The Time of the Naguals: Research
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Naked Lunch for Lawyers: William S. Burroughs on Capital Punishment
Batey: Naked LunchNAKED for Lawyers: LUNCH William FOR S. Burroughs LAWYERS: on Capital Punishme WILLIAM S. BURROUGHS ON CAPITAL PUNISHMENT, PORNOGRAPHY, THE DRUG TRADE, AND THE PREDATORY NATURE OF HUMAN INTERACTION t ROBERT BATEY* At eighty-two, William S. Burroughs has become a literary icon, "arguably the most influential American prose writer of the last 40 years,"' "the rebel spirit who has witch-doctored our culture and consciousness the most."2 In addition to literature, Burroughs' influence is discernible in contemporary music, art, filmmaking, and virtually any other endeavor that represents "what Newt Gingrich-a Burroughsian construct if ever there was one-likes to call the counterculture."3 Though Burroughs has produced a steady stream of books since the 1950's (including, most recently, a recollection of his dreams published in 1995 under the title My Education), Naked Lunch remains his masterpiece, a classic of twentieth century American fiction.4 Published in 1959' to t I would like to thank the students in my spring 1993 Law and Literature Seminar, to whom I assigned Naked Lunch, especially those who actually read it after I succumbed to fears of complaints and made the assignment optional. Their comments, as well as the ideas of Brian Bolton, a student in the spring 1994 seminar who chose Naked Lunch as the subject for his seminar paper, were particularly helpful in the gestation of this essay; I also benefited from the paper written on Naked Lunch by spring 1995 seminar student Christopher Dale. Gary Minda of Brooklyn Law School commented on an early draft of the essay, as did several Stetson University colleagues: John Cooper, Peter Lake, Terrill Poliman (now at Illinois), and Manuel Ramos (now at Tulane) of the College of Law, Michael Raymond of the English Department and Greg McCann of the School of Business Administration. -
Everything Lost
Everything Lost Everything LosT THE LATIN AMERICAN NOTEBOOK OF WILLIAM S. BURROUGHS GENERAL EDITORS Geoffrey D. Smith and John M. Bennett VOLUME EDITOR Oliver Harris THE OHIO STATE UNIVERSITY PRESS / COLUMBUS Copyright © 2008 by the Estate of William S. Burroughs. All rights reserved. Library of Congress Cataloging-in-Publication Data Burroughs, William S., 1914–1997. Everything lost : the Latin American notebook of William S. Burroughs / general editors: Geoffrey D. Smith and John M. Bennett ; introduction by Oliver Harris. p. cm. Includes bibliographical references. ISBN-13: 978-0-8142-1080-2 (alk. paper) ISBN-10: 0-8142-1080-5 (alk. paper) 1. Burroughs, William S., 1914–1997—Notebooks, sketchbooks, etc. 2. Burroughs, William S., 1914–1997— Travel—Latin America. I. Smith, Geoffrey D. (Geoffrey Dayton), 1948– II. Bennett, John M. III. Title. PS3552.U75E63 2008 813’.54—dc22 2007025199 Cover design by Fulcrum Design Corps, Inc . Type set in Adobe Rotis. Text design and typesetting by Jennifer Shoffey Forsythe. Printed by Sheridan Books, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanance of Paper for Printed Library Materials. ANSI Z39.49-1992. 9 8 7 6 5 4 3 2 1 coNtents ACKNOWLEDGMENTS vii INTRODUCTION BY OLIVER HARRIS ix COMMENTS ON THE TEXT BY GEOFFREY D. SMITH xxvii NOTEBOOK FACSIMILE 1 TRANSCRIPT AND FAIR COPY (with notes and variant readings) 105 ABOUT THE EDITORS 217 acknoWledgments First and foremost, the editors wish to thank James Grauerholz, literary execu- tor of the William S. Burroughs estate, for permission to publish this seminal holograph notebook. -
Джоð½ Зоñ€Ð½ ÐлÐ
