Journal of the American Viola Society Volume 20 No. 2, Fall 2004
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
2 0 1 9 Program
2019 PROGRAM | MARCH – MAY Place Matters. History Matters. 40,000 Opportunities for Children to Explore the Arts. ©2016 Rodney Strong Vineyards, Healdsburg, CA Healdsburg, Vineyards, Strong Rodney ©2016 Rodney D. Strong 1927–2006 We Are Proud To Celebrate our founder Rod Strong’s passion for winemaking and the arts by being the exclusive wine partner of the Luther Burbank Center for the Arts. The Lytton Band of Pomo Indians is proud to be the Naming Sponsor of Luther Burbank Center for the Arts, ensuring Sonoma County children can experience live theater, music and art. Lytton_Ad 2018.indd 1 2/8/2018 1:12:44 PM RS3900_Luther Burbank AD_P1.indd 1 3/1/16 9:52 AM 4 2019 PROGRAM Luther Burbank Center for the Arts | MARCH – MAY 5 What’s Inside Welcome to Your LBC! Thank you for joining us. 2019 promises to be an especially exciting year at Your LBC—besides Welcome ................................................................................................................................ 4 the many terrific shows we have planned for you, this year is when we unveil the curtains to LBC by the Numbers ............................................................................................................ 8 Board of Directors & Founders ........................................................................................ 10 reveal major upgrades at Your LBC. By spring you will be enjoying pre-show and intermission in Latino Advisory Council ................................................................................................... -
The Four Freshmen...ON the ROAD!
Volume 22, No.4 October, November, December 2008 Brian Eichenberger "AND SO IT'S OVER" Lead Voice Borrowing on that great closer of the Freshmen, the curtain came down on the 60th anni- versary celebration in Indianapolis on August 23rd. Closing on the 21st edition of the Four Freshmen Society's annual get-together was indeed a bittersweet moment for the conven- tion planning committee which had worked for the past two and a half years to organize the event, attended by nearly 600 "guests" from 36 states and nine countries. On behalf of the planning committee, we hope everyone in attendance had a great experi- ence, and we're sorry for those of you who couldn't be here. From all reports, the hotel accomodations, the food, the 113 Club (music mart, silent auction, FF gallery, etc), the tour, the overflow Wannabee sessions, Fresh Talk, and especially the music did not disappoint. For all of that and the new and renewed friendships of the legions of Freshmen fans, we are most thankful. Curtis Calderon And, of course who will ever forget the presence and performances of Freshmen Bob Flani- 2nd Voice gan, Ross Barbour, Bob Ferreira, Brian Eichenberger, Vince Johnson, Curtis Calderon, Ray Brown, Rod Henley, Kirk Marcy, and Greg Stegeman. Mrs. Don Barbour also joined in the anniversary festivities. In the event that anyone missed the opportunity to purchase some of the extra registration "goodies", we have a few of each of the following for sale. Commemorative poster (14" x 20") $5 each or 3 for $10 plus $3 shipping CD Holder $5 each plus $3 shipping Commemorative Logo Lapel Pin $10 each plus $2 shipping COMBINATION OF ABOVE PRODUCT TOTAL PLUS $5 SHIPPING All proceeds, of course, will go to the Four Freshmen Society. -
Boston Symphony Orchestra Concert Programs, Summer, 1991, Tanglewood
/JQL-EWOOD . , . ., An Enduring Tradition ofExcellence In science as in the lively arts, fine performance is crafted with aptitude attitude and application Qualities that remain timeless . As a worldwide technology leader, GE Plastics remains committed to better the best in engineering polymers silicones, superabrasives and circuit board substrates It's a quality commitment our people share Everyone. Every day. Everywhere, GE Plastics .-: : ;: ; \V:. :\-/V.' .;p:i-f bhubuhh Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President T Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, V ice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A. Smith Julian Cohen Mrs. BelaT. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Mrs. Eugene B. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. -
