DOCSLIB.ORG

Iftr Galway 2021 Theatre Ecologies: Environments, Sustainability and Politics #Iftr2021 Contents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Iftr Galway 2021 Theatre Ecologies: Environments, Sustainability and Politics #Iftr2021 Contents IFTR GALWAY 2021 THEATRE ECOLOGIES: ENVIRONMENTS, SUSTAINABILITY AND POLITICS #IFTR2021 CONTENTS 3 Welcome Message 6 About Drama and Theatre Studies at NUI Galway 11 Plenary Speakers 15 Programme 50 Book Launch 52 Social Programme 58 Publishers 61 Acknowledgements B 1 Welcome to the 2021 conference of the International Federation for Theatre Research. We at National University of Ireland, Galway are delighted to welcome you to this first fully-virtual IFTR conference. As most of you will be probably be aware, we had originally intended to host this conference in July 2020 in Galway. We’d hoped that you might get to know our part of Ireland a little better: that you’d enjoy events in the Galway International Arts Festival, that you’d have opportunities to explore our city and region, and so on. Our move online means that we can’t gather together in person, but we hope that this event will still look and feel like a Galway conference – one that conveys our sense of place, which highlights the theatre and research that is being made here, and which encourages you to visit us in person when it’s safe to do so in the future. The west of Ireland was a site of inspiration for the artists who developed modern Irish theatre – people such as William Butler Yeats, Lady Augusta Gregory and John Millington Synge, who used the languages, folklore, and landscape of this region as the basis for the creation of a national Irish theatre. It’s also a region that is finely attuned to the impact of environmental catastrophe: our university was founded in 1845, the first year of what came to be known as the Great Irish Famine – a ‘natural’ disaster that halved the population of Ireland through starvation and mass emigration. Our sense of place therefore involves an understanding of environmental interconnection as a force for both creativity and destruction – and this is one of the reasons that we chose the theme of Theatre Ecologies: Environment, Sustainability and Politics. When we first released our call for papers in 2019, we had imagined that theme as capturing our sense that theatre operates as a kind of eco-system, as a network of interdependence that includes the relationship between performers and audience, between theatre-makers and the rest of the living world, and between all of us as an international community of scholars. The onset of the pandemic has encouraged many speakers to address these themes from new perspectives – to show how theatre has been affected by COVID-19, and to argue for its continuing importance as a source of healing, a site for analysis and inspiration, and a place in which interconnections can be renewed and reimagined. We hope that this week’s events will give momentum and substance to these and other conversations. We also hope that you will take the opportunity to enjoy some of the work included in our social programme, all of which has been made by professional artists from this part of Ireland. We thank you warmly and sincerely for the kindness and enthusiasm you have shown – both this year and last year. And we are especially grateful to Jean Graham-Jones, Elaine Aston, and the IFTR Executive Committee for their trust, encouragement and support. We hope you have a memorable and stimulating week! Best wishes Miriam Haughton, Marianne Kennedy, Patrick Lonergan, Charlotte McIvor, Ian Walsh IFTR Galway Conference Organising Team 2 3 Fáilte chuig comhdháil na Cónaidhme Idirnáisiúnta do Thaighde na hAmharclannaíochta (International Federation for Theatre Research). Is deas linn in OÉ Gaillimh, fearadh na fáilte a chur romhaibh chuig an gcéad imeacht IFTR atá iomlán fíorúil. Faoi mar is eol dá bhformhór agaibh, bhí sé i gceist againn an