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Soundscape's Gareth Strangemore-Jones has more than 30 years' experience of working with live music, dance music and multimedia events of all sizes and descriptions. As DJ Soundscape, General Mischief and Jedibeatmaster or as Head of Tsunami Relief, Ecoshelter, Worldshift Media and Quantum Communications, Gareth has produced, promoted, programmed and played at many of the UK's best nightclubs, festivals and events. Many have also involved producing and directing promo flms. As a self-contained Mobile DJ, Soundscape hosts and promotes high-class events in pubs, bars, clubs and plays at select weddings, private parties, corporate events, charity fundraisers and campaign awareness events. Festivals include Glastonbury Festival, Bestival, Boomtown Fair, Lovebox, Glade Festival, The Big Chill, Waveform Festival, Sunrise Celebration, The Venus Love Experience, United Tribes, Lizard Eclipse Party, The Hanging Gardens of Brighton (Brighton Fringe Finale Event), The Hanging Gardens of Trinity London Clubs include Ministry of Sound, Fabric, The Cross, Pendragon, Brixton Academy, Pacha, The Fridge, Medusa, The Dogstar, The Foundry, 93 Feet East, Cargo, United Tribes, Synergy Project, Luminopolis, SEOne, Escape From Samsara, Events4Change, The O2 Millennium Dome Cardif Clubs include The Coal Exchange, Clwb Ifor Bach, The Moon Club, The Great Western, The Claude Bristol Clubs include The Trinity Centre, Lakota, The Black Swan (aka “The Dirty Duck”), Thekla, The Dugout Student Events include Cardif Students' Union, Bristol Students' Union, Brunel Students' Union Corporate Events include Brunel University at The House of Lords (London), MOL at The Connaught Rooms (London), Charter88 at The Commonwealth Club (London), Charter88 at The House of Commons (London), Benjamin Toys at Earls Court (London), Positive TV at The UN COP 15 Climate Conference (Copenhagen, Denmark), PANYNJ at The Tower Bridge Walkway (London), SMOBY Toys at The O2 Millennium Dome (London), BODYWORLDS at The O2 Millennium Dome (London), Tsunami Relief at The Coal Exchange (Cardif), The Worldshift 2012 Launch at The British Museum (London), Worldshift Alliance at Chateau La Tour Apollinaire (Perpignan, France), Ecoshelter at The Rotary International Conference (Salt Lake City, USA), Microsoft at The Royal Festival Hall (London), Callserve at Internet World, Earl's Court, Olympia (London), Worldshift Media (Various), 999 It's Time at Quo Vadis (London), 999 It's Time at UKAware (London) Charity & Campaign Events include Tsunami Relief, Tsunami Relief Cymru, Ecoshelter, Oxfam, MIND, MAKEPOVERTYHISTORY, The DEC (Disasters Emergency Committee), S4C’s Appe l Asia / Africa 2005, The European Creative Forum, The European Social Forum, Klimaforum '09, Ecocide (The Planet Earth Trust), Peace Not War, PAD (Protecting Animals in Democracy), Rotary International, The Scouts, Age Concern, Ty Hafan Children's Hospice, Marie Curie Cancer Care Website www.soundscapeuk.com Showreel http://bit.ly/2BMxnSh Contact 07419 195673.

