University Concludes Defence Exercises

Total Page:16

File Type:pdf, Size:1020Kb

University Concludes Defence Exercises tE DAY, APRIL 20 a TRAVEL P.5 University concludes defence exercises Vancouver (AP ) The week long military exer- mock attack by western Art s vigilant against foreign infil- dom from chaos and dissent , cises, featuring over 5,000 Faculty aggressors on the tration, counterrevolution , the freedom to be strong ." The People's University o f university staff and stu- last day of exercises. and those who would sub- "To our once and eternal British Columbia conclude d dents, focused on training a "They can try to storm thi s vert the Socialist educatio n president," concluded Key- its annual border defenc e new generation in defense of Wall all they want," said stu - of the masses. This succes s stone, "Mr Toope, hold u p and readiness exercises on the Great Patriotic Wal l dent volunteer Justin Ko, "a of this week's exercises this wall!" March 31, announced an offi- against foreign sympathizer s baton to the head stops the m proves again how unassail- cial spokesperson for th e and democratic reformer s every time ." able the People ' s University Agency for Military Security . from the western campus . AMS Vanguard Leade r is when we are united," sai d Student volunteers eagerly Kevin Keystone concluded Keystone . "Here, atop this took to their drills and the event with a speec h wall, we are all comrades . absorbed lessons of strateg y addressed to the central gov - Here, we stand shoulder t o at a phenomenal pace, culmi- ernment . shoulder in our pursuit of o f The benevolent Red Sun will be watching nating in their successful "This iron tower of highe r true freedom : the freedom of over you for the rest of the week. defense of the Wall from a learning must remain ever unity in purpose, the free - Debaucherous behavior cages the beloved mascot of the Sci- ence Undergraduate Society LOCAL P.5 Microwaves just make my blood boil . S"ORTS The ever victorious and mag- nificent Party hockey team proudly displays the flag of the motherland . Please recycle VIVE LA REVOLUTION Proud members of the Red Army participate in wall manoever s COUNTY FAIR -FEATURING- Donated by Your hi nds at THE NEW PORNOGRAPHERS THE WEAK RT iAHS the Arts Undergraduate SecktY and The 43 2 ' CORD LUND kritl THE NORM( ALBEPtTIM Please drink resncnsibly CADENCE WEAPON THE SALTEENS Published in the deep, dark, dungeon that is the IFPO in the SUB of UBC castro WEDNESDAY, APRIL 5, 2006 LOCAL The gulag experience: a perspective By FRANK YANG It was small, but it was cozy an d different tastes in food . However, We regret to report that on hi s for Castro Havan a quiet, and I had the place all to bread and porridge are the core o f return journey, Frank became s o myself for weeks at a time . staple diets everywhere, so instea d overcome with excitement, he acci- For several decades now, certain How are your energy levels thes e of trying to accomodate individua l dentally swallowed his own tongue . outspoken elements within our soci- days? tastes the staff had the foresight t o We mourn the loss our fine comrade , ety have persistently complaine d I've been feeling a little sluggish. serve everyone those and only those and salute him for his dedication t o about the quality of life for thos e It's taking me some time to adjust to foods. And just like that, everyone exposing the true nature of ou r who work and live in the gulag labou r not hauling massive cart loads o f could be equally satisfied . Although, nation's proud gulags . camps graciously provided for the m rocks every day . Of course everyon e eventually the same menu week after by the state . Regardless of the fac t had a lot of energy while working in week does start to feel dull. I swear, that these social agitators actually the camp, especially after the inspi- for a while it felt like those parcels o f stand to gain the most from a seaso n rationally energetic encouragement sausage and biscuits you people sent daily informer or two of re-education throug h from the guards . to me were the only thing keeping m e James Manson, a carpenter fro m labour, we here at The Castro never- Was time management a chal- alive. [laughs] Port Moody, was arrested last week theless see it as our public duty t o lenge at the camp ? Which part of your gulag experi- for allegations of treason agains t ? expose the absurdity of their ground- Forcing myself to get up at 5 a m ence was most rewarding the province. A well-intentione d I have to say the manual labour . less claims once and for all . was tough, I admit . Also, on som e neighbour reported that he saw Mr . Towards that end, we sent staf f days you would be so worn out after All of our efforts went into it . Having Manson smoking marijuana on his writer Frank Yang to experience th e a security enforcement practice ses- every part of yourself being put t o back porch . gulag country life first hand . Frank sion with the guards, you didn't real- use by the powers that be is an inde- What made his crime so egre- himself specifically asked for thi s ly feel like meeting the work quota s scribable feeling . gious was that it was Northern Cal- assignment, wishing to take som afterwards . Still, most of us managed Do you feel like your have gained e ifornia