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Literary and Cultural Events in Ireland
Estudios Irlandeses, Issue 16, 2021, pp. 221-223 https://doi.org/10.24162/EI2021-10070 ___________________________________________________________________________AEDEI LITERARY AND CULTURAL EVENTS IN IRELAND ANNUAL REPORT – 2020 Christina Hunt Mahony Copyright (c) 2021 by Christina Hunt Mahony. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. As this is the year remarkable for all the things that did not happen, it is important to remember, and to prize, all those literary, artistic and cultural events which did happen – often against great odds. And, just as there was stark inequity in the fortunes of different kinds of businesses during the pandemic, some areas of cultural activity fared far better than others. Publishing and book selling has had to adjust to our new reality, and although the cherished Irish tradition of the book launch has gone the way of live theatre, cinema-going and indoor concerts, the book trade flourishes. As do the prize giving processes. Recent major publications in Irish Studies include a flurry of new collections of short stories, most notably Kevin Barry’s, That Old Country Music. Sinead Gleeson has also produced yet another impressive anthology, a whacking great collection of 100 Irish short stories, weighing in at 1200 grams, and containing more than 800 pages of stories by classic writers and newcomers alike – The Art of the Glimpse – perfect for a Covid winter. A volume that will fit much more snugly in the hand or the pocket is Roy Foster’s On Seamus Heaney, the latest in the excellent Princeton University Press series of Writers on Writers. -
Theatre Forum Annual Conference 12Th & 13Th June 2008
Is it worth it? Theatre Forum Annual Conference 12th & 13th June 2008 Theatre Curator Forum note The annual Theatre Forum conference is a great Theatre Forum is the representative association for opportunity to ask questions in a situation where the performing arts in Ireland. Membership includes there are lots of people gathered to offer answers. all the theatres and arts centres around the country; So why not ask a big question? We’ve all felt it professional theatre, dance and opera production at some time. Disillusionment, doubt, frustration, companies; and the main arts festivals. those low ebbs when the question ‘is it worth it?’ lurks in one’s mind. Theatre Forum acts as a voice for the performing arts community to government, state and semi- ‘Is it worth it?’ can carry many different meanings state agencies and elected representatives. of course, from the philosophical question ‘is art worth it?’, through the political question ‘is theatre The organisation also organises training and worth State support?’, to the practitioner’s personal professional development courses and seminars. questions ‘is it worth the grief, the sacrifice, and Its website www.theatreforumireland.com is an the emotional roller-coaster ride?’, and ‘is it worth invaluable resource containing factsheets and model slogging through the failures and the hum-drum to contracts, an opening night clash diary, an industry achieve the often elusive successes?’ employment page, a barter page, members' notice board and much more. This year’s conference offers a series of different ways to approach these questions, allowing members to engage with their own experience of enthusiasm and disillusionment, passion and despair, the see-saw of positive and negative For further information: feelings involved in working in the performing arts. -
Creative Sectoral Overview
Creative Sectoral Overview Galway City and County Economic and Industrial Baseline Study CREATIVE SECTORAL OVERVIEW James Cunningham Brendan Dolan David Kelly Chris Young 14/04/2015 Table of Contents Executive Summary Overview of the Creative Sector ......................................... 6 Global Overview of the Creative Sector .............................................................. 8 1.1 Global Market Size .......................................................................................... 8 1.2 Classification of the Creative Industry ........................................................... 11 1.2.1 Heritage ......................................................................................................... 11 1.2.2 Art Crafts ....................................................................................................... 12 1.2.3 Performing Arts ............................................................................................. 12 1.2.4 Music ............................................................................................................. 13 1.2.5 Visual Arts ..................................................................................................... 16 1.2.6 Audio Visuals ................................................................................................. 17 1.2.6.1 Film Industry .................................................................................................. 18 1.2.6.2 Television and Radio .................................................................................... -
