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Focus on Limerick • Limerick City Gallery of Art ______
Focus On Limerick • Limerick City Gallery of Art _________________________________________________________________ 12th November 2008 Announcing Two Major Limerick Group Exhibitions Seeing Georgian Limerick and Presence 08 for the Winter Season. Seeing Georgian Limerick, a beautiful photographic exhibition of Georgian Limerick celebrates the City while Presence 08 celebrates the wealth of Limerick’s artistic talent. _____________________________________________________________________ 1. Exhibition Opening: Seeing Georgian Limerick Kieran CLANCY Sean LYNCH Eamonn O’MAHONY Deirdre POWER 27th Nov – 4th Jan 2009 Limerick City Gallery of Art in association with Limerick Chapter of the Irish Georgian Society is delighted to announce Seeing Georgian Limerick, a jointly commissioned exhibition to commemorate 50 years of the Irish Georgian Society. Four artists Kieran Clancy, Sean Lynch, Eamonn O’Mahony, Deirdre Power have been invited to photograph Georgian Limerick. The historic and commercial centre of Limerick, the Georgian new town is extremely familiar, although many of the buildings are underused and have been allowed to decay. The exhibition celebrates the architectural character and the historic importance of the townscape, which are often not fully recognized. To ask the four artists to photograph what they see in Georgian Limerick was an invitation to reveal what has been hidden by familiarity and neglect; architectural coherence, moments of monumentality. Images can show what is normally unseen; the richness of the interior decoration, the life of the lanes. Taken from oblique perspectives the photographs have the potential to uncover an unfamiliar Georgian Limerick. With the power of photography to focus attention and even to transform the ordinary and taken-for-granted it is hoped that the exhibition will help to define the character and value of Georgian Limerick. -
Charles Harper
Charles Harper Born 1943 Valencia Island, Co Kerry, Ireland. 1982 Elected to Aosdana 1997 Elected Associate Member of the Royal Hibernian Academy 2003 Elected Full Member of the Royal Hibernian Academy Studied 1958-9 Studied Film Making at Fisherkoesen Film Studios, Bonn, Germany 1961-7 National College of Art, Dublin, Limerick School of Art, 1965-6 Awarded Study/Scholarship at the Dublin Graphic Studio. 1967-8 Studied Principles of Teaching, NCAD, Dublin. Selected Solo Exhibitions 1966 Thomond Gallery, Limerick 1967 Molesworth Gallery, Dublin 1968 Brown Thomas Gallery, Dublin 1970 Gerald Davis Gallery, Dublin 1971 Gerald Davis Gallery, Dublin 1974 Emmet Gallery, Dublin: United Arts Club, Dublin: Grafikuset Futura AC, Stockholm, Sweden 1975 The Tom Caldwell Gallery, Dublin 1976 The Kevin Gallery, Limerick: Tom Caldwell Gallery, Belfast 1978 The Funge Arts Centre, Gorey, Co Wexford: The Tom Caldwell Gallery Dublin: The Stone Art Gallery, Co. Galway 1979 The Tom Caldwell Gallery, Dublin: The Triskel Arts Centre, Cork 1980 Allied Irish Banks, Limerick: Butler Gallery, Kilkenny: The Kenny Gallery, Galway 1981 The Tara Gallery, Zurich, Switzerland: The Tom Caldwell Gallery, Dublin 1982 The Triskel Arts Centre, Cork 1983 Belltable Arts Centre, Limerick: The Tom Caldwell Gallery, Dublin 1986 The Grafton Gallery, Dublin 1987 Foynes Library Gallery, Co. Limerick: Newcastlewest Library, Co Limerick: United Arts Club, Dublin: Bank of Ireland, (Citizens II), Dublin: Carroll Gallery, Longford 1988 The Doolan Moore Gallery, Athlone: Garter Lane Arts Centre, Waterford 1989 United Arts Club, Dublin 1990 Carroll Gallery, Longford: Riverrun Gallery, Four Views, Limerick Riverrun Gallery, Four Views, Dublin: Carroll Gallery, Longford: Claremorris Residency Exhibition, Co Mayo 1992 Vanguard Gallery, Macroom Co Cork: Carroll Gallery, Longford 1993 Rigas Gallery Riga, Latvia: Hallward Gallery, Dublin: United Arts Club, Dublin 1995 Hallward Gallery, Dublin 1996 The Vanguard Gallery, Macroom, Co Cork: Dolmon Gallery, Limerick. -
LIM ANNUAL REPORT.Qxd 11/9/03 12:56 Pm Page 2
