KOREA TODAY No. 1, 2017 51 Happy New Year
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Emergency Appeal Final Report Democratic People’S Republic of Korea (DPRK) / North Hamgyong Province: Floods
Emergency Appeal Final Report Democratic People’s Republic of Korea (DPRK) / North Hamgyong Province: Floods Emergency Appeal N°: MDRKP008 Glide n° FL-2016-000097-PRK Date of Issue: 26 March 2018 Date of disaster: 31 August 2016 Operation start date: 2 September 2016 Operation end date: 31 December 2017 Host National Society: Red Cross Society of Democratic Operation budget: CHF 5,037,707 People’s Republic of Korea (DPRK RCS) Number of people affected: 600,000 people Number of people assisted: 110,000 people (27,500 households) N° of National Societies involved in the operation: 19 National Societies: Austrian Red Cross, British Red Cross, Bulgarian Red Cross, China Red Cross, Hong Kong and Macau branches, Czech Red Cross, Danish Red Cross, Finnish Red Cross, German Red Cross, Japanese Red Cross Society, New Zealand Red Cross, Norwegian Red Cross, Red Crescent Society of the Islamic Republic of Iran, Red Cross of Monaco, Spanish Red Cross, Swedish Red Cross, Swiss Red Cross, the Canadian Red Cross Society, the Netherlands Red Cross, the Republic of Korea National Red Cross. The Governments of Austria, Denmark, Finland, Malaysia, Netherlands, Switzerland and Thailand, the European Commission - DG ECHO, and Czech private donors, the Korea NGO Council for Cooperation with North Korea, Movement of One Korea, National YWCA of Korea and the WHO Voluntary Emergency Relief Fund have contributed financially to the operation. N° of other partner organizations involved in the operation: The State Committee for Emergency and Disaster Management (SCEDM), ICRC, UN Organizations, European Union Programme Support Units Summary: This report gives an account of the humanitarian situation and the response carried out by the Democratic People’s Republic of Korea Red Cross Society (DPRK RCS) during the period between 12 September 2016 and 31 December 2017, as per revised Emergency Operation Appeal (EPOA) with the support of International Federation of Red Cross and Red Crescent Societies (IFRC) to meet the needs of floods affected families of North Hamgyong Province in DPRK. -
DPRK/North Hamgyong Province: Floods
Emergency Plan of Action (EPoA) DPRK/North Hamgyong Province: Floods Emergency Appeal n° MDRKP008 Glide n° FL-2016-000097-PRK Date of issue: 20 September 2016 Date of disaster: 31 August 2016 Operation manager (responsible for this EPoA): Point of contact: Marlene Fiedler Pak Un Suk Disaster Risk Management Delegate Emergency Relief Coordinator IFRC DPRK Country Office DPRK Red Cross Society Operation start date: 2 September 2016 Operation end date (timeframe): 31 August 2017 (12 months) Overall operation budget: CHF 15,199,723 DREF allocation: CHF 506,810 Number of people affected: Number of people to be assisted: 600,000 people Direct: 28,000 people (7,000 families); Indirect: more than 163,000 people in Hoeryong City, Musan County and Yonsa County Host National Society(ies) presence (n° of volunteers, staff, branches): Democratic People’s Republic of Korea Red Cross Society (DPRK RCS) Red Cross Red Crescent Movement partners actively involved in the operation: International Committee of the Red Cross (ICRC) Other partner organizations actively involved in the operation: The State Committee for Emergency and Disaster Management (SCEDM), UN Organizations, European Union Programme Support Units A. Situation analysis Description of the disaster From August 29th to August 31st heavy rainfall occurred in North Hamgyong Province, DPRK – in some areas more than 300 mm of rain were reported in just two days, causing the flooding of the Tumen River and its tributaries around the Chinese-DPRK border and other areas in the province. Within a particularly intense time period of four hours in the night between 30 and 31 August 2016, the waters of the river Tumen rose between six and 12 metres, causing an immediate threat to the lives of people in nearby villages. -
Bibliography
