Janna Kozloski Resume

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JANNA KOZLOSKI EMC Hair: Light Brown Eyes: Brown Height: 5’1’’ Voice: Soprano with Belt F#3-C6.Belt/Mix to E5 [email protected] I (518)744-4035 I www.jannakozloski.com THEATRE Women on The Verge… Cristina/Ensemble Nazareth College/ Brett Smock *Regional Premiere Sweet Charity Rosie Nazareth College/ Parker Esse The Addams Family* Upcoming Ancestor/US Wednesday Nazareth College/ Robin Levine A Midsummer Night’s Dream Hermia Nazareth College / Lindsay Korth and Silas Holtz Twelfth Night Sir Andrew Saratoga Shakespeare Co./ Douglas Seldin A Midsummer Night’s Dream Fairy/US Helena/Music Captain Saratoga Shakespeare Co./ Wesley Broulik Grease Patty Simcox Nazareth College/ Lori Leshner Titanic the Musical Kate Murphy Nazareth College/ Bill Daugherty Carousel Snow’s Daughter/Ensemble Nazareth College/ Trey Compton Love’s Labor’s Lost Rosaline Seven Stages Shakespeare Co. / Kevin Condardo Workshops Austen’s Pride-A New Musical of Lydia Bennet Igor Goldin Pride and Prejudice The Imaginary Palette Jeff Whiting PROFESSIONAL DANCE Aurora’s Wedding Little Red’s Ensemble New York City Ballet FILM A Christmas Story Holiday Greeting Young Girl Nazareth College/Ben Gonyo/Fish & Crown Creative Blackout Clair Student Film/ Balfield Films TRAINING BFA Musical Theatre Nazareth College Department of Theatre and Dance Technical Production Minor (Expected Spring 2018) Program Dir. Corinne Aquilina Acting: Patricia Lewis Browne, Lindsay Korth, Matt Ames, Erin Dove Voice: Nicolette Hart, Bill Daugherty, Corinne Aquilina, Anthony Baron, Sylvia Bloom Dance: Ballet (17 Years, 6 Years Pointe) Jazz (10 Years) Hip Hop (4 Years) Modern (2 Years) Tap (2 Years) Musical Theatre (3 Years) Master Classes: Ailey II, Hettie Barnhill, Christopher Carl, Bob Cline, Jennifer Cody, Becky Lynn Dawson, Bill Evans, James Gray, Nicolette Hart, Caitlin Jones, Leslie Kritzer, Penny Luedtke, Bob Moss, Brett Smock, Matthew Steffens, Eric Stretch, Jeff Whiting, Chaz Wolcott. SPECIAL SKILLS: A Cappella experience, cello, piano, photography, video editing skills, marketing experience, Driver’s License, basic vocal percussion, loud tongue click. Technical and Directing Resume available upon request. .

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Directing and Assisting Credits American Theatre
917-854-2086 American and Canadian citizen Member of SSDC www.joelfroomkin.com [email protected] Directing and Assisting Credits American Theatre Artistic Director The New Huntington Theatre, Huntington Indiana. The Supper Club (upscale cabaret venue housing musical revues) Director/Creator Productions include: Welcome to the Sixties, Hooray For Hollywood, That’s Amore, Sounds of the Seventies, Hoosier Sons, Puttin’ On the Ritz, Jekyll and Hyde, Treasure Island, Good Golly Miss Dolly, A Christmas Carol, Singing’ The King, Fly Me to the Moon, One Hit Wonders, I’m a Believer, Totally Awesome Eighties, Blowing in the Wind and six annual Holiday revues. Director (Page on Stage one-man ‘radio drama’ series): Sleepy Hollow, Treasure Island, A Christmas Carol, Jekyll and Hyde, Dracula, Sherlock Holmes, Different Stages (320 seat MainStage) The Sound of Music (Director/Scenic & Projection Design) Moonlight and Magnolias (Director/Scenic Design) Les Misérables (Director/Co-Scenic and Projection Design) Productions Lord of the Flies (Director) Manchester University The Laramie Project (Director) Manchester University The Foreigner (Director) Manchester University Infliction of Cruelty (Director/Dramaturg) Fringe NYC, 2006 *Winner of Fringe 2006 Outstanding Excellence in Direction Award Thumbs, by Rupert Holmes (Director) Cape Playhouse, MA *Cast including Kathie Lee Gifford, Diana Canova (Broadway’s Company, They’re Playing our Song), Sean McCourt (Bat Boy), and Brad Bellamy The Fastest Woman Alive (Director) Theatre Row, NY *NY premiere of recently published play by Outer Critics Circle nominee, Karen Sunde *published Broadway Musicals of 1928 (Director) Town Hall, NYC *Cast including Tony-winner Bob Martin, Nancy Anderson, Max Von Essen, Lari White.