LIM ANNUAL REPORT.qxd 11/9/03 12:56 pm Page 2 Limerick City Council | Comhairle Cathrach Luimnigh vision to reality Limerick, is essentially the community that makes and shapes the unique character that is our City. Though difficult at times to live by, this simple but powerful idea in action will always deliver results. On a daily basis, the enormous task with the provision of vital city and community services, challenges us to remain mindful in our understanding of the basic principals that make a successful city. At the very core of this idea is the realisation that our vision and plans are most effective when they spring from the realisation that cities evolve organically and from within. As always our Local Government leadership and objectives of quality social and economic community support builds most effectively on a solid foundation of community strength and harmony. LIM ANNUAL REPORT.qxd 11/9/03 9:21 am Page 3 | 01 LIMERICK CITY COUNCIL IN THE YEAR 2002 VISION TO REALITY Contents 01 Message from the Mayor of Limerick City 02 The Management Team 03 Members of Limerick City Council 04 Sectoral Representatives 05 Mayoral Civic Receptions 06 Pat Cox - Freedom of the City 08 Highlights of the Year 2002 10 Transportation, Road Safety & Infrastructure 12 Our Environment 14 Social Policy & Housing 16 Social Inclusion 18 Culture & Sport 20 Fire & Rescue Services 23 Economic Policy Development & Future Planning 24 Community & Enterprise 26 Corporate Services 28 Financial Accounts 32 Strategic Policy Committees 34 Service Indicators 36 Human Resources & Retirements 40 LIM ANNUAL REPORT.qxd 11/9/03 9:21 am Page 4 02 | VISION TO REALITY LIMERICK CITY COUNCIL IN THE YEAR 2002 Councillor John Cronin | Limerick City Mayor Message from the Mayor This report has as its theme the concept - Vision to Reality. -
Copyrighted Material
Index A Arklow Golf Club, 212–213 Bar Bacca/La Lea (Belfast), 592 Abbey Tavern (Dublin), 186 Armagh, County, 604–607 Barkers (Wexford), 253 Abbey Theatre (Dublin), 188 Armagh Astronomy Centre and Barleycove Beach, 330 Accommodations, 660–665. See Planetarium, 605 Barnesmore Gap, 559 also Accommodations Index Armagh City, 605 Battle of Aughrim Interpretative best, 16–20 Armagh County Museum, 605 Centre (near Ballinasloe), Achill Island (An Caol), 498 Armagh Public Library, 605–606 488 GENERAL INDEX Active vacations, best, 15–16 Arnotts (Dublin), 172 Battle of the Boyne Adare, 412 Arnotts Project (Dublin), 175 Commemoration (Belfast Adare Heritage Centre, 412 Arthur's Quay Centre and other cities), 54 Adventure trips, 57 (Limerick), 409 Beaches. See also specifi c Aer Arann Islands, 472 Arthur Young's Walk, 364 beaches Ahenny High Crosses, 394 Arts and Crafts Market County Wexford, 254 Aille Cross Equestrian Centre (Limerick), 409 Dingle Peninsula, 379 (Loughrea), 464 Athassel Priory, 394, 396 Donegal Bay, 542, 552 Aillwee Cave (Ballyvaughan), Athlone Castle, 487 Dublin area, 167–168 433–434 Athlone Golf Club, 490 Glencolumbkille, 546 AirCoach (Dublin), 101 The Atlantic Highlands, 548–557 Inishowen Peninsula, 560 Airlink Express Coach Atlantic Sea Kayaking Sligo Bay, 519 (Dublin), 101 (Skibbereen), 332 West Cork, 330 Air travel, 292, 655, 660 Attic @ Liquid (Galway Beaghmore Stone Circles, Alias Tom (Dublin), 175 City), 467 640–641 All-Ireland Hurling & Gaelic Aughnanure Castle Beara Peninsula, 330, 332 Football Finals (Dublin), 55 (Oughterard), -
Information and Services for Older People Across Limerick
INFORMATION AND SERVICES FOR OLDER PEOPLE ACROSS LIMERICK 1 INFORMATION AND SERVICES FOR OLDER PEOPLE ACROSS LIMERICK CONTENTS USEFUL NUMBERS .............................................................................3 SECTION 1: BEING POSITIVE: ACTIVITIES INVOLVING OLDER PEOPLE Active Retired Group .............................................................................4 PROBUS ..............................................................................................5 Courses and Activities ........................................................................5 General Course Providers ....................................................................5 Computer Skills Courses .....................................................................6 Men’s Sheds .......................................................................................7 Women’s Groups ............................................................................... 