New Music at Macalester Presents the ETHEL String Quartet Performing
New Music at Macalester presents the ETHEL string quartet performing... http://www.macalester.edu/news/2013/08/new-music-at-macalester-prese... New Music at Macalester presents the ETHEL string quartet performing “GRACE” St. Paul, Minn. – Since its founding in 1998, the string quartet ETHEL has been a musical pioneer. They’ll perform at 7:30 p.m. on Tuesday, September 10, 2013, in Mairs Concert Hall, in the Janet Wallace Fine Arts Center & Gallery, 1600 Grand Ave, St. Paul, Minn. They are part of Macalester’s New Music Series , sponsored by the Rivendell Foundation. Their Macalester concert, titled "GRACE," is a program that explores the idea of redemption through music. The performance will include a suite from the score to the film "The Mission" by Ennio Morricone, as well as music from other cultures. The New York-based string quartet uses amplification and improvisation in its concerts performing original music and works by contemporary composers. The New Yorker has called ETHEL the "avatar of post-classical music -- the virtuoso alternative string quartet...vital and brilliant." Download (//d2ihvqrbsd9p9p.cloudfront.net /contentAsset/raw-data ETHEL is comprised of Ralph Farris (viola), Dorothy Lawson /f6ac8962-1917-4184-b90d-26faffacb7e6 (cello), Kip Jones (violin) and Tema Watstein (violin). /image1 ) Thanks to generous funding from the Rivendell Foundation, the Macalester College Music Department presents two to three concerts per season focusing on New Music and Jazz. Past New Music Series guests have included guitarist/composer Bill Frisell, cellist Matt Haimovitz, So Percussion, jazz pianist/composer/arranger Uri Caine, singer Lucy Shelton, Enso String Quartet, pianist/composer Frederic Rzewski, Pulitzer-Prize winning composer Yehudi Wyner, chamber group eighth blackbird, and jazz composer/bandleader Maria Schneider and Theo Bleckmann, jazz singer and new music composer. -
The Jewish Museum and Bang on a Can Present ETHEL Performing the String Quartets of Julia Wolfe
The Jewish Museum and Bang on a Can Present ETHEL Performing the String Quartets of Julia Wolfe Photos by Matthew Murphy (ETHEL) and Peter Serling (Julia Wolfe) Thursday, February 28, 2019 at 7:30pm Scheuer Auditorium at the Jewish Museum 1109 5th Ave at 92nd St | New York, NY Tickets: $20 General; $16 Students and Seniors; $12 Jewish Museum Members Available at www.thejewishmuseum.org. Includes museum admission. New York, NY – Bang on a Can and the Jewish Museum’s 2018-2019 concert season, pairing innovative music with the Museum’s exhibitions and showcasing leading female performers and composers, continues on Thursday, February 28, 2019 at 7:30pm. The acclaimed string quartet ETHEL performs the complete string quartets of Pulitzer Prize-winning composer Julia Wolfe: Dig Deep, Early that Summer, Four Marys, and Blue Dress. This is the first performance of all of Wolfe's string quartets at one time, on one stage. Julia Wolfe's string quartets, as described by The New Yorker, "combine the violent forward drive of rock music with an aura of minimalist serenity [using] the four instruments as a big guitar, whipping psychedelic states of mind into frenzied and ecstatic climaxes." This performance is presented in conjunction with the exhibition of fellow New York City cultural icon Martha Rosler: Irrespective. Established in New York City in 1998, ETHEL quickly earned a reputation as one of America’s most adventurous string quartets. Twenty years later, the band continues to set the standard for contemporary concert music. ETHEL is Ralph Farris (viola), Kip Jones (violin), Dorothy Lawson (cello), and Corin Lee (violin). -
Adam Schoenberg