Джон Зорн ÐÐ »Ð±ÑƒÐ¼ ÑÐ ¿Ð¸ÑÑ ŠÐº (Ð ´Ð¸ÑÐ ºÐ¾Ð³Ñ€Ð°Ñ„иÑÑ ‚а & график) The Big Gundown https://bg.listvote.com/lists/music/albums/the-big-gundown-849633/songs Spy vs Spy https://bg.listvote.com/lists/music/albums/spy-vs-spy-249882/songs Buck Jam Tonic https://bg.listvote.com/lists/music/albums/buck-jam-tonic-2927453/songs https://bg.listvote.com/lists/music/albums/six-litanies-for-heliogabalus- Six Litanies for Heliogabalus 3485596/songs Late Works https://bg.listvote.com/lists/music/albums/late-works-3218450/songs https://bg.listvote.com/lists/music/albums/templars%3A-in-sacred-blood- Templars: In Sacred Blood 3493947/songs https://bg.listvote.com/lists/music/albums/moonchild%3A-songs-without-words- Moonchild: Songs Without Words 3323574/songs The Crucible https://bg.listvote.com/lists/music/albums/the-crucible-966286/songs Ipsissimus https://bg.listvote.com/lists/music/albums/ipsissimus-3154239/songs The Concealed https://bg.listvote.com/lists/music/albums/the-concealed-1825565/songs Spillane https://bg.listvote.com/lists/music/albums/spillane-847460/songs Mount Analogue https://bg.listvote.com/lists/music/albums/mount-analogue-3326006/songs Locus Solus https://bg.listvote.com/lists/music/albums/locus-solus-3257777/songs https://bg.listvote.com/lists/music/albums/at-the-gates-of-paradise- At the Gates of Paradise 2868730/songs Ganryu Island https://bg.listvote.com/lists/music/albums/ganryu-island-3095196/songs The Mysteries https://bg.listvote.com/lists/music/albums/the-mysteries-15077054/songs A Vision in Blakelight -
Journeys of the Beat Generation
My Witness Is the Empty Sky: Journeys of the Beat Generation Christelle Davis MA Writing (by thesis) 2006 Certificate of Authorship/Originality I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all the information sources and literature used are indicated in the thesis. Signature of Candidate 11 Acknowledgements A big thank you to Tony Mitchell for reading everything and coping with my disorganised and rushed state. I'm very appreciative of the Kerouac Conference in Lowell for letting me attend and providing such a unique forum. Thank you to Buster Burk, Gerald Nicosia and the many other Beat scholars who provided some very entertaining e mails and opinions. A big slobbering kiss to all my beautiful friends for letting me crash on couches all over the world and always ringing, e mailing or visiting just when I'm about to explode. Thanks Andre for making me buy that first copy of On the Road. Thank you Tim for the cups of tea and hugs. I'm very grateful to Mum and Dad for trying to make everything as easy as possible. And words or poems are not enough for my brother Simon for those silly months in Italy and turning up at that conference, even if you didn't bother to wear shoes. -
Otomo Yoshihide, Bill Laswell, Yoshigaki Yasuhiro - Soup Live Bill Laswell - Kauai : the Arch of Heaven Shin Terai - Unison
Otomo Yoshihide Soup mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Jazz / Rock Album: Soup Country: Russia Style: Free Improvisation MP3 version RAR size: 1580 mb FLAC version RAR size: 1435 mb WMA version RAR size: 1427 mb Rating: 4.6 Votes: 974 Other Formats: RA WAV AC3 APE AUD XM MOD Tracklist 1 Duck 11:07 2 Mushroom 9:56 3 Crab 14:13 4 Seaweeds 12:29 Companies, etc. Recorded At – Gok Sound Mixed At – Orange Music Mastered At – Turtle Tone Studios Record Company – G. & P. Essential Music Credits Bass, Effects, Sampler, Mixed By – Bill Laswell Design – Chikara Iwai Drums, Percussion, Drums [Electric], Trumpet – Yasuhiro Yoshigaki Engineer – Robert Musso Engineer [Assistant] – James Dellatacoma Guitar, Turntables, Edited By – Otomo Yoshihide Mastered By – Michael Fossenkemper Producer – Shin Terai Recorded By – Kondo Yoshiaki* Notes Jewel Case Barcode and Other Identifiers Barcode: 4 995879 058565 Rights Society: JASRAC Matrix / Runout: ZZ-03GP0001754 Other versions Category Artist Title (Format) Label Category Country Year Otomo Yoshihide, Otomo Yoshihide, Bill Bill Laswell, P-Vine PCD-5856 Laswell, Yoshigaki Yasuhiro* PCD-5856 Japan 2003 Yoshigaki Records - Soup (CD, Album) Yasuhiro* Ion 2022 