1446674611085.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

1446674611085.Pdf 1 Play-Testers In no particular order: Alex Henzler, Bill Logan, Hunter Logan, Javan M. Kelly, Justin Mills, Kelly Reed, Mikey Credits Kane, Nancy Ludden, Noah Logan, Rich Peterson, Robert Design Larry Moore Ludden, Sean Michael Kelly, Tammy Moore, Tiras H.M. Co-Design Bill Logan Kelly, Vince Kane, Vinnie Kane, Big Al, Rob Ludden, Nancy Editing Jim White Ludden, Jim Pelton, Kyrinn S. Eis, Tre’ Grisby, Mark Tammy Moore Hassman, Gaston Gosselin, Jeremy Whalen, Jayce Gaines, Gaston R. Gosselin Michael Hogaboom, R.E. Davis Cover Art Eric Quigley Illustrations William Stewart About the Author Khairul Hisham Larry Moore is a network/security engineer by day, a Bill Logan calling given to him without repentance. By night he Larry Moore morphs into a game crafter, fanzine editor or adventure Jeremy Whalen writer. You might know him from a Con in the Ohio area, the Star Frontiersman fanzine or the design of the up- coming Frontier Space RPG. You might know him for other reasons that are best left for history to write. If you don’t know Larry, he would love to hear from you. Email him at [email protected] or Twitter @simplymenotu or G+ http://gplus.to/w00t About DwD Studios After several years of digitally re-mastering our favorite science-fiction game and publishing years of issues of the free online fanzine, the Star Frontiersman, Bill Logan and Larry Moore decided it was time to put their creative efforts together and make games, lots of games! But not just any games, we have blended the best of the "old school" games with the best of the "new school" games to create fresh ideas and unique products. DwD Studios creates engaging high-quality games for all generations. Whether it’s an adventure module for your favorite role-playing game or a new game altogether, we hope you come to love the fruits of our labor. http://dwdstudios.com/barebones/ Licensing BareBones™, BareBones Fantasy™ and Keranak Kingdoms™ are copyright 2012, and are trademarks of DwD Studios. These trademarks are used under the Creative Commons Attribution-Noncommercial-ShareAlike 3.0 Unported License; (CC BY-NC-SA 3.0); Some Rights Reserved. To view a copy of this license, visit: http://creativecommons.org/licenses/by-nc-sa/3.0 Or send a letter to: Creative Commons, 444 Castro Street, Suite 900, Mountain View, CA 94041, USA. For specific details, appropriate credits, and updates to this license, please see: http://dwdstudios.com/barebones/license PERMISSION IS GRANTED TO PRINT THIS DOCUMENT FOR NON-COMMERCIAL USE. Revised November 15, 2012 1 Table of Contents INTRODUCTION ........................................................................................................................... 3 WELCOME .......................................................................................................................................... 3 DICE .................................................................................................................................................. 4 ABILITIES ............................................................................................................................................ 4 SKILLS ................................................................................................................................................ 4 ACTION CHECKS ................................................................................................................................... 4 CHARACTERS ............................................................................................................................... 5 CHARACTER CREATION ........................................................................................................................... 5 RACES ................................................................................................................................................ 8 SKILLS ................................................................................................................................................ 9 SPELLS ............................................................................................................................................. 13 MORAL CODE .................................................................................................................................... 18 EQUIPMENT ...................................................................................................................................... 20 CHARACTER DEVELOPMENT .................................................................................................................. 22 SAMPLE CHARACTERS .......................................................................................................................... 23 GAME GUIDELINES ......................................................................................................................26 ACTIONS ........................................................................................................................................... 26 GETTING HURT .................................................................................................................................. 27 GETTING HEALED ............................................................................................................................... 27 TIME ............................................................................................................................................... 27 INITIATIVE ......................................................................................................................................... 27 MOVEMENT AND RANGE ...................................................................................................................... 28 COMBAT ........................................................................................................................................... 28 SPELLS ............................................................................................................................................. 28 EXAMPLE OF PLAY............................................................................................................................... 29 GM GUIDELINES ..........................................................................................................................32 SUCCESS MODIFIERS ........................................................................................................................... 