9 Get Togethers and Craft Groups .......................................................10 Cards .................................................................................................10 Bingo .................................................................................................11 Music and Dancing ............................................................................12 Day Centres ......................................................................................13 Libraries ............................................................................................18 -
The Arts, Cultural Inclusion, and Social Cohesion
The Arts, Cultural Inclusion and Social Cohesion NESF Report 35 · January 2007 ii Contents Preface vi Section I Background Chapter 1 Participation in the Arts, and Cultural Inclusion: Definitions, Benefits, Evidence and Barriers 1 Chapter 2 Key Legislation and Policies 26 Section II Key Actions to Support Broader Participation in the Arts 42 Chapter 3 Department of Arts, Sport and Tourism, the Arts Council and the National Cultural Institutions 46 Chapter 4 Department of the Environment, Heritage and Local Government and the Local Authorities 60 Chapter 5 Department of Education and Science 76 Chapter 6 Arts in Communities 90 Section III Summary and Recommendations 104 Chapter 7 Summary of Key Report Findings 106 Chapter 8 Strategic Recommendations 112 Annexes 126 References 127 Annex I Summary of Submissions Received 131 Annex II List of Submissions Received 145 Annex III Individuals and Organisations Consulted by the Team and Secretariat 147 Annex IV Seminar on Cultural Inclusion, 17 May 2006: Attendance List 148 iii Annex V List of Successful ACCESS Projects 149 Annex VI Plenary Session on Cultural Inclusion, 1 November: Attendance list 150 Terms of Reference and Constitution of the NESF 153 Membership of the NESF 154 NESF Publications 157 Maps Non-commercial visual arts centres in Ireland 159 List of Tables Table 1.1 Dimensions of participation in the arts 2 Table 1.2 Three main forms of art education (formal and informal) 6 Table 1.3 Percentage of people attending arts events, 2006, by occupational class 12 Table 1.4 Percentage of -
Limerick Guide
THE BEST OF IRELAND Series LimerickStanding on the Shoulders of Giants! COMPLIMENTARY COPY COMPLIMENTARY INCLUDES MAP A Must See Destination for 2015 Limerick Guide Lotta stories in this town. This town. This old, bold, cold town. This big town. This pig town. “Every house a story…This gets up under your skin town…Fill you with wonder town…This quare, rare, my ho-o-ome is there town. Full of life town. Extract from Pigtown by local playwright, Mike Finn. Editor: Rachael Finucane Contributing writers: Rachael Finucane, Bríana Walsh and Cian Meade. Photography: Lorcan O’Connell, Dave Gaynor, Limerick City of Culture, Limerick Marketing Company, Munster Images, Tarmo Tulit, Rachael Finucane and others (see individual photos for details). 2 | The Best Of Ireland Series Limerick Guide Contents THE BEST OF IRELAND Series Contents 4. Introducing Limerick 29. Festivals & Events 93. Further Afield 6. Farewell National 33. Get Active in Limerick 96. Accommodation City of Culture 2014 46. Family Fun 98. Useful Information/ 8. History & Heritage Services 57. Shopping Heaven 17. Arts & Culture 100. Maps 67. Food & Drink A Tourism and Marketing Initiative from Southern Marketing Design Media € For enquiries about inclusion in updated editions of this guide, please contact 061 310286 / [email protected] RRP: 3.00 No part of this publication may be reproduced without the written permission of the publishers. © Southern Marketing Design Media 2015. Every effort has been made in the production of this magazine to ensure accuracy at the time of publication. The editors cannot be held responsible for any errors or omissions, or for any alterations made after publication. -
David Lilburn CV David Lilburn Is an Irish Artist and Printmaker and An