Soup Soup (CD, Album, RE) ION Ion 2022 US 2007 Soup (4xFile, ALAC, Album, none Soup ION none US 2015 RE) Related Music albums to Soup by Otomo Yoshihide Toshinori Kondo, Eraldo Bernocchi, Bill Laswell - Charged Bill Laswell & Toshinori Kondo Featuring His Holiness The Dalai Lama - Life, Space, Death Otomo Yoshihide & Saga Yuki - See You In A Dream Various - The Meta Collection Bill Laswell - Outer Dark Otomo Yoshihide's New Jazz Quintet - Pulser Roots Tonic Meets Bill Laswell - Roots Tonic Meets Bill Laswell Otomo Yoshihide, Bill Laswell, Yoshigaki Yasuhiro - Soup Live Bill Laswell - Kauai : The Arch Of Heaven Shin Terai - Unison. -
Narrating Demons, Transformative Texts
Narrating Demons, Transformative Texts Narrating Demons, Transformative Texts Rereading Genius in Mid-Century Modern Fictional Memoir DANIEL T. O’HaRA THEOHIO STATEUNIVErsITYPREss • COLumBus Copyright © 2012 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data O’Hara, Daniel T., 1948– Narrating demons, transformative texts : rereading genius in mid-century modern fictional memoir / Daniel T. O’Hara. p. cm. Includes bibliographical references and index. ISBN 978-0-8142-1179-3 (cloth : alk. paper)—ISBN 978-0-8142-9280-8 (cd) 1. Literature, Modern—20th century—History and criticism. 2. Genius in lit- erature. 3. Mann, Thomas, 1875–1955. Doktor Faustus. 4. Nabokov, Vladimir Vladi- mirovich, 1899–1977. Lolita. 5. Burroughs, William S., 1914–1997. Naked lunch. I. Title. PN771.O37 2012 809.392553—dc23 2011036067 Cover design by Larry Nozik. Type set in Adobe Minion Pro. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 To Jonathan Arac, Paul Bove, and Donald Pease: Brothers! The separable meanings of each word . are here brought into one. And as they come together, as the reader’s mind finds cross-connection after cross- connection between them, he seems, in becoming more aware of them, to be discovering not only Shakespeare’s meaning [in Venus and Adonis], but something which he, the reader, is himself making. His understanding of Shakespeare is sanctioned by his own activity in it. -
Authorship in Burroughs's Red Night Trilogy and Bowles's Translation of Moroccan Storytellers
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 18 (2016) Issue 5 Article 5 Authorship in Burroughs's Red Night Trilogy and Bowles's Translation of Moroccan Storytellers Benjamin J. Heal National Chung Cheng University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the African Languages and Societies Commons, American Literature Commons, Literature in English, North America Commons, Other Arts and Humanities Commons, and the Translation Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Heal, Benjamin J. "Authorship in Burroughs's Red Night Trilogy and Bowles's Translation of Moroccan Storytellers." CLCWeb: Comparative Literature and Culture 18.5 (2016): <https://doi.org/10.7771/1481-4374.2966> This text has been double-blind peer reviewed by 2+1 experts in the field. -
Addictation Machines
ADDICTATION MACHINES ADDICTATION MACHINES AUTHOR • JAMES GODLEY ARTIST • VALENTIN HENNIG L’entrée dans la crypte à laquelle participent William Burroughs et sa mère s’ouvre et se ferme autour d’une Entry into the crypt William Burroughs shared with his représentation échouée de la légende de Guillaume Tell mother opened and shut around a failed re-enactment essayant d’atteindre une pomme placée sur la tête d’un of William Tell’s shot through the prop placed upon a être aimé. Le meurtre accidentel de sa femme achève loved one’s head. The accidental killing of his wife Joan l’installation de la machine d’addictation qui file la completed the installation of the addictation machine mélancolie comme une diffusion frénétique. Un encod- that spun melancholia as manic dissemination. An early age précoce auquel s’ajoute une part audio de l’abus encryptment to which was added the audio portion of