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ASPSU President Approves SFC 2012–13 Budget Proposal
INDEX Nationals or bust NEWS............................2 FREE ARTS...............................6 The Vanguard is published every Senior Sean MacKelvie moves OPINION.........................11 Tuesday and Thursday SPORTS..........................14 on to nationals in javelin SPORTS pagE 14 PSUVANGUARD.COM PORTLAND STATE UNIVERSITY PUBLISHED SINCE 1946 PORTLAND STATE UNIVERSITY PUBLISHED SINCE 1946 THURSDAY, MAY 31, 2012 • VOL. 66 NO. 59 Strategies for a ASPSU president approves global university SFC 2012–13 budget proposal PSU releases internationalization of the local re- new vision for gion, leveraging global engagements and mobilizing international alumni. internationalization The strategy was created by the In- ternational Council, a group of more KATRINA PETrovICH VANGUARD STAFF than 20 faculty, staff and student rep- resentatives from all of PSU’s differ- Portland State has a new vision for ent academic colleges and institutes. global education. The university recent- According to the council’s chair, ly released the Strategy for Comprehen- Professor Vivek Shandas, this inter- sive Internationalization, a report that nationalization strategy was two and establishes an eight-year framework for a half years in the making. how PSU plans to become a more glob- “This strategy tries to help coor- ally focused institution. dinate, integrate and then ultimately “The creation of this strategy follows disseminate all the internationaliza- from a recognition that we live in a global tion efforts happening on campus,” society now. All of the things that a uni- Shandas said. versity does need to fit into that context,” He claimed that, unlike a lot of uni- explained Provost and Vice President for versities, PSU has a multitude of in- Academic Affairs Roy Koch.
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Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op.
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The Night and Cultural Benefit: the Case for a Holistic Approach to Licensing
Roberts, M, et al. 2020. The Night and Cultural Benefit: The Case for A Holistic Approach to Licensing. Entertainment and Sports Law Journal, 18: 9, pp. 1–10. DOI: https://doi.org/10.16997/eslj.245 ARTICLE The Night and Cultural Benefit: The Case for A Holistic Approach to Licensing Marion Roberts, Adam Eldridge, Guy Osborn and Simon Flacks University of Westminster, GB Corresponding author: Marion Roberts ([email protected]) This research article critically engages with the Licensing Act (2003), arguing for a more holistic approach to licensing. Drawing on primary research conducted in London for the Greater London Authority (GLA), the article considers the benefits of licensed venues and the possibility of extending current licensing objectives to recognise the role of these venues in sustaining urban vitality. The current licensing objec- tives are geared towards minimising negative outcomes, the assumption being that licensing is primarily a tool of control, with the role of minimising harm. The argument developed here is based on two alterna- tive conceptions of the role of licensing. Firstly, licensing has a key role to play in developing sites for sociability and community cohesion. Though focused around alcohol, licensing is central to enabling or constraining more traditional as well as emerging spaces which combine entertainment, dining and other experimental forms of leisure. Second, the article argues that by addressing urban vitality and cultural benefit, the Act could be more attuned to the positive influence of licensed premises on a broader scale. The need for planning and licensing to work more cooperatively is considered in light of how licensing decisions reach beyond individual venues and impact on entire neighbourhoods or areas.
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Premises Licence
London Borough of Lambeth Public Protection 2 Herne Hill Road London SE24 0AU Tel: 020 7926 6108 Licensing Act 2003 Premises Licence Premises Licence Number 10/01265/PRMTRN/318 Part 1 – Premises Details Postal address of premises, or if none, ordnance survey map reference or description, including Post Town, Post Code Brixton Academy 211 Stockwell Road London SW9 9SL Telephone number 020 7771 3000 Where the licence is time limited the dates - Licensable activities authorised by the licence Films Performances of Dance Supply of Alcohol Live Music Late Night Refreshment Provision of facilities for Making Music Music and Dance of similar description Recorded Music Plays Provision of facilities for Dancing Provision of Entertainment facilities Times the licence authorises the carrying out of licensable activities Films Friday & Saturday 11:00 - 06:00 Sunday - Thursday 11:00 - 04:00 Performances of Dance Friday & Saturday 11:00 - 06:00 Sunday - Thursday 11:00 - 04:00 1 Supply of Alcohol Friday & Saturday 11:00 - 04:00 Sunday - Thursday 11:00 - 03:00 Live Music Friday & Saturday 11:00 - 06:00 Sunday - Thursday 11:00 - 04:00 Late Night Refreshment Friday & Saturday 11:00 - 06:00 Sunday - Thursday 11:00 - 04:00 Provision of facilities for Making Music Friday & Saturday 11:00 - 06:00 Sunday - Thursday 11:00 - 04:00 Music and Dance of similar description Friday & Saturday 11:00 - 06:00 Sunday - Thursday 11:00 - 04:00 Recorded Music Friday & Saturday 11:00 - 06:00 Sunday - Thursday 11:00 - 04:00 Plays Friday & Saturday 11:00 - 06:00 Sunday - Thursday
