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Bosworth at Redemore: Focus and Context
Bosworth at Redemore: Focus and Context PETER J. FOSS THE MOST SIGNIFICANT local document to come to light in recent years (that is, since my work of the 1980s) relevant to the location of the battle of Bosworth is a demesne terrier belonging to the Abbey of St Mary de Pratis (Leicester Abbey) identified by Professor Barrie Cox in his contribution to the archaeological survey undertaken by the Battlefields Trust in 2005–09. The document1 is dated to between 1467 and 1484 and itemises fields, furlongs and meadows in the township of Stoke Golding (‘Stoke’) at the end of the fifteenth century, on the cusp of the battle of Bosworth. I would like here to offer a brief examination of this document and, together with other local records, show how it helps to focus on the place where the battle of Bosworth was fought, and how this reflects on the context of the archaeological discoveries made in 2009. I would also like to correct and rebal- ance a number of recent misconceptions. A Leicester Abbey Demesne Terrier The document identifies three open fields – Halmorefelde, Garbrodfelde and Whytmorefelde – which can be equated roughly with later named areas (from the early seventeenth century at least) in the same parish; that is, the later-named ‘Crownehillfielde’ with Garbrodfelde, ‘Milnehillfield’ with Whytmorefelde, and Halmorefelde with the area that lay south of the manor-house and its park (the ‘Park’ and ‘Great Pasture’ marked on Trimnell’s map of 1637).2 The inference has been made, reasonably, that the change of name from Garbrodfelde to Crownehillfelde -
The Appropriateness of William Shakespeare's
T.C. SELÇUK ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ İNGİLİZ DİLİ VE EDEBİYATI ANA BİLİM DALI İNGİLİZ DİLİ VE EDEBİYATI BİLİM DALI THE APPROPRIATENESS OF WILLIAM SHAKESPEARE'S RICHARD III TO FILM ADAPTATION YÜKSEK LİSANS TEZİ DANIŞMAN YRD. DOÇ. DR. GÜLBÜN ONUR HAZİRLAYAN ŞEFİKA BİLGE CANTEKİNLER KONYA, 2005 ÖZET 1930ların başında Hollywood ile birlikte yükselen Amerikan Film Endüstrisi vazgeçilmez kaynakları arasında ünlü İngiliz oyun yazarı William Shakespeare'in eserlerini ilk sıraya oturtmuştur. Sessiz sinemadan günümüz üç boyutlu animasyon film dönemine geçişte klasik Shakespeare oyunları da her yeni yönetmen ve yapımcıyla birlikte farklı bir boyut kazanmıştır. Tarihsel bir trajedi olan Shakespeare'in III. Richard adlı oyunu ilk oynandığı 1590lardan günümüze kadar geçen sürede en çok sahnelenen ama en az anlaşılan oyunlardan biri olmuştur. Buna bağlı olarak III. Richard'ın seçilen üç film uyarlaması oyunu farkh yonlerden ele almışlardır. İlk film İngiliz aktör- yönetmen Sir Laurence Oliver'in 1955 film uyarlaması III. Richard, ikincisi İngiliz yönetmen Richard Loncraine'in İngiliz aktör-yönetmen Ian McKellen ile birlikte çektiği 1995 yapımı III. Richard ve sonuncusu da Amerikalı aktör Al Pacino'nun yönetip başrol oynadığı Looking For Richard (Richard'ı Aramak) adlı filmidir. Bu çalışma, seçilen üç sahne ile oyunun kahramanı olan III. Richard'ın yükseliş ve çöküşünü temel alarak üç film uyarlaması arasındaki farklılıkları değerlendirmektedir. Ayrıca, a9ihs monoloğu, kur yapma, baştan çıkarma ile savaş sahneleri incelenerek bunların Shakespeare'in metnini ne derece yansıttıkları ve bu sahnelerin birbirinden nasıl farklı olarak ele alındığını belirtmektedir. ABSTRACT Within the rise of Hollywood productions at the beginning of the 1930s, American Film Industry put the works of famous British playwright William Shakespeare at its one of the most indispensable sources. -
Geoffrey Wheeler
