Development and Testing of a Data Collection Instrument For

Total Page:16

File Type:pdf, Size:1020Kb

Development and Testing of a Data Collection Instrument For AN ABSTRACT OF THE THESIS OF Kelly S. Gallett for the degree of Master of Arts in Apparel, Interiors, Housina, and Merchandising presented on June 6. 1995. Title: Development and Testina of a Data Collection Instrument for Boys' Clothina 1867-1910: An Oregon Photographic Study. Redacted for Privacy Abstract approved: E. Pedersen The purpose of this study was to develop and test a data collection instrument that would facilitate description of the clothing of Oregon school boys 1867-1910. In addition, the researcher attempted to describe Oregon school-aged boys' clothing and determine if fashion changes occurred in Oregon boys' clothing. The researcher also determined if there were differences in the clothing of boys from rural and urban areas. The data collection instrument was developed by examining literature on children's clothing, photographs, and magazine and catalogue illustrations. In an attempt to capture dress characteristic of everyday wear, the data source for the study consisted of documented class portrait photographs from the collections of the Oregon and Benton County Historical Associations. The instrument provided for a systematic method of data collection according to the principles of content analysis. The instrument consisted of garment categories and design detail options. A handbook of illustrations and terms accompanied the instrument to ensure consistency and reliability. A total of 503 records were collected over a period of four months. After data collection, the original instrument was revised for future use. Some detail options were added and some deleted. A footwear category was incorporated into the revised instrument after it was determined that it would be possible to gather information about footwear from group photographs. Information gathered on boys' clothing from the school photographs both agreed and deviated from the literature. The basic garments were similar; however, the fancier styles in the literature were not found in the quantities that the researcher anticipated and the literature indicated. Some garments, design details, and silhouettes changed over time. The presence of the actual garments did not vary, but some details such as lapel width, single or double breasted, and jacket style did, as well as how the garments were worn (i.e., buttoned, unbuttoned). Rural and urban differences occurred and were most pronounced in the quantity of garments worn (more urban boys wore suit jackets, waistcoats, ties, and hats than did rural boys) and how the garments were worn. The entire neck tie category was very different between rural and urban records. Development and Testing of a Data Collection Instrument for Boys' Clothing 1867-1910: An Oregon Photographic Study by Kelly S. Gallett A THESIS submitted to Oregon State University In partial fulfillment of the requirements for the degree of Master of Arts Completed June 6, 1995 Commencement June, 1996 Master of Arts thesis of Kelly S. Gallett presented on June 6, 1995 APPROVED: Redacted for Privacy Major Professor, representing Apparel, Interiors, Housing and Merchandising Redacted for Privacy Depar(-24TALK-CA-AJ. ment of Apparel, Interiors, Housing and Merchandising Redacted for Privacy D n of Graduate chool I understand that my thesis will become part of the permanent collection of Oregon State University libraries. My signature below authorizes release of my thesis to any reader upon request. Redacted for Privacy Kelly S. Gallett, Author TABLE OF CONTENTS Page I. Introduction 1 Purpose of Study 3 Assumptions 4 Limitations 4 Definition of Terms 5 II. Review of Related Literature 8 Content Analysis 8 Photographs and Historic Costume Research 10 Advantages 11 Disadvantages 12 Boys' Clothing 1867-1910 16 Suits and Jackets 18 Knickers/Trousers/Overalls 21 Waistcoats, Ties, and Shirts 23 Hats 24 Western Settlement: an Overview 24 Pioneer, Western and Regional Dress 25 Clothing in Oregon and the Northwest 28 Summary 30 III. Methods 32 Instrument Development 33 Suit Jacket 37 TABLE OF CONTENTS (Continued) Page Knickers/Trousers/Overalls 37 Waistcoat 38 Neck Tie 38 Shirt 38 Hat 39 Overcoat 39 