David Lilburn CV David Lilburn is an Irish artist and printmaker and an occasional publisher and designer. He studied history at Trinity College Dublin, and art at the Scuole Istituto Statale D’Arte, Urbino, and Limerick School of Art and Design. Solo Exhibitions 2009 Walking Drawing Making Memory, Ballynahinch Castle, Connemara 2007 Way Points, Glór, Ennis, Co. Clare In Medias Res, James Joyce Centre, Dublin, In Full Flight, Chris Doswell Gallery, Limerick 1999 The Usurpers Habit, Galway Arts Centre, Siamsa Tíre, Tralee, Bourn Vincent Gallery, Limerick, 1994 Lets Take a Walk and Other Prints, Chris Doswell Gallery, Limerick, 1994 Andiamo Passiagare, Palazzo della Penna, Perugia, Italy 1991 Homeground, National Touring Exhibition, Ireland, Monoprints by David Lilburn Two Person Shows 2017 Killaloe, Killaloe Music Festival, with Lorraine Wall 1993 New Work, with Michael Byrne, Vanguard Gallery, Macroom, Co. Cork 1986 Once Off - Recent Work by David Lilburn and Michael Byrne, Limerick City Gallery of Art 1984 New Works, with Joe Wilson; Peacock Gallery, Craigavon, N. Ireland; 1983 with Joe Wilson, Belltable Arts Centre, Limerick, Grapevine Centre, Dublin List of Selected Group Exhibitions 2021 12th Biennale Internationale d’Estampe Contemporaine de Trois-Rivières, Canada. 2020 20 years of Change, Ink Shop, Ithaca, NY III Mini Print 2020 International, Cantabria, Spain Lessedra 19th World Art Print Annual Mini Print Exhibition, Bulgaria Statio Bene: Art and Ireland’s Maritime Haven, Crawford Gallery, Cork RHA Annual Exhibition, Dublin RUA -
Breda Lynch CV Nu 2019
Breda Lynch - CV [email protected] BredaLynch.wordpress.com __________________________________________________________________________________ Born: Kilkenny, Ireland Education: 2005 University of Wolverhampton, England. MPhil Fine Art 1993 Chelsea School of Art and Design, London. M.A. Degree in Fine Art 1992 Crawford College of Art and Design, Cork B.A. Hons Degree in Fine Art [Print] Solo Exhibitions: 2017 ‘Witch and Lezzie’, Ashford Gallery at the RHA, Dublin 2016 ‘Fragments of a Lost Civilization’, Linenhall Arts Centre, Castlebar, Co Mayo 2015 Abhainn Ri - Festival of Inclusion and Participation, Callan, Co Kilkenny 2014 ‘The Pit and Other Stories’, Solo show Siamsa Tire, Tralee, Kerry 2013 ‘Thursday’s Clinic’, 126 Gallery, Galway 2010 ‘Strange Love’, Black Mariah, Triskel off site at ESB Substation, Cork 2009 ‘Song to the Siren’, Galway Arts Centre, Galway 2007 ‘The Place of the Crows’, Context Gallery offsite@ Orchard Gallery, Derry, Northern Ireland 2007 ‘Mary Toft’s Children,’ South Tipperary Arts Centre, Clonmel 2007 ‘Fleur Fatales’, Context Gallery offsite@ Prehen House, Derry, Northern Ireland 2006 ‘Dark Brides and Silent Twins’, Limerick City Gallery of Art, Limerick Selected Group Exhibitions since 2000: 2020 'Elliptical Affinities: Irish Women Artists and the Politics of the Body 1985-present' curated by Fionna Barber, (upcoming) Limerick City Gallery of Art, Limerick. 2019 ‘Dynasty’ - PS122 Gallery, New York, U.S.A. 'Elliptical Affinities: Irish Women Artists and the Politics of the Body 1985-present' curated by Fionna Barber, Highlanes Gallery, Drogheda, Co Louth ‘Soul Noir’ - Laragh House, Co. Kildare. ‘Dearly Beloved…’, ARTWORKS 2019, Carlow Arts Festival, VISUAL Carlow ‘Impressions Print Biennial ‘ - Galway International Arts Festival, Galway ‘Homeland: Off Memory’, -in association with Damer House, Dublin ‘In Orbit’ - Catalyst Arts. -
Arts in Schools, 2004
Arts in Schools, 2004 Directory of Arts Council-funded organisations with arts-in-schools programmes Cover photograph: Sinead Foley, artist facilitating a Mask-Making Workshop as part of Kilkenny Arts Festival 2003 programme for Young People. Photographer: Michael Brown © The Arts Council/An Chomhairle Ealaíon, 2004 ISBN 1-904291-08-2 Arts in Schools, 2004 For over 30 years, the Arts Council/an Chomhairle Ealaíon has supported the arts within formal education – both directly, through schemes and residencies and, indirectly, through funding the education and outreach programmes of arts organisations. New and revised curricula in primary and second-level schools have strengthened the place of the arts in education. As a result, an increasing number of arts organisations are becoming involved in education programmes. The Arts Council encourages and supports collaboration between arts