32 BREAKING THINGS .............................................................................................................................. 32 RESISTANCE CHECKS ............................................................................................................................ 32 GETTING HURT .................................................................................................................................. 33 CONDITIONS ...................................................................................................................................... 34 EFFECTS ........................................................................................................................................... 34 DESCRIPTORS ..................................................................................................................................... 35 LANGUAGES ...................................................................................................................................... 35 MAGIC ITEM CREATION ....................................................................................................................... 35 MINOR NPC ..................................................................................................................................... 44 TRAVEL ............................................................................................................................................ 45 CREATURES ....................................................................................................................................... 45 ADVENTURE IDEA GENERATION ............................................................................................................. 57 RANDOM DUNGEON GENERATION ......................................................................................................... 62 REWARDS ......................................................................................................................................... 68 KERANAK KINGDOMS .................................................................................................................69 HISTORY ........................................................................................................................................... 69 REGIONS .......................................................................................................................................... 72 PANTHEON........................................................................................................................................ 75 GLOSSARY ...................................................................................................................................77 INDEX .........................................................................................................................................78 2 Introduction A welcome to the game and some very basic info Welcome Welcome to the BareBonesTM Fantasy role playing game. This game
Recommended publications
  • Kelly Mantle
    The VARIETY SHOW With Your Host KELLY MANTLE KELLY MANTLE can be seen in the feature film Confessions of a Womanizer, for which they made Oscars history by being the first person ever to be approved and considered by The Academy for both Supporting Actor and Supporting Actress. This makes Kelly the first openly non-binary person to be considered for an Oscar. They are also featured in the movie Middle Man and just wrapped production on the upcoming feature film, God Save The Queens in which Kelly is the lead in. TV: Guest-starred on numerous shows, including Lucifer, Modern Family, Curb Your Enthusiasm, CSI, The New Normal, New Adventures of Old Christine, Judging Amy, Nip/Tuck, Will & Grace, George Lopez. Recurring: NYPD Blue. Featured in LOGO’s comedy special DragTastic NYC, and a very small co-star role on Season Six of RuPaul's Drag Race. Stage: Kelly has starred in more than 50 plays. They wrote and starred in their critically acclaimed solo show,The Confusion of My Illusion, at the Los Angeles LGBT Center. As a singer, songwriter, and musician, Kelly has released four critically acclaimed albums and is currently working on their fourth. Kelly grew up in Oklahoma like their uncle, the late great Mickey Mantle. (Yep...Kelly's a switch-hitter, too.) Kelly received a B.F.A. in Theatre from the University of Oklahoma and is a graduate of Second City in Chicago. https://www.instagram.com/kellymantle • https://www.imdb.com/name/nm0544141/ ALEXANDRA BILLINGS is an actress, teacher, singer, and activist.
    [Show full text]
  • Download Bare Bones, Kathy Reichs, Random House, 1999
    Bare Bones, Kathy Reichs, Random House, 1999, , . DOWNLOAD http://archbd.net/17PVC8q Bones are Forever , Kathy Reichs, 2013, Fiction, 414 pages. The gripping new Temperance Brennan novel from the world class forensic anthropologist and Number 1 bestselling author.A newborn baby is found wedged in a vanity cabinet in a .... The Law of Betrayal , Tess Collins, Jun 30, 2006, Fiction, 292 pages. When she was ten years old Alma's father disappeared. The only man who knows the true story is brutally killed, but she must defend herself against an accusation of murder.. Break No Bones A Novel, Kathy Reichs, Jul 11, 2006, Fiction, 352 pages. Following the tremendous success of Cross Bones, Kathy Reichs explores another high-profile topic in Break No Bones -- a case that lands forensic anthropologist Temperance .... Bones Buried Deep, Max Allan Collins, Kathy Reichs, Feb 28, 2006, Fiction, 304 pages. Forensic anthropologist Dr. Termperance Brennan is called in by Special Agent Seeley Booth to assist in the investigation into a bag of skeletal remains, complete with note .... Cross Bones , Kathy Reichs, May 23, 2006, Fiction, 496 pages. Receiving mysterious clues about a shooting murder in Montreal, Tempe Brennan wonders if the victim may have been a Jewish black market antiquities trader and teams up with .... Deadly Decisions A Novel, Kathy Reichs, Aug 8, 2000, Fiction, 336 pages. Nobody tells a chilling story like international bestselling author Kathy Reichs, whose "most valuable tool is her expertise...she's the real thing" (New York Newsday). Drawing .... Corpi freddi La serie di Temperance Brennan #1, Kathy Reichs, , Fiction, 362 pages.