Reliability 39 Validity 39 Preliminary Preparation 40 Sample 40 Pilot Study 43 Data Collection Procedure 43 Data Analysis 44 IV. Results 46 Objective 1 and Objective 2 46 Objective 3 49 Suit Jacket 49 Knickers/Trousers/Overalls 57 Waistcoat 60 Neck Tie 65 Shirt 67 Hats 70 Overcoat 73 Details/Accessories 73 TABLE OF CONTENTS (Continued) Paae The "Typical" Boy 74 Objective 4 and Research Question 1 76 Suit Jacket 76 Knickers/Trousers/Overalls 90 Waistcoat 95 Neck Tie 100 Shirt 100 Hat 105 Details/Accessories 107 Discussion: Objective 4 and Research Question 1 107 Research Question 2 109 Suit Jacket 110 Knickers/Trousers/Overalls 120 Stockings 124 Suspenders 124 Waistcoat 125 Neck Tie 127 Shirt 130 Hats 130 Details/Accessories 134 Discussion: Research Question 2 134 Summary 136 Objective 1 and Objective 2 136 Objective 3 137 Objective 4 and Research Question 1 138 TABLE OF CONTENTS (Continued) Paae Research Question 2 139 V. Summary and Conclusions 140 Limitations 142 Conclusions and Implications 146 Future Research 152 Bibliography 155 Appendices 160 Appendix A: Data Collection Instrument for Boys' Clothing 161 Appendix B: Handbook of Illustrations and Explanations 164 Appendix C: Photographs Analyzed for this study 183 Appendix C: Revised Data Collection Instrument for Boys' Clothing 184 LIST OF FIGURES Figure Page 1. Oregon Boys' Frequency of Wearing Suit Jacket, 1867-1910. 51 2. Boys' Jacket with Vertical Tucks and Rounded Front Edges. 56 3. Oregon Boys' Wearing of Knickers, Trousers, and Overalls, 1867-1910. 59 4. Oregon Boys' Frequency of Wearing Waistcoat, 1867-1910. 63 5. Oregon Boys' Frequency of Wearing Neck Ties, 1867-1910. 66 6. Number of Visible and Non-Visible Oregon Boys' Shirts, 1867-1910. 68 7. Oregon Boys' Frequency of Wearing Hats, 1867-1910. 72 8. Seriation of Four Most Popular Suit Jacket Collar and Lapel Styles, 1867-1910. 77 9. Seriation of Suit Jacket Lapel Widths, 1867-1910. 79 10. Seriation of Suit Jacket Silhouette, 1867-1910. 81 11. Seriation of Double and Single Breasted Suit Jackets, 1867-1910. 83 12. Seriation of Suit Jacket Fabric Pattern, 1867-1910. 86 13. Seriation of Suit Jacket Fabric Value, 1867-1910. 87 14. Seriation of Suit Jacket Wearing Position, 1867-1910. 88 15. Seriation of Knickers, Trousers, and Overalls, 1867-1910. 91 16. Seriation of Knickers/Trousers/Overalls Fullness, 1867-1910. 93 17. Seriation of Knickers/Trousers/Overalls Fabric Value, 1867-1910. 94 18. Seriation of Waistcoat Bridle Line Length, 1867-1910. 97 19. Seriation of Matching and Non-Matching Waistcoats, 1867-1910. 98 20. Seriation of Waistcoat Fabric Pattern, 1867-1910. 99 21. Seriation of Three Most Popular Neck Tie Styles, 1867-1910. 101 LIST OF FIGURES (Continued) Figure Page 22. Seriation of Four Most Common Shirt Collar Styles, 1867-1910. -102 23. Seriation of Shirt Collar Heights, 1867-1910. 104 24. Seriation of Shirt Fabric Values, 1867-1910. 106 LIST OF TABLES Table Pane 1. Grouping of Photographs by Year and View 42 2. Time Period Categories for Data Analysis 45 3. Total Suit Jacket Collar and Lapel Styles, 1867-1910 50 4. Suit Jacket Pocket Styles, 1867-1910 53 5. Total Suit Jacket Style Types, 1867-1910 55 6. Total Suit Jacket Details and Trim, 1867-1910 58 7. Total Knickers/Trousers/Overalls Features and Trims, 1867-1910 61 8. Total Waistcoat Features and Trims, 1867-1910 65 9. Total Shirt Collar Styles, 1867-1910 69 10. Total Shirt Features and Trims, 1867-1910 71 11. Total Additional Details and Accessories, 1867-1910 73 12. The "Typical" Oregon School Boy's Clothing, 1867-1910 75 13. Rural and Urban Differences in Suit Jacket Collar Styles, 1893 111 14. Rural and Urban Differences in Suit Jacket Bridle Lines, Lapel Widths, and Silhouettes, 1893 112 15. Rural and Urban Differences in the Number of Suit Jacket Buttons, 1893 113 16. Rural and Urban Differences in Single and Double Breasted Suit Jackets and Jacket Length, 1893 115 17. Rural and Urban Differences in Suit Jacket Breast and Side Pockets, 1893 116 18. Rural and Urban Differences in Suit Jacket Fabric Pattern and Value, 1893 117 19. Rural and Urban Differences in Suit Jacket Wearing Position, 1893 118 20. Rural and Urban Differences in Suit Jacket Features and Trims, 1893 119 21. Rural and Urban Differences in Suit Jacket Types, 1893 120 LIST OF TABLES (Continued) Table Paste 22. Rural and Urban Differences in the Wearing of Knickers, Trousers and Overalls, 1893 121 23. Rural and Urban Differences in Knickers/Trousers/Overalls Length, Fullness, and Matching of Suit Jacket and Waistcoat, 1893 122 24. Rural and Urban Differences in Knickers/Trousers/Overalls Fabric Pattern and Value, 1893 123 25. Rural and Urban Differences in Knickers/Trousers/Overalls Features, and Trims, 1893 125 26. Rural and Urban Differences in Waistcoat Use and Characteristics, 1893 126 27. Rural and Urban Differences in Waistcoat Fabric Pattern, Value and Matching of Suit Jacket, 1893 128 28. Rural and Urban Differences in Neck Tie Wearing, Style, Fabric Pattern and Value, 1893 129 29. Rural and Urban Differences in Shirt Collar Style and Height, 1893 131 30. Rural and Urban Differences in Shirt Fabric Pattern and Value, 1893 132 31. Rural and Urban Differences in Shirt Features and Trim, 1893 133 32. Rural and Urban Differences in Additional Details and Accessories, 1893 134 LIST OF APPENDICES APPENDIX Page A. Data Collection Instrument for Boys' Clothing 161 B. Handbook of Illustrations and Explanations 164 C. Photographs Analyzed for this study 183 D. Revised Data Collection Instrument for Boys' Clothing 184 DEVELOPMENT AND TESTING OF A DATA COLLECTION INSTRUMENT FOR BOYS' CLOTHING 1867-1910: AN OREGON PHOTOGRAPHIC STUDY CHAPTER I INTRODUCTION Over the past ten years, historic costume researchers have worked to fill in gaps in the knowledge of American dress.
Recommended publications
  • Press Notice
    1 July 2008 Top to Toe: Fashion for Kids New exhibition at V&A Museum of Childhood relives 300 years of fashion for children 4 October 2008 - 19 April 2009 This autumn, the V&A Museum of Childhood will present a major exhibition exploring the history of children’s fashion, reliving iconic and defining moments from the past 300 years of children's clothing, vintage fashions, rare objects and photography. Top to Toe: Fashion for Kids will profile the changing attitudes, themes and fads of one of fashion’s most intriguing and enduring demographics, and promises to provide nostalgic moments for all generations. Visitors may recall evocative brands like Ladybird and Clothkits, or encounter classic memories from their own wardrobes such as parkas, knitted woollen swimsuits, leg warmers and ponchos. The Museum holds one of the most significant collections of children’s clothing in the world with over 6,000 outstanding items ranging from the 1700s to the present day, over 100 of which will be featured in the exhibition. Other objects, including a group of paintings depicting historical outfits from the V&A’s main collections, will complement the clothing on display. The exhibition will demonstrate how children’s clothing has changed over time, covering four broad themes: Milestones, Changing Fashions, Fashion Drivers and Practical Fashions. It will consider how materials, colours, shapes and styles have developed but will also show how many classic garments have remained unchanged or have been revived, due to practical design or enduring appeal.
    [Show full text]
  • Historic Costuming Presented by Jill Harrison
    Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs.
    [Show full text]
  • The War and Fashion
    F a s h i o n , S o c i e t y , a n d t h e First World War i ii Fashion, Society, and the First World War International Perspectives E d i t e d b y M a u d e B a s s - K r u e g e r , H a y l e y E d w a r d s - D u j a r d i n , a n d S o p h i e K u r k d j i a n iii BLOOMSBURY VISUAL ARTS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY VISUAL ARTS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2021 Selection, editorial matter, Introduction © Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian, 2021 Individual chapters © their Authors, 2021 Maude Bass-Krueger, Hayley Edwards-Dujardin, and Sophie Kurkdjian have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identifi ed as Editors of this work. For legal purposes the Acknowledgments on p. xiii constitute an extension of this copyright page. Cover design by Adriana Brioso Cover image: Two women wearing a Poiret military coat, c.1915. Postcard from authors’ personal collection. This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book.