marijuana, as opposed t o time off for reflection and self criti- to push on. All of our daily activitie s much from your time at the gulag ? locally grown BC bud . BC Attorney cism after making some disparaging were pretty much planned out for us, Very much! Yes . Very, very much! I General Wally Opal screamed , y remarks unbecoming of a journalis t so for the most part that was easy . think I've gotten all that I possibl "Manson betrayed his province an d concerning the central government . How were the staff? can out of my stay there . his country. Plus he was a shitt y Having recently finished his time a t The guards were always lively an Describe the one area of your life d carpenter . We've had ex-customer s the camp, we sat down with him t o engaging . They'd always be there t o which you think has improved th e come forward to denounce him discuss his experience . shout an encouragement when you most from this experience . every day." What were your overall goals fo r needed it most . The other staff wer e Oh, just, everything. I feel like a Yesterday, at the BC Suprem e ? . your time at the gulag also professional and very helpful completely different person . All I can Show court, Mr . Manson was foun d Renewing my commitment to the Just last month, I became faint with say is "thank you so much" to the guilty, and relocated with his fami- Party and the revolution . revolutionary fervour and developed Party for giving me this opportunity . ly to Nunavut. What aspect of your stay ther e a significant swelling of pride in m y Do you plan on returning fo r would you say was the most chal- left leg after hearing our work quota s another stay? lenging ? were being raised a third time in a s As much as I'd love to, I think it' s Well, housing was a bit rough a t many days . My overexcitement left time for me to move on . No matter times. The tents were kind of small me in no condition to work, but the how physically and mentally enrich- and, well, there were a lot of us there, infirmary staff pulled off a miracle ing, eight years is still a very lon g with more showing up every day. We and had me back on the work gan g time. also probably didn't pay enough that same afternoon. At one point, We here at The Castro fully sup - attention to keeping the tents set up they even gave me something . A pill, port our staff exploring any stat e right, because the wind blew in quite I think. sponsored venues for persona l a bit and sometimes it got prett y And the food? growth and discovery . We woul d cold. The administrators were quite Again, you have to give credit t o love for you to inform us of your accommodating though . They kne w the staff for being so considerate . development after another two how much I liked my privacy, so the y They knew the camp had people from years. let me stay in "the hole" quite often . all over, many of whom have very Please don't send me back! masochists start from scratc h Itchy and Scratchy to becom e herpes. mascots Murderous characters put antics, but with a twist . Itchy forgets to clean himself after being splat- aside differences in the tered with Scratchy's bodily fluids (a s name of STD education always, mostly sanguine), and th e next day wakes up sore from th e Vancouver (Reuters) exertion. Scratchy's ghost the n returns to taunt Itchy with burnin g Today the Canadian Medical Asso- insults and stinging jibes . Once ciation announced that Itchy & Itchy's outbreak has subsided, th e Scratchy will be spokesmen in a ne w message "to be continued, again an d herpes awareness ad campaign .
Recommended publications
  • Victoria Music Advisory Committee - Bios
    Victoria Music Advisory Committee - Bios Christopher Butterfield – Christopher Butterfield studied composition with Rudolf Komorous at the University of Victoria (B.Mus. 1975) and with Bulent Arel at the State University of New York at Stony Brook (M.A. 1977). He lived in Toronto between 1977 and 1992, where he was active as a performance artist, rock guitar player, and composer. In 1979/1980 he taught in the graduate visual arts department at Concordia University in Montreal, and in 1986 and 1989 he taught in the School for the Contemporary Arts at Simon Fraser University in Vancouver. In 1992 he was appointed assistant professor of composition at the University of Victoria. His music has been performed across Canada and in Europe, and is recorded on the CBC and Artifact labels. Kathryn Calder (Chair) - Kathryn Calder is a musician, songwriter, recording artist, and a record label and studio owner based in Victoria. For the last 15 years, she has been recording and touring as a vocalist/keyboardist with indie rock group The New Pornographers. She has also released three solo records, five albums with Immaculate Machine, and one album with her latest project, Frontperson. Composing musical scores for feature films has been another focus of Kathryn's in recent years, including ‘A Matter of Time’, a documentary about her mother’s battle with ALS. She continues to raise money and awareness for ALS research through performance and public speaking. Kathryn is the founder of Oscar St. Records, an artist-run boutique record label based on Vancouver Island. She also owns The Hive recording studio with her husband, producer/engineer Colin Stewart.