Ricardian Bulletin Magazine of the Richard III Society ISSN 0308 4337 March 2012 Ricardian Bulletin March 2012 Contents 2 From the Chairman 3 Society News and Notices 9 Focus on the Visits Committee 14 For Richard and Anne: twin plaques (part 2), by Geoffrey Wheeler 16 Were you at Fotheringhay last December? 18 News and Reviews 25 Media Retrospective 27 The Man Himself: Richard‟s Religious Donations, by Lynda Pidgeon 31 A new adventure of Alianore Audley, by Brian Wainwright 35 Paper from the 2011 Study Weekend: John de la Pole, earl of Lincoln, by David Baldwin 38 The Maulden Boar Badge, by Rose Skuse 40 Katherine Courtenay: Plantagenet princess, Tudor countess (part 2), by Judith Ridley 43 Miracle at Denny Abbey, by Lesley Boatwright 46 Caveat emptor: some recent auction anomalies, by Geoffrey Wheeler 48 The problem of the gaps (from The Art of Biography, by Paul Murray Kendall) 49 The pitfalls of time travelling, by Toni Mount 51 Correspondence 55 The Barton Library 57 Future Society Events 59 Branches and Groups 63 New Members and Recently Deceased Members 64 Calendar Contributions Contributions are welcomed from all members. All contributions should be sent to Lesley Boatwright. Bulletin Press Dates 15 January for March issue; 15 April for June issue; 15 July for September issue; 15 October for December issue. Articles should be sent well in advance. Bulletin & Ricardian Back Numbers Back issues of The Ricardian and the Bulletin are available from Judith Ridley. If you are interested in obtaining any back numbers, please contact Mrs Ridley to establish whether she holds the issue(s) in which you are interested. -
King Richard Iii/Looking for Richard
ENGLISH: KING RICHARD III/LOOKING FOR RICHARD Wherefore art thou Richard? There is no doubt that William Shakespeare’s King Richard III is relevant to twentieth century society; however, with changing contexts and values, its accessibility has been somewhat hindered. So, how do we solve this? Maise Smith explores this classic play in a contemporary environment. In his latest film, notable actor and director Al Pacino embarks on a quest in search of Richard, made famous as the Machiavellian of literary genius William Shakespeare’s King Richard III. Don’t know it? Read on. Looking for Richard follows Pacino as he questions the misunderstanding and disinterest surrounding Shakespeare’s collective work, and attempts to find contemporary meaning within King Richard III. It combines the general public’s opinion; experts conversing on Shakespeare’s context, meaning and use of techniques; and a filmic enactment of the original play. To understand the connections between the two texts, we must first look into Pacino’s purpose for creating a contemporary insight into such a classic play. The voxpops entwined throughout the movie depict the views of the American public, the overwhelming majority of whom possess a negative and ignorant perspective on his accessibility, and therefore relevance. Pacino takes it upon himself to counter this; to make Shakespeare accessible, and therefore relevant, aptly adopting the more prevalent medium of film to reflect his ideas. So, the question now evolves from “what are the connections between King Richard III and Looking for Richard?” to “what are the connections between King Richard III and the average, contemporary American viewer?” Answering the second aspect of the question invites a discussion of Pacino’s filmic choices. -
Challenge in the Mist by Graham Turner Richard III Society, Inc. Vol
Richard III Society, Inc. Vol. 42 No. 1 April, 2011 Challenge in the Mist by Graham Turner Dawn on the 14th April 1471, Richard Duke of Gloucester and his men strain to pick out the Lancastrian army through the thick mist that envelopes the battlefield at Barnet. Printed with permission l Copyright © 2000 In Richard’s Footsteps, 2010 Ricardian Tour Cover In This Issue Challenge in the Mist by Graham Turner Prints of this painting, and others of Richard III and In the Footsteps of King Richard III: 2010 the Wars of the Roses, are available from Studio 88 • Ricardian Tour, Pam Butler …3 www.studio88.co.uk • Studio 88 Ltd, PO Box 568, Aylesbury, Bucks. HP17 8ZX, England • phone/fax Towton Battlefield: Richard’s Cross to +44 (0)1296 338504. Bear, G. Peter Algar …14 York Minster stained glass of Richard III’s coat of In Memory of Frank Murph, arms. Public domain image from WikiMedia Commons (wikimedia.org) Mary Miller …15 ©2011 Richard III Society, Inc., American Branch. No The Duke of Gloucester and Edward V’s part may be reproduced or transmitted in any form or Convocation, Annette Carson …16 by any means mechanical, electrical or photocopying, recording or information