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Tartuffe: a Modern Adaptation
TARTUFFE: A MODERN ADAPTATION A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Stephen Benjamin August, 2013 TARTUFFE: A MODERN ADAPTATION Stephen Benjamin Thesis Approved: Accepted: ___________________________ ______________________________ Advisor Interim School Director James Slowiak Dr. Ann Usher _______________________ ______________________________ Committee Member Dean of the College Durand L Pope Dr. Chand Midha _______________________ ________________________________ Committee Member Dean of the Graduate School Dr. Maria Adamowicz-Hariasz Dr. George R. Newkome ______________________________ Date ii TABLE OF CONTENTS Page CHAPTER I. INTRODUCTION ……………………..………………………………………….……............…………… 1 II. TRANSLATION & TRANSLATORS …….....………………………………………………………… 5 Tartuffe History………………..…………..………………………………………………..….. 5 Translation Categories…………..……………………………………………………….….. 9 Translation Versus Adaptation…………………..…………………………..…………. 11 Taking Liberties ……………………………………….……………………………………… 14 Tartuffe Translation History ……………………………………………….…………… 15 Early Tartuffe Translators ………….…………………………….…………… 15 Post-World War II Tartuffe Translators …………………….…………… 17 Modern Tartuffe Translators …………………………………….…………… 17 Tartuffe Translators Utilized in My Adaptation ……………………...………… 19 Richard Wilbur ………………………….…………………………….…………… 20 Donald Frame ……...…………………….…………………………….…………… 21 John Wood ………......…………………….…………………………….…………… 23 David Coward after John Wood ………......…………………….…………… -
Tartuffe Education Pack
Education Pack to accompany The Watermill Theatre’s 2006 production of Molière’s Tartuffe at The Watermill Theatre and on tour. Contents Page 2 Contents and Introduction Pages 3-4 About Molière – Robert Cohen Page 5 The Plays of Molière Page 6 Interview with Ranjit Bolt, translator and adaptor Page 7 French Resource: From Molière’s Preface to Tartuffe Page 8-9 Interview with Joseph Chance, Damis Pages 10-12 In the Shadow of the Sun King – Elaine Peake Pages 13-15 Interview with Jonathan Munby, director Introduction This education pack is designed to complement your trip to see our 2006 production of Tartuffe. All the text is designed to be easily photocopiable. You will find information and exercises aimed at students of Drama and French. If you have any comments on either the show or the education pack please email them to me at [email protected] . Will Wollen Assistant Outreach Director The Watermill Theatre 2 About Molière Jean-Baptiste Poquelin, known to the world as Molière, was born in 1622, the son of a wealthy tapestry merchant. He was educated by the Jesuits at the College de Clermont, studied under the great Epicurean philosopher and scientist Gassendi, and finally trained to be a lawyer. He had little enthusiasm for his studies, preferring to spend his time visiting the theatre. His law career ended in 1642, when he met the actors Joseph and Madeleine Béjart, and the following year he rejected the position which his father had set up for him at court, changed his name to Molière and ran away with the Béjarts to form a theatre company, the Illustre Théâtre. -
By MOLIERE DAVID CHAMBERS `
38th Season • 369th Production MAINSTAGE / JANUARY 4 THROUGH FEBRUARY 10, 2001 David Emmes Martin Benson Producing Artistic Director Artistic Director presents by MOLIERE` translation by RANJIT BOLT Scenic Design Costume Design Lighting Design DARCY SCANLIN SHIGERU YAJI CHRIS PARRY Sound Design Production Manager Stage Manager B.C. KELLER TOM ABERGER *RANDALL K. LUM Directed by DAVID CHAMBERS HASKELL AND WHITE LLP, Honorary Producers This translation of The School for Wives was first produced in 1997 at the Piccadilly Theatre, London, directed by Sir Peter Hall, produced by the Peter Hall Company. PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Chrysalde ............................................................................................... *François Giroday Arnolphe ................................................................................................... *Dakin Matthews Alain ............................................................................................................ *Hal Landon Jr. Georgette ............................................................................................. *Martha McFarland Agnès ................................................................................................................ *Emily Bergl Horace ........................................................................................................ *Daniel Blinkoff A Notary/Oronte ......................................................................................... -
