Architecture Faces Changes the Acting Editor's Term Will Maintaining a Wait and See End When the Funding Study Is Attitude by Ron Leimkuhler the Program
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The Object of This Paper Is to Prove That the Importance of Jaco Pastorius
What Does Donna Lee Mean? An Analysis of the Construction of Meaning in Music Uri González Uppsala Universitet Institutionen för musikvetenskap C-uppsats Ht 2004 Handledare: Lars Berglund Abstract This essay examines the construction of the meaning of bassist Jaco Pastorius’ solo on Charlie Parker’s composition Donna Lee (Pastorius 1976) according to musicologist Jean- Jacques Nattiez’ semiological tripartition theory. After the application of Nattiez’ approach, the following conclusions can be established: 1. At the time of its conception, 1976, Donna Lee represented both a big step forward in the developments of the instrumental possibilities of the electric bass. In its refusal to submit to exclusively rhythmic tasks it gradually became an increasingly soloistic voice. This arrived to the point where it actually was conceivable for a bass player to take upon a three chorus long solo on a classic jazz standard. 2. Despite this innovative spirit which drives Pastorius artistic output, his Donna Lee pays hommage to the jazz tradition and to the group of stylistic constraints that today characterize what is known as bebop. 3. The final meaning of Donna Lee and of any other musical text goes beyond its historical vicissitudes and its immanent structures. Meaning is not imposed by the exterior but is constructed by the individual mind in a perception that is creative and over-productive in a circular dialog with the environment. The essay will also make reference to the theories of musical semioticians and cognitive psychologists such as James Gibson, Robert Hatten, Ruben Lopez Cano, José Antonio Marina, among others. Table of contents ABSTRACT ............................................................................................................................ -
Adéla Jonášová
Wikipedista:Alfi51 Žiji v Českém Těšíně. Aleš Havlíček Jsem důchodce a rád si hraji s počítačem. Články mnou založené Alannah Currie Aldeburgh Angie Dickinson Alexandre Francois Debain Alex Sadkin Andělín Grobelný Adéla Jonášová Anita Carter Axel Stordahl The Beatmen Beatles For Sale Bedřich Havlíček Berthold Bartosch Biela voda (přítok Teplice) Billy Vera Bob Chester Bobbi Kristina Brown Bobby Vee Bobby Vinton Carlene Carter Carl Perkins Chuck Jackson Dana Vrchovská Eydie Gormé Emil Vašek Festival Kino na hranici Flora Murrayová Frankie Avalon Frank P. Banta French press Aleš v roce 2008 George Dunning George Botsford Gene Greene Hal Základní informace David Hans Mrogala Harmonium Harry James Helen Carter Help! (album) Howard Deutch Ida Münzbergová Narození 21. dubna 1951 Ina Ray Hutton Ipeľská pahorkatina Ivana Ostrava, Česko Wojtylová Izabela Trojanowska Jakub Mátl James Scott Žánry pop, blues (hudebník) Jan Hasník Javorianska hornatina Jerzy Povolání hudební skladatel, počítačový Kronhold Jimmy Durante John Keeble José Feliciano Joseph Lamb Judy Clay June Hutton Jungle fanatik a wikipedista Funk Kateřina Kornová Koruna (hudba) Kunešovská Nástroje kytara hornatina Ladislav Báča Largo (Florida) LaVerne Sophia Aktivní roky dosud Andrews Les Brown (hudebník) Let It Be (album) Louis Manžel(ka) Dagmar Krzyžánková Prima Louisa Garrett Andersonová Madelyn Deutch Maggi Hambling Martha a Tena Maxene Angelyn Andrews Děti Aleš, Martin Mezinárodní divadelní festival Na hranici Millicent Garrett Rodiče Bedřich Havlíček, Fawcett Mira Kubasińska Mud -
Masterful, Romantic and Passionate, the Music of Hungary and Austria