storage retrieval—without American Branch -- Academic Support written permission from the Society. Articles submitted Laura Blanchard …17 by members remain the property of the author. The Ricardian Register is published four times per year. Ricardian Reading, Myrna Smith …21 Subscriptions are available at $20.00 annually. In the belief that many features of the traditional accounts of AGM: FIFTY YEARS OF LOOKING the character and career of Richard III are neither FOR RICHARD, Nita Musgrave …37 supported by sufficient evidence nor reasonably tenable, the Society aims to promote in every possible way A Word from the Editor …38 research into the life and times of Richard III, and to Pull-out inserts–center of Register: secure a re-assessment of the material relating to the period, and of the role in English history of this monarch. -
2017-Richard-3-Learning-Resources
LEARNING RESOURCES SYNOPSIS 2 QUICK FACTS 3 PERFORMANCE HISTORY 4 SOURCES AND SHAKESPEARE SHAPING HISTORY 5 HISTORY OF WOMEN PLAYING MALE ROLES IN SHAKESPEARE 6 CHARACTERS 8 THEMES 12 FROM THE DIRECTOR 17 DESIGN 18 OTHER RESOURCES 21 ACTIVITIES 23 EXERCISE ONE 23 EXERCISE TWO 24 EXERCISE THREE 25 EXERCISE FOUR 26 LEARNING RESOURCES RICHARD 3 © Bell Shakespeare 2017, unless otherwise indicated. Provided all acknowledgements are retained, this material may be used, Page 1 of 26 reproduced and communicated free of charge for non-commercial educational purposes within Australian and overseas schools RICHARD 3 SYNOPSIS England is enjoying a period of peace after a long civil war between the royal families of York and Lancaster, in which the Yorks were victorious and Henry VI was murdered (by Richard). King Edward IV is newly declared King, but his youngest brother, Richard (Gloucester) is resentful of Edward’s power and the general happiness of the state. Driven by ruthless ambition and embittered by his own deformity, he initiates a secret plot to take the throne by eradicating anyone who stands in his path. Richard has King Edward suspect their brother Clarence of treason and he is brought to the Tower by Brackenbury. Richard convinces Clarence that Edward’s wife, Queen Elizabeth, and her brother Rivers, are responsible for this slander and Hastings’ earlier imprisonment. Richard swears sympathy and allegiance to Clarence, but later has him murdered. Richard then interrupts the funeral procession of Henry VI to woo Lady Anne (previously betrothed to Henry VI’s deceased son, again killed by Richard). He falsely professes his love for her as the cause of his wrong doings, and despite her deep hatred for Richard, she is won and agrees to marry him. -
Advanced Paper 2 Module a - Elective 1: Exploring Connections
Advanced Paper 2 Module A - Elective 1: Exploring Connections Analyse how the central values portrayed in King Richard III are creatively reshaped in Looking for Richard. Prescribed texts: King Richard III, William Shakespeare, c. 1593 Looking for Richard, Al Pacino, 1996 Al Pacino states in his docudrama, Looking for Richard, that he wants his film to show that Shakespeare’s King Richard III is about “how we think Opens with a quotation from and feel today.” This idea of enduring values is reinforced in the interview the text that leads to a close with the homeless man, who believes that Shakespeare “instructed us” and consideration of reshaping and a we still have lessons to learn from him about feeling and understanding. thesis about the influence of The sub-title of the film is ‘A four hundred-year-old work in progress’, context on values (directly suggesting that for Pacino there are central values and ideas in the play that connecting with words in remain relevant for contemporary audiences. However, because of the question) profound changes from Elizabethan England to modern American society and the differences between Shakespearean drama and documentary films, some reshaping and re-interpretation of the original play are necessary. Some of the central ideas and values in King Richard III examine the nature Form and values are identified of authority, the acquisition of power and the extent to which decisions and as part of context in each text actions are the result of free will or determinism. Shakespeare expresses these ideas through poetry, with its reliance on motif and extended metaphor, through characterisation and through the idea of metadrama. -