Creating the Title Role in Moliere's the Misanthrope
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-13-2016 How to be a Misanthrope: Creating the Title Role in Moliere’s The Misanthrope David Cleveland Brown University of New Orleans, New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Acting Commons, Other Film and Media Studies Commons, Other Theatre and Performance Studies Commons, and the Performance Studies Commons Recommended Citation Brown, David Cleveland, "How to be a Misanthrope: Creating the Title Role in Moliere’s The Misanthrope" (2016). University of New Orleans Theses and Dissertations. 2128. https://scholarworks.uno.edu/td/2128 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. How to be a Misanthrope: Creating the Title Role in Moliere’s The Misanthrope A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film and Theatre Performance by David Brown B.A. -
Download a PDF of the Program
BRILLIANT CLASSIC COMEDY TARTUFFEBY TRANSLATED BY MOLIÈRE RANJIT BOLT DIRECTED BY PETER DUBOIS AVENUENOV.10-DEC.10 OF THE ARTS HUNTINGTON AVENUE THEATRE CONTENTS NOVEMBER–DECEMBER2017 7 THE PROGRAM 10 COMEDY FROM CHAOS: TARTUFFE IN CONTEXT PLUS: 04 Backstage by Olivia J. Kiers and Natasha Bonfield 10 Nile Hawver 14 About the Company 34 Patron Services 35 Emergency Exits 39 Guide to Local Theatre 44 Boston Dining Guide 46 Dining Out: Top of the Hub theatrebill STAFF President/Publisher: Tim Montgomery Publishing services are provided by Theatrebill, a pub- lication of New Venture Media Group LLC, publisher of Art Director: Scott Roberto Panorama: The Official Guide to Boston, 560 Harrison Assistant Art Director: Laura Jarvis Ave., Suite 412, Boston, MA 02118, 857-366-8131. Editorial Assistant: Olivia J. Kiers FIRE NOTICE: The exit indicated by a red light and Vice President Publishing: Rita A. Fucillo sign nearest to the seat you occupy is the shortest Vice President Advertising: Jacolyn Ann Firestone route to the street. In the event of fire or other emer- Senior Account Executive: Annie Farrell gencies do not run—WALK TO THAT EXIT. Chief Operating Officer: Tyler J. Montgomery To advertise in Theatrebill, call 857-366-8131 or Business Manager: Melissa J. O’Reilly e-mail [email protected]. Before you power off your Play a leading phone and enjoy the show, role in the fi ght please take a few seconds to help save a life. Make a gift to against cancer support Dana-Farber and the Jimmy Fund. Dana-Farber.org/Lead Corinne, 17, a patient in Dana-Farber’s Jimmy Fund Clinic HUNTINGTON THEATRE COMPANY 3 AGCYE187891_Playbill_Ad.indd 1 10/18/17 4:25 PM BACKSTAGE BEHIND THE SCENES IN LOCAL AND NATIONAL THEATRE BY OLIVIA J. -
Directing Molière: Presenting the French
DIRECTING MOLIÈRE: PRESENTING THE FRENCH MASTER TO AMERICAN AUDIENCES A THESIS IN Theatre Presented to the Faculty of the University of Missouri–Kansas City in partial fulfillment of the requirements for the degree of MASTER OF ARTS by COLLIN MICHAEL VORBECK B.A., Saint Mary College, 2002 Kansas City, Missouri 2016 © 2016 COLLIN MICHAEL VORBECK ALL RIGHTS RESERVED DIRECTING MOLIÈRE: PRESENTING THE FRENCH MASTER TO AMERICAN AUDIENCES Collin Michael Vorbeck, Candidate for the Master of Arts Degree University of Missouri–Kansas City, 2016 ABSTRACT This thesis examines the presentation of the plays of Molière by American directors for American audiences. How have his works been produced and reimagined by directors from his own country? What are the qualities of successful American productions of a French masterpiece? What is the best way to present these works to American audiences? How have specific American directors put their stamp on Molière? What can Molière teach American audiences 350 years after his death? Chapter one presents a control group in an overview of the works of Molière conceived by French directors for French audiences. Using specific productions directed by Jacques Copeau, Louis Jouvet, Robert Planchon, Antoine Vitez and Ariane Mnouchkine, the importance each director places on Molière and the necessity to bring his plays to life on stage will be traced throughout the twentieth century. Chapter two shifts the focus to three iii American productions of The Misanthrope. Examining the 1989 production directed by Robert Falls and two 1992 productions in Baltimore and Philadelphia, the techniques of each director are explored to illustrate a path to their creations using three different translations.