And Now For Free Children’s Something Concert Completely Protecting Different pumas in the bay Page 6 Page 17 Page 7 Scan for our FREE App or Search App Store for TCVnews 510-494-1999 [email protected] www.tricityvoice.com March 13, 2018 Vol. 16 No. 11 Continued on page 11 SUBMITTED BY VICKILYN HUSSEY PHOTOS BY JAMES SAKANE Masterful, romantic and passionate, the music of Hungary and Austria echoes the historic Danube River and is the inspiration for Music at the Mission’s Thursday, March 22 concert at Old Mission San Jose. BY ZOYA HAJEE an Indian-American for their The program is poetry and storytelling at its PHOTOS BY generation. Rooted in ICC’s motto of finest, with stellar and deeply moving works “Unite, Serve, Celebrate,” “Youthsava” by Haydn, Doppler, Smetana, Liszt, and SILICON PHOTOGRAPHY allows children to showcase festive Dohnanyi. dance performances while presenting “We will have many familiar faces on stage, including Steve Huber and Ertan Torgul on Eleven years ago, the India the audience with a connection to violin, and Ivo Bokulic on viola, with Rhonda Bradetich, flute, and Katherine Lee and Community Center (ICC) created a rich Indian culture and heritage. Aileen Chanco, pianos. I’m also happy we will be joined for the first time by competition to feature the talents of On Saturday, March 17, the Jennifer Kloetzel, former cellist with the celebrated Cypress String Quartet,” said Bill youth in the Bay Area, using dance India Community Center in Milpitas Everett, artistic co-director of Music at the Mission. as a platform to foster community will hold anywhere from 1,000 to “Central Europe has many distinct cultures, yet also many common ties. -
Rhythm Section Interaction • 140
“Before coming to NYC and meeting up with Rory Stuart I really had no idea how fascinating the world of rhythm was. Rory was like an open door to so many worlds of music, both in the sense of style and approaches of rhythm. Some things I take from his classes will always be a part of my music.” - ARI BRAGI KARASON (Trumpeter from Iceland) “During my four years at the New School, Rory Stuart was one of the kindest, most supportive and inspiring teachers I had the pleasure of studying with. His approach to rhythm infuenced my music so deeply that I still fnd myself drawing from that inspiration when I write. Not to mention, of all the music I wrote those four years, my best tunes came out of Rory’s classes!” - BECCA STEVENS (Vocalist and Composer, USA) “Rory Stuart’s versatility as a guitarist, composer and music researcher makes him one of the most original artists in contemporary music. His masterful ability to teach complicated rhythms in an understandable language has helped students and renowned jazz musicians from around the world to develop their unique voices. I feel honored that I had a chance to study with him. Rory showed me how rhythm goes beyond groove and feel, and this deeply changed my bass playing style.” - AMANDA RUZZA (Bassist from Brazil) “Rory Stuart has done an amazing job leaving no stone unturned in the rhythmic universe. He covers an incredible amount of ground in the text accompanied by frst rate audio examples, a necessity when tackling the ambiguities of rhythm in music. -
Tower of Power Back to Oakland Mp3, Flac, Wma