    [Show full text]
  • 253 AMERICAN MINIATURE HORSE REGISTRY Driving Performance
    AMERICAN MINIATURE HORSE REGISTRY Driving Performance Division Rules 5.1 Miniature Horse Driving Division – General Rules A. Guidance: The driving division was founded for the purpose of developing and furthering the art and sport of driving for pleasure. A working knowledge of and compliance with the rules are essential. B. The only person to handle the reins, under penalty of elimination, is the driver. No change of driver is per- mitted during any class. C. Dress Code: Headers, Drivers and their passengers should be dressed appropriately. Dress in the show ring is to complement the overall appearance of the unit, not take away from the appearance. 1. Hats for gentlemen are optional, except when in formal attire. 2. Formal wear should not be worn before 5 p.m. un- less stake classes are held in an afternoon perfor- mance session. 3. No strapless dresses in any driving class. Miniature Horse 4. No sandals or open toed shoes to be worn by driver or header. 5. No T-shirts or shorts. 6. No farm, individual, or animal names may be dis- played. Exception: Draft harness classes. D. Horses must be serviceably sound. E. Horses may be shown with a full mane or mane with bridle path clipped and full tail. F. Driving whips, if used, must be of suitable style, and the tip of the lash must not reach past the shoulder of the horse. Section XI - Driving Division Rules 253 G. Cross Entering: 1. Pleasure horses cannot cross-enter into Country Pleasure, Western Pleasure or Park Divisions at the same show.
    [Show full text]
  • Exhibition Catalog
    The Missouri Historic Costume and Textile Collection presents FASHIONING A COLLECTION: 50 Years 50 Objects March 7 – May 20, 2017 State Historical Society of Missouri Gallery FASHIONING A COLLECTION: 50 YEARS, 50 OBJECTS Missouri Historic Costume and Textile Collection Department of Textile and Apparel Management College of Human Environmental Sciences University of Missouri State Historical Society of Missouri FASHIONING A COLLECTION: 50 YEARS, 50 OBJECTS Curated by Nicole Johnston and Jean Parsons The Missouri Historic Costume and Textile Collection was established in 1967 by Carolyn Wingo to support the teaching mission of the Department of Textile and Apparel Management within the College of Human Environmental Sciences at the University of Missouri. MHCTC received its first donation of artifacts from the Kansas City Museum in Kansas City, Missouri and has grown to include over 6,000 items of apparel, accessories and household textiles donated by alumni, faculty and friends. Curator Laurel Wilson guided and nurtured the collection for over half of the Collection’s fifty years, and today, the MHCTC collects and preserves clothing and textiles of historic and artistic value for purposes of teaching, research, exhibition and outreach. This exhibit celebrates the variety and mission of the collection, and is thus organized by the three branches of that mission: education, research and exhibition. It was a challenge to choose only 50 objects as representative. We have chosen those objects most frequently used in teaching and are student favorites, as well as objects used in research by undergraduate and graduate students, faculty, and visiting scholars. Finally, favorites from past exhibits are also included, as well as objects and new acquisitions that have never been previously exhibited.
    [Show full text]
  • Legion of Frontiersmen Notebook
    Legion of Frontiersmen Notebook Includes over 30 pages with maps, charts, images and about 300 referenced historical entries Part I - General Information Part II - Referenced Timeline Part III - Uniform and Accoutrements ©Barry William Shandro M.Ed – Edmonton Canada – 01 January 2017 1 Foreword This is a personal notebook. Hopefully, this cache of information from a Canadian perspective assists with understanding the enigmatic Legion of Frontiersmen. This document is not intended for commercial reproduction nor is it intended for sale; however, the reader is most welcome to use this information as a starting point for further research. Please credit the original sources of information noted. Four decades ago I began to hear stories about the Legion of Frontiersmen from First and Second World War veterans. These accounts seemed questionable so I began a long process of investigating these claims and looking for informative sources. – To my surprise much of the verbal lore was confirmed with news quotations, documents, photos or addressed in rediscovered Frontiersmen publications. Concurrent to my efforts, the members of the History and Archives Section, Legion of Frontiersmen [Countess Mountbatten’s Own] willingly discussed their respective efforts to rediscover and preserve a very unique piece of Imperial history. Spearheaded by the Legion Historian, Geoffrey A. Pocock [Outrider of Empire, University of Alberta Press] a great deal of material has been placed online - see The Frontiersmen Historian. Additionally, the University of Alberta has been most helpful as the repository of Legion of Frontiersmen related documents. Finally, the grammatical errors and technical writing irregularities have been inserted to see if you are paying attention.