    [Show full text]
  • The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash
    Washington and Lee Law Review Volume 64 | Issue 2 Article 4 Spring 3-1-2007 [Insert Song Lyrics Here]: The sesU and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Legal Writing and Research Commons Recommended Citation Alex B. Long, [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing, 64 Wash. & Lee L. Rev. 531 (2007), https://scholarlycommons.law.wlu.edu/wlulr/vol64/iss2/4 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. [Insert Song Lyrics Here]: The Uses and Misuses of Popular Music Lyrics in Legal Writing Alex B. Long* Table of Contents I. For Those About To Rock (I Salute You) .................................... 532 II. I'm Looking Through You ........................................................... 537 A. I Count the Songs That Make the Legal Profession Sing, I Count the Songs in Most Everything, I Count the Songs That Make the Young Lawyers Cry, I Count the Songs, I Count the Songs ................................................. 537 B . A dd It U p ............................................................................... 539 C. I'm Looking Through You .................................................... 541 1. It Takes a Profession of Thousands To Hold Us Back .... 541 2. Baby Boomers Selling You Rumors of Their History ..... 544 3.
    [Show full text]
  • Rock Music's Crusade of Authenticity
    ROCK MUSIC’S CRUSADE OF AUTHENTICITY by DANIEL BROMFIELD A THESIS Presented to the Department of Journalism and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts June 2016 An Abstract of the Thesis of Daniel Bromfield for the degree of Bachelor of Arts in the School of Journalism and Communications to be taken June 2016 Title: Rock Music's Crusade Of Authenticity Prof. Thomas Wheeler This thesis attempts to define rock music's standards of authenticity and explore their origins. Included are comparison of rock's standards of authenticity to those of other genres and an exploration of how authenticity has been perceived throughout the history of rock music. This study argues that rock's standards of authenticity are unusual among pop music genres in that they entail artists both writing their own songs and playing their own instruments. This is in contrast to genres like hip hop, contemporary pop, and R&B, which have their own quite different standards of authenticity. Quotes from rock fans, critics, and musicians are used to provide insight into rock's standards of authenticity and how they developed over time. ii Acknowledgements I would like to first and foremost thank my father for introducing me to music. If not for his decision to turn me on to the Beatles one sunny day in June 2006, I would surely be pursuing a far more boring career – and thesis topic. And I would like to thank my mother for giving me a great life and being endlessly supportive.
    [Show full text]
  • The New Pornographers
    The New Pornographers For what purpose the popular song? Does the popular song have a purpose? Is it just a sequence of auditory gestures, desperate acts, adrift in the bigger broader silence of an unforgiving cultural landscape? In what follows, we will assume that the purpose of the popular song is to unite warring disputants and to repair the manifold puncture wounds of life, so that life is revealed, again, as less accursed than it appears. And let’s assume that we go on listening to the popular song, which in the vast majority of its iterations is a failure, because we are chronic in our need for this rehabilitation of our puncture-wounded selves. Take any fine example, take “All You Need Is Love,” by the Beatles, or “Walk Away, Renee,” by the Left Banke, or “Tears of a Clown,” by Smokey Robinson. Try listening to these songs. Almost immediately, your suppurations begin to clot. Into this tryingly difficult history of the popular song stride The New Pornographers, into a period in which it has to be acknowledged that the medium is mostly dead, is passed, is no longer a uniting force, but, more frequently, a medium of division, one entirely controlled by the Ownership Society and made profitable according to shareholders who don’t give a fuck if your puncture wounds are healed over as long as the product ships. The New Pornographers, stunningly, do not seem to understand that the popular song is dead, is passed, and The New Pornographers, despite their complete and nearly monastic understanding of the Secret Knowledge of the popular song, will themselves into being, characterized by a uniform devotion to the great history that precedes them by only a couple of decades, and their coming into being in a somewhat unlikely place, Vancouver, not previously noted for a unvarying profusion of rock genius, is particular not only for uniformity of purpose but because they manage, in this uniformity, to bring a considerable cast of local adepts all as one into the tent.