SCHEDULE OF PERFORMANCES AND EVENTS - check denison.edu/series/tutti Monday, March 4, 6:30 pm, Knapp Performance Space Artist Talk with Vail Visiting Artist Tara Booth, ‘Inward & Onward: The Contemporary Ceramics of Tara Booth,’ Tuesday March 5, 10:00 am Swasey Chapel Workshop with Third Coast Percussion, ‘Think Outside the Drum” 8:00 pm, Denison Museum The Weather Project - Artist Talk and Concert with Nathalie Miebach and Student Composers Concert with ETHEL and Students, Wednesday, March 6, 1:30 pm, Swasey Chapel Composers Workshop with Third Coast Percussion on Composition, Swasey Chapel 6:30 pm, Burke Recital Hall Composition and Improvisation: Philosophers and Musicians in Dialogue with John Carvalho, Ted Gracyk, Mark Lomax II and ETHEL Thursday, March 7, 11:30 am, Burke Rehearsal Hall Composition Seminar with Adam Schoenberg, 3:00 pm, Burke Recital Hall Concert One with Guest Artists and the Columbus Symphony Quartet 7:00 pm, Burke Recital Hall Concert Two with Denison Wind Ensemble and Symphony Orchestra, with guest artists ETHEL Friday, March 8, 10:00 am, Burke Recital Hall Concert Three with Faculty, Students and Guest Artists 11:30 am, Burke Rehearsal Room Conversation with: Third Coast Percussion, ETHEL, and Adam Schoenberg 3:00 pm, Burke Recital Hall Concert Four with Chamber Singers, Jazz Ensemble, Faculty and Guest Artists 7:00 pm, Burke Recital Hall Concert Five ‘Words and Music with ETHEL and Michael Lockwood Crouch, actor, and Denison Creative Writing Students, Saturday, March 9, 10:00 am, Knapp Performance Space Concert Six with Faculty and Guest Artists, 11:00 am, Composers Forum - Knapp (various locations) - Composers 3:00 pm, Burke Recital Hall Concert Seven ‘New American Music Project 3. -
STANLEY GRILL and I Paint Stars with Wings
STANLEY GRILL and I paint stars with wings... CAMERATA PHILADELPHIA STEPHEN FRAMIL | BRETT DOUGLAS DEUBNER | PEGGY PEI-JU YU THE FOUR ELEMENTS Stanley grill And I paint stars with wings... 01 Earth 8:34 02 Air 6:56 03 Water 3:09 soprano 04 Fire 5:05 Brett Douglas Deubner, viola PAVANNE TO A WORLD WITHOUT WAR cello conductor, 05 Moderato 8:29 IN PRAISE OF REASON 06 Adagio; Moderato 8:32 07 Allegro 6:17 PEGGY PEI-JU YU Stephen Framil, cello | Trish Giangiulio & Jonathan Clark, horns viola STEPHEN FRAMIL MYSTICAL SONGS (Fernando Rielo) | 08 Introduction 1:53 09 Corre 2:17 10 Intermezzo I 1:01 11 Alli 3:51 12 Intermezzo II 2:26 13 Tu eres la brisa 3:28 14 Intermezzo III 1:12 15 Un arbol tan callado 3:37 Peggy Pei-Ju Yu, soprano Brett Douglas Deubner, viola 66:47 innova 047 BRETT DOUGLAS DEUBNER CAMERATA PHILADELPHIA CAMERATA Produced by Ralph Farris. © Stanley Grill. All Rights Reserved, 2020. innova® Recordings is the label of the American Composers Forum. innova.mu stangrillcomposer.com STANLEY GRILL Raised in the Bronx, Stan has been obsessed with music since the age of six, when his mother took him to Carnegie Hall and he was astonished and awestruck by a performance of “La Mer.” While that obsession first took the form of playing piano at every possible moment (when not otherwise engaged in activities typical of a kid growing up in the Bronx of the 1950’s and ‘60s), it was Stan’s music theory studies at the Manhattan School of Music that converted that obsession to writing music – and to finding his own musical voice. -
Zach Brock, Purple Sounds
Zach Brock Purple Sounds When violinist Zach Brock debuted on Criss Cross in 2012 with Almost Never Was (Criss 1349), he had serious talent on board. Pianist Aaron Goldberg, bassist Matt Penman and drummer Eric Harland gave Brock, on a silver platter, the ideal conditions for an inventive, hard-swinging and memorable session. They’ll all likely record together again. In the meantime, BroCk has welComed a pair of twins, three months old at the time of this writing. He’s also put together a follow-up album, Purple Sounds, that takes a different turn: while Penman stays on, guitarist Lage Lund enters the picture and transforms the harmony and texture of the music. Drummer Obed Calvaire