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The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Evolutionary Socialism
Eduard Bernstein EVOLUTIONARY EVOLUTIONARY SOCIALISM EDUARD BERNSTEIN EVOLUTIONARY SOCIALISM A Criticism and Affirmation INTRODUCTION BY SIDNEY HOOK SCHOCKEN BOOKS • NEW YORK Die Voraussetzungen des Sozialismus und die Aufgaben der Sozialdemokratie Translated by Edith C. Harvey First schocken Paperback Edition 196 Fourth printing, 1967 HX BS53 Library of Congress Catalog Card No. 61-16649 Manufactured in the United States of America CONTENTS Introduction by Sidney Hook vii Preface to English Edition - - - xxi Preface - xxiii I. The Fundamental Doctrines of Marxist Socialism - - - i (a) The Scientific Elements of Marxism - i (6) The Materialist Interpretation of History and Historic Necessity 6 (c) The Marxist Doctrine of Class War and of the Evolution of Capital - - - 18 II. The Economic Development of Modern Society 28 (a) On the Meaning of the Marxist Theory of Value 28 (6) The Distribution of Wealth in the Modern Community 40 (c) The Classes of Enterprises in the Produc- tion and Distribution of Wealth - - 54 (d) Crises and Possibilities of Adjustment in Modern Economy 73 III. The Tasks and Possibilities of Social Democracy 95 (a) The Political and Economic Preliminary Conditions of Socialism - - - 95 (6) The Economic Capacities of Co-operative Associations - - - - - -109 (c) Democracy and Socialism - - - 135 (d) The Most Pressing Problems of Social Democracy - - - - - - 165 Conclusion : Ultimate Aim and Tendency— Kant against Cant ... - 200 Digitized by the Internet Archive in 2013 http://archive.org/details/evolutionarysociaOObern INTRODUCTION Eduard Bernstein is the father of socialist "revision- ism." The term "revisionism," however, is almost as ambiguous as the term "socialism." Particularly today, when the political ties of the communist world are being fractured by charges of "revisionism," it becomes necessary to distinguish the various move- ments and families of doctrine which are encompassed by the name. -
Taboo As a Means of Accessing the Law in Kafka's Works Taylor
Taboo as a Means of Accessing the Law in Kafka’s Works Taylor Sullivan Professor Flenga Ramapo College of New Jersey In a number of Franz Kafka’s works exists a totemic trend—a trend, which involves sexualized gestures carried out between exclusively male characters. The characters’ gestures attempt to achieve fulfillment; however, all are stopped short. Their indefinite impotence, their inability to arrive, mocks a parallel inability on their part to penetrate the law. The mirrored relationships of Kafka’s male characters with sexual fulfillment and nonphysical penetration culminate in “In The Penal Colony.” This short story confirms that Kafka’s male characters exist permanently as the countryman in “Before the Law”—outside of the door, unaware of and 1 unable to access what lies beyond. Such exclusively homoerotic relationships though ignore women. Kafka’s male characters, through gestures that confirm their gender’s unchanging position, leave the positioning of women to question. What Kafka eventually reveals is that if men remain indefinitely before the law, women exist outside of the law entirely. The guiltless attitudes of his female characters confirm their role as permanent outlaws. The root of Kafka’s totemic trend lies in the relationship between the law and prohibition. 2 In his essay, “Before the Law,” Derrida explains that the law is “a prohibited place.” In this 3 4 way, “to not gain access to the law” is “to obey the law.” Conversely, to gain access to the law 5 would be to transgress the very law to which one is gaining access; “the law is prohibition.” Paradoxically then, what the countryman seeks is as much the law as it is prohibition—synonymous beings that exist beyond the door. -
Biting Back: Racism, Homophobia and Vampires in Bram Stoker, Anne Rice and Alan Ball Alyssa Gammello Long Island University, [email protected]
Long Island University Digital Commons @ LIU Undergraduate Honors College Theses 2016- LIU Post 2018 Biting Back: Racism, Homophobia and Vampires in Bram Stoker, Anne Rice and Alan Ball Alyssa Gammello Long Island University, [email protected] Follow this and additional works at: https://digitalcommons.liu.edu/post_honors_theses Recommended Citation Gammello, Alyssa, "Biting Back: Racism, Homophobia and Vampires in Bram Stoker, Anne Rice and Alan Ball" (2018). Undergraduate Honors College Theses 2016-. 