induit un message impossible à livrer en WB. William abuse deposited an undeliverable message in WB. Wil- ne peut jamais le dire (tell), bien que son corps porte liam could never tell, although his corpus bears the in- l’inscription de cette impossibilité comme une autre scription of this impossibility as another form of pos- sorte de possibilité. sibility. James Godley est actuellement doctorant en anglais James Godley is currently a doctoral candidate in Eng- à l’Université de Buffalo où il étudie la psychanal- lish at SUNY Buffalo, where he studies psychoanalysis, yse, la philosophie continentale et la littérature du Continental philosophy, and nineteenth-century litera- dix-neuvième siècle des États-Unis, ainsi que celle de ture and poetry (British and American). -
Volume CXXXIX, Number 13, February 12, 2021
The Student Newspaper of Lawrence University Since 1884 THE VOL. CXXXIX NO.LAWRENTIAN 13 APPLETON, WISCONSIN FEBRUARY 12, 2021 (RIGHT) Lawrence University Community Council’s logo. Photo from lawrence. Inequity Report pushes LUCC to edu. adjust funding policies Caleb Yuan surer junior Tarrel Nedderman said. ing allows LUCC Staff Writer “We, as a governing body, need to be to discuss the _____________________________________ intentional in the phrases that are funding in- Following an internal funding re- used for our legislation. Legislation equity in view from the past academic year, can always be improved on for the fu- the future. the Lawrence University Community ture, and we will continue to address Ac- Council (LUCC) is working to address issues or misunderstandings of the cording inequities in the funding of student or- legislation as they arise.” to Bern- ganizations on campus. LUCC has be- Although addressing the funding gun its attempt to establish equitable inequities is still a work in progress, a funding policies for all of the student few beginning steps have been made. body. In response to the result, LUCC and According to junior Jason Bern- CODA came to an agreement to set heimer, heimer, the Vice Chair of the Com- aside $7,000 to CODA as a compensa- CODA mittee on Diversity Affairs (CODA), tion for underfunding towards diver- has been CODA looked at the budget allocation sity organizations in the last academic told by made by the Finance Committee for year, according to Bernheimer. The various stu- the 2018-2019 academic year. After set aside funds were partially spent dent orga- calculating the percentage of funds during the last academic year, and the nizations that requested versus funds allocated, the rest was reallocated to CODA for this funding has al- data showed that, on average, diver- academic year. -
Beat Generation Icon William S. Burroughs Found Love – and Loved Life – During His Years in Lawrence
FOR BURROUGHS, IT ALL ADDED UP BURROUGHS CREEK TRAIL & LINEAR PARK Beat Generation icon William S. Burroughs found love – and loved life – during his years in Lawrence William S. Burroughs, once hailed by In 1943, Burroughs met Allen Ginsberg America after charges of obscenity were 11th Street Norman Mailer as “the only American and Jack Kerouac. They became fast rejected by the courts. In the meantime, novelist living today who may conceivably friends, forming the nucleus of the Burroughs had moved to Paris in 1958, be possessed by genius,” lived in Lawrence nascent Beat Generation, a group of working with artist Brion Gysin, then on a few blocks west of this spot for the last 16 often experimental writers exploring to London in 1960, where he lived for 14 13th Street years of his life. Generally regarded as one postwar American culture. years, publishing six novels. of the most influential writers of the 20th century, his books have been translated Burroughs became addicted to narcotics In 1974, Burroughs returned to 15th Street into more than 70 languages. Burroughs in 1945. The following year, he New York City where he met James was also one of the earliest American married Joan Vollmer, the roommate Grauerholz, a former University of multimedia artists; his films, recordings, of Kerouac’s girlfriend. They moved Kansas student from Coffeyville, paintings and collaborations continue to to a farm in Texas, where their son Kansas, who soon became Burroughs’ venue venue A A inspire artists around the world. He is the Billy was born. In 1948, they relocated secretary and manager. -
