Open Educational Resources: a Review of the Literature
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A Topological Space for Design, Participation and Production. Tracking Spaces of Transformation
The Journal of Peer Production New perspectives on the implications of peer production for social change Journal of Peer Production Issue 13: OPEN http://peerproduction.net — ISSN 2213-5316 A TOPOLOGICAL SPACE FOR DESIGN, PARTICIPATION AND PRODUCTION. TRACKING SPACES OF TRANSFORMATION Sandra Álvaro Sánchez ‘Space of transformation’ is a concept borrowed from Serres’ communication theory and here redefined after the evolution of the post-digital milieu and the materialistic critique of the same. Hackerspaces, fablabs, medialabs and other shared machines shops are defined here as spaces of transformation, places for the encounter between humans and non-humans, where disciplines are bridged together, hitherto severed, giving place to collective practices related to education, production and society. Shared machine shops are sited locally but also connected globally. Online, they share innovative forms of production, education and collective organization, giving place to a complex ecosystem. This article presents an analysis of the topology of this ecosystem conducted by means of tracking and visualizing the online interactions between the hackerspaces listed at the platform Hackerspaces.org. The application of network analysis is aimed to answer the research questions: First, how shared machine shops are locally and globally connected? Second, what links hackerspaces among them and these with new social issues? The concept of shared machine shops as spaces of transformation and the study of their mutual relations allows for an understanding of the transformative capacity of these spaces and how they are producing a new space for social innovation through its mutual interchange of information. Keywords: hackerspaces, network analysis, design, social innovation, space of transformation development of new organizational forms related to By Sandra Álvaro Sánchez peer-production, and the prototyping of new material products, linked to entrepreneurship and Download as PDF innovation, as well as, of new educational projects. -
Peer-Production Online Communities Infrastructures Melanie Dulong De Rosnay
Peer-production online communities infrastructures Melanie Dulong de Rosnay To cite this version: Melanie Dulong de Rosnay. Peer-production online communities infrastructures. First Conference on Internet Science, Apr 2013, Brussels, Belgium. pp.65-68. hal-00833476 HAL Id: hal-00833476 https://hal.archives-ouvertes.fr/hal-00833476 Submitted on 12 Jun 2013 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Peer-production online communities infrastructures Melanie Dulong de Rosnay CNRS Institute for Communication Sciences 20 rue Berbier-du-Mets 75013 Paris, France [email protected] Abstract—This article analyses peer-production online copyright law, encryption technologies or contracts to restrict communities according to their technical and governance access and control reuse. The market approach reestablishes architectures level of centralization and decentralization. Peer- artificial scarcity and excludability by controlling access and production online communities can be defined as projects or reproduction, leading to a “second -
Open Educational Resources-Anonymity Vs. Specificity
European Journal of Open, Distance and E-Learning http://www.eurodl.org/?article=245 Open Educational Resources – anonymity vs. specificity Bernd Remmele [[email protected]] WHL - Graduate School of Business and Economics, Center for Applied Further Education Research, Hohbergweg 15-17, 77933 Lahr, Germany [http://www.whl-lahr.de] Abstracts English Open Educational Resources are a recent concept in regard of the organisation of world wide sharing of educational materials and tools. This concept is oriented at the model of OpenSource software production or Wikipedia. Also for institutions like the UNESCO or the OECD, which are interested in the development of OER, it is the main question how OER can be used on a scale as global as possible, and how relevant international co-operation and usage can be initiated. However OER are having some problems to reach a similar grade of effectiveness, because there are some crucial organisational and interactional differences to these successful open networks. One main problem is the tension between the openness and anonymity of digital information and the specificity of educational resources, which are usually made to fit into a specific teaching/learning context. German Open Educational Resources stellen ein neues Konzept des weltweiten Austauschs von Lehr-/Lernmaterialien und Hilfsmitteln hierfür dar. Dieses Konzept ist strukturell vom Modell der Produktion von OpenSource Software oder Wikipedia beeinflusst. Auch für Organisationen wie die UNESCO oder die OECD, die sich für die Entwicklung von OER interessieren, besteht eine Hauptfrage darin, wie OER möglichst global genutzt werden können, und wie diesbezügliche Kooperationen initiiert werden können. Allerdings erscheint es für OER problematischer, einen ähnliches Maß an Effektivität hervorzubringen wie die genannten offenen Netzwerke, da es hier erhebliche organisationale und interaktionale Unterschiede gibt. -
The Opencourseware Story: New England Roots, Global Reach
