Anwesan: a Search Engine for Bengali Literary Works

Total Page:16

File Type:pdf, Size:1020Kb

Anwesan: a Search Engine for Bengali Literary Works Anwesan: A Search Engine for Bengali Literary Works Suprabhat Das, Shibabroto Banerjee and Pabitra Mitra Department of Computer Science and Engineering Indian Institute of Technology Kharagpur West Bengal 721302, India Email: [email protected], [email protected], [email protected] World Digital Libraries 5(1): 11–18 Abstract Most of India’s literature was written in Bengali since the beginning of the 19th century. Hundreds of authors have contributed to the enrichment of Bengali literature for years. Besides that, nearly 300 million people around the world speak in Bengali. The language, having a rich traditional background and popularity throughout the world, must be taken care for the web users in the present era of World Wide Web (WWW). The digitization of Bengali literary works and the development of the search engine is very important for the benefi t of the Bengali language users all over the world. The paper describes Anwesan, a search engine for Bengali literature. Currently the entire work of Rabindranath Tagore and a part of Bankim Chandra Chattopadhyay’s work is searchable through Anwesan. Several advanced search features necessary for simple and expert users are supported. It also serves as a digital library with various metadata information. The engine is implemented by customizing DSpace in Bengali language and is perhaps the most exhaustive exercise in this direction. This search system was primarily open for the public in Kolkata Book Fair 2010 only with Rabindra Rachanabali collection. Since then,its been in high use. Keywords: Digitization, Anwesan, Rabindranath Tagore, Information retrieval, Metadata search 12 Suprabhat Das, Shibabroto Banerjee and Pabitra Mitra 1. Introduction describes the advanced features for Anwesan. The Deployment details are given in section 6 Bengali literary works have a long and rich and some future works are described in tradition of over hundreds years. It became section 7. rich with its variations over a period of time as it started to spread its different genres, like 2. The Bengali Literary Collection poetry, story, novel, essay, drama etc. From the with Metadata very beginning of the history of Bengali literary works, Ishwar Chandra Bandyopadhyay, 2.1 Rabindra Rachanabali Michael Madhusudan Dutt, Bankim Chandra The most prolifi c writer in Bengali literature is Chattopadhyay, Rabindranath Tagore, Kazi Nobel laureate Rabindranath Tagore. He wrote Nazrul Islam, Sarat Chandra Chattopadhyay, successfully in all literary genres in his lifetime Sukanta Bhattacharya and many others (1861-1941). Although known mostly for his contributed to enrich the literature. This poetry, he also wrote novels, stories, plays and panorama of literature is now extended by thousands of songs. Besides these, he wrote Sunil Gangopadhyay, Buddhadev Guha musical dramas, dance dramas, essays of all and others. types, travel diaries etc. The complete collection In the present era of World Wide Web, of Rabindra Rachanabali is stored in the the digitization of the huge Bengali literary database of Anwesan along with information work is extremely essential. Digital library about the documents like date of writing, date framework is a convenient mean to manage of publication, name of the main characters this huge collection of literary works. However, etc. The documents are stored in database after only storing the documents in digital forms classifying according to genres. There are many is not the complete task. Finding out the sub-categories in নাটক (drama), like গীতিনাট্য, desired document fast from this digital library নৃত্যনাট্য, ব্যঙ্গকৌতুক, হাস্যকৌতুক, প্রহসন. All these is also important. Hence, effi cient searching sub-categories are stored under the main genre. technique along with digital library makes There are more than fi ve thousand documents the system more user friendly. Apart from from Rabindra Rachanabali in the database that, storing additional information regarding of Anwesan. The number of documents in the documents, i.e. metadata, and applying Rabindra Rachanabali collection according to searching procedure on the metadata also, genres is given in Table 1. makes the system more informative and robust. This paper presents Anwesan, a digital library as well as search engine for Bengali literary works. Now the digital library has the Table 1 Rabindra Rachanabali collection according complete Rabindra Rachanabali collection and to genres part of Bankim Chandra Chattopadhyay’s work Genres No. of documents in the database. This is perhaps the fi rst effort উপন্যাস 13 of its kind in any Indian language. The rest of this paper is organized as follows. In the second নাটক 64 section, details of the Bengali literary collection গল্প 162 with metadata are given. The third section gives গান 1815 a brief overview of the architecture of