Little Magazines, Oliver Harris, William Burroughs, Yage Letters RealityStudio Reviews the New Edition Prepared by Oliver Harris It is an acknowledged paradox at the heart of William S. Burroughs’ work that his greatest books called into question how much they were even his. Whereas Samuel Beckett tried to eviscerate the novel from within — to “naughten” it, to borrow a term from Heidegger — Burroughs seemed to do the same to authorship as such. Friends and chance helped to assemble his masterpiece, Naked Lunch, from fragments he claimed not to remember writing. In the 1960s he advocated mechanical procedures, the cut up and the fold in, for composing literary works. Throughout his career he liked to collaborate with other artists. (You imagine teachers writing “plays well with others” on the report cards of young Bill.) And of course many of his works wouldn’t have seen the light of day without the early boosterism of Allen Ginsberg and the later support of James Grauerholz. It’s as though Burroughs himself were rather like the drug yagé: a source of brilliant visions unable to be realized without an added ingredient to potentiate them. Burroughs might have achieved little without the literary catalysts in his life: Ginsberg, Gysin, and Grauerholz. The three Gs. Given that Burroughs established this approach — not the composition of books but the decomposition of authorship — early in his career, it is not alarming to see his books continuing to be revised since his death in 1997. -
The Sounds of Love from William S. Burroughs
Occam's Razor Volume 5 (2015) Article 3 2015 "What is Love?" The oundS s of Love from William S. Burroughs Kathryn Cronin Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/orwwu Part of the Arts and Humanities Commons, Biological and Physical Anthropology Commons, Biology Commons, Comparative Politics Commons, Exercise Science Commons, Forest Biology Commons, Macroeconomics Commons, and the Physical Sciences and Mathematics Commons Recommended Citation Cronin, Kathryn (2015) ""What is Love?" The oundS s of Love from William S. Burroughs," Occam's Razor: Vol. 5 , Article 3. Available at: https://cedar.wwu.edu/orwwu/vol5/iss1/3 This Research Paper is brought to you for free and open access by the Western Student Publications at Western CEDAR. It has been accepted for inclusion in Occam's Razor by an authorized editor of Western CEDAR. For more information, please contact [email protected]. Cronin: "What is Love?" “ WHAT IS The LOVE ?” Sounds of Love from William S. Burroughs BY KATHRYN CRONIN William Burroughs, his life and works, have a set beginning and end, but the biological and spiritual connections he draws between language, sound, and the human body appear to have undened points of origin. Sound has always 16 been. Language has always been. To exist outside of language and sound is to exist outside of time and space and thus outside the body. Burroughs’ theories on language, the word, and their connection to the body are woven through texts lled with structural and narrative convolutions. e Nova Trilogy, especially e Ticket at Exploded, as well as the early novel Naked Lunch, establish a biological link between sex and sound, both musical, in instances of consumptive love. -
The Time of the Naguals: Research
THE TIME OF THE NAGUALS Research Interzone anthology Tome 2 Channel Interzone - Watching You by Paul O'Donovan Interzone Editions THE TIME OF THE NAGUALS RESEARCH TOME 2 © Isabelle AUBERT-BAUDRON Interzone Editions interzone.editions[at]outlook.fr http://www.interzoneeditions.net/ ISBN: 978-2-9531513-8-1 9782953151381 Août 2017 ▬▬▬▬▬ The Time of the Naguals – Research ▬▬▬▬▬ Table of contents Table of contents _______________________________________________________________________ I Illustrations ___________________________________________________________________________ IV Dreamachine __________________________________________________________________________ 1 Dreamachine : Here to Go : Planet R 101 by Brion Gysin and Terry Wilson _______________________________ 2 If you want to change fate ...cut up words _________________________________________________________________ 2 Magical origins of art __________________________________________________________________________________ 2 Cut-ups discovery _____________________________________________________________________________________ 3 Control _____________________________________________________________________________________________ 4 Dreamachine - (Extract of Re/Search : William Burroughs/Throbbing Gristle/Brion Gysin)1982 ______________ 7 HOW TO BUILD A SIMPLE AND CHEAP DREAMACHINE by Isabelle Aubert-Baudron (1981) __________________ 8 EQUIPMENT _________________________________________________________________________________________ 8 PRINCIPLE OF THE DREAMACHINE _______________________________________________________________________