chomhdháil seo a reáchtáil i mí Iúil 2020 i nGaillimh. Bhí súil againn go gcuirfeadh sibh aithne ní b’fhearr ar ár dtaobh seo d’Éirinn; go mbainfeadh sibh taitneamh as imeachtaí Fhéile Idirnáisiúnta Ealaíon na Gaillimhe, go mbeadh deiseanna agaibh ár gcathair agus réigiún a thaiscéaladh, agus mar sin de. Ciallaíonn an bogadh ar líne nach féidir linn teacht le chéile ar an láthair, ach tá súil againn go mbeidh cuma agus cosúlacht chomhdháil de chuid na Gaillimhe ar an ócáid seo – ceann ina léireofar ár ndáimh áite, ina gcaithfear léas ar an amharclannaíocht agus ar an taighde atá á ndéanamh anseo, agus ina dtabharfar ugach daoibh cuairt a thabhairt orainn ar an láthair nuair a bheidh a leithéid sábháilte amach anseo. B’údar inspreagtha é láthair iarthar na hÉireann do na healaíontóirí siúd a d’fhorbair amharclannaíocht nua-aimseartha na hÉireann – daoine amhail William Butler Yeats, an Bhantiarna Augusta Gregory agus John Millington Synge, a bhain gaisneas as teangacha, béaloideas agus tírdhreach an réigiúin seo mar bhonn le hamharclann náisiúnta Éireannach a chruthú. Is réigiún é atá go mór i dtiúin le tionchar na tubaiste timpeallachta chomh maith: bunaíodh ár n-ollscoil sa bhliain 1845, céad bhliain na tréimhse ar a dtabharfaí an Gorta Mór idir sin agus tráthas – tubaiste ‘nádúrtha’ a laghdaigh daonra na hÉireann faoina leatha trí bhíthin an ocrais agus na himirce ollmhóire. Mar sin de, tá i gceist lenár ndámh áite an tuiscint ar an dlúthnasc timpeallachta mar údar cruthaitheachta agus léirscriosta araon – agus tá an méid seo ar cheann de na cúiseanna ar roghnaíomar téama na nÉiceolaíochtaí Amharclannaíochta, mar atá: An Timpeallacht, an Inbhuanaitheacht agus an Pholaitíocht. Nuair a rinneamar ár ngairm ar pháipéir ar dtús sa bhliain 2019, shamhlaíomar gur cuimsíodh sa téama úd go bhfeidhmíonn an amharclannaíocht mar a bheadh córas ann, mar a bheadh líonra ann lena n-áirítear an caidreamh idir na taibheoirí agus an lucht féachana, idir cruthaitheoirí amharclannaíochta agus an saol beo, agus eadrainn féin uile mar phobal idirnáisiúnta scoláirí. Thug tús na paindéime ar chainteoirí go leor aghaidh agus dearcadh nua a thabhairt ar na téamaí seo – le tionchar COVID-19 ar an amharclannaíocht agus le háitiú ar son a tábhachta leanúnaí mar fhoinse leighis, mar láthair don anailís agus don inspioráid, agus mar áit ina bhféadfar dlúthnaisc a athnuachan agus a athshamhlú. Tá súil againn go gcuirfidh imeachtaí na seachtaine seo dlús agus téagar leis na comhráite seo agus le cinn eile nach iad. Tá súil againn freisin go dtapóidh sibh an deis taitneamh a bhaint as cuid de na saothair a áirítear inár gclár sóisialta, atá ar fad cruthaithe ag ealaíontóirí gairmiúla as an taobh seo d’Éirinn. Gabhaimid buíochas ó chroí as ucht an chineáltais agus an díocais a léirigh sibh – idir an bhliain seo agus an bhliain seo caite. Agus táimid an-bhuíoch go háirithe de Jean Graham-Jones, Elaine Aston, agus Coiste Feidhmiúcháin IFTR as ucht a gcuid trusta, ugaigh agus tacaíochta. Tá súil againn go mbeidh seachtain speisialta spreagúil agaibh! Le gach dea-ghuí, Miriam Haughton, Marianne Kennedy, Patrick Lonergan, Charlotte McIvor, Ian Walsh Foireann Eagraithe Chomhdháil IFTR Gaillimh. 4 5 Marie Mullen (Druid Theatre) with NUI Galway Drama students Kate Murray and Emer McHugh ABOUT DRAMA AND THEATRE STUDIES AT NUI GALWAY Drama and Theatre Studies was established whom we run a Druid Academy programme is home to almost 4,000 international DRAMA AND as a department at NUI Galway in 2014, and is for training emerging theatre-makers. Other students, from 110 different countries. We part of the School of English and Creative Arts. recent alumni include the novelists Claire- have student exchange programmes with over Louise Bennett and Deirdre Sullivan. 