    [Show full text]
  • Bugs, Bones & Botany Workshop October 30-November 4, 2016 Gainesville, Florida
    Bugs, Bones & Botany Workshop October 30‐November 4, 2016 Gainesville, Florida October 30, 2016 Classroom Lecture Topics 1. Entomology: History & Overview of Entomology, Dr. Jason 8AM‐12 PM Byrd 2. Anthropology: Introduction to Forensic Anthropology, Instructor: Dr. Mike Warren 3. Botany: Using Botanical Evidence in a Forensic Investigation, Instructor: Dr. David Hall 4. Crime Scene: Search & Field Recovery Techniques, Gravesite excavation, begin 1‐5 PM Field Topic 1. Entomology: Field Demonstration of Collection Procedures, Instructor: Dr. Jason Byrd 2. Anthropology: Hands‐on Skeletal Analysis Instructor: Dr. Mike Warren 3. Botany: Where Plants Grow & Mapping/Collecting Equipment, Instructor: Dr. David Hall November 1, 2016 Classroom Topic 1. Entomology: Processing a Death Scene for Entomological 8‐12 AM Evidence, Instructor: Dr. Jason Byrd 2. Anthropology: Human and Nonhuman Skeletal Anatomy, Instructor: Dr. Mike Warren 3. Botany: Characteristics of Plants, Instructor: Dr. David Hall 1‐5 PM Field topic 1. Entomology: Collection of Entomological Evidence Instructor: Dr. Jason Byrd 2. Anthropology: Students will excavate buried remains, Instructor: Dr. Mike Warren 3. Botany: Collecting Botanical Evidence & Mapping Surface Scatter, Instructor: Dr. David Hall November 2, 2016 Classroom Topic 1. Entomology: Estimation of PMI Using Entomological Evidence, 8 AM – 12 PM Instructor: Dr. Jason Byrd 2. Anthropology: Methods of Human Identification Instructor: Dr. Mike Warren 3. Botany: When to call a Forensic Botanist Instructor: Dr. David Hall 1‐5 PM Field Topic 1. Entomology: Continue Processing of Entomological Evidence, Instructor: Dr. Jason Byrd 2. Anthropology: Continue Processing Anthropological Evidence, Instructor: Dr. Mike Warren 3. Botany: Continue Processing Botanical Evidence & Surface Scatter, Instructor: Dr. David Hall November 3, 2016 Classroom Topic 1.
    [Show full text]
  • How I Set up My Own Body Farm by Jennifer Dean
    How I Set Up My Own Body Farm By Jennifer Dean To prepare for a new forensic science elective at Camas High School, and determined to make this new course an exciting application of biology and chemistry principles, I began by collecting forensic science resources, ordering books and enrolling in the local community college course on forensic science. I spent every extra hour soaking up as much as I could about this field during the “time off” teachers get in the summer. I was particularly fascinated by the fields of forensic entomology and anthropology. From books such as Stiff: The Curious Lives of Human Cadavers by Mary Roach and Dr. Bill Bass’s work around the creation of a human body farm at the University of Tennessee Forensic Anthropology Center, I decided to create something similar for our new high school forensic science program. As we met for dinner after a day of revitalizing workshops in Seattle at an NSTA conference, I shared my thoughts about the creation of an animal body farm with my talented and dedicated colleagues. These teachers have a passion for their students and their work. I felt free to share these ideas with them and know I’d be supported in making it a reality. As the Science Department, we formally agreed to dedicate ourselves to submitting grants to make it a reality. Back at work, I sent copies of the farm proposal to my immediate supervisors, and they responded with letters of support. The next step was getting the farm started—with or without grant money—because the first class of forensic science would be starting in the fall.