47. https://digitalcommons.liu.edu/post_honors_theses/47 This Thesis is brought to you for free and open access by the LIU Post at Digital Commons @ LIU. It has been accepted for inclusion in Undergraduate Honors College Theses 2016- by an authorized administrator of Digital Commons @ LIU. For more information, please contact [email protected]. Biting Back: Racism, Homophobia and Vampires in Bram Stoker, Anne Rice and Alan Ball An Honors Program Thesis by Alyssa Gammello Fall 2018 English Department ____________________________ Faculty Advisor, Dr. Thomas Fahy ____________________________ Faculty Reader Dr. John Lutz December 3rd, 2018 1 Table of Contents Introduction and Overview 3 Chapter 1: Dracula and Stoker’s Bloody Depictions 10 Dracula’s Women: The Dangers of Sexuality in Victorian Culture Dangerous Others: Ethnicity in Dracula Chapter 2: Interview with the Vampire and the New Family 33 Twisted Families and Lovers: Sexuality in Interview with the Vampire The Vampire as Slave: Rice’s Plantation Life and the Other Vampire Chapter 3: The Modern Vampire’s Metaphor in True Blood 49 Alan Ball Shocks America: Sexuality and Race in True Blood 53 Conclusion: All the Kids Are Doing It: Critiques of Patriarchal America in Teenaged Vampires 69 Works Cited 74 2 Introduction Vampires have been an enduring and powerful image throughout history, and each individual probably conjures up a different vampire in his or her head when hearing the word. -
The Metamorphosis, in the Penal Colony, and Other Stories Pdf, Epub, Ebook
THE METAMORPHOSIS, IN THE PENAL COLONY, AND OTHER STORIES PDF, EPUB, EBOOK Franz Kafka | 328 pages | 14 Nov 1995 | Schocken Books | 9780805210576 | English | New York, United States The Metamorphosis, In the Penal Colony, and Other Stories PDF Book If you want to know what happens next, go read the story, I'm not sure I could tell you anyway. It stuck with me for years but I never got around to reading anything else by Kafka until now. Kafka touches upon fundamental philosophical and political issues here. The suffering that many see A Hunger Artist A deep story that raises questions like 1. What if he were to say he was sick? I need to watch that. That the temporal shift to a happy future often does not have its own essence - perhaps we have ceased to exist until then. Get A Copy. But Kafka goes on to point out that perhaps beauty, or one of the great qualities of existence is its own discontinuous, within the continuous death-life. Their decisions and actions are heartbreaking, but logical. To this doorkeeper there comes a man from the country and prays for admittance to the Law. The lack of dialogue practically increases the family tragedy practically irreversible. Had Brod complied, it is possible, but I think doubtful, that we might not have heard of Kafka at all, that his status — in English anyway — might be closer to that of, say, Robert Walser, whom, by the way, Kafka admired. Sort order. The finale comes as follows: "Now he has not very long to live. -
"The Performance of Perversion in Kafka's Literature and Its Adaptations" Complete Thesis
THE PERFORMANCE OF PERVERSION IN KAFKA’S LITERATURE AND ITS ADAPTATIONS Davide Cerfeda Supervisors: Heather Benbow and Mark Nicholls Contents INTRODUCTION ........................................................................................................................................ 1 CHAPTER ONE ........................................................................................................................................... 5 OVERVIEW ................................................................................................................................................ 5 INTRODUCTION .................................................................................................................................... 5 METHODOLOGY.................................................................................................................................... 5 WHAT ARE PERVERSIONS? ................................................................................................................... 7 THE WORLD THEATRE: PERFORMANCE AND PERFORMATIVITY ........................................................ 10 KAFKA’S LIFE: THE ORIGIN OF PERVERSION ....................................................................................... 12 THE PERVERSION OF GENDER ............................................................................................................ 15 NON-HUMAN ANIMALS: THE PERVERSION OF HUMANITY ............................................................... 18 A PERVERTED JUSTICE: LAW IN KAFKA’S -
Franz Kafka M