200 international universities, and also have a The first Drama programme at NUI Galway global community of staff. was an MA in Drama and Theatre Studies, The university also has formal partnerships THEATRE STUDIES established by Adrian Frazier in 1999. In 2012, with many other theatre companies and arts Galway is home to several theatre the university launched its first formal degree organisations, including the Abbey Theatre companies and other arts organizations. in Drama: the BA in Drama, Theatre and (Ireland’s national theatre), the Gate Theatre, Chief among these is Druid Theatre, the Performance. The first Professor of Drama the Galway International Arts Festival, and internationally-acclaimed company headed AT NUI GALWAY and Theatre Studies, Patrick Lonergan, was others. by the Tony Award-winning director Garry appointed in 2013. Hynes. Every July, the city is taken over by We have particular research and teaching the Galway International Arts Festival, a In that same year, the university began work strengths in the area of Irish theatre. multidisciplinary event that features theatre, on what would become the O’Donoghue We locate the study of Irish theatre in a street performances, live music, comedy, Centre for Drama, Theatre and Performance, broad international context, using an Irish and much more. The city also has an annual named for Donagh O’Donoghue, a Galway perspective to explore issues of global international arts festival for children, is home businessman and the former chairman of importance. Interaction and partnership with to the national theatre for the Irish language, Druid Theatre. Donagh was instrumental in our national and international colleagues is an and is home to many smaller companies. the development of Druid and sadly passed essential feature of our teaching and research. You can find out more about this work in our away in May 2021 as we were completing entertainment programme. this programme. The O’Donoghue Centre Every year, we usually stage at least two was opened formally by President Michael D productions, as well as a series of lectures, To learn more about Drama at NUI Galway and Higgins in April 2017 public interviews with theatre practitioners, the programmes we offer, visit: https://www. international conferences, and other events.
Load more

Recommended publications
  • Galway City Walls Conservation, Management and Interpretation Plan
    GALWAY CITY WALLS CONSERVATION, MANAGEMENT & INTERPRETATION PLAN MARCH 2013 Frontispiece- Woman at Doorway (Hall & Hall) Howley Hayes Architects & CRDS Ltd. were commissioned by Galway City Coun- cil and the Heritage Council to prepare a Conservation, Management & Interpre- tation Plan for the historic town defences. The surveys on which this plan are based were undertaken in Autumn 2012. We would like to thank all those who provided their time and guidance in the preparation of the plan with specialist advice from; Dr. Elizabeth Fitzpatrick, Dr. Kieran O’Conor, Dr. Jacinta Prunty & Mr. Paul Walsh. Cover Illustration- Phillips Map of Galway 1685. CONTENTS 1.0 INTRODUCTION 1 2.0 UNDERSTANDING THE PLACE 6 3.0 PHYSICAL EVIDENCE 17 4.0 ASSESSMENT & STATEMENT OF SIGNIFICANCE 28 5.0 DEFINING ISSUES & VULNERABILITY 31 6.0 CONSERVATION PRINCIPLES 35 7.0 INTERPRETATION & MANAGEMENT PRINCIPLES 37 8.0 CONSERVATION STRATEGIES 41 APPENDICES Statutory Protection 55 Bibliography 59 Cartographic Sources 60 Fortification Timeline 61 Endnotes 65 1.0 INTRODUCTION to the east, which today retains only a small population despite the ambitions of the Anglo- Norman founders. In 1484 the city was given its charter, and was largely rebuilt at that time to leave a unique legacy of stone buildings The Place and carvings from the late-medieval period. Galway City is situated on the north-eastern The medieval street pattern has largely been shore of a sheltered bay on the west coast of preserved, although the removal of the walls Ireland. It is located at the mouth of the River during the eighteenth and nineteenth centuries, Corrib, which separates the east and western together with extra-mural developments as the sides of the county.