Tower Of Power Back To Oakland mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Back To Oakland Country: Germany Released: 1974 Style: Jazz-Funk, Soul, Funk MP3 version RAR size: 1175 mb FLAC version RAR size: 1259 mb WMA version RAR size: 1290 mb Rating: 4.1 Votes: 159 Other Formats: AC3 MMF FLAC MIDI DXD VQF VOC Tracklist Hide Credits Oakland Stroke... A1 0:53 Written-By – David Garibaldi, Emilio Castillo, Stephen Kupka Don't Change Horses (In The Middle Of A Stream) A2 Arranged By – Tower Of PowerBacking Vocals – Marilyn Scott, Pepper WatkinsWritten-By – 4:28 J. Watson*, Lenny Williams Just When We Start Makin' It A3 Arranged By – Greg AdamsBacking Vocals – Marilyn Scott, Pepper WatkinsConductor 6:30 [Strings] – Greg AdamsWritten-By – Emilio Castillo, Lenny Williams, Stephen Kupka Can't You See (You Doin' Me Wrong) A4 Arranged By – Greg Adams, Tower Of PowerBacking Vocals – Marilyn Scott, Pepper 3:00 WatkinsWritten-By – Emilio Castillo, Lenny Williams, Stephen Kupka Squib Cakes A5 7:49 Arranged By – Chester Thompson Written-By – Chester Thompson Time Will Tell B1 Arranged By – Greg AdamsBacking Vocals – Alice Thompson, Marilyn ScottTrombone – Kell 3:11 Houston, Ray GilletteWritten-By – Emilio Castillo, Stephen Kupka Man From The Past B2 Arranged By – Tower Of PowerConductor [Strings] – Greg AdamsWritten-By – Emilio 4:00 Castillo, Lenny Williams, Stephen Kupka Love's Been Gone So Long B3 4:47 Arranged By – Greg AdamsConductor [Strings] – Greg AdamsWritten-By – Bruce Conte I Got The Chop B4 2:59 Arranged By – Tower Of PowerWritten-By – Emilio Castillo, Stephen Kupka Below Us, All The City Lights Arranged By – Greg AdamsConductor [Strings] – Harry BettsFlute, Flute [Alto], Alto B5 Saxophone, Piccolo Flute – Bud ShankFrench Horn – David Duke, Richard Perissi, Vincent 4:20 DeRosaTrombone – Frank Rosolino, Tom Shepard*Written-By – Emilio Castillo, Stephen Kupka ...Oakland Stroke B6 1:08 Written-By – David Garibaldi, Emilio Castillo, Stephen Kupka Companies, etc. -
Francis Rocco Prestia ...Everybody on the Bus Mp3, Flac, Wma
Francis Rocco Prestia ...Everybody On The Bus mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: ...Everybody On The Bus Country: US Released: 1999 MP3 version RAR size: 1169 mb FLAC version RAR size: 1873 mb WMA version RAR size: 1280 mb Rating: 4.4 Votes: 198 Other Formats: VOX MIDI DXD VQF MMF AA AC3 Tracklist 1 Solid Like The Rock 3:53 2 Express Yourself 4:19 3 Double Identity 4:27 4 Don't Play Around 4:07 5 Space For Bass 5:13 6 Baby Don't Go 4:12 7 (You Don't) Mean No Harm 4:19 8 Everybody On The Bus 3:22 9 Don't Need No Changes 4:22 10 I'm So Glad 4:05 11 I Got The Sauce 6:26 Companies, etc. Distributed By – WEA Credits Backing Vocals – Bill Champlin, Carmen Grillo, Gisa Vatcky, Tamara Champlin Bass – Francis Rocco Prestia Design – Hideaki Nunomura Drums – David Garibaldi, Herman Matthews Guitar – Bruce Conte Guitar, Loops, Producer – Carmen Grillo Illustration – Shota Arakawa Keyboards – Chester Thompson Keyboards, Organ – Nick Milo Other [Technical Support] – Gerard G-Man McCarthy Percussion – Arno Lucas Photography [Booklet] – Bill Churhville Photography [Cover] – Dave DePaola Saxophone – Brandon Fields, Tom Saviano Trombone – Eric Jorgensen Trumpet – Bill Churchville Vocals – Brent Carter, Frank Biner, Tamara Champlin Barcode and Other Identifiers Barcode: 0 85365 43072 3 Other versions Category Artist Title (Format) Label Category Country Year Francis Rocco ...Everybody On The Bus P-Vine Non PVCP-8606 PVCP-8606 Japan 1998 Prestia (CD, Album) Stop Related Music albums to ...Everybody On The Bus by Francis Rocco Prestia AOR - Journey To L.A. -
February 1991