Anwesan. কবিতা 2475 The implementation procedure using DSpace is given in the next section. The fi fth section প্রবন্ধ 719 World Digital Libraries 5(1): 11–18 Anwesan: A Search Engine for Bengali Literary Works 13 3. Bankim Chandra Chattopadhyay’s Chattopadhyay. The low level tier comprises of Writings individual items. All of the writings are stored in the relevant collection as an individual item. Bankim Chandra Chattopadhyay (1838-1894) Available information about those items, i.e. was the fi rst novelist in Bengali literature. He metadata, is also stored with them. There are is regarded as one of the founders of modern different sets of metadata for different collections. Bengali literature and also a key fi gure in literary A brief overview of the complete data structure renaissance of Bengal as well as India. He is mostly along with available metadata for individual items known for his astonishing variety of novels. in respective collection is given in Figure 1. Vande Mataram (ববদে্ মাতরম)্ is an eternal poem from his novel Anandamatha, which came to be 4. Architecture of Anwesan considered as the national song of India and a part Anwesan is a digital library as well as search of it was played during the Indian independence engine for the Rabindra Rachanabali collection. movement. The number of documents in Bankim Anwesan is developed on the framework of Chandra Chattopadhyay’s collection according to DSpace2 version 1.5.2. Like any other search the genres is given in Table 2. engines, in Anwesan also, the complete We are thankful to the Society for Natural functionality consists of two basic parts. First Language Technology Research1 for providing part is indexing and the second one is retrieval us the collection of Rabindranath Tagore and (Manning, Raghavan, and Schütze 2008). In Bankim Chandra Chattopadhyay with relevant the fi rst part, to create an index fi le from the information like date and place of writing, date contents of all the documents, we need to extract of publication, name of publisher, name of the every token from documents. A tokenizer main characters and many others. is used for that, and from every token, root The structure of the database has three tiers. words are extracted using a stemmer (Xu and The top most tier is a community, and under Croft 1998, Majumder, Mitra, Parui et al. 2007). it, there are many collections. In the database These root words are used to create the index of Anwesan, there are two main communities, fi le. We use a rule-based stemmer (Sarkar and named Rabindranath Tagore (রবীনদ্ রনাথ্ ঠাকরু ) Bandyopadhyay 2008, Das and Mitra 2011) for and Bankim Chandra Chattopadhyay (বঙকিমচন্ দ্ র্ this stemming procedure. The whole indexing চটটোপাধ্ যায়্ ). There are many collections according is done in administrator’s side. All the actions to the genres inside the communities. The in second part are done in users’ side. In this collections are novel (উপনযাস্ ), drama (নাটক), part, users search for their query. The search story (গলপ্ ), song (গান), poem (কবিতা) and essay engine looks for the user query from that index (পরবন্ ধ্ ) for Rabindranath Tagore and only novel fi le created in fi rst part and gives the correct (উপনযাস্ ) and essay (পরবন্ ধ্ ) for Bankim Chandra results, that is, relevant to the user query. In DSpace framework, indexing of full text as well Table 2 Collection of Bankim Chandra Chattopad- as metadata entries can be done. So every word hyay according to genres in the repository as well as the metadata entries Genres No. of documents are searchable in Anwesan using Lucene3, which উপন্যাস 14 is a high-performance, full-featured text search প্রবন্ধ 179 engine library written entirely in Java and used by DSpace. 1 SNLTR: http://www.nltr.org/SNLTR/ 2 DSpace, open source digital library framework: http://www.dspace.org/ 3 Apache Lucene, open-source search engine library: http://lucene.apache.org/ World Digital Libraries 5(1 ): 11–18 14 Suprabhat Das, Shibabroto Banerjee and Pabitra Mitra Figure 1 Data structure and available metadata for respective collections In the architecture of Anwesan, there maintains the displaying pages, where a user are many supporting modules for searching can enter queries or the pages where the procedure. There are tokenizer, stemmer, search results are displayed. The user queries database and database updating module for are sent to the application module for further indexing procedure. The index fi le is created processing and the search results are received for Bengali literary works using these modules. from the application module to display using In the retrieval part, the users type their query this module. The whole module consists of and get search result through user interface. JSP and servlets. Searching is done using application module P Application Module: The application and the rank score module is used to return the module is the most important module in search result after sorting them by relevancy the system.