Shakespeare on Film- Looking for Richard
SHAKESPEAREONFILM LOOKING FOR RICHARD Teachers’ Notes This study guide is aimed at students of GCSE English and Media, A’ level English Media and Film and GNVQ Media: Communication and Production. Areas investigated include Filming Shakespeare, Language, Documentary Styles and Representation. This series of study guides aims to provide teachers with valuableresource materials for the teaching of Shakespeare throughout the National Curriculum. Synopsis The American actor Al Pacino is the co-producer, director and star of the film ‘Looking For Richard’. His project intertwines the telling of the story of Shakespeare’s ‘Richard III’ with an intimate look at the actors’ and filmmakers’ processes as they come to grips with their characterisations and with translating their enthusiasm for the play onto film. The film ‘Looking For Richard’ follows their debates and revelations about the play, takes to the streets of New York to measure public opinion, visits the birthplace of Shakespeare and, finally, looks at a production of Richard III’. The film includes interviews with actors such as Kenneth Branagh and Vanessa Redgrave and seeks to prove that everyone can enjoy Shakespeare, and that his tales are timeless and universal. The completion of the film marks the culmination of a journey begun decades ago. when Pacino was touring colleges in the late 70’s talking to students who were reluctant to listen to Shakespeare and couldn’t see the relevance of his works. “But we would talk informally about the play and then I would read an excerpt” explains Pacino. Pacino notes, “By juxtaposing the day-to-day life of the actors and their characters with ordinary people, we attempted to create a comic mosaic - a very different Shakespeare. -
Miles, Stephen Thomas (2012) Battlefield Tourism: Meanings and Interpretations
Miles, Stephen Thomas (2012) Battlefield tourism: meanings and interpretations. PhD thesis. http://theses.gla.ac.uk/3547/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Battlefield Tourism: Meanings and Interpretations Stephen Thomas Miles B.A. (Hons.) Dunelm, M.A. Sheffield Thesis submitted for the degree of Doctor of Philosophy College of Arts University of Glasgow 2012 Dedicated to Dr Howard Thomas Miles (1931-2006) Abstract Battlefield sites are some of the most iconic locations in any nation’s store of heritage attractions and continue to capture the imagination of visitors. They have strong historic, cultural, nationalistic and moral resonances and speak to people on a national as well as a local scale. They have the power to provoke contention but at the same time foster understanding and respect through the consideration of deep moral questions. Battlefields are suffused with powerful stories of courage, sacrifice, betrayal and even cowardice. They have a strong sense of place and can provoke a range of cognitive and emotional reactions. -
FOR SALE Eastwoods Service Station Petrol Service Station with Bungalow, Industrial Units and Storage Land Total Site Area: 1.12 Hectares (2.76 Acres)
FOR SALE Eastwoods Service Station Petrol Service Station with Bungalow, Industrial Units and Storage Land Total site area: 1.12 hectares (2.76 acres) Ashby Road Stapleton Leicestershire LE9 8JE Guide Price £1,200,000 Not to Scale. For Illustration Only 47 D A4 Y ROA ASHB 7 44 A D OA Y R HB AS EASTWOODS SERVICE STATION Property Highlights • Fully trading, owner-operated Petrol Filling Station with shop, available as a going concern. • Alternatively, the Service Station could be closed, the property providing an excellent mixed-use investment and asset management opportunity. • Also, the property provides an excellent opportunity for an owner occupier industrial user with a variety of units and extensive yard areas. • Available Freehold with vacant possession. • Three bedroom bungalow with indoor swimming pool. • Haulage operator centre with O licence for 20 