    [Show full text]
  • December 2015 Client Alert: Bones Complaints: Did Fox Properly Account for Hulu Monies? by Ezra Doner* Twentieth Century Fox
    December 2015 Client Alert: Bones Complaints: Did Fox Properly Account for Hulu monies? By Ezra Doner* Twentieth Century Fox produces the hit TV series Bones for its broadcast network and also makes the series available on Hulu of which it is a one-third owner. Did Fox properly report and share monies it received from its license of Bones to Hulu? Two complaints recently filed by revenue participants claim it did not.1 The Big Picture As new media technologies and services continue to develop, revenue participants want the opportunity to shape corresponding licensing practices. This is especially true when a distributor, such as Fox, licenses to a new media company, such as Hulu, which Fox co-owns. These new Bones cases raise issues I previously explored in posts about The Walking Dead and Harlequin Books. Bones, the Series Bones, a one-hour crime procedural, debuted on the Fox broadcast network in September 2005 and is now in its 11thseason, making it Fox’s longest running one-hour drama ever. As of the date of this writing, a remarkable 220 episodes have aired. The TV series is based on the “Temperance Brennan” book franchise by Kathy Reichs, a forensic anthropologist. The stars of the series are Emily Deschanel as Brennan and David Boreanaz as Agent Booth. Barry Josephson, an originator of the series, has been an executive producer since inception. The Plaintiffs Reichs, Deschanel and Boreanaz are plaintiffs in one of the recent complaints, and Josephson is the plaintiff in the other. Per the complaints, the plaintiffs’ profits participations are: Reichs, 5%; Deschanel and Boreanaz, 3% each; and Josephson, a “significant” but unspecified percentage.
    [Show full text]
  • The Bare Bones of Social Commentary in Kathy Reichs’ Fiction
    THE BARE BONES OF SOCIAL COMMENTARY IN KATHY REICHS’ FICTION Carme Farre-Vidal Universidad de Lérida Abstract Resumen Detective fiction has popularly been Tradicionalmente, la novela policíaca ha sido considered a light form of literary considerada como una forma literaria de entertainment. However, many of this mero entretenimiento e intranscendente. Sin genre’s practitioners underline the embargo, muchos de los escritores de este way that their novels engage with género subrayan que sus novelas están contemporary social issues, as a close comprometidas con las cuestiones sociales reading of the texts may reveal. Kathy contemporáneas, tal y como se desprende de Reichs’ fiction is no exception. In this una lectura atenta de sus textos. En este sense, her Brennan series may be sentido, la novelística de Kathy Reichs no es analysed as prompting the reader to una excepción y su serie Brennan puede set out on a journey of discovery in plantearse como una forma de ficción que different ways. This article argues that busca trascender y suscitar en el lector un content and form work hand in hand viaje iniciático. Este artículo sostiene que at the service of Kathy Reichs’ social contenido y forma tienden a equiparar la feminist agenda and that just as the actividad forense y la agenda feminista de many times bare bones found at the Kathy Reichs, y que, así como en la primera crime scene point to both the victim’s los huesos humanos encontrados en la escena and criminal’s identity, they del crimen revelan tanto la identidad de la eventually become suggestive of how víctima como la del criminal, la segunda our contemporary society works.
    [Show full text]
  • Health Effects of Drug Abuse
    Health Risks of Drug Abuse Medical Consequences of Drug Abuse From the National Institute on Drug Abuse : Drug addiction is a brain disease. Although initial drug use might be voluntary, drugs of abuse have been shown to alter gene expression and brain circuitry, which in turn affect human behavior. Once addiction develops, these brain changes interfere with an individual’s ability to make voluntary decisions, leading to compulsive drug craving, seeking and use. The impact of addiction can be far reaching. Cardiovascular disease, stroke, cancer, HIV/AIDS, hepatitis, and lung disease can all be affected by drug abuse. Some of these effects occur when drugs are used at high doses or after prolonged use; however, some may occur after just one use. HIV, Hepatitis and Other Infectious Diseases Drug abuse not only weakens the immune system but is also linked to risky behaviors like needle sharing and unsafe sex. The combination greatly increases the likelihood of acquiring HIV-AIDS, hepatitis and many other infectious diseases. Drugs that can lead to HIV, Hepatitis and other infectious diseases: Heroin Cocaine Steroids Methamphetamine Cardiovascular Effects Researchers have found a connection between the abuse of most drugs and adverse cardiovascular effects, ranging from abnormal heart rate to heart attacks. Injection drug use can also lead to cardiovascular problems such as collapsed veins and bacterial infections of the blood vessels and heart valves. Drugs that can affect the cardiovascular system: Cocaine Heroin Inhalants Ketamine LSD Marijuana MDMA Methamphetamine Nicotine PCP Prescription Stimulants Steroids Respiratory Effects Drug abuse can lead to a variety of respiratory problems.