Recommended publications
  • Paper Code: Dttm C205 Tourism in West Bengal Semester
    HAND OUT FOR UGC NSQF SPONSORED ONE YEAR DILPOMA IN TRAVEL & TORUISM MANAGEMENT PAPER CODE: DTTM C205 TOURISM IN WEST BENGAL SEMESTER: SECOND PREPARED BY MD ABU BARKAT ALI UNIT-I: 1.TOURISM IN WEST BENGAL: AN OVERVIEW Evolution of Tourism Department The Department of Tourism was set up in 1959. The attention to the development of tourist facilities was given from the 3 Plan Period onwards, Early in 1950 the executive part of tourism organization came into being with the appointment of a Tourist Development Officer. He was assisted by some of the existing staff of Home (Transport) Department. In 1960-61 the Assistant Secretary of the Home (Transport) Department was made Director of Tourism ex-officio and a few posts of assistants were created. Subsequently, the Secretary of Home (Transport) Department became the ex-officio Director of Tourism. Two Regional Tourist Offices - one for the five North Bengal districts i.e., Darjeeling, Jalpaiguri, Cooch Behar, West Dinajpur and Maida with headquarters at Darjeeling and the other for the remaining districts of the State with headquarters at Kolkata were also set up. The Regional Office at KolKata started functioning on 2nd September, 1961. The Regional Office in Darjeeling was started on 1st May, 1962 by taking over the existing Tourist Bureau of the Govt. of India at Darjeeling. The tourism wing of the Home (Transport) Department was transferred to the Development Department on 1st September, 1962. Development. Commissioner then became the ex-officio Director of Tourism. Subsequently, in view of the increasing activities of tourism organization it was transformed into a full-fledged Tourism Department, though the Secretary of the Forest Department functioned as the Secretary, Tourism Department.
    [Show full text]
  • \376\377\000C\000D\000R\000O\000 \0002\0000\0001\0004
    Monthly March 2014 For private circulation only Bulletin Suggested Contribution Rs. 15 APDR Statement Against Political Censorship the interests of the ruling party. The fact is clear from the Guild general secretary’s at Kolkata Book Fair statement that the discussion at the book release function could have annoyed the Guild’s Political Censorship at Book Fair state government. And why should a APDR condemns the withdrawal of permission by the Kolkata Book Fair authorities discussion on oppression of women annoy to release the book ‘Parijayee Nari’ written by Jashodhara Bagchi at the fair. The anyone after all, other than those who want so-called technical reasons provided by the Guild for the cancellation does not to perpetuate this crime? hold much water. The booking of the venue was done by a fair participant, SEARCH, We demand that the fair authorities for the release of the book published by Setu Prakashani, while the function was make amends immediately and let the book organised by a women’s forum, Nari Nirjatan Pratirodh Mancha. There are many release function be held at the same venue. instances in the past where books published by one publisher have been released by others. In fact, this is quite in line with the celebration of the free spirit of the Dhiraj Sengupta, world of books which the Kolkata Book Fair stands for. It is the Guild authorities General Secretary. who have violated it. APDR We also note with grave concern that a shadow of virtual censorship is looming large over the Kolkata Book Fair. While the Guild authorities maintain that Kolkata the fair should be “free from politics”, it is they who are playing politics by guarding February 5, 2014 “Say NO to Death Penalty!” The assembled representatives of human rights organisations and individuals called on all political parties to come out clearly against the death penalty and declare so clearly in their manifestos ahead of the upcoming parliamentary elections.