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London Gay Village Guide South London
London Gay Village Guide South London XXL @ PULSE ATHENA @ EAGLE LONDON BARS This long-running, legendary added a disco-packed jukebox Lightbox venue offers sexy late night cabaret and club venue has played and a DJ booth, which keeps the clubbing, brilliant DJs as well as a 1. The Bridge host to scores of talented acts and punters moving until late at the hot and mostly topless muscle crowd. 8 Voltaire Road, Clapham big names over the years – and weekends! Quickly becoming a SW4 6DH still does. Not only that, but there’s favourite of those dwelling South 10. Pulse The Bridge is the newest swanky a good dose of camp clubbage of the river. ߐ 1 Invicta Plaza SE1 9UF bar to swoop into Clapham that and great value bar goodness Superclub in the heart of the offers a beautiful ambience in with scores of fun and friendly CLUBS Southbank, featuring the most up- which to share a drink with a date, local lovelies. Be wowed by drag to-date sound system, lights and or sexy beats by big name DJs! deliciousness and then dance ‘til the 7. Eagle London clubbing experience. Pulse is the early hours in the club at the back. 349 Kennington Lane future of clubbing and the current 2. George & Dragon SE11 5QY home of infamous bear night XXL. Blackheath Hill, Greenwich 5. Bloc South This truly unique, eclectic and SE10 8DE 65 Goding Street, Vauxhall attitude-free venue is one of the 11. RVT Outrageous cabaret pub and SE11 5AW gay scene’s most established 372 Kennington Lane community-favoured drinking hole The newest venture from Wayne providers of clubbage, booze and SE11 5HY nestled near historic Greenwich.
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Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity
Club Cultures Music, Media and Subcultural Capital SARAH THORNTON Polity 2 Copyright © Sarah Thornton 1995 The right of Sarah Thornton to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. First published in 1995 by Polity Press in association with Blackwell Publishers Ltd. Reprinted 1996, 1997, 2001 Transferred to digital print 2003 Editorial office: Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Marketing and production: Blackwell Publishers Ltd 108 Cowley Road Oxford OX4 1JF, UK All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Except in the United States of America, this book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any 3 form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. ISBN: 978-0-7456-6880-2 (Multi-user ebook) A CIP catalogue record for this book is available from the British Library. Typeset in 10.5 on 12.5 pt Palatino by Best-set Typesetter Ltd, Hong Kong Printed and bound in Great Britain by Marston Lindsay Ross International
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E Guide the Travel Guide with Its Own Website
Londonwww.elondon.dk.com e guide the travel guide with its own website always up-to-date d what’s happening now London e guide In style • In the know • Online www.elondon.dk.com Produced by Blue Island Publishing Contributors Jonathan Cox, Michael Ellis, Andrew Humphreys, Lisa Ritchie Photographer Max Alexander Reproduced in Singapore by Colourscan Printed and bound in Singapore by Tien Wah Press First published in Great Britain in 2005 by Dorling Kindersley Limited 80 Strand, London WC2R 0RL Reprinted with revisions 2006 Copyright © 2005, 2006 Dorling Kindersley Limited, London A Penguin Company All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the copyright owner. A CIP catalogue record is available from the British Library. ISBN 1 4053 1401 X ISBN 978 1 40531 401 5 The information in this e>>guide is checked annually. This guide is supported by a dedicated website which provides the very latest information for visitors to London; please see pages 6–7 for the web address and password. Some information, however, is liable to change, and the publishers cannot accept responsibility for any consequences arising from the use of this book, nor for any material on third party websites, and cannot guarantee that any website address in this book will be a suitable source of travel information. We value the views and suggestions of our readers very highly. Please write to: Publisher, DK Eyewitness Travel Guides, Dorling Kindersley, 80 Strand, London WC2R 0RL, Great Britain.