    [Show full text]
  • The Nikumaroro Bones Identification Controversy: First-Hand Examination Versus Evaluation by Proxy — Amelia Earhart Found Or Still Missing?
    The Nikumaroro bones identification controversy: First-hand examination versus evaluation by proxy — Amelia Earhart found or still missing? Item Type Article Authors Cross, Pamela J.; Wright, R. Citation Cross PJ and Wright R (2015) The Nikumaroro bones identification controversy: First-hand examination versus evaluation by proxy — Amelia Earhart found or still missing? Journal of Archaeological Science: Reports. 3: 52-59. Rights (c) 2015 Elsevier Ltd. All rights reserved. Full-text reproduced in accordance with the publisher's self-archiving policy. Download date 01/10/2021 02:19:54 Link to Item http://hdl.handle.net/10454/7286 The Nikumaroro Bones Identification Controversy: First-hand Examination versus Evaluation by Proxy – Amelia Earhart Found or Still Missing? Pamela J. Cross1* and Richard Wright2 *1Archaeological Sciences, University of Bradford, Bradford UK, [email protected] 2Emeritus Professor of Anthropology, University of Sydney, Australia Abstract American celebrity aviator Amelia Earhart was lost over the Pacific Ocean during her press-making 1937 round-the-world flight. The iconic woman pilot remains a media interest nearly 80 years after her disappearance, with perennial claims of finds pinpointing her location. Though no sign of the celebrity pilot or her plane have been definitively identified, possible skeletal remains have been attributed to Earhart. The partial skeleton recovered and investigated by British officials in 1940. Their investigation concluded the remains were those of a stocky, middle-aged male. A private historic group re- evaluated the British analysis in 1998 as part of research to establish Gardner (Nikumaroro) Island as the crash site. The 1998 report discredited the British conclusions and used cranial analysis software (FORDISC) results to suggest the skeleton was potentially a Northern European woman, and consistent with Amelia Earhart.
    [Show full text]
  • Bones, Chalk and Cheese
    Bones, Chalk and Cheese The pilot of the series Bones, from 2005, is a clear example of two characters who not only have distinctive voices, but are from different metaphorical planets. The show proved to be extremely successful and durable for Fox; it ran for twelve seasons, ending in 2017. When Booth (David Boreanaz) and Brennan (Emily Deschanel) talk to each other, it’s clear that one is from Mars and the other from Venus—but the stereotypical roles have been reversed. Brennan is scientific and technical; she has no idea about anything to do with pop culture at all. He’s exactly the opposite. I remember watching the excellent pilot (written by Hart Hanson, the showrunner) and noticing that whenever anybody says something that has any reference to pop culture, Brennan says, “I don't know what that means.” It’s a brilliant, deadpan catch phrase, and what’s fun about it is that she really doesn’t. She is so hyper-focused on being a forensic anthropologist that it’s all she really knows. She’s not connected to her emotional life and doesn’t understand humor —there’s an element of her that’s almost autistic. She lives in the world yet doesn’t really notice and participate in slang and cultural references as most of us tend to do. So Brennan’s distinctive voice is out of step and out of time. !1 Brennan and Booth are also out of step with each other—although she doesn't understand pop culture, he does. He’s street smart and has a lot of bravado and swagger, and she’s restrained, scientific and kind of emotionally shut down.