organisations, artists and schools as a means of enriching young people’s artistic and aesthetic education. We also value the positive contribution this collaboration makes to the work of the artist and the teacher. To support and promote collaborations between artists, arts organisations and schools, the Arts Council published, last year, a directory of organisations running arts-in-schools programmes, Supporting Arts in Education. This addressed the information gap between the arts and education communities regarding the work in schools of arts organisations. The directory was popular with artists, educators and administrators, who use it as a practical resource in setting up new projects and relationships. To maintain the momentum and to keep the information up-to-date, we have again compiled this directory for 2004. Arts in Schools, 2004 lists an additional 40 arts organisations working in schools, reflecting both the increase in arts-in-schools activity and its changing nature. -
Discover a Vibrant City and County! Limerick Guide
THE BEST OF IRELAND Series Limerick COMPLIMENTARY COPY COMPLIMENTARY INCLUDES MAP Discover a Vibrant City and County! Limerick Guide Lotta stories in this town. This town. This old, bold, cold town. This big town. This pig town. “Every house a story…This gets up under your skin town…Fill you with wonder town…This quare, rare, my ho-o-ome is there town. Full of life town. Extract from Pigtown by local playwright, Mike Finn. Editor: Rachael Finucane Editorial Assistant: Adam Leahy Contributing writers: Rachael Finucane, Bríana Walsh and Adam Leahy. Photography: Lorcan O’Connell, Dave Gaynor, Limerick Marketing, Rachael Finucane, Fáilte Ireland, Tourism Ireland and others (see individual photos for details). Copyright retained by photographers/organisations. 2 | The Best Of Ireland Series Limerick Guide Contents THE BEST OF IRELAND Series Contents 4. Introducing Limerick 35. Get Active in Limerick 93. Further Afield 6. History & Heritage 48. Family Fun 96. Accommodation 15. Arts, Culture & 57. Shopping Heaven 98. Useful Information/ Education Services 69. Food & Drink 31. Festivals & Events 100. Maps A Tourism and Marketing Initiative from Southern Marketing Design Media € For enquiries about inclusion in updated editions of this guide, please contact 061 310286 / [email protected] RRP: 3.00 No part of this publication may be reproduced without the written permission of the publishers. © Southern Marketing Design Media 2016. Every effort has been made in the production of this magazine to ensure accuracy at the time of publication. The editors cannot be held responsible for any errors or omissions, or for any alterations made after publication. Cover image: St. -
Retrieval Unit
Catalogue AWb 2/20/07 1:15 PM Page 1 Sean Lynch Retrieval Unit Limerick City Gallery of Art February 3 – March 18 2007 Catalogue AWb 2/20/07 1:15 PM Page 2 Cover image: Beuys (still a discussion) Dear JJ, I read with interest… (detail) Installation view Catalogue AWb 2/20/07 1:15 PM Page 4 Let’s have attitude rather than identity! Sean Lynch in conversation with Mike Fitzpatrick Fitzpatrick: Since your early years in art school, you’ve had an interest in issues of place, architecture and social history. Tell me about your formative years, and how your process of working came about? Lynch: Initially, the idea of the physical environment was important to me. My father owned a garage situated in the centre of a village, and it was a very busy space, a lot of people arriving with problems with their cars, trucks and tractors, and leaving later with appropriate solutions. It seemed like a place that functioned very well, a real theatre of the social. When I moved to the city, I wanted to activate specific places in a similar way, to generate energy there. This resulted in temporary installations, either in streets or in galleries. Such artworks often used architectural form or ideas of social interaction as a catalyst to further understand or critique their site. I then began to think a lot about the stories I would hear when researching or installing projects. I started to see my uncovering of information about a place as a way of relating my practice to site instead.