    [Show full text]
  • Literary and Cultural Events in Ireland
    Estudios Irlandeses, Issue 16, 2021, pp. 221-223 https://doi.org/10.24162/EI2021-10070 ___________________________________________________________________________AEDEI LITERARY AND CULTURAL EVENTS IN IRELAND ANNUAL REPORT – 2020 Christina Hunt Mahony Copyright (c) 2021 by Christina Hunt Mahony. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. As this is the year remarkable for all the things that did not happen, it is important to remember, and to prize, all those literary, artistic and cultural events which did happen – often against great odds. And, just as there was stark inequity in the fortunes of different kinds of businesses during the pandemic, some areas of cultural activity fared far better than others. Publishing and book selling has had to adjust to our new reality, and although the cherished Irish tradition of the book launch has gone the way of live theatre, cinema-going and indoor concerts, the book trade flourishes. As do the prize giving processes. Recent major publications in Irish Studies include a flurry of new collections of short stories, most notably Kevin Barry’s, That Old Country Music. Sinead Gleeson has also produced yet another impressive anthology, a whacking great collection of 100 Irish short stories, weighing in at 1200 grams, and containing more than 800 pages of stories by classic writers and newcomers alike – The Art of the Glimpse – perfect for a Covid winter. A volume that will fit much more snugly in the hand or the pocket is Roy Foster’s On Seamus Heaney, the latest in the excellent Princeton University Press series of Writers on Writers.
    [Show full text]
  • Galway City LECP
    Galway City Local Economic & Community Plan 2015-2021 The Local Economic and Community Plan (LECP) for Galway City 2015 – 2021 was developed by Galway City Council through the Local Community Development Committee (LCDC) and the Economic Development, Enterprise Support and Culture Strategic Policy Committee (SPC), in line with guidelines issued by the Department of Environment, Community and Local Government (Circular LG 1/2015 AL 1/2015). The Local Economic and Community Plan (LECP) is subject to continuous monitoring and review. Annual action plans, based on the goals and objectives outlined in this plan, will be devised and adopted by Galway City Council. The Local Economic and Community Plan (LECP) for Galway City complements and is consistent with the Galway City Development Plan. Further information: Community and Culture Department, Galway City Council, City Hall, College Road, Galway. Tel: (091) 536400 | Email: c&[email protected] | www.galwaycity.ie Galway City Local Economic & Community Plan 2015-2021 ACRONYMS JPC Joint Policing Committee AA Appropriate Assessment LA Local Authority BIC Business Innovation Centre LCDC Local Community BID Business Improvement District Development Committee CDB City Development Board LECP Local Economic and CDP City Development Plan Community Plan CSO Central Statistics Office LEO Local Enterprise Office DSP Department of Social Protection MTES Medium Term Economic Strategy ECOC European Capital of Culture NRA National Roads Authority ED Electoral District NTA National Transport Authority EI Enterprise
    [Show full text]
  • NUI Galway Undergraduate Prospectus 2020