08-NEB-117 NEJHE Summer 2008_Back 7/9/08 3:36 PM Page 30 FORUM: GOING DIGITAL The OpenCourseWare Story: New England Roots, Global Reach STEPHEN CARSON consortium, universities from Japan, thinking and a commitment to n April, representatives of more than 200 universities from around Spain, Korea, France, Turkey, Vietnam, addressing global challenges can the world gathered in Dalian, China, the Netherlands, the United Kingdom, produce remarkable results. I the United States — plus dozens from to move forward their efforts to create MIT OpenCourseWare a global body of freely accessible course China — have already published the materials from over 6,200 courses. The OpenCourseWare movement materials spanning both cultures and has its roots in New England. The In a world of increasingly restrictive disciplines. These institutions have concept emerged in 2000 at intellectual property laws and intensi- committed to freely and openly sharing Massachusetts Institute of Technology on the Web the core teaching materials fying competition to provide for-profit where then-President Charles Vest — including syllabi, lecture notes, Web services, this movement stands charged a faculty committee with assignments and exams — from the in stark contrast to prevailing trends. answering two questions: “How is the courses they offer to their enrolled The story of this OpenCourseWare Internet going to change education?” students. Through the OpenCourseWare movement illustrates how novel and “What should MIT do about it?” A Culture of Shared Knowledge Developing a Strategy for Low-Cost Textbook Alternatives JUDY BAKER he open educational resources (OER) movement them available for use by community college students encourages the creation and sharing of free, open- and faculty. -
Peer Production: a Form of Collective Intelligence.” in Hand- Book of Collective Intelligence, Edited by Thomas Malone and Michael Bernstein
THIS IS A PRE-PRINT VERSION OF PUBLISHED BOOK CHAPTER.THE FINAL VERSION AND THE REFERENCE TO USE WHEN CITING THIS WORK IS: Benkler, Yochai, Aaron Shaw, and Benjamin Mako Hill. (2015) “Peer Production: A Form of Collective Intelligence.” In Hand- book of Collective Intelligence, edited by Thomas Malone and Michael Bernstein. MIT Press, Cambridge, Massachusetts. Peer Production: A Form of Collective Intelligence Yochai Benkler ([email protected]) HARVARD UNIVERSITY Aaron Shaw ([email protected]) NORTHWESTERN UNIVERSITY Benjamin Mako Hill ([email protected]) UNIVERSITY OF WASHINGTON INTRODUCTION Wikipedia has mobilized a collective of millions to produce an enormous, high quality, encyclopedia without traditional forms of hierarchical organiza- tion or financial incentives. More than any other twenty-first century collab- orative endeavor, Wikipedia has attracted the attention of scholars in the so- cial sciences and law both as an example of what collective intelligence makes possible and as an empirical puzzle. Conventional thinking suggests that ef- fective and successful organizations succeed through hierarchical control and management, but Wikipedia seems to organize collectively without either. Legal and economic common sense dictates that compensation and contracts are necessary for individuals to share the valuable products of their work, yet Wikipedia elicits millions of contributions without payment or owner- ship. Intuition suggests that hobbyists, volunteers, and rag-tag groups will not Parts of this chapter build upon work published in: Y. Benkler, Peer. “Production and Cooperation” forthcoming in J. M. Bauer & M. Latzer (eds.), Handbook on the Economics of the Internet, Cheltenham and Northampton, Edward Elgar. 1 2 be able to create information goods of sufficient quality to undermine pro- fessional production, but contributors to Wikipedia have done exactly this. -
Learning Content 1 Next Is Now
THE FUTURE OF LEARNING CONTENT 1 NEXT IS NOW THE FUTURE OF LEARNING CONTENT Digital Textbooks, Open Content, Apple and Beyond! by Rob Reynolds, Ph.D. THE FUTURE OF LEARNING CONTENT 2 The Future of Learning Content: E-textbooks, Open Content, Apple and Beyond! By Rob Reynolds, Ph.D. Next is Now Publishing - Columbia, Missouri @nextisnow | http://nextisnow.com THETABLE FU OFTURE CON OFTEN LEARNINGTS CONTENT 3 Contents 2 Intro 01 3 10 Likely Realities for the U.S. Education Market by 2020 The Changes, 4 What Does That Mean for Textbooks and Learning Content? They Just Keep 5 5 Likely Realities for Educational Publishing and Institutions Coming 5 There Are No Deep Roots Here 7 Public Education in America Is Still Looking for its Identity 8 The Modern Textbook is a Recent Phenomenon 10 So, What’s Next? 13 Intro 02 14 A Textbook, What Is It Good For? A Textbook, 18 What’s In A Textbook (Or How Sausage Gets Made)? What Is It Good 20 How Does the Business Work? For? 23 What Are the Top 10 Obstacles for Textbook Publishers in the Future? 32 Intro 03 33 The Evolution from Centripetal to Centrifugal Content The Three Consumption Winds of 43 The Move from Content Broadcasting to Content Nanocasting Change 52 The Shift from Content as Product to Content as a Service (CaaS) 59 Intro 04 60 The Separation of Devices and Software Along Came a 64 Along Came a Tablet Tablet THETABLE FU OFTURE CON OFTEN LEARNINGTS CONTENT 4 73 Intro 05 75 True or False Open, Free, 82 Open Textbooks, the Khan Academy, and Low-cost , OpenCourseWare as Models for Free Learning -
