Die Zaub-Erflote GRAN TEATRE DEL LICEU
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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
About the Exhibition Tenorissimo! Plácido Domingo in Vienna
Tenorissimo! Plácido Domingo in Vienna May 17th, 2017 - January 8th, 2018 Lobkowitzplatz 2, 1010 Wien [email protected] T +43 1 525 24 5315 About the exhibition An unmistakable dark timbre, highly dramatic expressiveness, an impressive, vast repertoire – all this enraptures the fans of the Spanish crowd-pleaser with waves of enthusiasm. The Theatermuseum celebrates Plácido Domingo on the anniversary of his stage debut: He has been singing at the Vienna State Opera for 50 years. When the Tenor, then still considered as insider tip, made his debut at the State Opera in the title role of Verdi‘s Don Carlo, not only he took stage and cast in storm, but also the hearts of the Viennese audience – a true love relationship, unbroken till today. This performance contributed to an unparalleled career, taking him to the world‘s leading opera houses. Vienna has always been a very special “home port“ for the opera star. Here he performed 30 different roles in 300 shows and was awarded the title Austrian Kammersänger. The exhibition at the Theatermuseum documents the most important appearances of the “Tenorissimo“ in Vienna with original costumes and props, photographs and memorabilia, video and audio samples. The presentation portrays him also as baritone, the role fach on which he concentrated almost exclusively in the past 10 years, and refers to his activities as conductor, taking him regularly to the orchestra pit of the Vienna State Opera since the end of the 1970s. Without hesitation Plácido Domingo can be described as one of the most versatile, curious and longest serving representative of his musical genre. -
Diszkográfia Az Első Kötethez
© Typotex Kiadó Diszkográfia az első kötethez Janet Baker: Full Circle Her last year in Opera Gluck: Alceste. The Royal Opera Covent Garden Donizetti: Stuart Maria. English National Opera Gluck: Orfeo ed Euridice. Glyndebourne Festival Opera Felvétel: 1992 Warner, NVC ARTS, 2006, DVD 50-51011-4855-2-7 Beethoven: Fidelio Waltraud Meier, Plácido Domingo, Falk Stuckmann, René Pape, Soile Isokoski, Werner Güra, Kwangchul Youn Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin Vezényel: Daniel Barenboim Felvétel: Groβer Sendesaal, Berlin, May/June 1999 Teldec, 1999, 2 CD 3984-25249-2 Beethoven: Fidelio Dietrich Fischer-Dieskau, Hans Sotin, René Kollo, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Adolf Dallapozza, Karl Terkal, Alfred Sramek Wiener Staatsoperchor, Wiener Philharmoniker Vezényel: Leonard Bernstein Felvétel: Wien, Musikverein, Groβer Saal, 2/1978 Deutsche Grammophon, 1978, 2 CD 419 438-2 Beethoven: Fidelio Leonie Rysanek, Judith Blegen, Jon Vickers, Walter Berry, Giorgio Tozzi, Murray Dickie, John Macurdy, Leo Goeke, Robert Goodloe Orchestra e coro dell’Opera di San Francisco Vezényel: Karl Böhm Élő felvétel: 29. 11. 1968, San Francisco Melodram, 1990, 2 CD 27086 Beethoven: Fidelio Michael Schade, Elizabeth Norberg-Schulz, Matthias Hölle, Deborah Voigt, www.interkonyv.hu © Fodor Géza jogutóda © Typotex Kiadó 248 • Mi szól a lemezen? Günter von Kannen, Andreas Schulist, Wielfried Vorwol, Ben Heppner, Thomas Quasthoff Symphonieorchester und Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra and Chorus -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Chronology 1916-1937 (Vienna Years)