RD PRO12 Peview Round 9
RaboDirect PRO12 PREVIEW 2012/13 Round Nine: 23rd – 25th November 2012 ROUND NINE PREVIEWS With the completion of their postponed Round 4 game against Zebre, Ulster have now pulled out a six points lead at the top of the RaboDirect PRO12 table. They are in action in Italy again on Friday night when they face Benetton Treviso at Stadio Monigo, and will be looking to extend their unbeaten record in the country as well as maintaining their 100per cent start to this season’s RaboDirect PRO12. Current RaboDirect PRO12 champions, Ospreys, are also in action on Friday night travelling to Murrayfield to play Edinburgh Rugby. Ospreys sit just outside the top four due to poorer points difference than Munster, should results go their way this weekend it could be the first time they have entered the Play-Off zone this season. The match of the day must be the encounter at Scotstoun where third placed Glasgow Warriors must overcome the reigning European champions, Leinster if they are to set a new Warriors record in this tournament of seven successive wins. The final game on Friday night is in Wales when Newport Gwent Dragons host Connacht. Both teams have had a mixed start to their seasons, and a win would be a welcome boost to their campaigns. The round concludes with two games on Sunday, Munster v Scarlets and Zebre v Cardiff Blues. After having narrowly missed out to Ulster last weekend, Zebre are still looking for their first win in the completion, and will be hoping Blues poor form continues for one more week. -
Redalyc.DRUID THEATRE's ECONOMICS: the FIRST DECADE
Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Troupe, Shelley DRUID THEATRE’S ECONOMICS: THE FIRST DECADE Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 58, enero-junio, 2010, pp. 459-478 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348696022 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Druid Theatre's Economics: the First Decade 459 DRUID THEATRE’S ECONOMICS: THE FIRST DECADE Shelley Troupe National University of Ireland Galway Abstract: This article considers the relationship between Druid Theatre’s productions and its administration during the company’s first decade by investigating the links between three features: the company’s fundraising practices; Druid’s infrastructure development in terms of personnel and physical space; and the organisation’s programming choices. Druid’s artistic partnership with Irish playwright Tom Murphy is also examined as it assisted in launching Druid’s international touring when Murphy’s Conversations on a Homecoming was the first Druid production to travel outside of the United States/United Kingdom festival circuit. Keywords: Druid Theatre, Tom Murphy, Ireland, funding, Irish theatre. Druid Theatre commenced production in the summer of 1975 with a repertory of three plays: J.M. Synge’s The Playboy of the Western World, Brian Friel’s The Loves of Cass Maguire and Kevin Laffan’s It’s a Two Foot Six Inches Above the Ground World. -
The Generosity of Our Donors Has Changed Thousands of Lives Across the Island of Ireland and Around the World
thank you The generosity of our donors has changed thousands of lives across the island of Ireland and around the world. The Ireland Funds has never wavered in its commitment and core mission: to deliver private philanthropy support to worthy causes that promote peace and reconciliation, arts and culture, education and community development. On behalf of the organizations doing extraordinary work, we thank you. connect 2017 • 6 “Co-operation Ireland is committed to peace-building on the island of Ireland and we will continue to deliver innovative programs which challenge people’s thinking and attitudes. Support we receive from The Ireland Funds highlights what can be achieved with funding that allows for more creativity and input from the people the programs aim to help.” — CO-OPERATION IRELAND “The Ireland Funds have been huge to our charity. We wouldn’t be here today if it wasn’t for The Ireland Funds. In those early years the funding was so critical because when we started there was nothing else coming in. It’s been a great relationship.” — IRISH DOGS FOR THE DISABLED Impact Report “Historically, there hasn’t been a tradition of private philanthropy in Ireland. But it’s organizations like The Ireland Funds that have taken the lead. Their role has been absolutely vital to philanthropy here.” — THE LITTLE MUSEUM OF DUBLIN “Our work is pioneering and without The Ireland Funds’ support we would not be able to deliver this. Support from The Ireland Funds is helping us to change the lives of these young people in Northern Ireland.” — THE PLAYHOUSE connect 2017 • 7 BELOW IS A SAMPLE OF THE OVER 3,000 OUTSTANDING ORGANIZATIONS YOUR GENEROSITY HAS ASSISTED. -
Galway University Hospitals 13