Globalization And
Web 2.0 Tools: Using Free and Open Educational Resources to Impact Learning Locally and Globally At the heart of the movement toward “ Open Educational Resources is the simple and powerful idea that the world’s knowledge is a public good and that technology in general, and the Worldwide Web in particular, ” provide an extraordinary opportunity for everyone to share, use, and re-use knowledge. — The William and Flora Hewlett Foundation Overview of Today’s Webinar 1. WHAT ARE OPEN EDUCATIONAL RESOURCES? 2. GLOBAL STATE OF ACCESS TO EDUCATION 3. OER AS A TOOL TO EQUALIZE GLOBAL EDUCATIONAL ACCESS 4. HIGH-QUALITY OER 5. NEXT STEPS WHAT ARE OPEN EDUCATIONAL RESOURCES? Development of the OER Movement 1973 Joseph Beuys founds the Free International University 2002 MIT OpenCourseWare project 2002 UNESCO adopts “OER” term 2013 Tidewater Community College Z Degree Working Definition Any type, digital or otherwise Any resource that can potentially be used for learning Copyright is either in the public domain or under an open license, such as Creative Commons Resource must be free Definition Teaching, learning, and research resources that reside in the public domain or have been released under an intellectual property license that permits their free use and re-purposing by others. Open educational resources include full courses, course materials, modules, textbooks, streaming videos, tests, software, and any other tools, materials, or techniques used to support access to knowledge. -William and Flora Hewlett Foundation Video – Why OER Matters -
Opening up Foreign Language Education with Open Educational Resources: the Case of Français Ineractif
AAUSC 2012 Volume – Issues in Language Program Direction Hybrid Language Teaching and Learning: Exploring Theoretical, Pedagogical and Curricular Issues Fernando Rubio (Editor) Joshua J. Thoms (Editor) Stacey Katz Bourns (Series Editor) Australia • Brazil • Japan • Korea • Mexico • Singapore • Spain • United Kingdom • United States 74679_fm_ptg01_i-xiv.indd 1 05/10/12 1:11 PM AAUSC 2012 Volume – Issues in © 2014, Heinle, Cengage Learning Language Program Direction: ALL RIGHTS RESERVED. No part of this work covered by the Hybrid Language Teaching copyright herein may be reproduced, transmitted, stored, or used and Learning: Exploring in any form or by any means graphic, electronic, or mechanical, Theoretical, Pedagogical and including but not limited to photocopying, recording, scanning, Curricular Issues digitizing, taping, Web distribution, information networks, or Fernando Rubio, information storage and retrieval systems, except as permitted Joshua J. Thoms and under Section 107 or 108 of the 1976 United States Copyright Act, Stacey Katz Bourns without the prior written permission of the publisher. Editorial Director: P. J. Boardman Publisher: Beth Kramer For product information and technology assistance, contact us at Cengage Learning Editorial Assistant: Customer & Sales Support, 1-800-354-9706 Gregory Madan For permission to use material from this text or product, Managing Media Editor: submit all requests online at cengage.com/permissions Morgen Gallo Further permissions questions can be emailed to [email protected] -
Communication Networks and Peer Production 1
Running head: COMMUNICATION NETWORKS AND PEER PRODUCTION 1 Communication networks do not explain the growth or survival of early-stage peer production projects Jeremy Foote Northwestern University Aaron Shaw Northwestern University Benjamin Mako Hill University of Washington COMMUNICATION NETWORKS AND PEER PRODUCTION 2 Abstract Communication enables coordination and social integration in collaborative groups. In the contexts of work groups and teams, prior research finds that more dense and integrated communication structures support better performance. We explore the relationship between communication structure and group performance in a population of early-stage peer production wiki communities engaged in the collaborative production of shared information resources. We theorize that there is an especially strong need for coordination and social integration in small, newly formed online communities, and that communities with relatively more integrative communication networks will be more successful. We test this theory by measuring communication network structure and group outcomes in a population of 1,002 nascent wikis. Contrary to prior literature and our expectations, we find a very weak relationship between communication structure and collaborative performance. We suggest a number of explanations, including the role of shared artifacts in coordinating work and integrating newcomers. Keywords: peer production, group formation, social network analysis, online communities COMMUNICATION NETWORKS AND PEER PRODUCTION 3 Communication networks do not explain the growth or survival of early-stage peer production projects Introduction Work teams perform best when members of the team are socially integrated and when the team is efficient in coordinating its activities. A large body of research has shown that socially integrated and effective coordination are enabled by and reflected in patterns of communication. -
Agency in the Age of Peer Production / Quentin D