Chronology 1916-1937 (Vienna Years) 8 Aug 1916 Der Freischütz; LL, Agathe; first regular (not guest) performance with Vienna Opera Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Miller, Max; Gallos, Kilian; Reichmann (or Hugo Reichenberger??), cond., Vienna Opera 18 Aug 1916 Der Freischütz; LL, Agathe Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Gallos, Kilian; Betetto, Hermit; Marian, Samiel; Reichwein, cond., Vienna Opera 25 Aug 1916 Die Meistersinger; LL, Eva Weidemann, Sachs; Moest, Pogner; Handtner, Beckmesser; Duhan, Kothner; Miller, Walther; Maikl, David; Kittel, Magdalena; Schalk, cond., Vienna Opera 28 Aug 1916 Der Evangelimann; LL, Martha Stehmann, Friedrich; Paalen, Magdalena; Hofbauer, Johannes; Erik Schmedes, Mathias; Reichenberger, cond., Vienna Opera 30 Aug 1916?? Tannhäuser: LL Elisabeth Schmedes, Tannhäuser; Hans Duhan, Wolfram; ??? cond. Vienna Opera 11 Sep 1916 Tales of Hoffmann; LL, Antonia/Giulietta Hessl, Olympia; Kittel, Niklaus; Hochheim, Hoffmann; Breuer, Cochenille et al; Fischer, Coppelius et al; Reichenberger, cond., Vienna Opera 16 Sep 1916 Carmen; LL, Micaëla Gutheil-Schoder, Carmen; Miller, Don José; Duhan, Escamillo; Tittel, cond., Vienna Opera 23 Sep 1916 Die Jüdin; LL, Recha Lindner, Sigismund; Maikl, Leopold; Elizza, Eudora; Zec, Cardinal Brogni; Miller, Eleazar; Reichenberger, cond., Vienna Opera 26 Sep 1916 Carmen; LL, Micaëla ???, Carmen; Piccaver, Don José; Fischer, Escamillo; Tittel, cond., Vienna Opera 4 Oct 1916 Strauss: Ariadne auf Naxos; Premiere -
Bruno Walter (Ca
[To view this image, refer to the print version of this title.] Erik Ryding and Rebecca Pechefsky Yale University Press New Haven and London Frontispiece: Bruno Walter (ca. ). Courtesy of Österreichisches Theatermuseum. Copyright © by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections and of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Sonia L. Shannon Set in Bulmer type by The Composing Room of Michigan, Grand Rapids, Mich. Printed in the United States of America by R. R. Donnelley,Harrisonburg, Va. Library of Congress Cataloging-in-Publication Data Ryding, Erik S., – Bruno Walter : a world elsewhere / by Erik Ryding and Rebecca Pechefsky. p. cm. Includes bibliographical references, filmography,and indexes. ISBN --- (cloth : alk. paper) . Walter, Bruno, ‒. Conductors (Music)— Biography. I. Pechefsky,Rebecca. II. Title. ML.W R .Ј—dc [B] - A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. For Emily, Mary, and William In memoriam Rachel Kemper and Howard Pechefsky Contents Illustrations follow pages and Preface xi Acknowledgments xv Bruno Schlesinger Berlin, Cologne, Hamburg,– Kapellmeister Walter Breslau, Pressburg, Riga, Berlin,‒ -
¦Jmi/Oical »