rips and roars and plays with utmost sensitivity as well. The foCus remains modern straightahead jazz, whiCh BroCk has embraCed alongside his work with the great Stanley Clarke, Gregg Bendian’s Mahavishnu ProjeCt and other decidedly “plugged-in” projeCts. But BroCk’s larger purpose on Purple Sounds is to highlight and transform a wealth of material associated with violin masters, particularly those whose work with guitarists subtly altered the jazz landsCape. What springs to mind, obviously, is Django Reinhardt and Stéphane Grappelli, and Brock has considerable expertise in that milieu, working with master guitarist Frank Vignola and others. But BroCk is also keen to break out of any constricted role: “I realized that I’d gotten myself into some hot water beCause as a violinist working in jazz, I’m Constantly being pulled backwards. I’m not crying about this — it’s Cool in a certain way but it’s something I was always trying to esCape from, the pull of the 1930s. -
Lydia Tang Thesis.Pdf
THE MULTI-FACETED ARTISTRY OF VIOLIST EMANUEL VARDI BY LYDIA M. TANG THESIS Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Performance and Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Rudolf Haken, Chair Associate Professor Katherine Syer, Director of Research Associate Professor Scott Schwartz Professor Stephen Taylor Clinical Assistant Professor Elizabeth Freivogel Abstract As a pioneer viola virtuoso of the 20th century, Emanuel “Manny” Vardi (c. 1915-2011) is most widely recognized as the first violist to record all of Paganini’s Caprices. As a passionate advocate for the viola as a solo instrument, Vardi premiered and championed now-standard repertoire, elevated the technique of violists by his virtuosic example, and inspired composers to write more demanding new repertoire for the instrument. However, the details of his long and diverse career have never to date been explored in depth or in a comprehensive manner. This thesis presents the first full biographical narrative of Vardi’s life: highlighting his work with the NBC Symphony under Arturo Toscanini, his activities as a soloist for the United States Navy Band during World War II, his compositional output, visual artwork, an analysis of his playing and teaching techniques, as well as his performing and recording legacies in classical, jazz, and popular music. Appendices include a chronology of his life, discography, lists of compositions written by and for Vardi, registered copyrights, and a list of interviews conducted by the author with family members, former students, and colleagues. -
Boston Symphony Orchestra Concert Programs, Summer, 1990
FESTIVAL OF CONTE AUGUST 4th - 9th 1990 j:*sT?\€^ S& EDITION PETERS -&B) t*v^v- iT^^ RECENT ADDITIONS TO OUR CONTEMPORARY MUSIC CATALOGUE P66438a John Becker Concerto for Violin and Orchestra. $20.00 Violin and Piano (Edited by Gregory Fulkerson) P67233 Martin Boykan String Quartet no. 3 $40.00 (Score and Parts) (1988 Walter Hinrichsen Award) P66832 George Crumb Apparition $20.00 Elegiac Songs and Vocalises for Soprano and Amplified Piano P67261 Roger Reynolds Whispers Out of Time $35.00 String Orchestra (Score)* (1989 Pulitzer Prize) P67283 Bruce J. Taub Of the Wing of Madness $30.00 Chamber Orchestra (Score)* P67273 Chinary Ung Spiral $15.00 Vc, Pf and Perc (Score) (1989 Grawemeyer and Friedheim Award) P66532 Charles Wuorinen The Blue Bamboula $15.00 Piano Solo * Performance materials availablefrom our rental department C.F. PETERS CORPORATION ^373 Park Avenue So./New York, NY 10016/Phone (212) 686-4l47/Fax (212) 689-9412 1990 FESTIVAL OF CONTEMPORARY MUSIC Oliver Knussen, Festival Coordinator by the sponsored TanglewGDd TANGLEWOOD MUSIC CENTER Music Leon Fleisher, Artistic Director Center Gilbert Kalish, Chairman of the Faculty Lukas Foss, Composer-in-Residence Oliver Knussen, Coordinator of Contemporary Music Activities Bradley Lubman, Assistant to Oliver Knussen Richard Ortner, Administrator Barbara Logue, Assistant to Richard Ortner James E. Whitaker, Chief Coordinator Carol Wood worth, Secretary to the Faculty Harry Shapiro, Orchestra Manager Works presented at this year's Festival were prepared under the guidance of the following Tanglewood Music Center Faculty: Frank Epstein Donald MacCourt Norman Fischer John Oliver Gilbert Kalish Peter Serkin Oliver Knussen Joel Smirnoff loel Krosnick Yehudi Wyner 1990 Visiting Composer/Teachers Elliott Carter John Harbison Tod Machover Donald Martino George Perle Steven Stucky The 1990 Festival of Contemporary Music is supported by a gift from Dr. -