2014 GALWAY UNIVERSITY HOSPITALS A GUIDE TO LIVING AND WORKING IN GALWAY Contents PAGE About Galway 3 Entertainment 4 Activities around Galway 6 Places to visit in Galway 8 Weather 9 Driving in Ireland 9 Accommodation 10 Galway University Hospitals 13 Clinical Research Facility 16 How to find us 17 Starting work at GUH 19 Visas/Work Permits 19 GNIB card 20 PPS number 21 Tax 21 Child benefit 22 Clinical Indemnity 23 Banking 23 Healthcare 24 Mobile phones 24 Public Holidays 24 Childcare 26 Education 26 Primary schools 26 Secondary schools 27 Third level education 28 2 Galway is the largest county in Connacht and home to Ireland’s third largest city, making it a perfect mix of rural relaxation and urban entertainment. In February 2014 Galway has was crowned Europe’s Micro city of the Year by the Financial Times. Known for its festivals, music and bars, the city is a vibrant, fun-loving city. Conveniently, history and leisure combine here: the pubs, many of which retain their original, huge fireplaces and other Gothic features, are the best place to get a feel for the medieval city. As the capital of the Gaelic West – it’s the only city in the country where you might possibly hear Irish spoken on the streets. Galway is the only coastal city in Ireland that really seems to open up to the sea, and its docks sit side by side the compact city centre, as you’re constantly reminded by salty breezes and seagulls. The jewel in the city’s crown, the long, pedestrianised main drag of William, Shop, High and Quay Streets, becomes a lively, Mediterranean-style promenade during summer, lined with pub and restaurant tables. -
Un Connacht Intratable No Da Opción a Olympus Rugby XV
Número 20 Temporada 2009/2010. 25 de Enero de 2010 Un Connacht intratable no da opción a Olympus Rugby XV El Connacht no dio del oval, demostrando por qué son marca al aprovechar un pase interior líderes de grupo. En el minuto 30, el sobre el hombro débil del apertura opción alguna al talonador suplente, Adrian Flavin, español colándose así hacia los combinado nacional hábilmente colocado junto al palos (0-35). banderín, remataba una jugada de Los jugadores del Olympus XV, pese (0-66). Los irlandeses varias fases en la que participó todo al resultado, se emplearon con salieron con su XV de el equipo irlandés, 0-21. determinación en los balones de los El punto bonus llegó al filo del que dispusieron. En el minuto 57, gala y terminan la descanso. El tercera línea John tras una touch dentro de la 22 fase de grupos como Muldon posó junto al banderín tras irlandesa, el conjunto español tuvo otra larga jugada colectiva. De esta su oportunidad. La delantera probó único equipo invicto manera se llegó al descanso con 0- con el maul y la tres-cuartos buscó de las competiciones 28. una apertura rápida, pero la gran En la reanudación, los visitantes no defensa de Connacht acabó alejando europeas. sólo no se relajaron sino que el peligro. subieron el ritmo. El Connacht El Connacht posó cinco ensayos Arrancó el encuentro entre Olympus sacaba petróleo de los espacios que más, sin disminuir un ápice la R. XV y Connacht con los locales dejaban los locales. Pese a que los intensidad, para llegar a los 66 buscando la 22 rival. -
THE CRIPPLE of INISHMAAN PRODUCTION STAFF by MARTIN Mcdonagh Stage Manager
Florida International University FIU Digital Commons Department of Theatre Production Programs Department of Theatre Fall 11-9-2000 The rC ipple of Inishmaan Department of Theatre, Florida International University Follow this and additional works at: https://digitalcommons.fiu.edu/theatre_programs Part of the Theatre and Performance Studies Commons Recommended Citation Department of Theatre, Florida International University, "The rC ipple of Inishmaan" (2000). Department of Theatre Production Programs. 30. https://digitalcommons.fiu.edu/theatre_programs/30 This work is brought to you for free and open access by the Department of Theatre at FIU Digital Commons. It has been accepted for inclusion in Department of Theatre Production Programs by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. NOTES FROM THE DIRECTOR GLOSSARY AND QUICK-FACTS Martin McDonagh is an unlikely since Shakespeare to have four gosawer - boy. CAPITAL: Dublin person to receive accolades as the plays running simultaneously in --een - suffix (i.e. Johnnypateen, brightest of a fresh new generation London. ladeen, biteen) little. Connotes AREA: 27,128 sq. mi. of Irish playwrights. To begin with, McDonagh uses an actual bit of familiarity. 70,280 sq. km. he is not strictly Irish. Born in history as background for The eej, also eejit - idiot. South London to Irish parents, his Cripple of lnishmaan. In 1934 the winkles - snails. POPULATION : 3,550,448 knowledge of Ireland is limited to American documentary filmmaker praitie - potato. visits to relatives and the Irish Robert Flaherty came to Inishmore, curragh - light, open boat made of immigrant culture in the part of the largest of the wild Aran Islands a framework of lath covered LANGUAGE: English, London in which he lives. -
