The Case for Picard/Q/Subtext!

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The Case for Picard/Q/Subtext! Why Subtext? • Q frequently invades Picard’s personal space (see especially “Q Who?”) • Q brings Picard flowers; Marta says they’re from "another one of [his] conquests" (“Tapestry”) • Q shows up in Picard’s bed twice (“Qpid” and “Tapestry”) o Q strokes his ear and says, “Morning, darling.” (“Tapestry”) o Picard does not leap out of bed, but instead pulls down his sheets to show off his chest (“Tapestry”; see picture) • Q and Picard bicker…form of flirting? (especially “Tapestry”) • Q ensures that Picard’s relationships end badly—Vash (“Qpid”), Marta (“Tapestry”), and future Beverly (“All Good Things…”) • Q pursues Captain Janeway…clearly he just has a thing for starship captains! (“The Q and the Grey”) Quotes • In the show o “To learn about you is frankly provocative." –Picard in “Q Who?” o "This human emotion, love, it's a dangerous thing, Picard, and obviously you're ill- equipped to handle it. She's found a vulnerability in you, a vulnerability I've been looking for for years. If I'd known sooner, I would have appeared as a female." –Q in “Qpid”. Enough said. • In interviews o Patrick Stewart: “Some people have thought Q was gay. I did… John (De Lancie) had a kind of boldness about him, a way of looking at Picard that was provocative.” . “[I]s there some possibility Picard is repressing homoerotic parts of himself? It is certainly possible. Picard’s had plenty of affairs and relationships.” o John De Lancie, in Q’s last scene in “All Good Things…”, wanted to show that "Q has a vested interest in this man." o Ron Moore, writer, planned for Q to kiss Picard on the forehead in “Tapestry”, but got cut as ‘too explicit’ . said that the creative staff wrote Q as being "in love with Picard” .

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