Round Midnight
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA KATEDRA MUZIKOLOGIE Vývoj a prom ěny jazzového standardu ’Round Midnight Development And Tranformations Of Jazz Standard ’Round Midnight Bakalá řská práce Autorka práce: Tereza Štaudová Vedoucí práce: Mgr. Jan P řibil OLOMOUC 2015 Pod ěkování Up římn ě d ěkuji Mgr. Janu P řibilovi za odbornou pomoc p ři vedení mé bakalá řské práce. Velice si cením jeho p řipomínek a rad. Dále d ěkuji všem, kte ří m ě p ři psaní této práce podporovali. Prohlášení Prohlašuji, že p ředložená bakalá řská práce je mým p ůvodním autorským dílem, které jsem vypracovala samostatn ě. Veškerou literaturu a další zdroje, z nichž jsem p ři zpracování čerpala, v práci řádn ě cituji a uvádím je v seznamu použité literatury. V Olomouci dne …………… ……………………... podpis OBSAH ÚVOD .......................................................................................................................................................... 4 1. STAV BÁDÁNÍ ....................................................................................................................................... 6 2. VZNIK SKLADBY ’ROUND MIDNIGHT A JEJÍ RANÝ VÝVOJ ................................................ 17 2.1 ZÁKLADNÍ ZNAKY OSOBNOSTI A TVORBY THELONIA MONKA .......................................................... 17 2.2 VZNIK SKLADBY ’ROUND MIDNIGHT A JEJÍ ANALÝZA ....................................................................... 20 2.3 PRVNÍ NAHRÁVKY ’ROUND MIDNIGHT ............................................................................................. -
Ari Poutiainen a Fingering Strategy for Jazz Violin Improvisation
ARI POUTIAINEN STRINGPROVISATION A FINGERING STRATEGY FOR JAZZ VIOLIN IMPROVISATION ACTA MUSICOLOGICA FENNICA 28 Among the key issues of left-hand violin technique are fingering, shifting, and position playing. This doctoral study presents a unique fingering strategy, Stringprovisation, that focuses on these technical matters. The strategy is targeted to formulaic modern jazz improvisation and is communicated through applications of idiomatic musical patterns. The strategy excludes the use of open strings and relies instead on so-called schematic fingering. This advanced fingering approach reflects well the tactile and kinesthetic aspects of violin playing, and idiomatic patterns can be effectively performed with it in all keys and violin positions. The study is divided into two parts. Part I consists of a comprehensive investigation of schematic fingering approaches in relevant pedagogical string instrument literature. Part II presents the fingering strategy with an extensive collection of musical examples. This strategy draws from the author’s wide experience in and knowledge of jazz violin performance and pedagogy. The strategy appears to provide a significant alternative fingering approach with which modern jazz can be effectively improvised across the entire violin fingerboard. Ari Poutiainen is an original contemporary jazz violinist, violist, composer, and arranger. He is known for his use of rare, hybrid 5-string violas in addition to violin, his main instrument. He has performed across Europe, led various small groups and string ensembles, composed scores for films, contemporary dance and theatre performances, and appears on approximately 50 CDs. As a pedagogue, Poutiainen has specialized in bowed string instrument improvisation, having taught the subject at different levels and institutions for several years.