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EK Tour and Grammy Noms December 8, 2015
ELLE KING NOMINATED FOR 2 GRAMMYS FOR HIT SINGLE “EX’S & OH’S” “BEST ROCK PERFORMANCE” AND “BEST ROCK SONG” FROM DEBUT ALBUM LOVE STUFF TODAY ANNOUNCES MORE HEADLINING DATES NEXT YEAR PERFORMS TONIGHT ON “LATE NIGHT WITH SETH MEYERS” “EX’S & OH’S” CERTIFIED PLATINUM BY THE RIAA CHARTED AT #1 AT 3 RADIO FORMATS-- HOT AC, AAA AND ALTERNATIVE - TOP 10 AT TOP 40 RADIO ! ! (New York –December 8, 2015) -- Pop, blues, and rock’n’roll singer Elle King today announces new headlining tour dates next year on the heels of receiving two Grammy nominations for “Best Rock Performance” and “Best Rock Song” for her hit single “EX’S & OH’S” from her debut album LOVE STUFF. Elle King will also be performing tonight on “Late Night with Seth Meyers.” “Ex’s & Oh’s” was recently certified platinum by the RIAA, and has topped the radio charts at #1 at 3 formats - Alternative, AAA and Hot AC. “Ex’s & Oh’s” has been Top 10 on the Billboard Digital Songs Chart for the last 10 weeks, #1 on the iTunes Alternative Songs Chart for 13 weeks, #1 on the Billboard Hot Rock Songs chart for 8 weeks and #4 most viral track of 2015 on Spotify. In addition to upcoming headlining dates, Elle King will be performing on select tour dates with Vance Joy from February 17- March 12th in the US. She toured this fall with James Bay in the UK, including 3 sold out nights at the Brixton Academy in London, enjoyed a nearly sold out U.S.
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Madonna: Like a Crone
ROCK ON: WOMEN, AGEING AND POPULAR MUSIC MADONNA: LIKE A CRONE Reaching fifty in 2008 was a watershed year not just for Madonna, but also for her millions of fans. She is a vital figure for women across generations: through her performances she has popularised feminist politics and debate, and promoted a message of sexual empowerment. Much of her career has hinged on this concept of self-liberation and sexual expressiveness. As a young star she was powerfully seductive - one of the first female performers in the pop mainstream to capitalise on video as a marketing tool, and to make that nexus between sex, pop and commerce so explicit. She also challenged notions of the male/female gaze with her book Sex, and videos like 'Justify My Love'. Much of her allure was centred around her visual image, and her ability to combine an inclusive sexuality with compelling costume changes and personae. Female stars in her wake, from Britney Spears to Lady Gaga, have been clearly influenced by her ideas on performance and sexuality However, becoming a mature woman and a mother has presented her with a dilemma. She is fiercely competitive and it is a matter of personal pride to 'stay on top' in the singles market. But in having to compete with younger women, she is subject to the same pressures to look young, slim and beautiful. As a result, she has to continually sculpt and resculpt her body through rigorous workouts and diet regimes. The sculpted body first emerged when she shed the voluptuous 'Toy Boy' look of her early career for her 'Open Your Heart' video.
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Elle King Headlining Dates November
ELLE KING ANNOUNCES U.S. HEADLINING DATES IN NOVEMBER ELLE KING CONTINUES TO TOP THE ALTERNATIVE RADIO CHART FOR A THIRD CONSECUTIVE WEEK AT #1 WITH HIT SINGLE “EX’S & OH’S” The 2nd Female artist in 18 years to Top the Alternative Radio Chart “Ex’s & Oh’s” Continues to Hold the #1 Spot on iTunes Alternative Songs Chart ! ! (New York – September 22, 2015) Pop, blues, and rock’n’roll singer Elle King announces today that she will be adding headlining dates for the month of November in the U.S., following her UK tour with James Bay. Tickets go on sale this Friday, September 25th. (Find tour schedule below). Elle’s hit single “Ex’s & Oh’s” continues its run at #1 for the third consecutive week on the Alternative Radio Chart, after 21 weeks on the chart, and also holds the #1 spot on iTunes Alternative Songs chart. King became the second female artist in 18 years to reach #1 at Alternative Radio, following Lorde’s #1 with “Royals” in 2013. Elle King recently wrapped her nearly sold out U.S. headlining tour this summer along with a run of festival dates including Bumbershoot, Lollapalooza, Bonnaroo and Squamish Valley. Additionally, she has performed at major UK festivals this year including Reading, Leeds, T in the Park and London Calling. She embarks on a UK tour with James Bay beginning on September 22nd in Manchester, England at the Apollo Theater, including 3 sold out nights at the Brixton Academy in London. Elle was also named VH1’s “You Oughta Know” artist for the month of July.