    [Show full text]
  • Apollo Ghosts Caribou / Babe Rainbow / Ryan Walter Wagner / the New Pornographers / Sxsw / Bison B.C
    FREE! MAY 2010 // THAT EAZY-DUZ-IT MAGAZINE FROM CiTR 101.9 FM // SUPPORTING VANCOUVER'S INDEPENDENT MUSIC COMMUNITY FOR OVER 25 YEARS APOLLO GHOSTS CARIBOU / BABE RAINBOW / RYAN WALTER WAGNER / THE NEW PORNOGRAPHERS / SXSW / BISON B.C. / HOW TO BE A DJ PT. 2 EDITOR EDITOR'S NOTE Jordie Yow ART DIRECTOR Dear Discorder: Lindsey Hampton With spring just around the corner, this is time to Now, getting back to this issue: We've got some of make plans for summer. This is the time of year when Vancouver's heaviest hitters talking to us: Carl Newman PRODUCTION MANAGER all the planning for local festivals and concerts are hap- from the New Pornographers dropped Dan Fumano a line Debby Reis pening and I have a challenge for them. Over the last few to chat about his new album on page 14, James Farwell COPY EDITORS years members of Discorder and CiTR have been playing from Bison B.C., who's music is heavy in a different sense Alison Atkinson, Liz Brant, Debby a number of friendly softball games against groups like of the word, discusses the maturation of their music with Reis, Miné Salkin Megaphone, Adbusters and CBC Radio 3. This year we Scott Lyon on page 18, Polaris award winner Dan Snaith would like to extend the challenge to the entire Vancouver of Caribou talked with our Jackie Wong about his newest AD MANAGER music community. This is a personal challenge, but it is on endeavour on page 12, Sancho McCann met with some David Stansfield behalf of Discorder and CiTR.
    [Show full text]
  • Staff Music2
    FREE See LIVE Downloadable Performances Music! Staff Documentaries / Concert DVDs Pink Floyd: Pulse (1995, 2006) Music Live video of the band’s 1994 tour, featuring the complete live perfor- mance of Dark Side of the Moon . Also Picks includes a number of other classic Floyd tunes, such as “Wish You Were Here,” “Shine on You Crazy Dia- Did you know that we have music that you mond,” “Another Brick in the Wall II Pt. 2,” and “Learning to Fly.” Recommended by Jada. can check out and download to your com- puter or portable device anytime, anywhere? Afterglow Live (2004) Includes a 15-track CD and a DVD from Sarah MacLachlan’s 2003 perfor- Available Artists Include: mances in Canada. The 23-track DVD features behind-the-scenes footage, live Katy Perry • Keith Urban • J. Geils Band • Van performances, and videos. Recom- Morrison • Trace Adkins • Heart • Bill Monroe • mended by Marianne. Norah Jones • Posion • Eddie Rabbitt • Nat King Cole • Willie Nelson • Irish Tenors • Huey Hell Freezes Over (2005) Lewis & The News • Dean Martin • Thelonius Filmed during the reunion concert tour Monk • David Bowie • Johnny Cash • Doc Wat- in 1994. Includes all the hits you re- son • John Lennon • Dierks Bentley • Jethro member, and perhaps a few goodies Tull • Meat Loaf • Blue Man Group • Sammy you’ve forgotten. In addition to the live Hagar • Don MacLean • Bach, Handel, Liszt, etc. performances, there are some intriguing • Frank Sinatra • Pat Benatar • Snoop Dogg • insights into the pressures of perform- Buddy Guy • Celtic Woman • Joan Baez • The ing together after nearly 15 years. Beach Boys • Barenaked Ladies • Jimi Hendrix • Recommended by Marianne.