vehicles and 8 Trailers • Industrial and storage units totalling 1,148.63 sq m (12,362 sq ft). • MOT Testing Station • Also car wash and ancillary offices. • Total site area: 1.12 hectares (2.76 acres), including yard of 0.335 hectares (0.83 acres) Ashby Road, Stapleton, Leicestershire LE9 8JE Stafford Burton upon Trent M6 M1 Location M42 Eastwoods Service Station fronts the Cannock Lichfield Lichfield Market A447 Ashby Road equidistant Bosworth between Hinckley (5 miles to the Tamworth Leicester south) and Coalville (5 miles to the A444 Walsall M6 north), near the villages of Stapleton, TOLL A5 Sutton Cheney, Cadeby and Kirkby Hinckley Mallory. Market Bosworth is Wolverhampton approximately two miles to the Nuneaton M1 north-west. Adjacent and nearby are Birmingham M69 M6 extensive Garden Centres, the Mallory LutterworthLutterworth Park Motor Racing Centre, and the Bosworth Battlefield Visitor Centre. -
Stapleton Enterprise It’S Your Right to Know Mcpherson Co
SERVING LOGAN & McPHERSON COUNTIES THE STAPLETON FOR OVER 100 YEARS SinceLOGAN 1912 COUNTY, • creativeprintersonline.com STAPLETON NEBRASKA 69163 (USPS THURSDAY, 518780) NOVEMBER THURSDAY, 5, 2020 JANUARY 5, 2017 NO. NO. 1 45 Murder at Deadwood Solved COURTESY Murder at Deadwood characters, front row, l-r: Velda Cassell, bartender; Marcia Hora, saloon girl; Lori Streit, Henrietta High-Stakes; Shad Streit, Mitch Maverick; Rex Hanna, Marshal Dalton; and Cindy Frey, murder mystery coordinator. Middle row, l-r: Kendra Cutler, saloon girl; Connie O’Brien, Elizabeth Money; Klara Daly Minnie Money; Polly Burnside, Anna Belle; Amber Rooney, Sally Starr; Lauren Leetch, Taffy Garrette; Robin Garlett, Holly Hickok; Abby Sabel, Banker Bonnie; Jeana Hanna, Poker Alice; Candy Salisbury, Black Barbara; and Kourtney Cutler, saloon girl. Back row, l-r: Ash Ramirez, Banker Bob; Toby Kinderknecht, Montgomery Money; Rich Burnside, Harry High-Stakes; Kaman Dailey, Clay Coldwell; Art Leetch, Gambling Jack; Bryce Funk, Sheriff Sam; Tim Karn, Jesse Wales; and Scott Salisbury, Billy-The-Bartender. The Stapleton Commu- centered around the to be a very financially Leetch, gambler. Banker Bob - Ash Scott Salisbury, Saloon nity Center was trans- small western town of successful venture for the Anna Belle - Polly Burn- Ramirez, bank owner. bartender and book- formed into Deadwood Deadwood as people had saloon. side, wife of Gambling Banker Bonnie - Abby keeper. for the first annual poker been pouring into town As the evening unfolded Jack. Sabel, wife to Banker Bob. Overall coordinator - tournament, Saturday, for the biggest poker tour- Mitch Maverick (Shad Mitch Maverick - Shad Jesse Wales - Tim Karn, Cindy Frey. October 24. nament this side of the Streit) was murdered. -
E Lectionwrapup
PrebaN y every preaideat, with, per- tap», the exception of Franklin D. Roo IE sevelt, w ishes he could serve m erely as (weebformother ’s d a y I the president of the United Slates. But a* the embattled Mr. Reagw has beea taught, the U SA president m ist con sider him self the president of the world, whefcer he likes it sr aM. No matter what move he make* It la certain to r x l> irritate the aattoaals of some ether coaatry. Take the current trip abroad. If foreigner* read the newspapers or listened to the radio or watched T V they would think the coaatry had exported the most hideous character in the land — rather than one of the most popular an d SOl'TH-BKRGKN KKMKW presidents ever elected. VOL. S3 NO. 42 i at SI Ridge Rd.. Lyndtom. N J. THURSDAY, M AY », 1985 SrcawdCIaM PaaUge Paid , HaHwfart. NJ. I - , h.m Pahttaheft) ekly E lection w rapup Every four years Lyndhurst Thirteen candidates, plus a non that because of a somewhat lack ing has been between the two slates voters go to the polls to elect a five- binding referendum on the proposed lustre cam paign the turn-out will be 'Hiree of the candidates are running member Board of Commissioners. resource recovery plant, will face smaller if bad weather prevails. independently The election of 1965 falls on next the votes when they enter the polling However, if the day is sunny and Since Lyndhurst operates under Tuesday when the polls in the 15 booths.