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Mattapan Loses a Civic
Dorchester Reporter “The News and Values Around the Neighborhood” Volume 30 Issue 46 Thursday, November 14, 2013 50¢ Reporter One-on-One ‘Building As the hurrahs die down, Pathways’ Walsh looks back, ahead By GinTauTaS dumciuS opens door neWS ediTor Marty Walsh arrived at the Park Plaza Hotel around 6 p.m. on election to union jobs night and headed up to the 15th floor. For the But observers say more first time that day, he was nervous. West Rox- slots, funds sorely needed bury, Beacon Hill, and the Back Bay, friendly By GinTauTaS dumciuS guys and girls. It doesn’t turf for his opponent, neWS ediTor get any faster than that. John Connolly, had seen Tom Olson holds up a That’s transmission a high number of voters pale blue cord in front through glass.” turn out. of the class. Outlets and Olson, a 46-year-old Inside the hotel wires hang from the ceil- Medford resident, has room, he was joined ing over the heads of 15 spent 28 years in the by his mother Mary, men and women, many telecommunications his brother John, his of whom are wearing business, working with longtime partner, Lorrie green hard-hats. “FiOS,” fiber optics, copper, and Higgins, and her daugh- Olson says, holding the security systems. And ter Lauren, and his blue cord a little higher. on this chilly Thurs- campaign manager Meg “Anybody know what day in October, he is Costello. The candidate that stands for?” inside a training center kept in touch with his The answer comes in Dorchester across campaign workers, who cautiously, in unison, from the International were crunching num- from the class: “Fiber Brotherhood of Electri- bers inside the “boiler integrated optical solu- cal Workers (IBEW) room” and keeping him tions.” Says Olson, “Now, Local 103 Hall talking updated.
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Press Pack July 2010
Press Pack July 2010 Lets Go Crazy Ltd. 78 Portland Road, Holland Park, W11 4LQ The Independent, 26th December 2009 Talent 2010: The entrepreneur, Callum Negus-Fancey Callum Negus-Fancey dropped out of school in the middle of his A-Levels. Formal education, he explains, was just a little two-dimensional. Rather than continuing his studies in economics, philosophy and politics, the head- strong 17-year-old decided to pursue his burgeoning career as an underage party promoter, putting on late- night music events for 14-16 year olds. “I’d put on a few parties while at school,” Callum explains, “and soon realised there was a demand for proper dance music nights for teenagers with big artist line-ups in big venues, with an emphasis on good music.” To this effect, Callum launched his own company Let’s Go Crazy, with an all-star event on July 2008, at London’s infamous SE1 club. Callum had no marketing budget for his party. Instead, having convinced some big name DJs to play at his event, the teenager set about promoting the club-night through social networking sites such as Facebook, and by word- of-mouth, enlisting students at a number of schools in the capital to sell tickets on commission basis. Within a week, all 3,000 tickets had been shifted. Since then, Callum has put on around 15 events at clubs and festivals around the country. He has continued to expand the Let’s Go Crazy brand with an online magazine, a discount loyalty card for night-club regulars, plans for a one-off fashion event, after GCSE travel packages, and secured gigs at Bestival, Camp Bestival next summer, and its own festival in Hyde Park, for 10,000 guests.
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