    [Show full text]
  • Thenerve February 2004.Pdf
    IInnarnnardsds Band Slut of the month! Cover Story What is your stage name and where are you based? It’s Blind Marc or Blark. I’m based in Victoria BC. How many musical outfits are you currently whoring around with? Four right now: Betty Ford (Drums), The Shivs (Vocals), Keg Killers (Drums), The Bloody Hells (Drums), Dayglo Abortions (U.S. Tour Drummer). How do you keep all your bands separate? I pretty much separate them by the music style. They’re all punk, but slightly different. The Shivs is more hardcore, while Betty Ford is a street punk thing. Keg Killers is more of a 70’s style rock ‘n’ roll punk. Not too sure about the Bloody Hells yet, since I just joined. How often do you fall off the stage? photo: Laura Murray Well, The Shivs haven’t played a show in lind Marc (Marc Hlady) has become a awhile, so not lately... It all depends on the key element of the Victoria punk scene amount of booze and how fast it goes down. It The Dirtbombs... Casey Cougar talks to in the last ten years. Whether he’s B doesn’t happen so much with the other bands, drumming or singing, you know that if Blark is Mick and surprisingly doesn’t take off since I can use the drums to prop myself up. in the band it’s gonna be hard as hell. You’d her underwear... think that drinking and playing would take up 15 How do you know when it’s time to sleep in all of his time, but Marc also likes to treat peo- the tub? ple to the unnerving sight of a blind guy bar- It’s pretty much a given after 20 or so beers..
    [Show full text]
  • Time's the Revelator
    Time’s the Revelator: Revival and Resurgence in Alt.country and Modern Old-Time American Music Ashley Denise Melzer A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of American Studies (Folklore). Chapel Hill 2009 Approved by: Dr. William Ferris Dr. Robert Cantwell Dr. Patricia Sawin © 2009 Ashley Denise Melzer ALL RIGHTS RESERVED ii ABSTRACT ASHLEY MELZER: Time’s the Revelator: Revival and Resurgence in Alt.country and Modern Old-Time American Music (Under the directions of Dr. William Ferris, Dr. Robert Cantwell, and Dr. Patricia Sawin) This thesis investigates the relationship between the modern old-time and alt.country movements through the comparison of four different female musicians: Abigail Washburn, Rayna Gellert, Gillian Welch, and Neko Case. These four women often pull from the same wellspring of old-time songs/structures/sounds, but their instincts come from exceptionally different places. The disparity between the ways they approach their music, reveals how the push toward modern capitalist industrialism has affected how different artists and communities access and transmit those old-world icons and sounds. Furthermore, their engagement specifically with the topic of gender exposes key tactical differences. Old-time musicians, Washburn and Gellert, work within the strictures of tradition so as to remain in dialogue with their community. Welch and Case play into the experimental bent of alt.country to emotionally affect listeners in order to create discreet, personal connections between themselves and their audience. iii To the ones who listen and love me anyway iv PREFACE In the summer, Florida is so hot the home becomes some dark prison of necessary air conditioning.
    [Show full text]
  • UBC High Notes
    UBC High Notes Fall 2011 Newsletter of the School Music at the University of British Columbia Director’s Welcome Welcome to the thirteenth edition of High Notes, our annual chronicle of the recent activities and major achievements of faculty, students, and alumni of the UBC School of Music. The variety, quality, and international impact of these contributions to scholarship and public life are inspiring and impressive, and each year brings a stream of new work and echoing accolades. After our exciting “year of renewal” in 2010/2011, we are now taking full advantage of our revitalized facilities. The handsomely renovated Roy Barnett Recital Hall is acoustically brilliant and well equipped, and is the heart of our teaching and performing activities every day. The beautiful and historic Old Auditorium has been thoroughly modernized as a teaching, rehearsal, and performance space perfect for classical opera, and also for concerts, recitals, and other events. The splendid Chan Centre, with its contemporary design and acoustic radiance, is home for our Symphony Orchestra, Symphonic Wind Ensemble, Concert Winds, University Singers, and Choral Union, plus one fully staged opera each season by the UBC Opera Ensemble. The Chan Centre also features its own programming and numerous community partnerships. These three wonderful venues add depth and richness to the musical life of UBC. Thanks to significant investments by the Province, University, Faculty of Arts, the School of Music itself, and the support of many generous private donors, our faculty and students enjoy facilities that few institutions Photo credit: Martin Dee can match. We are always delighted to welcome the community to our many performances in these three superb venues.