    [Show full text]
  • Madhusudan Dutt and the Dilemma of the Early Bengali Theatre Dhrupadi
    Layered homogeneities: Madhusudan Dutt and the dilemma of the early Bengali theatre Dhrupadi Chattopadhyay Vol. 4, No. 2, pp. 5–34 | ISSN 2050-487X | www.southasianist.ed.ac.uk 2016 | The South Asianist 4 (2): 5-34 | pg. 5 Vol. 4, No. 2, pp. 5-34 Layered homogeneities: Madhusudan Dutt, and the dilemma of the early Bengali theatre DHRUPADI CHATTOPADHYAY, SNDT University, Mumbai Owing to its colonial tag, Christianity shares an uneasy relationship with literary historiographies of nineteenth-century Bengal: Christianity continues to be treated as a foreign import capable of destabilising the societal matrix. The upper-caste Christian neophytes, often products of the new western education system, took to Christianity to register socio-political dissent. However, given his/her socio-political location, the Christian convert faced a crisis of entitlement: as a convert they faced immediate ostracising from Hindu conservative society, and even as devout western moderns could not partake in the colonizer’s version of selective Christian brotherhood. I argue that Christian convert literature imaginatively uses Hindu mythology as a master-narrative to partake in both these constituencies. This paper turns to the reception aesthetics of an oft forgotten play by Michael Madhusudan Dutt, the father of modern Bengali poetry, to explore the contentious relationship between Christianity and colonial modernity in nineteenth-century Bengal. In particular, Dutt’s deft use of the semantic excess as a result of the overlapping linguistic constituencies of English and Bengali is examined. Further, the paper argues that Dutt consciously situates his text at the crossroads of different receptive constituencies to create what I call ‘layered homogeneities’.
    [Show full text]
  • Indian Angles
    Introduction The Asiatic Society, Kolkata. A toxic blend of coal dust and diesel exhaust streaks the façade with grime. The concrete of the new wing, once a soft yellow, now is dimmed. Mold, ever the enemy, creeps from around drainpipes. Inside, an old mahogany stair- case ascends past dusty paintings. The eighteenth-century fathers of the society line the stairs, their white linen and their pale skin yellow with age. I have come to sue for admission, bearing letters with university and government seals, hoping that official papers of one bureaucracy will be found acceptable by an- other. I am a little worried, as one must be about any bureaucratic encounter. But the person at the desk in reader services is polite, even friendly. Once he has enquired about my project, he becomes enthusiastic. “Ah, English language poetry,” he says. “Coleridge. ‘Oh Lady we receive but what we give . and in our lives alone doth nature live.’” And I, “Ours her wedding garment, ours her shroud.” And he, “In Xanadu did Kublai Khan a stately pleasure dome decree.” “Where Alf the sacred river ran,” I say. And we finish together, “down to the sunless sea.” I get my reader’s pass. But despite the clerk’s enthusiasm, the Asiatic Society was designed for a different project than mine. The catalog yields plentiful poems—in manuscript, on paper and on palm leaves, in printed editions of classical works, in Sanskrit and Persian, Bangla and Oriya—but no unread volumes of English language Indian poetry. In one sense, though, I have already found what I need: that appreciation of English poetry I have encountered everywhere, among strangers, friends, and col- leagues who studied in Indian English-medium schools.
    [Show full text]
  • A Hermeneutic Study of Bengali Modernism
    Modern Intellectual History http://journals.cambridge.org/MIH Additional services for Modern Intellectual History: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here FROM IMPERIAL TO INTERNATIONAL HORIZONS: A HERMENEUTIC STUDY OF BENGALI MODERNISM KRIS MANJAPRA Modern Intellectual History / Volume 8 / Issue 02 / August 2011, pp 327 ­ 359 DOI: 10.1017/S1479244311000217, Published online: 28 July 2011 Link to this article: http://journals.cambridge.org/abstract_S1479244311000217 How to cite this article: KRIS MANJAPRA (2011). FROM IMPERIAL TO INTERNATIONAL HORIZONS: A HERMENEUTIC STUDY OF BENGALI MODERNISM. Modern Intellectual History, 8, pp 327­359 doi:10.1017/S1479244311000217 Request Permissions : Click here Downloaded from http://journals.cambridge.org/MIH, IP address: 130.64.2.235 on 25 Oct 2012 Modern Intellectual History, 8, 2 (2011), pp. 327–359 C Cambridge University Press 2011 doi:10.1017/S1479244311000217 from imperial to international horizons: a hermeneutic study of bengali modernism∗ kris manjapra Department of History, Tufts University Email: [email protected] This essay provides a close study of the international horizons of Kallol, a Bengali literary journal, published in post-World War I Calcutta. It uncovers a historical pattern of Bengali intellectual life that marked the period from the 1870stothe1920s, whereby an imperial imagination was transformed into an international one, as a generation of intellectuals born between 1885 and 1905 reinvented the political category of “youth”. Hermeneutics, as a philosophically informed study of how meaning is created through conversation, and grounded in this essay in the thought of Hans Georg Gadamer, helps to reveal this pattern.