    [Show full text]
  • Pennsylvania 4-H Horse Show Rule Book
    Pennsylvania 4-H Horse Show Rule Book Revised 2018 Prepared by Bethany Bickel, Tammy Clark, Andrea Kocher, Amy Snover, Joe Stanco, Lew Trumble, Donna Zang, and with approval by The Pennsylvania 4-H Horse Program Development Committee and the State 4-H Office. This publication is made possible through Pennsylvania 4-H program fees. Penn State College of Agricultural Sciences research and extension programs are funded in part by Pennsylvania counties, the Commonwealth of Pennsylvania, and the U.S. Department of Agriculture. Where trade names appear, no discrimination is intended, and no endorsement by Penn State Extension is implied. Penn State encourages persons with disabilities to participate in its programs and activities. If you anticipate needing any type of accommodation or have questions about the physical access provided, please contact your local extension office in advance of your participation or visit. This publication is available in alternative media on request. The University is committed to equal access to programs, facilities, admission, and employment for all persons. It is the policy of the University to maintain an environment free of harassment and free of discrimination against any person because of age, race, color, ancestry, national origin, religion, creed, service in the uniformed services (as defined in state and federal law), veteran status, sex, sexual orientation, marital or family status, pregnancy, pregnancy-related conditions, physical or mental disability, gender, perceived gender, gender identity, genetic information or political ideas. Discriminatory conduct and harassment, as well as sexual misconduct and relationship violence, violates the dignity of individuals, impedes the realization of the University’s educational mission, and will not be tolerated.
    [Show full text]
  • Joseph Smith Period Clothing 145
    Carma de Jong Anderson: Joseph Smith Period Clothing 145 Joseph Smith Period Clothing: The 2005 Brigham Young University Exhibit Carma de Jong Anderson Early in 2005, administrators in Religious Education at Brigham Young University gave the green light to install an exhibit (hopefully my last) in the display case adjacent to the auditorium in the Joseph Smith Building. The display would showcase the clothing styles of the life span of the Prophet Joseph Smith and the people around him (1805–1844). There were eleven mannequins and clothing I had constructed carefully over many years, mingled with some of my former students’ items made as class projects. Those pieces came from my teaching the class, “Early Mormon Clothing 1800–1850,” at BYU several years ago. There were also a few original pieces from the Joseph Smith period. During the August 2005 BYU Education Week, thousands viewed these things, even though I rushed the ten grueling days of installation for something less than perfect.1 There was a constant flow of university students passing by and stopping to read extensive signage on all the contents shown. Mary Jane Woodger, associate professor of Church History and Doctrine, reported more young people and faculty paid attention to it than any other exhibit they have ever had. Sincere thanks were extend- ed from the members of Religious Education and the committee plan- ning the annual Sydney B. Sperry October symposium. My scheduled lectures to fifteen to fifty people, two or three times a week, day or night for six months (forty stints of two hours each), were listened to by many of the thirty thousand viewers who, in thank-you letters, were surprised at how much information could be gleaned from one exhibit.
    [Show full text]
  • Cultural Translations and East Asian Perspectives1 Sarah Cheang and Elizabeth Kramer
    Fashion and East Asia: Cultural Translations and East Asian Perspectives1 Sarah Cheang and Elizabeth Kramer Introduction Fashion speaks to communities across borders, involving inter-lingual processes and translations across cultures, media, and sectors. This special issue explores East Asian fashion as a multifaceted process of cultural translation. Contributions to this special issue are drawn from the AHRC funded network project, ‘Fashion and Translation: Britain, Japan, China and Korea’ (2014-15)2, and the following articles investigate the role of clothing fashions as a powerful and pervasive cultural intermediary within East Asia as well as between East Asian and European cultures. Thinking about East Asia through transnational fashion allows us to analyze creative and cultural distinctiveness in relation to imitation, transformation and exchange, and to look for dialogues, rather than oppositions, between the global and the local. This approach is not only useful but also essential in a world that has been connected by textile trading networks for millennia, and yet feels increasingly characterized by the transnational and by globalized communication. As Sam Maher has asserted, ‘Few industries weave together the lives of people from all corners of the globe to quite the extent that the textile and garment industries do’ (2015-16: 11). The planet is connected through everyday clothing choices, and for millions the industry also provides their livelihood. In her discussion of transcultural art, Julie Codell emphasizes that borders ‘are permeable and liminal, not restrictive spaces’ and that we can see in the production, consumption and reception of transcultural art the coexistence of diverse cultures expressed in ambiguous, discontinuous or new ways (2012: 7).