4 THE SUNDAY STAR. WASHINGTON. D. 0.. SEPTEMBER 12. 1926-PART 3. Will Present Concerts "Sounding Brass" WINS FINE ENGAGEMENT In Continental Hall. N interesting musical announce- ¦ - | MUSIGRAPHS ment was made yesterday bv /"ANE of the outstanding features In the Jazz orchestra world Is the i Mrs. Wilson-Greene, local concert year 13 seems to be the chosen number of local musicians for I . Memorial MUSIC I effect that ! coming of Vincent Lope/, to Wash- i manager, to the the leading music schools, and many of the private studios an- (ngton today. Mr. Lopez brings with Continental Hall, headquarters of their opening for the season for tomorrow—-September 13. By him his celebrated Casa Lopez Club Daughters of the American Rev- nounce * Helen Fetter. Orchestra, which will play here dur- ‘ the THIS discussed number will lucky for them or prove olution, and C- streets Whether this much ]L ing the current week. at Seventeenth unfolds its everlengthening list of This popular conductor says: “By ! northwest, used for four of not remains to be seen as the season i. MUNICH, Germany, August 13. will be combining the proper music with its threshold into history. Never previously has there ; Saturday evening concerts in recitals and crosses the popular logical please Jj3 SprDH the six realm of grand opera has but one example o{ what fic- colors we are to | the Wilson-Greene series. be quite so much energy, and, in good old American, “pep," in the sensibilities of our audiences ; Ifek Europe seemed to tion magazines Tall "serial stories." The serial opera is ' Der Ring Since her return front up for the new work as this year. -
ARSC Journal
HISTORIC VOCAL RECORDINGS STARS OF THE VIENNA OPERA (1946-1953): MOZART: Die Entfuhrung aus dem Serail--Wer ein Liebchen hat gafunden. Ludwig Weber, basso (Felix Prohaska, conductor) ••.• Konstanze ••• 0 wie angstlich; Wenn der Freude. Walther Ludwig, tenor (Wilhelm Loibner) •••• 0, wie will ich triumphieren. Weber (Prohaska). Nozze di Figaro--Non piu andrai. Erich Kunz, baritone (Herbert von Karajan) •••• Voi che sapete. Irmgard Seefried, soprano (Karajan) •••• Dove sono. Elisabeth Schwarzkopf, soprano (Karajan) . ..• Sull'aria. Schwarzkopf, Seefried (Karajan). .• Deh vieni, non tardar. Seefried (Karajan). Don Giovanni--Madamina, il catalogo e questo. Kunz (Otto Ackermann) •••• Laci darem la mano. Seefried, Kunz (Karajan) • ••• Dalla sua pace. Richard Tauber, tenor (Walter Goehr) •••• Batti, batti, o bel Masetto. Seefried (Karajan) •.•• Il mio tesoro. Tauber (Goehr) •••• Non mi dir. Maria Cebotari, soprano (Karajan). Zauberfl.Ote- Der Vogelfanger bin ich ja. Kunz (Karajan) •••• Dies Bildnis ist be zaubernd schon. Anton Dermota, tenor (Karajan) •••• 0 zittre nicht; Der Holle Rache. Wilma Lipp, soprano (Wilhelm Furtwangler). Ein Miidchen oder Weibchen. Kunz (Rudolf Moralt). BEETHOVEN: Fidelio--Ach war' ich schon. Sena Jurinac, soprano (Furtwangler) •••• Mir ist so wunderbar. Martha Modl, soprano; Jurinac; Rudolf Schock, tenor; Gottlob Frick, basso (Furtwangler) •••• Hat man nicht. Weber (Prohaska). WEBER: Freischutz--Hier im ird'schen Jammertal; Schweig! Schweig! Weber (Prohaska). NICOLAI: Die lustigen Weiher von Windsor--Nun eilt herbei. Cebotari {Prohaska). WAGNER: Meistersinger--Und doch, 'swill halt nicht gehn; Doch eines Abends spat. Hans Hotter, baritone (Meinhard von Zallinger). Die Walkilre--Leb' wohl. Hotter (Zallinger). Gotterdammerung --Hier sitz' ich. Weber (Moralt). SMETANA: Die verkaufte Braut--Wie fremd und tot. Hilde Konetzni, soprano (Karajan). J. STRAUSS: Zigeuner baron--0 habet acht. -
Festspielhaus De Bayreuth, 16 D'agost De 1876 Estrena Al Liceu