SELECTED bibliOgraPhy “Komentó: Gendai bijutsu no dōkō ten” [Comment: “Sakkazō no gakai: Chikaku wa kyobō nanoka” “Kiki ni tatsu gendai bijutsu: henkaku no fūka Trends in contemporary art exhibitions]. Kyoto [The collapse of the artist portrait: Is perception a aratana nihirizumu no tōrai ga” [The crisis of Compiled by Mika Yoshitake National Museum of Art, 1969. delusion?]. Yomiuri Newspaper, Dec. 21, 1969. contemporary art: The erosion of change, the coming of a new nihilism]. Yomiuri Newspaper, “Happening no nai Happening” [A Happening “Soku no sekai” [The world as it is]. In Ba So Ji OPEN July 17, 1971. without a Happening]. Interia, no. 122 (May 1969): (Place-Phase-Time), edited by Sekine Nobuo. Tokyo: pp. 44–45. privately printed, 1970. “Obŭje sasang ŭi chŏngch’ewa kŭ haengbang” [The identity and place of objet ideology]. Hongik Misul “Sekai to kōzō: Taishō no gakai (gendai bijutsu “Ningen no kaitai” [Dismantling the human being]. (1972). ronkō)” [World and structure: Collapse of the object SD, no. 63 (Jan. 1970): pp. 83–87. (Theory on contemporary art)]. Design hihyō, no. 9 “Hyōgen ni okeru riaritī no yōsei” [The call for the Publication information has been provided to the greatest extent available. (June 1969): pp. 121–33. “Deai o motomete” (Tokushū: Hatsugen suru reality of expression]. Bijutsu techō 24, no. 351 shinjin tachi: Higeijutsu no chihei kara) [In search of (Jan. 1972): pp. 70–74. “Sonzai to mu o koete: Sekine Nobuo-ron” [Beyond encounter (Special issue: Voices of new artists: From being and nothingness: On Sekine Nobuo]. Sansai, the realm of nonart)]. Bijutsu techō, no. -
CBD Strategy and Action Plan
Biodiversity Strategy and Action Plan DPRK ovata, Epimedium koreanum, Eleutherococcus Enticosus as medicinal; · Vitis amurensis, Actinidia argenta, Vaccinium uliginosum, Castanea crenata, Querecus sp._As nuts; · Spuriopinella calycina, Pteridium aquilinum, Osmunda japonica, Aralia elata, Platycodon grandifiorum as wild edible greens; · Trcholoma matsutake, 'Pleurotus ostreatus, P. cornucopiaen as mushroom resource; · Syringa dilatata, Thylgus quinque costatus, Agastache rugosa, Ledum palustre as spice plant. Endangered & rare species in Species inCITES Taxa DPRK Annexl Annex2 . Amphibian 9 Reptile 13 Aves 74 15 2 I Mammal 28 4 7 Total 124 19 28 As for forest wild animals with economic value, we can take Caprecolus caprecolus, Hydropotes inermis, Nemorhaedus goral, Sus scorfa, Lepus mandschuricus, Cervus nippon, Moschus moschiferus, Ursus thibetatnus, Meles meles, Nyctereutes procyonoides, Martes zibellina, Lutra lutra, Phsianus colchicus, Coturnix xoturnix, Tetrastes bonasia, Lyrurus tetrix. And in winter, ten thousands flocks of Anatidae fly along wetland at seaside of east and west seas. There distributed 185 species of fresh, brackish water and anadromous fishes including 65 species of Cyprinidae in freshwater. And are there 900 species of Disces and rich marine grasses and invertebrates with high industrial value such as Haliotis gigantea, Stichpus japonicus, Echinoidea, Erimaculus isenbeckii, Neptunus trituberculatus, Chionoecetes opilio in seawater of DPRK. In the KES, 329 species of Rhodophyta, 130 species of Rhaeophyta, 87 species of Chlorophta and in total 546 species of seaweeds are known. Among them, 309 species of seaweed have high economic values including 63 species with high medicinal value. 1.3 Threats to DPRK Biodiversity 1.3. L Threatened Status 1.3.1.1. Threatened status for ecosystem Destruction of ecosystems is being accelerated by natural disasters such as deforestation, soil erosion, deterioration of water quality, decrease of economic resources and also, flood. -
B. 1973 in Seoul, South Korea; Lives and Works in Baltimore, New York, and Seoul
Mina Cheon CV 2021 Mina Cheon (천민정) (b. 1973 in Seoul, South Korea; lives and works in Baltimore, New York, and Seoul) Mina Cheon is a new media artist, sCholar, eduCator, and activist best known for her “Polipop” paintings inspired by Pop art and Social Realism. Cheon’s practice draws inspiration from the partition of the Korean peninsula, exemplified by her parallel body of work created under her North Korean alter ego, Kim Il Soon, in which she enlists a range of mediums inCluding painting, sCulpture, video, installation, and performanCe to deConstruCt and reConCile the fraught history and ongoing coexistence between North and South Korea. She has exhibited internationally, including at the Busan Biennale (2018); Baltimore Museum of Art (2018); American University Museum at