Univerza v Ljubljani Naravoslovnotehniška fakulteta Odelek za tekstilstvo Snežniška 5 Franz Kafka M. V. NTF-OT, NTO Ljubljana, 2011 Kazalo Kazalo.........................................................................................................................................2 Kazalo slik...............................................................................................................................3 Kazalo shem............................................................................................................................3 Kazalo tabel ............................................................................................................................3 Kazalo grafikonov...................................................................................................................3 1. Introduction.............................................................................................................................3 2. Family.....................................................................................................................................4 3. Kafka at the age of five...........................................................................................................5 4. Education................................................................................................................................5 5. Work........................................................................................................................................6 6. Later years...............................................................................................................................7 -
Jerome K. Jerome Diary of a Pilgrimage
JEROME K. JEROME DIARY OF A PILGRIMAGE 2008 – All rights reserved Non commercial use permitted Diary of a Pilgrimage by Jerome K. Jerome January, 2000 [Etext #2024] Diary of a Pilgrimage PREFACE Said a friend of mine to me some months ago: "Well now, why don't you write a SENSIBLE book? I should like to see you make people think." "Do you believe it can be done, then?" I asked. "Well, try," he replied. Accordingly, I have tried. This is a sensible book. I want you to understand that. This is a book to improve your mind. In this book I tell you all about Germany--at all events, all I know about Germany--and the Ober-Ammergau Passion Play. I also tell you about other things. I do not tell you all I know about all these other things, because I do not want to swamp you with knowledge. I wish to lead you gradually. When you have learnt this book, you can come again, and I will tell you some more. I should only be defeating my own object did I, by making you think too much at first, give you a perhaps, lasting dislike to the exercise. I have purposely put the matter in a light and attractive form, so that I may secure the attention of the young and the frivolous. I do not want them to notice, as they go on, that they are being instructed; and I have, therefore, endeavoured to disguise from them, so far as is practicable, that this is either an exceptionally clever or an exceptionally useful work. -
Stach Kafka I-Viii,1-584R3 8/30/05 10:25 AM Page 1 © Copyright, Princeton University Press
Stach_Kafka i-viii,1-584R3 8/30/05 10:25 AM Page 1 © Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. INTRODUCTION HE LIFE of Dr. Franz Kafka, a Jewish insurance official and writer T in Prague, lasted forty years and eleven months. He spent sixteen years and six and a half months in school and at university, and nearly fif- teen years in professional life. Kafka retired at the age of thirty-nine. He died of laryngeal tuberculosis in a sanatorium outside Vienna two years later. Apart from stays in the German Empire—primarily weekend excur- sions—Kafka spent about forty-five days abroad. He visited Berlin, Mu- nich, Zurich, Paris, Milan, Venice, Verona, Vienna, and Budapest. He saw three seas, each once: the North Sea, the Baltic Sea, and the Italian Adri- atic. And he witnessed a World War. He never married. He was engaged three times: twice to Felice Bauer, a career woman in Berlin, and once to Julie Wohryzek, a secre- tary in Prague. He appears to have had romantic relationships with four other women as well as sexual encounters with prostitutes. He shared an apartment with a woman for about six months of his life. He left no descendants. As a writer Franz Kafka left about forty complete prose texts to pos- terity. Nine of these can be called stories, if we interpret the genre liber- ally: “The Judgment,” “The Stoker,” “The Metamorphosis,” “In the Penal Colony,” “A Report to an Academy,” “First Sorrow,” “A Little Woman,” “A Hunger Artist,” and “Josephine the Singer, or the Mouse Folk.” The For general queries, contact [email protected] Stach_Kafka i-viii,1-584R3 8/30/05 10:25 AM Page 2 © Copyright, Princeton University Press. -
Franz Kafka's Amerika