Cronologia liceista S’inclou una llista de les representacions de Siegfried en la història del Gran Teatre del Liceu. Estrena absoluta: Festspielhaus de Bayreuth, 16 d’agost de 1876 Estrena al Liceu: 15 de novembre de 1900 Última representació al Liceu: 30 de juny de 2004 Total de representacions: 102 TEMPORADA 1900-1901 Dijous, 15-XI-1900 Hora: 20:00 Inauguració de la temporada d’hivern: SIEGFRIED • Llibret i música de Richard Wagner. Traducció italiana d’Angelo Zanardini. • L’òpera és cantada en traducció italiana i anunciada com “Sigfrido”. • Dates: 15, 17, 18, 22, 25 novembre / 1, 2, 5, 9, 11 desembre 1900. • Decoracions de la Scala de Milà. Siegfried: Raffaele Grani Mime: Dante Zucchi Der Wanderer: Agostino Gnaccarini Alberich: Achille Moro Fafner: Espartero Palazzi Erda: Wanda Borisova Brünnhilde: Luisa d’Ehrenstein Stimme des Waldvogels: Una Bardi Director d’escena: Rinaldo Rossi Director d’orquestra: Joseph Mertens (10 representacions) 1 TEMPORADA 1901-1902 Siegfried: Raffaele Grani Mime: Dante Zucchi Der Wanderer: Alessandro Arcangeli Alberich: Luigi Baldassari Fafner: Agustín Calvo Erda: Wanda Borisova Brünnhilde: Marguerite Picard Stimme des Waldvogels: Una Bardi Director: Franz Fischer (5 representacions) TEMPORADA 1904-1905 Siegfried: Giuseppe Borgatti Mime: Augusto Nannetti Der Wanderer: Francesco Cigada Alberich: Luigi Baldassari Erda: Giannina Lucacewska Brünnhilde: Elena Bianchini-Cappelli Stimme des Waldvogels: Adalgisa Minotti Director: Willy Kaehler / Antoni Ribera (6 representacions) 2 TEMPORADA DE PRIMAVERA DE 1910 -
Fernauktion Dez 2011
Katalog / Catalogue Fernauktion / Mail Bid Auction 15. Dezember 2011 Los 202 Axel Schmolt | Autographen-Auktionen 47807 Krefeld | Steinrath 10 Telefon (02151) 93 10 90 | Telefax (02151) 93 10 9 99 E-Mail: [email protected] – Allgemeine Versteigerungsbedingungen – Diese allgemeinen Auktionsbedingungen sind auch ohne schriftliche Anerkennung bei Abgabe persönlicher oder schriftlicher Gebote ausschließlich maßgebend. 1. Die Versteigerung ist freiwillig und nicht öffentlich. Alle Lose werden mit Ausnahme der eigenen Lose des Versteigerers im fremden Namen und für fremde Rechnung gegen sofortige Bezahlung in EUR versteigert. 2. Keine Steigerungssätze. Mindestausruf Euro 10,-. Zuschlag erfolgt gegen Höchstgebot (Beispiel: Ihr Gebot beträgt Euro 100,-, das Zweitgebot liegt bei Euro 50,-. Der Zuschlag erfolgt mit Euro 100,- plus Aufgeld etc.; siehe dazu Punkt 6). 3. Gebote wie „bestens” steigern bis zum fünffachen Ausrufpreis mit. Telefonische Gebote bedürfen der vor - herigen Absprache und in jedem Falle nachfolgender schriftlicher Bestätigung. 4. Der Meistbietende erhält den Zuschlag. Der Versteigerer hat das Recht, den Zuschlag zu verweigern, Lose zurückzuziehen oder umzugruppieren. In Zweifelsfällen oder bei Mißverständnissen wird das betreffende Los nochmals ausgeboten. Die Entscheidung hierüber fällt ausschließlich der Versteigerer. 5. Bei gleichhohen schriftlichen Geboten entscheidet die Reihenfolge des Eingangs, bei gleichhohen gegenüber den Saalbietern hat der schriftliche Auftrag Vorrang. Bei Unstimmigkeiten beim Zuschlag hat der Versteigerer das Recht, das Los noch einmal neu anzubieten. 6. Zum Zuschlagspreis wird ein Aufgeld von 18% erhoben sowie EUR 1,- je Los. Auf das Aufgeld und die Los- gebühr wird die gesetzliche Mehrwertsteuer von derzeit 19% erhoben. Kosten für Versand und Versicherung werden gesondert in Rechnung gestellt. Die Mehrwertsteuer entfällt bei Lieferungen an Händler im EU-Binnen- markt bei Vorlage ihrer Umsatzsteuer-Identifi kationsnummer sowie beim Versand durch den Versteigerer in das Ausland außerhalb des EU-Bereiches. -