    NUI Galway Undergraduate Prospectus – Réamheolaire Fochéime 2020 Fochéime – Réamheolaire Prospectus Undergraduate www.nuigalway.ie National University of Ireland Galway Ollscoil na hÉireann Gaillimh t. +353 91 524 411 w. www.nuigalway.ie NUI GALWAY Undergraduate Prospectus 2020 STUDENT SUPPORTS GoBus line from Ballina into Galway. It stops in: Ballina, Foxford, Ballyvary, Castlebar, Transport Links to NUI Galway Balla, Claremorris, Ballindine, WESTPORT HEALY BUSES Milltown, Tuam, and Galway GOBUS LINE (GMIT, City Centre, and NUIG) Ballina BALLINA TREACY COACHES Castlebar Foxford Ballyvary DONEGAL BUS FEDA Castlebar Foxford Ballinrobe Balla Letterkenny MONAGHAN STREAMLINE COACHES Claremorris Kiltimagh Donegal Bundoran Ballindine Sligo Headford Milltown DUBLIN GOBUS Tuam Tuam Cavan & CITYLINK ATHLONE Kildare Ballinasloe DUBLIN TRAIN Tullamore Nenagh Thurles Ballinamore Kilkenny Ennis CARLOW Carrick-on-Shannon Limerick J.J. KAVANAGH Galway (GMIT, City Centre & NUIG) Listowel Ballaghaderreen LIMERICK TRAIN WESTLINK Tralee COACHES CORK CITYLINK LIMERICK TRAIN DINGLE CONNECTING TO KENNEDY CORK, TRALEE Bus Éireann services not listed COACHES & WATERFORD on this map. For a full list of stops, timetables and fares for private bus services, see individual website addresses. NUI Galway Courses College of Arts, Social Sciences, and Celtic Studies Acadamh na hOllscolaíochta Gaeilge GY101 Bachelor of Arts (Joint-Honours) 22 Cúrsaí Gaeilge do Mhic Léinn / 82 Irish Language Courses for Students GY104 Bachelor of Arts (Psychology) 47 GY122 BA (Cumarsáid agus Gaeilge) 83 GY105 Bachelor of Arts (History) 48 GY107 BA (Gaeilge agus Léann an Aistriúcháin) 85 GY109 Bachelor of Arts (Mathematics and Education) 49 GY110 Bachelor of Arts with Children's Studies 51 College of Business, Public Policy and Law GY111 Bachelor of Arts with Creative Writing 52 J.E.
    [Show full text]
  • Galway Campus
    POSTGDUATE PROSPECTUS 2019 YOU START THE NEXT CHAPTER TOP % of Universities1 worldwide based on data from QS NUI Galway Campus Áras de Brún (School of Mathematics, Statistics and Applied Mathematics) Áras Uí Chathail/Student Information Desk (SID) Áras na Gaeilge The Quadrangle Áras na Mac Léinn and Bailey Allen Hall University Hospital Galway Lambe Institute for Translational Research and HRB Clinical Research Facility Centre for Adult Learning and Professional Development Huston School of Film and Digital Media Martin Ryan Building (Environmental, Marine and Energy Research) O’Donoghue Centre for Drama, Theatre and Performance Human Biology Building Biomedical Sciences Hardiman Library and Hardiman Research Building Lifecourse Building Arts Millennium Building Corrib Village (Student Residences) School of Psychology Engineering Building J.E. Cairnes School of Business & Economics Áras Moyola (School of Nursing and Midwifery; School of Health Sciences) Research and Innovation Centre Sports Centre Postgraduate Prospectus 2019 Prospectus Postgraduate IT Building Arts/Science Building NUI Galway NUI Galway Orbsen Building (NCBES and REMEDI) 01 Why Choose NUI Galway? of UNIVERSITIES WORLDWIDE according 92% to the QS World University of POSTGRADUATES are in employment Rankings 2018 or additional education or research within six months of graduating OVER YEARS of Home to INSIGHT innovative teaching and National Centre research excellence for Data Analytics SPINOUT COMPANIES €65.5m 16 in five years in RESEARCH funding in 2017 OF ALL STENTS
    [Show full text]
  • EIBA 2017 Milan Conference