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Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences and the Community at Large
may 2012 NOBODY LOVES YOU A World Premiere Musical Comedy Welcome to The Old Globe began its journey with Itamar Moses and Gaby Alter’s Nobody Loves You in 2010, and we are thrilled to officially launch the piece here in its world premiere production. The Globe has a longstanding relationship with Itamar Moses. He was a Globe Playwright-in-Residence in 2007-2008 when we produced the world premieres of his plays Back Back Back and The Four of Us. Nobody Loves You is filled with the same HENRY DIROCCO HENRY whip-smart humor and insight that mark Itamar’s other works, here united with Gaby’s vibrant music and lyrics. Together they have created a piece that portrays, with a tremendous amount of humor and heart, the quest for love in a world in which romance is often commercialized. Just across Copley Plaza, the Globe is presenting another musical, the acclaimed The Scottsboro Boys, by musical theatre legends John Kander and Fred Ebb. We hope to see you back this summer for our 2012 Summer Shakespeare Festival. Under Shakespeare Festival Artistic Director Adrian Noble, this outdoor favorite features Richard III, As You Like It and Inherit the Wind in the Lowell Davies Festival Theatre. The summer season will also feature Michael Kramer’s Divine Rivalry as well as Yasmina Reza’s Tony Award-winning comedy God of Carnage. As always, we thank you for your support as we continue our mission to bring San Diego audiences the very best theatre, both classical and contemporary. Michael G. Murphy Managing Director Mission Statement The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: Creating theatrical experiences of the highest professional standards; Producing and presenting works of exceptional merit, designed to reach current and future audiences; Ensuring diversity and balance in programming; Providing an environment for the growth and education of theatre professionals, audiences and the community at large.
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License Rider SHOW: Gigantic Credit Rider 1. You agree to bill the Play and the Author(s) and all other parties specified below in all programs, houseboards, displays, and in all advertising, and all paid publicity, specified below as follows: CREDIT SIZE TYPE GIGANTIC 100% Book by Randy Blair and Tim Drucker Lyrics by Randy Blair Music by Matt Roi Berger 50% 2. You also agree to include the following on the title page of any program, separated by a line from other staff, as follows: Gigantic was produced by the Vineyard Theatre, Douglas Aibel, Artistic Director, Sarah Stern, Co-Artistic Director, Jennifer Garvey-Blackwell, Executive Director, New York City, Fall 2015 Originally Produced by Carl Levin and Michael Minarik as part of the New York Musical Festival and the following on all posters, fliers, and the title page of any program, separated by a line from other staff, as follows: Performance Rights for Gigantic are handled exclusively by Steele Spring Stage Rights, (323) 739-0413, www.stagerights.com. 3. In addition, the Author(s) biography (attached RIDER EXHIBIT “A”) must appear in all programs of the Play: The most recent version of the Author’s bio can be found on our website at www.stagerights.com or obtained by request from Stage Rights. 4. You must include the following warning in your program: "The videotaping or other video or audio recording of this production is strictly prohibited." 5. Logos: You may not use the copyrighted logo of the Play, unless you pay Stage Rights the applicable fee prior to use.
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T H E P Ro G
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