the Katzen Arts Center, Washington, DC (2014); Sungkok Art Museum, Seoul (2012); and Insa Art SpaCe, Seoul (2005). Her work is in the colleCtions of the Baltimore Museum of Art; Smith College Museum of Art, Northampton; and Seoul Museum of Art, Seoul. Currently, she is working on her participation for the inaugural Asia SoCiety Triennial 2020-2021 titled, “We Do Not Dream Alone.” Her digital interactive art piece, EatChocopieTogether.com for global peaCe, was launChed on August 15, 2020 and will remain active for virtual participation as a lead up to the physical exhibition of Eat Chocopie Together at the end of the Triennial. Mina Cheon is the author of Shamanism + CyberspaCe (Atropos Press, Dresden and New York, 2009), contributor for ArtUS, Wolgan Misool, New York Arts Magazine, Artist Organized Art, and served on the Board of Directors of the New Media CauCus of the College Art AssoCiation, as well as an AssoCiate Editor of the peer review aCademiC journal Media-N. -
Depictions of the Korean War: Picasso to North Korean Propaganda
Depictions of the Korean War: Picasso to North Korean Propaganda Spanning from the early to mid-twentieth century, Korea was subject to the colonial rule of Japan. Following the defeat of the Axis powers in the Second World War, Korea was liberated from the colonial era that racked its people for thirty-five-years (“Massacre at Nogun-ri"). In Japan’s place, the United States and the Soviet Union moved in and occupied, respectively, the South and North Korean territories, which were divided along an arbitrary boundary at the 38th parallel (Williams). The world’s superpowers similarly divided defeated Germany and the United States would go on to promote a two-state solution in the Israeli-Palestinian conflict. The divisions of Korea and Germany, results of the ideological clash between the democratic United States and the communist Soviet Union, set the stage for the ensuing Cold War. On the 25th of June in 1950, North Korean forces, with support from the Soviet Union, invaded South Korea, initiating the Korean, or “Forgotten,” War. Warfare continued until 1953, when an armistice was signed between Chinese and North Korean military commanders and the U.S.-led United Nations Command (Williams). Notably, South Korea was not a signatory of the armistice; South Korea’s exclusion highlights the unusual circumstance that the people of Korea, a people with a shared history, were divided by the United States and the Soviet Union and incited by the super powers to fight amongst themselves in a proxy war between democracy and communism (Young-na Kim). Though depictions of the Korean War are inextricably tied to the political and social ideologies that launched the peninsula into conflict, no matter an artist’s background, his work imparts upon the viewer the indiscriminate ruination the war brought to the people of Korea. -
Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion
REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION By Copyright 2016 Janet C. Chen Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Marsha Haufler ________________________________ Amy McNair ________________________________ Sherry Fowler ________________________________ Jungsil Jenny Lee ________________________________ Keith McMahon Date Defended: May 13, 2016 The Dissertation Committee for Janet C. Chen certifies that this is the approved version of the following dissertation: REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION ________________________________ Chairperson Marsha Haufler Date approved: May 13, 2016 ii Abstract As the first comprehensive art-historical study of the Qing poet Yuan Mei (1716–97) and the female intellectuals in his circle, this dissertation examines the depictions of these women in an eighteenth-century handscroll, Thirteen Female Disciples Seeking Instructions at the Lake Pavilion, related paintings, and the accompanying inscriptions. Created when an increasing number of women turned to the scholarly arts, in particular painting and poetry, these paintings documented the more receptive attitude of literati toward talented women and their support in the social and artistic lives of female intellectuals. These pictures show the women cultivating themselves through literati activities and poetic meditation in nature or gardens, common tropes in portraits of male scholars. The predominantly male patrons, painters, and colophon authors all took part in the formation of the women’s public identities as poets and artists; the first two determined the visual representations, and the third, through writings, confirmed and elaborated on the designated identities. -
