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Anđelko Klobučar Anđelko Klobučar Skladbe za orgulje IV / Organ Works IV Sunakladnici / Publishers Katolički bogoslovni fakultet Sveučilišta u Zagrebu Catholic Faculty of Theology of the University of Zagreb Muzička akademija Sveučilišta u Zagrebu Music Academy of the University of Zagreb Za sunakladnike / For the Publishers prof. dr. sc. Mario Cifrak prof. art. Dalibor Cikojević Uredništvo / Editor Board doc. art. Mirta Kudrna prof. mr. art. Miroslav Martinjak izv. prof. art. Pavao Mašić doc. art. Elizabeta Zalović Glavni urednik sveska i redaktor / Chief Editor of the Volume & Music Editor izv. prof. art. Pavao Mašić Notografija / Score Copying izv. prof. art. Pavao Mašić doc. art. Marko Magdalenić Ivan Buljan Karla Tripalo Matija Vučković Prijevod/ Translated by dr. sc. Nenad Polgar Korekcije i prijelom notnog teksta / Music Score Layout & Proofreading Tibor Szirovicza Grafičko oblikovanje i prijelom / Graphic Design and Layout Katolički bogoslovni fakultet Sveučilišta u Zagrebu Catholic Faculty of Theology of the University of Zagreb Lektura / Proofreading doc. art. Jasna Šego Tisak / Printed by Sveučilišna tiskara d.o.o. Tiskanje ovog izdanja omogućilo je Sveučilište u Zagrebu u sklopu kratkoročne Naklada / Print run financijske potpore istraživanja Katoličkoga bogoslovnog fakulteta Sveučilišta u 400 Zagrebu: “Istraživanje, uređivanje i objavljivanje orguljaškog opusa akademika Anđelka Klobučara” uz djelomično financiranje Hrvatske ISMN 979-0-801352-00-2 (svezak / this volume) akademije znanosti i umjetnosti. Katolički bogoslovni fakultet Sveučilišta u Zagrebu Catholic Faculty of Theology of the University of Zagreb The publication of this edition has been assisted by the University of Zagreb as part ISMN 979-0-9005218-5-9 (svezak / this volume) of the short-term financial support of the Catholic Faculty of Theology research Muzička akademija Sveučilišta u Zagrebu project: “Research, editing and printing of the organ works by Anđelko Klobučar, Music Academy of the University of Zagreb the Full Member of the Croatian Academy of Sciences and Arts” which was also co-financed by the Croatian Academy of Sciences and Arts. ISMN 979-0-9005218-9-7 (cjelina / complete series) CIP zapis je dostupan u računalnome katalogu Zahvaljujemo akademiku Nikši Gligu na vrijednim Nacionalne i sveučilišne knjižnice u Zagrebu pod brojem 001016911. savjetima tijekom pripreme ovoga izdanja. A CIP catalogue record for this book is available from the We are grateful to academician Nikša Gligo for his valuable National and University Library in Zagreb under 001016911. advice during the preparation of this edition. Anđelko Klobučar Skladbe za orgulje Organ Works Svezak 4 Volume 4 Zagreb, 2018. Sadržaj / Contents Riječ izdavača .............................................................................. V Predgovor ..................................................................................... VI Publisher’s Note ...................................................................... XV Preface ...................................................................................... XVI Pièce en mosaïque (1969) .......................................................1 Fantazija / Fantasy (1971) .....................................................9 Toccata (1971) .......................................................................... 15 Skladbe za vjenčanje / Wedding Music (1973) ........ 20 Četiri minijature / Four Miniatures (1974) .................. 24 Dva preludija / Two Preludes (1974 / 1981) .............. 42 Redaktorska bilješka ............................................................ 51 Editor’s Note ............................................................................. 54 V Riječ izdavača U povodu 85. rođendana maestra Anđelka Klobučara, je imao premalo programa iz glasovira, i stoga je objavljena su tri sveska njegovih skladba za orgulje upisao povijest glazbe. Potom je paralelno upisao i u nakladi Katoličkoga bogoslovnog fakulteta i orgulje i kompoziciju, kod profesora Lučića i Cipre, Muzičke akademije Sveučilišta u Zagrebu. Nastavak budući da su se orgulje mogle upisati kao B-grupa. toga projekta najbolje je moguće priznanje velikom i Svirati počinje za vrijeme srednje škole, kada je, da važnom opusu velikog orguljaša i skladatelja, te izraz bi mogao negdje vježbati, odlazio u crkvu sv. Ivana zahvalnosti velikom umjetniku i čovjeku. u Novoj Vesi, a za uzvrat je morao svirati orgulje na misnim slavljima. Tada su se održavali tihi obredi s Važnu ulogu odigrao je kao urednik glazbenih priloga pratnjom instrumenata, a s obzirom da se moralo u časopisu Sveta Cecilija i kao nastavnik na Institutu improvizirati, tada se vjerojatno pojavio i maestrov za crkvenu glazbu Katoličkoga bogoslovnog fakulteta interes za kompoziciju. Prvi nastup imao je 1952. Sveučilišta u Zagrebu. Kao orguljaš nastupao je u na Majskom festivalu u Zagrebu, gdje je postojala prvostolnoj crkvi u Zagrebu, održavao je samostalne i večer studentskih radova i gdje je odsvirao svoju koncerte te je sudjelovao na priredbama Instituta za Passacagliu za orgulje. Poslije diplome usavršavao se crkvenu glazbu. u interpretaciji kod Antona Nowakowskog (Salzburg, 1960.) i u kompoziciji kod Andréa Joliveta (Pariz 1965./ Glazbom se počeo baviti 1947. godine, a orguljama ga 66.) je, kako sam kaže, „privukao koncert Mladena Stahuljaka u jesen 1945. u katedrali, i njegov koloristički pristup Stvaralački opus Anđelka Klobučara obuhvaća različita orguljanju.