Ancient Greek Tragedy and Irish Epic in Modern Irish
MEMORABLE BARBARITIES AND NATIONAL MYTHS: ANCIENT GREEK TRAGEDY AND IRISH EPIC IN MODERN IRISH THEATRE A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Katherine Anne Hennessey, B.A., M.A. ____________________________ Dr. Susan Cannon Harris, Director Graduate Program in English Notre Dame, Indiana March 2008 MEMORABLE BARBARITIES AND NATIONAL MYTHS: ANCIENT GREEK TRAGEDY AND IRISH EPIC IN MODERN IRISH THEATRE Abstract by Katherine Anne Hennessey Over the course of the 20th century, Irish playwrights penned scores of adaptations of Greek tragedy and Irish epic, and this theatrical phenomenon continues to flourish in the 21st century. My dissertation examines the performance history of such adaptations at Dublin’s two flagship theatres: the Abbey, founded in 1904 by W.B. Yeats and Lady Gregory, and the Gate, established in 1928 by Micheál Mac Liammóir and Hilton Edwards. I argue that the potent rivalry between these two theatres is most acutely manifest in their production of these plays, and that in fact these adaptations of ancient literature constitute a “disputed territory” upon which each theatre stakes a claim of artistic and aesthetic preeminence. Partially because of its long-standing claim to the title of Ireland’s “National Theatre,” the Abbey has been the subject of the preponderance of scholarly criticism about the history of Irish theatre, while the Gate has received comparatively scarce academic attention. I contend, however, that the history of the Abbey--and of modern Irish theatre as a whole--cannot be properly understood except in relation to the strikingly different aesthetics practiced at the Gate. -
Taking the Measure of a Treasured Isle
January 2010 VOL. 21 #1 $1.50 Boston’s hometown journal of Irish culture. Worldwide at bostonirish.com All contents copyright © 2010 Boston Neighborhood News, Inc. Taking the Measure of a Treasured Isle Lough Inagh Lodge Hotel in Connemara is always a favorite for its comfortable accommodation, great food and welcoming staff. (Judy Enright photo) Splendor Galore, and Quirky Asides, Mark the Face of Ireland BY JUDY ENRIGHT hard to beat. There ís splendor galore to be captured pletely unflustered hostess and her staff is gracious SPECIAL TO THE BIR digitally or on film while driving the Beara and Dingle and accommodating, the food is locally sourced, and In January, many of us focus on the New Year, on Peninsulas, Ring of Kerry, the magical Burren in Co. delicious and, overall, staying there is like going our multiple pre-holiday or post-holiday resolutions, Clare, Achill Island in Co. Mayo, Giantís Cause- home. and on making lists. So, we decided it might be fun to way and the Causeway Coast in Northern Ireland, Other favorites include several high-end ho- make a list of Ireland favorites, but then we stopped the gentle midlands with lakes and rolling hills, tels that are well worth a splurge, like Cliff short. How could you ever make a list of every single the Wicklow Mountains, Connemara, and so many House Hotel in Co. Waterford, Merrion Hotel in one of Ireland’s wonderful attributes and treasures? other beauty spots. Dublin, and castle hotels Dromoland and Ashford. It would fill every inch of the Irish Reporter! There Then, my list would have to include favor- What ís our favorite B&B? No question about that. -
ONLINE Summer Newsletter 2016.Indd
Summer Edition | 2016 THE BELVEDERE NEWS AMDG IN THIS ISSUE A WORD FROM THE HEADMASTER BELVEDERE BEAT (1-11) FEATURES (12-15) DEVELOPMENT (16) Dear Reader, challenges and I hope all our students return refreshed and ready to engage fully in their As the Back to School ads appear, I hope you education. find time to browse through the Newsletter. UNION (17-19) It will bring fond memories to many who Naturally, this is an anxious time for students participated and supported so many activities awaiting their State exam results, particularly in the College, some of which are Rhetoric 2016. We are confident that they will highlighted here. Others will no doubt excel and achieve outstanding academic develop a better understanding of the range results. More importantly, they showed of opportunities there are for students to themselves to be an outstanding group of develop their talents and discover what it is young men who achieved so much during that gives them energy and inspiration. their time in the College. We wish them every Hopefully it will encourage all our students success in the next stage of their life. to leave their comfort zone and continue to PARENTS ASSOCIATION (20) grow and develop. Finally I want to thank the editorial team for the Newsletter; Joanne Ryan, Trevor Dunne 2016 was a memorable year in the College and Paula McDermott. Thanks also to all who for so many reasons and I want to thank all contributed to the activities and programmes who give so generously of their time, and who took the time to submit articles.