    EIBA 2017 Milan Conference International Business in the Information Age 43 rd European International Business Academy Conference December 14-16, 2017 | Milan, Italy Updated November 23rd Legend: Competitive Session Interactive Panel Sessions C2.1.1: The subsidiary in GVCs Track: MNE Subsidiary Strategy, and Inter-Firm and Intra-Firm Business Network Session chair: Sverre Tomassen Time: Friday, 15/Dec/2017: 9:00am - 10:30am Using and disposing of joint venture partners to reap the benefits of multinationality J. H. Fisch, B. Schmeisser WU Vienna, Austria; [email protected] VALUE CREATION IN SERVICES GVCs: MULTIDIMENSIONAL ROLES OF SERVICES IN GVCs M. Stare, A. Jakliö University of Ljubljana, Slovenia; [email protected] HOW SUBSIDIARIES GAIN STRATEGIC INFLUENCE IN MNE VALUE CHAINS E. Gillmore, N. Memar Mälardalen University, Sweden; [email protected] C2.1.2: Innovation and local context Track: Knowledge Management and Innovation Session chair: Isabel Alvarez Time: Friday, 15/Dec/2017: 9:00am - 10:30am Heterogeneous spillover effects from MNE investments: Domestic learning capacity and technological opportunities L. GagIiardi2, A. Ascani l University of Geneva, Switzerland; 2 Utrecht University, Netherland; [email protected] The role of leading firms in explaining evolutionary paths of growth: Italian and Turkish clusters on the move f. belussi , a. caloffi2 Padua University, Italy; 2 Padua University, Italy; [email protected] The Role of the Appropriability Mechanisms for the Innovative Success of Portuguese Small and Medium Enterprises F. d. O. Paula, J. F. d. Silva PUC-Rio, Brazil; [email protected] To share, or not to share? Production sites' motivation to share knowledge M.
    [Show full text]
  • Final Report (Years 1-5) July 2007
    Darwin Initiative: Project: 162 / 11 / 025 Cross-border conservation strategies for Altai Mountain endemics (Russia, Mongolia, Kazakhstan) Final Report (Years 1-5) July 2007 CONTENTS: DARWIN PROJECT INFORMATION 3 1 PROJECT BACKGROUND/RATIONALE 3 2 PROJECT SUMMARY 4 3 SCIENTIFIC, TRAINING, AND TECHNICAL ASSESSMENT 8 3.1 RESEARCH 8 Methodology 8 Liaison with local authorities and Regional Ecological Committees 9 Data storage and analysis 10 Results 11 3.2 TRAINING AND CAPACITY BUILDING ACTIVITIES. 14 4 PROJECT IMPACTS 15 5 PROJECT OUTPUTS 18 6 PROJECT EXPENDITURE 19 7 PROJECT OPERATION AND PARTNERSHIPS 19 8 ACTIONS TAKEN IN RESPONSE TO ANNUAL REPORT REVIEWS (IF APPLICABLE) 22 9 DARWIN IDENTITY 23 Project 162 / 11 / 025: Altai Mountains. Final Report, August 2007 1 10 LEVERAGE 23 11 SUSTAINABILITY AND LEGACY 24 12 VALUE FOR MONEY 25 APPENDIX I: PROJECT CONTRIBUTION TO ARTICLES UNDER THE CONVENTION ON BIOLOGICAL DIVERSITY (CBD) 27 APPENDIX II: OUTPUTS 29 APPENDIX III: PUBLICATIONS 35 APPENDIX IV: DARWIN CONTACTS 42 APPENDIX V: LOGICAL FRAMEWORK 44 APPENDIX VI: SELECTED TABLES 45 APPENDIX VII: COPIES OF INFORMATION LEAFLETS 52 APPENDIX VIII: PUBLICATIONS WITH SUMMARIES IN ENGLISH 53 APPENDIX IX: COPIES OF OUTPUTS SUPPLIED AS PDF 68 Project 162 / 11 / 025: Altai Mountains. Final Report, August 2007 2 Darwin Initiative for the Survival of Species Final Report Darwin Project Information Project Reference No. 162 / 11 / 025 Project Title Cross-border conservation strategies for Altai Mountain Endemics (Russia, Mongolia, Kazakhstan) Country(ies) UK, Russia, Mongolia, Kazakhstan UK Contractor University of Sheffield Partner Organisation (s) Tomsk State University (Russia); Hovd branch of Mongolian State University; Altai Botanical Gardens (Leninogorsk, Kazakhstan) Darwin Grant Value £184,316.84 Start/End dates 01.04.2002 – 31.03.2007 Reporting period and report 01.04.2005 – 31.03.2007 (Final report) number Project website http://www.ecos.tsu.ru/altai* Author(s), date Dr.