“ Kod nas je prije toga bilo mnogo velikih područja, ali njegovo je ime ipak neraskidivo vezano orguljaša, a to nisu samo Franjo Dugan, st. i Franjo Lučić, uz hrvatsku orguljašku tradiciju. Akademik Anđelko nego je gotovo svaka crkva u Zagrebu tada imala svoga Klobučar obilježio je i svojim djelovanjem unaprijedio stalnog orguljaša, u pravilu izvrsnog glazbenika, no, hrvatsku orguljašku školu postavivši nove standarde oni su svi pripadali tzv. tradicijskoj školi. Zvuk njihovih kvalitete u sviranju i u improvizaciji na orguljama. orgulja bio je uvijek jednak, bez specifičnih boja. U to Njegov je doprinos domaćoj orguljaškoj literaturi je doba orgulje već bilo teško učiti i studirati. Godine ogroman, obogatio ju je svojim brojnim, već sada, 1948. bile su i službeno ukinute na srednjoj školi, a ljudi antologijskim djelima. koji su predavali „nisu to više mogli raditi“. Tu se misli na Albu Vidakovića koji tada više nije smio predavati jer je Anđelko Klobučar preminuo je 7. kolovoza 2016., a mi bio regens chori u katedrali, a od 1941., po povratku iz mu kao Fakultet u suradnji s Muzičkom akademijom Rima u Zagreb, bio je profesor na Hrvatskom glazbenom Sveučilišta u Zagrebu želimo novim svescima njegovih konzervatoriju. Predavao je gregorijanski koral i povijest skladbi zahvaliti i odati priznanje. kantate, harmoniju, kontrapunkt i orgulje. Prof. dr. sc. Mario Cifrak Kada je Klobučar 1949. krenuo na studij, orgulje se dekan Katoličkoga bogoslovnog fakulteta nisu mogle upisati ni na Akademiji, za kompoziciju Sveučilišta u Zagrebu VI Predgovor Skladatelj, orguljaš i glazbeni pedagog Anđelko Klobučar KRONOLOGIJA (Zagreb, 11. srpnja 1931. – 7. kolovoza 2016.) diplomirao je 1955. g. na Teorijsko-historijskom odsjeku Muzičke 1931. Rođen u Zagrebu 11. srpnja u obitelji Franje i akademije u Zagrebu, a također je pohađao i studij Marije Klobučar kao mlađi brat Berislava, kasnije kompozicije (kod Mila Cipre) i orgulja (kod Franje Lučića). istaknutoga dirigenta koji će dugo godina Usavršavao se u orguljama kod Antona Nowakowskoga u djelovati u Bečkoj državnoj operi. Salzburgu (1959. – 1960.) i skladanju kod Andréa Joliveta 1940. Započinje privatno učiti glasovir kod gđe u Parizu (1965. – 1966.). Do 1958. g. radio je kao srednjo- Stražnicki. školski nastavnik u Zagrebu, a od 1958. do 1963. g. bio je glazbenim suradnikom u Dubrava filmu u Zagrebu. Od 1968. 1945. Prvi put čuje orgulje u zagrebačkoj katedrali g. djeluje na Muzičkoj akademiji kao nastavnik teorijskih slušajući orguljaša Mladena Stahuljaka. predmeta (izabran je za redovitoga profesora 1983. g.), 1947. Započinje redovito svirati u crkvi sv. Ivana (Nova djelujući istovremeno kao predavač i na Institutu za Ves), gdje utemeljuje muški zbor, te u crkvi sv. crkvenu glazbu Albe Vidaković pri Katoličkom bogoslovnom Obitelji u Zagrebu. fakultetu Sveučilišta u Zagrebu, od 1963. godine, tj. 1947. – 1948. Uči orgulje kod Albe Vidakovića na Srednjoj od osnutka Instituta. Od 1958. do 2004. bio je glavnim glazbenoj školi Državnoga konzervatorija u Zagrebu. orguljašem zagrebačke prvostolnice. Od 1994. do 1998. godine voditeljem je seminara za interpretaciju suvremene 1949. Završio gimnaziju u Zagrebu. glazbe pri Ljetnoj orguljaškoj školi u Šibeniku u kojoj je bio 1949. – 1953. Studira orgulje u klasi Franje Lučića na i direktor Programskoga vijeća. Član je Hrvatskoga društva Muzičkoj akademiji u Zagrebu. skladatelja, Hrvatskoga društva glazbenih umjetnika, Hrvatskoga društva glazbenih teoretičara i redoviti član oko 1950. Pod pseudonimom K. Bučar sklada prve Hrvatske akademije znanosti i umjetnosti. Odlikovan je skladbe – Božićne preludije – nastale kao plod mnogobrojnim nagradama i priznanjima, među ostalima privatne poduke kod Albe Vidakovića, u čijoj su i Odličjem Reda Danice hrvatske s likom Marka Marulića, nakladi i objavljene 1959. g. Vjesnikovom nagradom za glazbu Josip Štolcer Slavenski, 1950. – 1954. Studira kompoziciju u klasi Mila Cipre na Nagradom Vladimir Nazor za životno djelo, Nagradom Muzičkoj akademiji u Zagrebu. Grada Zagreba za mnogostruki doprinos u promicanju djela hrvatskih skladatelja
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