North Korean Art: the Enigmatic World of Chosonhwa © 2019, BG Muhn
North Korean Art: The Enigmatic World of Chosonhwa © 2019, BG Muhn All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the author. Published in 2019 by Seoul Selection U.S.A., Inc. 4199 Campus Drive, Suite 550, Irvine, CA 92612 Phone: 949-509-6584 / Seoul office: 82-2-734-9567 Fax: 949-509-6599 / Seoul office: 82-2-734-9562 E-mail: [email protected] Website: www.seoulselection.com ISBN: 978-1-62412-127-2 57500 Library of Congress Control Number: 2019953967 Printed and bound in Seoul, Korea This publication was made possible with a grant from the Korea Arts Management Service and the Ministry of Culture, Sports and Tourism. TABLE OF CONTENTS Acknowledgments 2 About the Author 5 Preface 6 Introduction 9 The Heart of North Korean Art 9 A Unique and Nurturing Soil 11 An Initial Look: Characteristics of Chosonhwa 13 Chapter I–The Emergence of Chosonhwa 17 1956: A Political Turning Point in Pyongyang 19 The USSR’s Early Influence on DPRK Art 24 The Extent of China’s Impact on Chosonhwa 28 Chosonhwa’s Development: A Historical Perspective 34 Chapter II–The Evolution of Expression in Traditional Chosonhwa 43 Upholding Tradition: The 1950s and Early 1960s 51 An Innovator Within Tradition: Ri Sok Ho 60 Ri Sok Ho and Qi Baishi 79 Moving toward New Expressions in Ideological Paintings 89 Chapter III–Chosonhwa’s Heyday: The Transformation of Ideological Paintings -
Pathways to Korean Culture: Paintings of the Joseon Dynasty, 1392 - 1910 Pdf
FREE PATHWAYS TO KOREAN CULTURE: PAINTINGS OF THE JOSEON DYNASTY, 1392 - 1910 PDF Burglind Jungmann | 304 pages | 15 Nov 2014 | Reaktion Books | 9781780233673 | English | London, United Kingdom Art historian Burglind Jungmann publishes 'Pathways to Korean Culture' | UCLA The only college-level publication on Korean art Pathways to Korean Culture: Paintings of the Joseon Dynasty written in English Korean pop 1392 - 1910 has become an international phenomenon in the past few years. The popularity of the nation's exports--movies, K-pop, fashion, television shows, lifestyl I believe [the book] will certainly be a great contribution to the field of East Asian studies. The publication of this book should be welcomed by anyone 1392 - 1910 has an interest in Korean painting. With masterly erudition and thorough discernment, Jungmann has written here what is certain to be the standard guide to the history of Joseon painting. The best and most comprehensive overview of Joseon painting from the West to date, encouraging much thoughtful, cohesive analysis of Korean painting to follow. Du kanske gillar. Hal Leonard Publishing Corporation Book. Inbunden Engelska, Spara som favorit. Skickas inom vardagar. Introducing the major works and currents of Joseon painting, Pathways to Korean Culture explores the various social, cultural and political perspectives of this dynamic, dynastic erauncovering the fascinating history of more than years of Korean art and visual culture. In this book Burglind Jungmann examines an array of themes and aspects of the art world of the Joseon dynasty, from the ink painting tradition of the literati elite to the role of women as both patrons and artists. -
50 Art Under Control in North Korea. Jane Portal. London: Reaktion
Museum Anthropology Review 1(1) Spring 2007 Art Under Control in North Korea. Jane Portal. London: Reaktion Books, 2005. 