    [Show full text]
  • The London Book Fair (LBF) 12-14 April 2016 Visit Us At: Hall No
    Volume 8, Issue 2, April-June 2016 RNI NO. DELENG/2008/26953 Price: `2 HISTORY LITERATURE ART CULTURE HERITAGE BIOGRAPHY TRAVELOGUE WILDLIFE RELIGION SELF-HELP FICTION TRANSLATION The London Book Fair (LBF) 12-14 April 2016 Visit us at: Hall No. 6A, Stand No. 75 Celebrating its 45 year anniversary in April 2016, the LBF is the global marketplace for rights negotiation and the sale and distribution of content across print, audio, TV, film and digital channels. Staged annually, LBF sees more than 25,000 publishing professionals arrive in London for the week of the show, to learn, network and kick off their year of business. Visit us at: Hall No. 6A, Block Printed Stand No. 75 Textiles of India: Imprints of Culture by Eiluned Edwards Some of our authors who are likely to be there at the Nominated for: London Book Fair this year: R.l. Shep Ethnic Textiles Book Award Eiluned Edwards George Michell Anna Dallapiccola Families in British India Society 7-9 April 2016 The Families in British India Society (FIBIS) is Block Printed Temple Indian a self-help organisation, Textiles of India: Architecture and Painting:The devoted to members Imprints of Art of the Early Lesser-Known researching their Culture Chalukyas: Badami, Traditions British-India family Mahakuta, Aihole, Pattadakal history and the background in which Ilay Cooper Anisha Burman & Robert Elgood their ancestors led their Leslie Mwambazi lives in India under British rule. At their annual general meeting on 21 November 2015, the FIBIS showcased The Anglo-Indians—A 500 Year History, written by Prof. S.
    [Show full text]
  • The House in South Asian Muslim Women's Early Anglophone Life
    Binghamton University The Open Repository @ Binghamton (The ORB) Graduate Dissertations and Theses Dissertations, Theses and Capstones 2016 The House in South Asian Muslim Women’s Early Anglophone Life-Writing And Novels Diviani Chaudhuri Binghamton University--SUNY, [email protected] Follow this and additional works at: https://orb.binghamton.edu/dissertation_and_theses Part of the Comparative Literature Commons Recommended Citation Chaudhuri, Diviani, "The House in South Asian Muslim Women’s Early Anglophone Life-Writing And Novels" (2016). Graduate Dissertations and Theses. 13. https://orb.binghamton.edu/dissertation_and_theses/13 This Dissertation is brought to you for free and open access by the Dissertations, Theses and Capstones at The Open Repository @ Binghamton (The ORB). It has been accepted for inclusion in Graduate Dissertations and Theses by an authorized administrator of The Open Repository @ Binghamton (The ORB). For more information, please contact [email protected]. THE HOUSE IN SOUTH ASIAN MUSLIM WOMEN’S EARLY ANGLOPHONE LIFE-WRITING AND NOVELS BY DIVIANI CHAUDHURI BA, Jadavpur University, 2008 MA, Binghamton University, 2010 DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature in the Graduate School of Binghamton University State University of New York 2016 © Copyright by Diviani Chaudhuri 2016 All Rights Reserved Accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature in
    [Show full text]
  • VISVA-BHARATI GRANTHANA VIBHAGA Monthly Performance Report: February 2014 Kolkata Book Fair, 2014 Gitanjali: Sur O Bani
    VISVA-BHARATI GRANTHANA VIBHAGA Monthly Performance Report: February 2014 Kolkata Book Fair, 2014 The Kolkata International Book Fair, 2014, organised by the Book Sellers and Publishers Guild, was participated by the Visva-Bharati Granthana Vibhaga, held at Milan Mela Ground, Kolkata, From 29 January 2014 to 09 February 2014. Gitanjali: Sur o Bani A seminar titled Gitanjali:Sur o Bani, was organised by the Visva-Bharati Granthana Vibhaga, in collaboration with the Book Sellers and Publishers Guild on 6 February 2014, at the main Auditorium of the Kolkata Book Fair, held at Milan Mela Ground, Kolkata. The seminar was addressed by ProF. Sudhir Chakraborty, ProF. Alpana Ray oF Visva-Bharati, and Prof. Indrani Mukhopadhyay, Principal, Sangit Bhavana, Visva-Bharati. The entire session was presided and compered by Dr Ramkumar Mukhopdhyay, Director, Visva-Bharati Granthana Vibhaga. In his welcome speech Dr. Ramkumar Mukhopadhyay elaborately expressed