Vier Letzte Lieder“ Von Richard Strauss
1 Peter Godzik, Meine Sammlung: „Vier letzte Lieder“ von Richard Strauss Richard Strauss (1864-1949), Vier letzte Lieder nach Texten von Hermann Hesse (1877-1962) und Joseph von Eichendorff (1788-1857) Frühling („Allegretto“) 18.07.1948 Beim Schlafengehen („Andante“) 04.08.1948 In dämmrigen Grüften Nun der Tag mich müd gemacht, träumte ich lang soll mein sehnliches Verlangen von deinen Bäumen und blauen Lüften, freundlich die gestirnte Nacht von deinem Duft und Vogelgesang. wie ein müdes Kind empfangen. Nun liegst du erschlossen Hände, laßt von allem Tun, in Gleiß und Zier, Stirn, vergiß du alles Denken, von Licht übergossen alle meine Sinne nun wie ein Wunder vor mir. wollen sich in Schlummer senken. Du kennest mich wieder, Und die Seele unbewacht du lockest mich zart, will in freien Flügen schweben, es zittert durch all meine Glieder um im Zauberkreis der Nacht deine selige Gegenwart! tief und tausendfach zu leben. Hermann Hesse Hermann Hesse September („Andante“) 20.09.1948 Im Abendrot („Andante“) 06.05.1948 Der Garten trauert, Wir sind durch Not und Freude kühl sinkt in die Blumen der Regen. gegangen Hand in Hand, Der Sommer schauert vom Wandern ruhen wir (beide) still seinem Ende entgegen. nun überm stillen Land. Golden tropft Blatt um Blatt Rings sich die Täler neigen, nieder vom hohen Akazienbaum. es dunkelt schon die Luft, Sommer lächelt erstaunt und matt zwei Lerchen nur noch steigen in den sterbenden Gartentraum. nachträumend in den Duft. Lange noch bei den Rosen Tritt her, und laß sie schwirren, bleibt er stehen, sehnt sich nach Ruh. bald ist es Schlafenszeit, Langsam tut er die (großen) daß wir uns nicht verirren müdgewordnen Augen zu. -
AUTOGRAPH AUCTION Sunday 27 November 2011 10:00
AUTOGRAPH AUCTION Sunday 27 November 2011 10:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (AUTOGRAPH AUCTION) Catalogue - Downloaded from UKAuctioneers.com Lot: 877 beneath the quotation. VG ELGAR EDWARD: (1857-1934) English Composer. A good Estimate: £80.00 - £100.00 printed score signed for The Dream of Gerontius (Op.38, 1900), First Edition published by Novello and Company Ltd., London, 1900. The tall 8vo edition has been specially bound in half blue Lot: 883 morocco with gilt title ('Nesta') to cover and gilt lettering to COATES ERIC: (1886-1957) English Composer, composed the spine. Signed by Elgar in dark fountain pen ink to the famous main title march of the film score to The Dam Busters preliminary blank with an A.M.Q.S. in his hand, two bars with (1954). Vintage signed and inscribed 4 x 6 photograph, a head words ('Praise etc.') beneath his signature. Dated Hereford, and shoulders study of Coates. Signed in dark fountain pen ink 1924, in his hand. Bearing two ownership signatures of N[esta]. to a light area of the image and dated February 1933 in his J. R. Clarke of Gloucester and Chester, one to the title page. hand. VG Rare in this form. Some light discoloration to the head of the Estimate: £100.00 - £120.00 covers and the spine faded, about VG Estimate: £400.00 - £600.00 Lot: 884 BRITTEN BENJAMIN: (1913-1976) English Composer. Vintage Lot: 878 signed postcard photograph of Britten in a head and shoulders SULLIVAN ARTHUR: (1842-1900) English Composer.