    [Show full text]
  • SAC Fall 2007
    Executive Director’s Message EDITOR Beverly Hardy Busy, Busy, Busy! MANAGING EDITOR Don Quarles LAYOUT Lori Veljkovic ow – where did the summer go? If you bump into COPY EDITOR Leah Erbe The S.A.C. has been actively them, thank them CONTRIBUTORS Don Quarles, promoting the Association at again! Nick Krewen, Kerry Doole, Leah Erbe, W Dale Leung, Pierre Millette, several events over the last few months as well We are excited as preparing for the upcoming season: We about a new show- Canadian Publications Mail Agreement were at the SCMAs (Saskatchewan Country case opportunity No. 40014605 Music Awards) in Saskatoon, where Lennie involving a part- Canada Post Account No. 02600951 Gallant participated in several songwriting nership with the ISSN 1481-3661 ©2002 panels and showcases; S.A.C. Board folks at Second Songwriters Association of Canada President Haydain Neale made his way up to Cup Canada. DON QUARLES Subscriptions: Canada $16/year plus Sault Ste Marie to lead a songwriting Thanks to Laura GST; USA/Foreign $22 workshop co-sponsored by Music and Film in Mingail and Karen Gold (both from Second Songwriters Magazine is a publication of the Motion (MFM); Pat Pattison wowed another Cup Marketing), an initiative is in full swing Songwriters Association of Canada (S.A.C.) group of songwriters at a weekend workshop to help promote Canadian songwriters in and is published four times a year. Members at Metalworks Institute; and in June we had a their coffee houses across the country. With of S.A.C. receive Songwriters Magazine as great bluebird North showcase in an initial launch in September and October part of their membership.
    [Show full text]
  • Dan Bejar on Having No Process
    November 20, 2017 - As told to T. Cole Rachel, 2217 words. Tags: Music, Process, Collaboration, Success, Anxiety, Inspiration. Dan Bejar on having no process There’s a quote from you: “I’m lazy. I have no work ethic. Music just descends on me. The song kind of wafts by and I walk into it.” It’s a nice way to describe the mystery of the creative process. Though, for someone who’s recorded well over 20 albums over the past two decades, you do seem to have a fairly strong work ethic. Maybe I do. I think I write more than a lot of people without actually realizing it. My mind is always blown when people take six or seven years between albums. I’m just like, “Woah, what do you do with your time?” [laughs] I think I do have a work ethic when it comes to being in the studio, because to me the music part of things—coming up with a song, coming up with a bunch of words that truss together nicely and have some kind of melodic phrase that feels natural and memorable—has always seemed more mysterious and not like work somehow. But the studio is like a battle. The studio is like a war. Records certainly haven’t gotten easier to make over time. I think about writers who are kind of like poets, people who will sit down and write endlessly and then overwrite and whittle things down and edit and edit, basically carving away at ideas in an attempt to get to what is essential in their words.
    [Show full text]
  • Read Razorcake Issue #36 As a PDF
    So Very Unsexy shove—but any more rules than that, and it’s only a matter of time that I thought of this in Gainesville, Florida at The Fest. I was in your brushstrokes of good intentions have you painted into a corner. ZRQGHU 1R ¿JKWV 1R EXOOVKLW *UHDW SHRSOH *UHDW PXVLF $Q Here’s the connection: Too often, the folks who have the most expertly planned, large event. How’d this happen? “expert without actually doing it” advice are the ones who want more I’m not deaf, but I do admit that ninety-eight percent of the time rules enforced because they don’t feel in control of the situation; ZKHQ,KHDU³+H\GXGH\RXVKRXOGBBBBBBBBB ¿OOLQWKHEODQN hell, they may even have the best of intentions. But, ultimately, they with the zine. That’d totally keep it from suckin’,” I’m no longer want to steer from the back seat—yank the wheel—want to have paying attention. I’m picturing this really cute, fuzzy otter and he’s equal time without equal effort. They have the opportunity to walk ÀRDWLQJRQKLVEDFNWU\LQJWRFUDFNRSHQWKLVFODPZLWKDURFN0DQ away from a car you built if they wreck it. ,ORYHWKDWRWWHUJHWWLQJDOO'DUZLQRQWKHVKHOO¿VKORXQJLQJLQWKH ,¶OOOHW\RXLQRQDFRXSOHRIVHFUHWV 5D]RUFDNH¶VQRWEOLQGO\ ocean, being all cute, calm, and concentrated. And by the time the groping along, bumping into things, and somehow a zine ploops out person’s done telling me what I should do—without them offering of heinies every two months. It’s a lot of very tedious, constant work to take up the task they’re suggesting—that little otter’s opened WKDWLVVRYHU\XQVH[\WKDWLW¶VERULQJWRHYHQEULHÀ\PHQWLRQZKDW up that shell; he smiles as he eats.
    [Show full text]