the contributions of ProF. Sudhir Chakraborty in the realms oF literature as well as Bengali songs. He also discussed the contribution oF ProF. Alpana Ray in the domain oF inter-relation of literature and music, particularly in the context oF Rabindranath Tagore. He also introduced ProF. Indrani Mukhopadhyay, Principal, Sangit Bhavana, Visva-Bharati as an eminent scholar on Rabindra Sangeet. ProF. Ray discussed the signiFicance of Gitanjali as a musical ode in the history oF Bengali literature. She mentioned that in spite oF so many creations of musical collections by Rabindranath Tagore, he himselF gave Gitanjali a very high musical importance than the rest. She demonstrated with Few examples the musical undertones oF the poems which were incorporated as songs in Gitanjali.
    [Show full text]
  • Poetic and Social Development in Indian English Poetry
    www.galaxyimrj.com Galaxy: International Multidisciplinary Research Journal ISSN 2278 – 9529 Poetic and Social Development in Indian English Poetry Ajit Kumar Indian English poetry emerges as a powerful weapon for world society . In the beginning , it has a big difference being Indian poets in English. The difference like on linguistic, content and skills levels. The journey of Indian literature commences from the social reformer Raja Ram Mohan Roy who protested firstly against the exploitation of woman and advocated the rights of press in his writings as well as actions and movements. According to M. K. Naik, “Roy wrote A Defense of Hindu Theism which was “the first and original publication in the history”(81). Later on Henry Derozio (1808-31) who wrote first original poetry in English was less social conscious but more patriotic. Derozio and Kashiprasad set the tone for the love of India which was followed by Toru Dutt, R.N. Tagore, Sarojini Naidu, M.M. Dutt, Sri Aurobindo, Kashiprasad Ghosh, Goroo Chand Dutt and R.C. Dutt. Similarly the first quarter of twentieth century followed Romanticism, Victorianism. Poets like ‘Meherji, A.F. Khabardar, N.B. Thadhani, Nizamat Jung, Harendra Nath Chattopadhyaya, and Ananda Acharya exploited Indian and oriental thought in the typical Indian manner’. The second quarter of twentieth century leaded a rich harvest of poets like ‘V.N. Bhushan, S.R. Dongerkery, T.P. Kailasam, N. Krishna Murti and A. Menezes’ continued the humanistic trend while Nolini Kant Gupta, Dilip Kumar Roy, E.L. Vaswani, Nirodvaran K.D. Sethna, Nishi Kanto, and Themis carried forward the tradition of mystical poetry.
    [Show full text]
  • Annual Report 17-18 Full Chap Final Tracing.Pmd
    VISVA-BHARATI Annual Report 2017-2018 Santiniketan 2018 YATRA VISVAM BHAVATYEKANIDAM (Where the World makes its home in a single nest) “ Visva-Bharati represents India where she has her wealth of mind which is for all. Visva-Bharati acknowledges India's obligation to offer to others the hospitality of her best culture and India's right to accept from others their best ” -Rabindranath Tagore Dee®ee³e& MeebefleefveJesÀleve - 731235 Þeer vejsbê ceesoer efkeMkeYeejleer SANTINIKETAN - 731235 efpe.keerjYetce, heefM®ece yebieeue, Yeejle ACHARYA (CHANCELLOR) VISVA-BHARATI DIST. BIRBHUM, WEST BENGAL, INDIA SHRI NARENDRA MODI (Established by the Parliament of India under heÀesve Tel: +91-3463-262 451/261 531 Visva-Bharati Act XXIX of 1951 hewÀJeÌme Fax: +91-3463-262 672 Ghee®ee³e& Vide Notification No. : 40-5/50 G.3 Dt. 14 May, 1951) F&-cesue E-mail : [email protected] Òees. meyegpeJeÀefue mesve Website: www.visva-bharati.ac.in UPACHARYA (VICE-CHANCELLOR) (Offig.) mebmLeeheJeÀ PROF. SABUJKOLI SEN jkeervêveeLe þeJegÀj FOUNDED BY RABINDRANATH TAGORE FOREWORD meb./No._________________ efoveebJeÀ/Date._________________ For Rabindranath Tagore, the University was the most vibrant part of a nation’s cultural and educational life. In his desire to fashion a holistic self that was culturally, ecologically and ethically enriched, he saw Visva-Bharati as a utopia of the cross cultural encounter. During the course of the last year, the Visva-Bharati fraternity has been relentlessly pursuing this dream. The recent convocation, where the Chancellor Shri Narendra Modi graced the occasion has energized the Univer- sity community, especially because this was the Acharya’s visit after 10 years.