    [Show full text]
  • The Temperence Brennan Series by Kathy Reichs
    The Temperence Brennan Series by Kathy Reichs Deja Dead [1997] body part that doesn't match up with the remains of any of the plane's passengers. The leg she grabs out of the When the bones of a woman are discovered jaws of a coyote feeding on the carnage scattered around in the grounds of an abandoned monastery, the site belongs to an unidentified elderly man, and Dr Temperance Brennan of the Laboratoire seems to have no connection with the disaster. But an de Medecine Legale in Montreal is convinced abandoned hunting lodge near the crash site does, that a serial killer is at work. The detective in charge of although before Tempe can figure out exactly how they're the case disagrees with her, but he is forced to revise his linked, she's pulled off the DMORT unit and forced to opinion. stand idly by as her professional reputation goes up in flames. When Andrew Ryan, a detective familiar to readers of Kathy Reichs's earlier books (Deja Dead, Death Death du Jour [1999] du Jour, Deadly Decisions), appears on the scene, another mystery begins to unfold. There seems to be no trace of March in Montreal: It is a bitterly cold night two men on the plane's manifest, Ryan's partner and his and in the grounds of an old church forensic seatmate, a criminal who was being escorted back to anthropologist Dr Temperance Brennan digs Canada via Washington, D.C., the doomed flight's final carefully. She is there to exhume the remains of a nun destination, to stand trial for murder.
    [Show full text]
  • Weary Bones, Ab-17 Flying Fortress Is Waiting in a Long Line of Other B-17S for a Green Flare to Ascend from the Control Tower
    306th Bomb Group, Station 111 Thurlei gh, Bedfordshire, England January 1L, \9M Charles W. Smith Weary Bones, aB-17 Flying Fortress is waiting in a long line of other B-17s for a green flare to ascend from the control tower. the of Bones when to leave its hard Earlier, a precise taxiing plan told pilots -Weary stand, t a circular paved irarking area ) and to foll9w-a particular B-17 onto the perimeier track, *ni.n encircled the entire airfield. The-the pefmet-er track led to the iakeoff runway. Every B-17 had to be in the correct order, so that the,assembly of the more than 600 hundr6d bombers from other bases could be controlled with precision. Soory Weary Bones joined this ponderous pro_cession that w.as s|gwJV moving around the perimeter frack. Each B-17 was traveling nose to tail with their uniqle expander tube brakes squealing loudly. The pilot was briefly transported back five y"irr, to when, for six months-he woiked as a "prop boy" and tractor trailer driver for The elephants had nose to tail in elephant act, headquartered in Ghent, N.Y. -paraded and they squealed like B-17 brakes. Here in Bedfordsliir_e,England, there had been days when hi: wished he was back in the United States shoveling elephant manure. The combat crews had been awakened long before daylight by an enlisted mary who tried not disturb the airmen who had been "stood down." ( they had the day off) This courtesy was rarely effective. Nobody had figured out how to y-uku up gryTPy young men quietly, in the middle of a cold damp glglph tight Several hours wolf elapse befor6 these grumpy youngr " old men" would be sitiing_in their Forts."-Other groups of men haveEeen *oiking"ull night.
    [Show full text]
  • Exploration of Network Television Situational Comedy and the Crime Procedural
    University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 6-1-2013 Penning the Shipper-Worthy Screenplay: Exploration of Network Television Situational Comedy and the Crime Procedural Kacie Henderson University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the American Film Studies Commons, and the Mass Communication Commons Recommended Citation Henderson, Kacie, "Penning the Shipper-Worthy Screenplay: Exploration of Network Television Situational Comedy and the Crime Procedural" (2013). Electronic Theses and Dissertations. 282. https://digitalcommons.du.edu/etd/282 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. PENNING THE SHIPPER-WORTHY SCREENPLAY: EXPLORATION OF NETWORK TELEVISION SITUATIONAL COMEDY AND THE CRIME PROCEDURAL __________ A Thesis Presented to The Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Master of Arts __________ by Kacie Henderson June 2013 Advisor: Rodney Buxton ©Copyright by Kacie Henderson 2013 All Rights Reserved Author: Kacie Henderson Title: PENNING THE SHIPPER-WORTHY SCREENPLAY: EXPLORATION OF NETWORK TELEVISION SITUATIONAL COMEDY AND THE CRIME PROCEDURAL Advisor: Rodney Buxton Degree Date: June 2013 Abstract Network television writers often utilize ongoing romantic turmoil as a plot device to form loyal fan bases called “shippers,” viewers who become deeply invested in the romantic relationships between their favorite television couples. For my thesis, I explored the shipper paradigm and the differences between network sitcoms and crime procedurals by creating one spec script The Big Bang Theory and another for Bones.
    [Show full text]