The Dark Ecology of Naked Lunch
humanities Article The Dark Ecology of Naked Lunch George Hart Department of English, California State University Long Beach, Long Beach, CA 90840, USA; [email protected] Received: 15 September 2020; Accepted: 22 October 2020; Published: 30 October 2020 Abstract: In this article, I argue that William S. Burroughs’ novel Naked Lunch engages in a “perverse aesthetics” that is analogous to Timothy Morton’s theory of dark ecology. The novel’s main themes of consumption and control are directly related to the Anthropocene’s twin disasters of global warming and mass extinction, and the trope for addiction, junk, reveals Burroughs’ deep analysis of the political and social forces that attempt to control life, what Burroughs calls biocontrol. By placing the novel’s obsession with hanging/lynching in the context of dark ecology, its critique of racism can also be seen as a critique of speciesism. Keywords: William S. Burroughs; Naked Lunch; dark ecology; consumption; control; Timothy Morton; speciesism; consumerism; mass extinction In the introduction of The Green Ghost: William Burroughs and the Ecological Mind, Chad Weidner rejects Timothy Morton’s dark ecology as a model for reading Naked Lunch. Drawing from The Ecological Thought, Weidner dismisses Morton’s claims that thinking ecologically is viral (an idea that would seem to appeal to the author of Naked Lunch), and that ecology includes such things as human emotions, mental illness, and capitalism, because such a theory “cast[s] a very wide net indeed”. According to Weidner, Morton “seems to accept the notion of nature as a cultural construct ::: but at the same time advises that we abandon romantic notions of nature altogether, to develop a more skeptical postmodern position. -
Then and Now
Across the SPRING SUMMER THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES 2 0 1 3 Then and now Rediscovering the past, preparing for the future artsandsciences.fsu.edu SPRING / SUMMER 2013 • Letter from the dean reetings to our alumni and Those of you who know Jim O’Brien friends, and welcome to will understand when I describe him as a another issue of Across the force of nature. We honor his long career, Spectrum. In this issue, we one in which he has shared his passion celebrate both the history and for his subject with so many students, Photo by FSU Photo Lab Photo FSU by Photo G the future of FSU with stories with a profile in this issue. Perhaps the that simultaneously indulge our nostalgia most startling thing about Jim is the sheer DEAN PUBLISHER for the past and speak to the promise of number of students he’s mentored— Sam Huckaba Nancy Smilowitz our university moving forward. One of the including 44 Ph.D.s. After all he’s given to EDITOR DESIGNER great joys of being a part of a college as FSU, it gives me great pleasure to celebrate Wil Oakes Martin Young large and diverse as the College of Arts his career here. www.oakescreative.com [email protected] and Sciences is that our particular story is woven through every aspect of the larger Robert O. Lawton Professor of English PHOTOGRAPHY COPYEDITOR university’s story. This Spectrum invites us Stan Gontarski is part of an effort that Penny Gilmer Barry Ray WIMSE to remember that story even as we prepare has recently uncovered original writings FSU Special Collections CONSULTING EDITORS to write the next chapter.