    [Show full text]
  • Theatre Forum Annual Conference 12Th & 13Th June 2008
    Is it worth it? Theatre Forum Annual Conference 12th & 13th June 2008 Theatre Curator Forum note The annual Theatre Forum conference is a great Theatre Forum is the representative association for opportunity to ask questions in a situation where the performing arts in Ireland. Membership includes there are lots of people gathered to offer answers. all the theatres and arts centres around the country; So why not ask a big question? We’ve all felt it professional theatre, dance and opera production at some time. Disillusionment, doubt, frustration, companies; and the main arts festivals. those low ebbs when the question ‘is it worth it?’ lurks in one’s mind. Theatre Forum acts as a voice for the performing arts community to government, state and semi- ‘Is it worth it?’ can carry many different meanings state agencies and elected representatives. of course, from the philosophical question ‘is art worth it?’, through the political question ‘is theatre The organisation also organises training and worth State support?’, to the practitioner’s personal professional development courses and seminars. questions ‘is it worth the grief, the sacrifice, and Its website www.theatreforumireland.com is an the emotional roller-coaster ride?’, and ‘is it worth invaluable resource containing factsheets and model slogging through the failures and the hum-drum to contracts, an opening night clash diary, an industry achieve the often elusive successes?’ employment page, a barter page, members' notice board and much more. This year’s conference offers a series of different ways to approach these questions, allowing members to engage with their own experience of enthusiasm and disillusionment, passion and despair, the see-saw of positive and negative For further information: feelings involved in working in the performing arts.
    [Show full text]
  • Creative Sectoral Overview
    Creative Sectoral Overview Galway City and County Economic and Industrial Baseline Study CREATIVE SECTORAL OVERVIEW James Cunningham Brendan Dolan David Kelly Chris Young 14/04/2015 Table of Contents Executive Summary Overview of the Creative Sector ......................................... 6 Global Overview of the Creative Sector .............................................................. 8 1.1 Global Market Size .......................................................................................... 8 1.2 Classification of the Creative Industry ........................................................... 11 1.2.1 Heritage ......................................................................................................... 11 1.2.2 Art Crafts ....................................................................................................... 12 1.2.3 Performing Arts ............................................................................................. 12 1.2.4 Music ............................................................................................................. 13 1.2.5 Visual Arts ..................................................................................................... 16 1.2.6 Audio Visuals ................................................................................................. 17 1.2.6.1 Film Industry .................................................................................................. 18 1.2.6.2 Television and Radio ....................................................................................