Franz Kafka’s Amerika: The Amerikan Dream Edmond Lau April 30, 2001 English 403AP-7° Mr. Gavin Forty million people, a number that today would account for roughly fifteen percent of the United States population, immigrated to America in this past century alone. While many people came to America to seek sanctuary from religious, political, or ethnic persecution, the great majority of those forty million decided to leave their homes either to escape poverty or to achieve economic success. Inspired by the often exaggerated rags-to-riches stories, immigrants would cross the Pacific and Atlantic waters to pursue the American dream. Most foreigners believed that opportunities abounded in this land of freedom and that anyone who maintained a solid work ethic would encounter financial glory. Franz Kafka’s conception of America differed, however, and this German-speaking Czech Jewish author reflected this opinion in his book Amerika. Although Kafka never visited America, he crossed over to the land of red, white, and blue through a portal of secondary sources. “Kafka read American travel books, attended lectures, collected printed materials, and spoke with returning emigrants,” E. L. Doctorow explains in the Foreword of Amerika, “all for the purpose of writing a realistic novel authenticated with ‘up-to- date’ American detail” (Doctorow ix). Kafka’s first novel, though unfinished, traces the struggles of sixteen-year-old immigrant Karl Rossmann as he journeys through unknown territory in order to follow his American dream. Rather than mirroring the popularly glorified versions of America in his novel, Kafka criticizes America’s flaws. In fact, Kafka originally named his work “The Man Who Disappeared” (“Der Verschollene”), but after his death, Max Brod, who assembled and published the manuscript, changed the title to Amerika. -
Reading Kafka in Prague: the Reception of Franz Kafka Between the East and the West During the Cold War
! ! ! ! Reading Kafka in Prague: The Reception of Franz Kafka between the East and the West during the Cold War Veronika Tuckerova Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! © 2012 Veronika Tuckerova All rights reserved ! Abstract Reading Kafka in Prague: The Reception of Franz Kafka between the East and the West during the Cold War Veronika Tuckerova This dissertation explores the transmission, reception, and appropriation of Franz Kafka in Czechoslovakia during the Cold War, against the background of the contemporary international readings of Kafka, especially in West Germany. The first chapter examines Paul Eisner’s translation of the Trial in the context of his influential triple “ghetto theory” and from the perspective of his contemporary translation discourse as well as recent translation theories. The second chapter focuses on the reception of Gustav Janouch’s Conversations with Kafka, and the reasons why this controversial text was welcomed in the West and dismissed in the East as a forgery. The chapter uses new archival discoveries about Janouch and discusses questions of witness and testimony. The role of “witness” took an ominous turn in the case of Eduard Goldstücker, who is the focus of the third chapter. Goldstücker was tried in the Slánsk! show trials in the early 1950s and forced to testify against Slánsk!. The chapter explores how Goldstücker attempted to come to terms with his past through reading of Kafka. The secret police files that were kept on him provide new insights on Goldstücker’s published texts, public persona, and the Liblice Conference that succeeded in rehabilitating Kafka in 1963. -
Franz Kafka and Others
The American Dream become Nightmare: Franz Kafka and Others EDWIN M. MOSELEY "The thing a young writer is likely to do", wrote Thomas Wolfe just after he has published his first novel, "is to confuse the limits between actuality and reality. He tends unconsciously to describe an event in such a way because it actually happened that way, and from an artistic point of view I can see now that this is wrong. It is not, for example, important that one remembers a beautiful woman of easy virtue as having come from Idaho or Texas or Nova Scotia. The important thing really is only to express as well as possible the character and quality of the woman of easy virtue. But the young writer, chained to fact and to his own inexperience, as yet unliberated by maturity, is likely to argue: 'She must be described as coming from Kentucky because that is where she actually did come from'." 1 Franz Kafka, who died at the young age of 41, was never a young writer "chained to fact and to his own inexperience", even in his first novel Amerika, begun in 1912 when he was 29. Kafka had, of course, never been to America, which he chose as his setting, but he achieved impressively the reality of it without recourse to the actuality of first- hand experience. Already in this first novel there is the easy movement between the factual detail and the detail that can be read only as exag- geration for effect, as guide to allegory, as pivotal symbol, the very interweaving of actuality and reality that has come to be called literary expressionism.