    [Show full text]
  • A Dictionary of Men's Wear Works by Mr Baker
    LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000
    [Show full text]
  • Fashion Museum July
    Fashion Museum July – December 2018 Fashion Museum Gallery information for 2018 3 Assembly Rooms, Bennett Street, Bath BA1 2QH Welcome The Fashion Museum Bath is one of the world’s great museum collections of historical and contemporary dress. Fashion has the power to capture the imagination and to illuminate personal and social stories. The Museum’s headline exhibition A History of Fashion in 100 Objects shows how fashions have changed throughout the ages, whilst our annual Dress of the Year selection shines a spotlight on contemporary fashion. New for 2018 is the show-stopping exhibition Royal Women which showcases royal dress and explores the fashions worn by four successive generations of women in the British royal family. Visitors can also create their own period outfit from the replica dressing up items, based on the Museum’s collection. A vibrant events programme offers creative workshops, after-hours talks and family activities. We are also home to the Bath branch of the Knitting and Crochet Guild. “ Must see for fashion A visit to the Museum lasts an hour or more and includes an audioguide available and history” in 12 languages. Find out more at fashionmuseum.co.uk, “ Fabulous royal Facebook, Pinterest and Twitter. You can also contact us at dresses exhibition” [email protected] Online reviews from Tripadvisor We hope you enjoy your visit to the Fashion Museum! From left to right: Black lace and pink Yellow, grey and Red and white striped silk strapless evening peach figured silk cotton evening dress dress by Norman
    [Show full text]
  • The Pnw 4-H Horse Contest Guide
    THE PNW 4-H HORSE CONTEST GUIDE A Pacific Northwest Extension Publication Oregon State University • Washington State University • University of Idaho PNW 574 Effective October 1, 2015 THE PNW 4-H HORSE CONTEST GUIDE Revised by the PNW 4-H Horse Management Team Oregon members are Roberta Lundeberg, Oregon State University 4-H State Program Coordinator; Peggy Ashford, PNW Judges’ List Coordinator; and Candi Bothum, OSU Extension Deschutes County Program Coordinator. Washington members are Jennifer Leach, Washington State University 4-H Equine Specialist; Doug Evenson, PNW Judge; Anne Garrett, PNW Judge; and Pat Pehling, 4-H volunteer. Idaho members are Valdasue Steele, Extension Educator; and Jim Wilson, Area 4-H Youth Extension Educator; both of the University of Idaho. Originally adapted (2005) from EB1974 by Candi Bothum, 4-H County Program Coordinator; Roberta Lundeberg, 4-H State Program Coordinator; Shirley Watson, 4-H Program Assistant (retired); and Peggy Ashford, 4-H volunteer, all of Oregon State University; and Jerry Newman, Extension 4-H Youth Development Specialist (retired); Marilyn Anderson, Anne Garrett, Doug Evenson, and Pat Pehling, all 4-H volunteers; all of Washington State University. For corrections or changes to this publication, contact: In Idaho— University of Idaho, 4-H Youth Development 875 Perimeter Dr., MS 3015 Mary Forney Hall, Rm 206 Moscow, ID 83844-3015 Phone: 208-885-6321 FAX: 208-885-4637 http://www.uidaho.edu/extension/4h/awardsscholarshipscontests/asc/statecontests In Oregon— Oregon State University, 4-H Youth Development State Office 106 Ballard Extension Hall Corvallis, OR 97331-3608 Phone: 541-737-4444 FAX: 541-737-0999 http://oregon.4h.oregonstate.edu/ In Washington— Washington State University, 4-H Youth Development State Equine Advisory Committee ATTN: Jennifer Leach, 4-H Equine Specialist 1946 3rd Ave.
    [Show full text]