Vieregge • Stedman • Mitchell • Moxley COMPOSITION / DIGITAL LITERACIES / ASSESSMENT This research study challenges some dominant but often unexamined assumptions in higher education—that standardization is “invariably anti-democratic and perni- cious” and that academics don’t and shouldn’t share any core values. This story of the evolution of a first-year writing program provides a model example of how new technologies can be used to create a more transparent academic culture that students and others can actually decode, one still compatible with teacher individuality. As these program administrators struggle to serve the values of both individualism and collectivism through the use of online peer-production tools, their narrative goes out of its way to do justice to the inherent complexity and messiness of efforts to reconcile freedom and standardization in practice, and one of its signal virtues is that it doesn’t suppress or try to paper over the voices of dissent. Agency in the —Gerald Graff, author of Clueless in Academe In this age of peer production, new technologies allow students, teachers, and writing program administrators to talk to and write with one another and assess writing in A of transformative ways. Teaching and learning are changing, as learning transcends the GENCY Age Peer classroom walls, facilitating new networks, connections, and collaborations. This qualitative study traces efforts to use social software and peer-production tools to engage graduate students, adjuncts, and faculty at a large state university in a collaborative project to develop a shared common curriculum for first-year composi- IN Production tion. The study also tracks the early development of My Reviewers, a Web application designed to improve teacher feedback and peer review, as well as assess writing and THE critical thinking. -
Geneology of Hacklabs and Hackerspaces
Geneology of Hacklabs and Hackerspaces Abstract Hackerspaces are workshops organised with an open community model where people with technological interests where can come together to socialise, collaborate, share and expand their knowledge. The last few years have seen an increased activity in this area including the founding of many new locations, increasing collaboration and discussions about the potentialities and the directions of hackerspaces. However, similar spaces called hacklabs have existed since personal computers became widespread, based on an underground political agenda. These new and old school places are often seen retrospectively as part of a single trajectory, and most of the discourse treats the two words as equivalent. Changing this homogeneous perspective through outlining the overlapping but distinguishable geneologies of hacklabs and hackerspaces can contribute to the contemporary debates around this vibrant hacker culture and movement. Introduction Hacklabs manifest some of the same traits as hackerspaces, and indeed many real communities registered on hackerspaces.org identify as hacklabs as well. However, despite the fact that these spaces share a lot of cultural DNA, some of their ideological and historical roots are indeed different. Historically, hacklabs started in the late 80s and became widespread in the 90s, while hackerspaces started in the late 90s and became widespread in the naughties. Obviously, these overlapping developments involved a lot of cultural and personal transfer. Ideologically, most hacklabs have been explicitly politicised as part of the broader anarchist/autonomist scene, while hackerspaces, developing in the libertarian sphere of influence around the Chaos Computer Club, are not necessarily defining themselves as overly political. One more concrete example of these historical-ideological differences is the economics of space: while hacklabs are mostly located in squatted territories, hackerspaces are generally rented. -
What Happened to Peer Production?
The Tyranny of Openness: What Happened to Peer Production? Nathan Schneider University of Colorado Boulder Feminist Media Studies (2021) https://doi.org/10.1080/14680777.2021.1890183 This paper examines a “culture war” underway among software peer-production communities through relevant blog posts, legal documents, forum discussions, and other sources. Software licens- ing has been a defining strategy for peer producers, and much of the conflict at hand revolves around whether licensing should more fully incorporate ethics and economics, respectively. Femi- nist analysis can aid in tracing the contours of discontent through its emphasis on social processes that enable and infuse productive activity—processes that peer producers have trained themselves to ignore. The emerging critiques, and the experiments they have inspired, gesture toward fuller understandings of what “free” and “open” might mean. keywords: feminist theory, peer production, commons, free software, open source, software licensing, intellectual property The author is grateful for feedback on earlier drafts from Michel Bauwens, Heather Meeker, Matthew S. Wilson, and extraordinary anonymous reviewers. According to a brief trend piece in Wired (Cohen 2018), people in Silicon Valley have been reading “The Tyranny of Structurelessness.” The classic essay’s author, Jo Freeman, challenged her fellow feminist activists to notice how their insistence on allegedly leaderless, open forms of organization were “becoming a goddess in its own right” (Freeman 1972). In the absence of explicit