    [Show full text]
  • Postgraduate Prospectus 2021 >90 Ostgraduate Prospectus 2021 SUSTAINABLE DEVELOPMENT MULTI
    National University of Ireland, Galway 175 Ollscoil na hÉireann, Gaillimh T +353 91 524 411 E [email protected] Prospectus 2021 Prospectus Postgraduate Postgraduate 2021 Prospectus National University of Ireland, Galway of Ireland, University National NUI Galway Campus Áras de Brún (School of Mathematics, Statistics and Applied Mathematics) Áras Uí Chathail/Student Information Desk (SID) Áras na Gaeilge The Quadrangle Áras na Mac Léinn and Bailey Allen Hall University Hospital Galway Lambe Institute for Translational Research and HRB Clinical Research Facility Pictured in the Quadrangle, NUI Galway, Sinéad Shaughnessy, scholarship recipient, master’s student 2019–20. Centre for Adult Learning and Professional Development Postgraduate Scholarships Scheme for full-time taught masters’ students At NUI Galway we are keen to ensure that the brightest and most committed students progress to postgraduate study. Our Postgraduate Scholarships are designed to reward excellent students who have performed exceptionally well in their undergraduate studies. Scholarships are worth €1,500 per student. Scholarships will be awarded to EU students who: Huston School of Film and Digital Media • Have been accepted on to a full-time taught master’s programme commencing September 2021 Martin Ryan Building (Environmental, Marine and Energy Research) • Have a First Class Honours undergraduate degree O’Donoghue Centre for Drama, Theatre and Performance More information/how to apply Human Biology Building www.nuigalway.ie/postgraduate_scholarships T: +353 91
    [Show full text]
  • Fall/Winter 2018
    FALL/WINTER 2018 Yale Manguel Jackson Fagan Kastan Packing My Library Breakpoint Little History On Color 978-0-300-21933-3 978-0-300-17939-2 of Archeology 978-0-300-17187-7 $23.00 $26.00 978-0-300-22464-1 $28.00 $25.00 Moore Walker Faderman Jacoby Fabulous The Burning House Harvey Milk Why Baseball 978-0-300-20470-4 978-0-300-22398-9 978-0-300-22261-6 Matters $26.00 $30.00 $25.00 978-0-300-22427-6 $26.00 Boyer Dunn Brumwell Dal Pozzo Minds Make A Blueprint Turncoat Pasta for Societies for War 978-0-300-21099-6 Nightingales 978-0-300-22345-3 978-0-300-20353-0 $30.00 978-0-300-23288-2 $30.00 $25.00 $22.50 RECENT GENERAL INTEREST HIGHLIGHTS 1 General Interest COVER: From Desirable Body, page 29. General Interest 1 The Secret World Why is it important for policymakers to understand the history of intelligence? Because of what happens when they don’t! WWI was the first codebreaking war. But both Woodrow Wilson, the best educated president in U.S. history, and British The Secret World prime minister Herbert Asquith understood SIGINT A History of Intelligence (signal intelligence, or codebreaking) far less well than their eighteenth-century predecessors, George Christopher Andrew Washington and some leading British statesmen of the era. Had they learned from past experience, they would have made far fewer mistakes. Asquith only bothered to The first-ever detailed, comprehensive history Author photograph © Justine Stoddart. look at one intercepted telegram. It never occurred to of intelligence, from Moses and Sun Tzu to the A conversation Wilson that the British were breaking his codes.
    [Show full text]
  • Redalyc.DRUID THEATRE's ECONOMICS: the FIRST DECADE
    Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies E-ISSN: 2175-8026 [email protected] Universidade Federal de Santa Catarina Brasil Troupe, Shelley DRUID THEATRE’S ECONOMICS: THE FIRST DECADE Ilha do Desterro: A Journal of English Language, Literatures in English and Cultural Studies, núm. 58, enero-junio, 2010, pp. 459-478 Universidade Federal de Santa Catarina Florianópolis, Brasil Available in: http://www.redalyc.org/articulo.oa?id=478348696022 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Druid Theatre's Economics: the First Decade 459 DRUID THEATRE’S ECONOMICS: THE FIRST DECADE Shelley Troupe National University of Ireland Galway Abstract: This article considers the relationship between Druid Theatre’s productions and its administration during the company’s first decade by investigating the links between three features: the company’s fundraising practices; Druid’s infrastructure development in terms of personnel and physical space; and the organisation’s programming choices. Druid’s artistic partnership with Irish playwright Tom Murphy is also examined as it assisted in launching Druid’s international touring when Murphy’s Conversations on a Homecoming was the first Druid production to travel outside of the United States/United Kingdom festival circuit. Keywords: Druid Theatre, Tom Murphy, Ireland, funding, Irish theatre. Druid Theatre commenced production in the summer of 1975 with a repertory of three plays: J.M. Synge’s The Playboy of the Western World, Brian Friel’s The Loves of Cass Maguire and Kevin Laffan’s It’s a Two Foot Six Inches Above the Ground World.
    [Show full text]