192 pp.1 Reviewed by Ken Vos Except for a few small catalogues for temporary exhibitions, very little text can be found on North Korean art in the English language. Therefore, a book such as Jane Portal’s Art Under Control in North Korea is already welcome by just being available. Well-illustrated and transparently written, it is a useful introduction to North Korea’s peculiar art world. In the last decade, North Korea seems to have discovered art as a commodity to be sold on the world market. Increasingly, exhibitions on various aspects of contemporary art of the Democratic People’s Republic are being held in Europe. However, since the breaking up of the Soviet Union and Kim Il Sung’s death in 1994, North Korean policies have become even less predictable than before. Kim Jong Il has always had a personal interest in the arts, and this is shown in his published interventions to improve the quality of art production in the DPRK. Whereas both traditional and contemporary art in South Korea are now thriving because of increased affluence and political openness, North Korean art seems mainly stuck in the late fifties. One of the most interesting aspects of the Korean peninsula is that it is now home to both the most democratic political system and the most authoritarian one in Asia. It is hard to imagine now, but both countries share a common history of art until 1945. -
The Art of Engaging North Korea
Exploring North Korean Arts Rüdiger Frank (Ed.) Contents Peter Noever Frank Hoffmann On the Art of Presenting Unfamiliar Art 7 Brush, Ink, and Props: The Birth of Korean Painting 145 Rüdiger Frank Keith Howard The Political Economy of North Korean Arts 9 Redefining Koreanness: North Korea, Musicology, Ideology, and “Improved” Korean Instruments 181 Aidan Foster-Carter and Kate Hext DPRKrazy, Sexy, Cool: The Art of Engaging North Korea 31 Ross King Monuments Writ Small: Postage Stamps, Philatelic Iconography, Koen De Ceuster and the Commercialization of State Sovereignty in North Korea 192 To be an Artist in North Korea: Talent and Then Some More 51 Marsha Haufler Brian R. Myers Mosaic Murals of North Korea 241 Knocking on the Great Gate: The “Strong and Prosperous Country” Campaign in Dafna Zur North Korean Propaganda 72 The Korean War in Children’s Picturebooks of the DPRK 276 Sonja Häußler Biographies 299 Revived Interest in Literary Heritage: Changes in DPRK Cultural Policy 88 James E. Hoare The People’s Art Galleries? Some Reflections on Posters, Sculpture, and Monuments in the DPRK 113 Jane Portal The Challenges of Forming a Museum Collection of North Korean Art 132 9 The Political Economy of North Korean Arts Rüdiger Frank Introduction1 Without knowledge of the context, it will often be hard, if not outright impossible, to understand properly the meaning of artworks. Imagine a person who has never read Homer standing before Botticelli’s Judgement of Paris––he will only see three women, a young man, and a golden apple. If he perceives this painting as a reflec- tion of reality, he will wonder whether everyone was wandering around naked in late fifteenth-century Italy. -
North Korean Migrants in China
NORTH KOREAN MIGRANTS IN CHINA: A CASE STUDY OF HUMAN SMUGGLING AND TRAFFICKING BY HYOUNGAH PARK A dissertation submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in the School of Criminal Justice Written under the direction of Ko-Lin Chin And approved by ____________________________________________ ____________________________________________ ____________________________________________ ____________________________________________ Newark, New Jersey October 2018 Copyright page: 2018 Hyoungah Park ALL RIGHTS RESERVED ABSTRACT OF THE DISSERTATION North Korean Migrants in China: A Case Study of Human Smuggling and Trafficking By Hyoungah Park Dissertation Director: Ko-lin Chin This study investigates the smuggling and trafficking (e.g. forced marriage, sex trafficking, and labor exploitation) of North Korean Migrants in China (NKMCs). It seeks to answer the following questions: First, how should we define the status of NKMCs (e.g. illegal economic migrant, refugee, or trafficking victim)? Second, are the NKMCs victimized? If any, what are the contexts and factors that contribute to such victimization, and how? Further, what are the characteristics of the victims, smugglers, and traffickers? Finally, what are the contributing factors and possible policy implications to prevent the victimization of NKMCs? For this, one-on-one, face-to-face in-depth interviews with 58 NKMCs (47 women and 11 men) currently living in South Korea were conducted. Study participants were recruited through the purposive snowball sampling method. Interviews were conducted using a standardized questionnaire. This study suggests that 37 NKMCs (64%) should be classified as trafficking victims of forced marriage, commercial sex, or labor exploitation.