    [Show full text]
  • The Bengal Renaissance : a Critique
    20th European Conference of Modern South Asian Studies Manchester (UK), 8th – 11th July 2008 Panel 9: Bengal Studies The Bengal Renaissance : a critique by Prof. Soumyajit Samanta Dept. of English, University of North Bengal, Darjeeling West Bengal, India, 734013 Preamble This paper welcomes listeners to a fresh review of the phenomenon known as The Bengal Renaissance. It is a fact that during the early 19th century the Bengali intellect learned to raise questions about issues & beliefs under the impact of British rule in the Indian subcontinent. In a unique manner, Bengal had witnessed an intellectual awakening that deserves to be called a Renaissance in European style. The new intellectual avalanche of European knowledge, especially philosophy, history, science & literature through the medium of education in English may be said to have affected contemporary mind & life very radically. Renaissance minds included Raja Rammohan Roy (1774-1833), Henry Louis Vivian Derozio (1809-1831) & his radical disciples Debendranath Tagore (1817-1905) & his followers, Akshay Kumar Datta (1820-1826), Iswar Chandra Vidyasagar (1820-91), Michael Madhusudan Dutt (1824-73), Bankim Chandra Chattopadhyay (1838-94), & Swami Vivekananda (1863-1902). 1 The major vehicle & expressions of the Bengal Renaissance were: • the appearance of a large number of newspapers & periodicals • the growth of numerous societies & associations • a number of reform movements, both religious & social These served as so many forums for different dialogues & exchanges that the Renaissance produced. The major achievements of the Renaissance were: • a secular struggle for rational freethinking • growth of modern Bengali literature • spread of Western education & ideas • fervent & diverse intellectual inquiry • rise of nationalistic ideas • rise of nationalism challenged the foreign subjugation of country In British Orientalism & the Bengal Renaissance (1969), David Kopf considers the idea of R(r)enaissance (with a lower case r) as synonymous with modernization or revitalization.
    [Show full text]
  • The Evolution of the Professional Structure in Modern India : Older and New Professions in a Changing
    C/83-5 THE EVOLUTION OF THE PROFESSIONAL STRUCTURE IN MODERN INDIA: OLDER AND NEW PROFESSIONS IN A CHANGING SOCIETY Rajat Kanta Ray Professor and Head Department of History Presidency College Calcutta, India Center for International Studies Massachusetts Institute of Technology Cambridge, Massachusetts 02139 August 1983 ,At Foreword This historical study by Professor Rajat Ray is one of a series which examines the development of professions as a key to understanding the different patterns in the modernization of Asia. In recent years there has been much glib talk about "technology transfers" to the Third World, as though knowledge and skills could be easily packaged and delivered. Profound historical processes were thus made analogous to shopping expeditions for selecting the "appropriate technology" for the country's resources. The MIT Center for International Studies's project on the Modernization of Asia is premised on a different sociology of knowledge. Our assumption is that the knowledge and skills inherent in the modernization processes take on meaningful historical significance only in the context of the emergence of recognizable professions, which are communities of people that share specialized knowledge and skills and seek to uphold standards. It would seem that much that is distinctive in the various ways in which the different Asian societies have modernized can be found by seeking answers to such questions as: which were the earlier professions to be established, and which ones came later? What were the political, social
    [Show full text]