VOLUME 15, NUMBER 2 RALPH PETERSON FEATURES The reason bebop is still alive is because artists like drummer Ralph Peterson instill their fire and creativity into it. In this exclusive interview, Peterson tells FRED about leading his quintet and "fotet" and his time playing alongside Art Blakey, and shares COURY some thoughts on the DAVID forces that make his Will the real Cinderella drummer music what it is. please stand up? Have no •by Ken Micallef 28 GARIBALDI doubt—it's Fred Coury, and on Cinderella's latest album and As the drummer with Tower of recent tours, Coury unmistakably Power, David Garibaldi laid down proves it. In this interview, Fred some of the freshest—and most explains how he's turned embar- MD's studied—grooves to emerge rassing dissapoint- from a drumset. Here David ments into inspiration. FESTIVAL talks about his Tower days and fay Teri Saccone 24 what he's been up to since—and offers up definitive transcriptions WEEKEND '90 of some of his favorite TOP grooves. Photo-essay of MD's 1990 •by Robyn Flans 18 Festival, starring William Calhoun, Larrie Londin, Tony Williams, Joe Morello, Ed Shaughnessy, Anton Fig, Alex Acuna, and Jonathan Mover. 32 MD TRIVIA CONTEST Win Sonor Piccolo and "Soprano" snare drums! 82 Cover Photo: Lissa Wales COLUMNS Education 56 ROCK 'N' Equipment JAZZ CLINIC Developing The "Two Sound Level" Concept 44 PRODUCT BY DAVID GARIBALDI CLOSE-UP Ludwig LR-2426 Departments 64 HEALTH AND Rocker Kit BY RICK VAN HORN 4 EDITOR'S SCIENCE OVERVIEW Profiles The Problem 46 Sabian B8 Pro Cymbals Of Addiction -
Dg Article.Pdf
David Garibaldi 012 Bumpin’ It Up Interview: Mover • Words: Stan Hall • Photos: Rob Shanahan Photo: GaribaldiPhoto: Stock 013 There’s really no debate about it, when anyone says “funk drumming,” David Garibaldi’s name comes up immediately. Long admired for his twisted, slippery, shifting rhythms and relentless determination, he’s taken his natural talent and single-minded focus, coupled with a dedication to constant improvement, and he’s turned it into a signature sound, one permanently linked to the legendary Tower of Power, itself less a band than a musical world unto its own. A poppin’ snare, sneaky ghost notes, an itchy bass-drum foot, and accents and stabs that provide unexpected but perfect punctuation: Dave’s groove bumps it up, and when he plays, nobody can sit still. OLD SCHOOL AND I’d never experienced music with that kind cool about it and mentored me through the THE BROWN SOUND of power, impact and precision. In a way, it whole thing. We did our first live gig, and I changed the whole course of my life. Not just realized, ‘Wow, I can get paid for doing this. Dave started the traditional way, in school. the music part, but it made me think, ‘Wow, I This is cool.’ Everything was happening all He started in the elementary school band want to do this. This is so cool.’” at once.” when he was ten-years old, and started Until that point Dave was just playing playing the drum set about five years later. in the school band, mostly concert band, Originally he wanted to play the trumpet, but WHICH WAY IS UP? marching band and jazz ensemble, but he was when there were none to be had, they tried to Then Dave went to college. -
Musical Credits
EVOLUTIONARY BLUES: WEST OAKLAND'S MUSIC LEGACY MUSICAL CREDITS Appearances: (alphabetical order) Alabama Mike Betty Marvin Dalhart Johnson D’Wayne P. Wiggins E. Leon “Denianke” Williams Electra Kimble Price The Dynamic Miss Faye Carol Freddie W. Hughes Fantastic Negrito Geoffrey Pete Hartfield Brothers: Chauncey Crosby David C Hartfield, Sr. Robert Hartfield Isabel Wilkerson James A. Levi James C. Moore, Sr. Jesse James John Turk Lady Bianca Larry Payton Larry Vann Lee Hildebrand Lenny Williams Marvin Holmes Nicholas Harper Paul Tillman Smith Rickey Vincent Robert Geddins, Jr. Robert O. Self Ronald A. Wells Ronnie K. Stewart Sonny Rhodes Sugar Pie DeSanto "Terrible Tom" Bowden, Jr. Wylie Trass Advisors: Marvin Holmes James C. Moore, Sr. Bob Geddins Jr. Ronnie K. Stewart Lee Hildebrand Executive Producer: Michael A. Munson A Production of: KTOP A Co-Production of: Sarah Webster Fabio Center for Social Justice Director / Producer: Cheryl Fabio Editor: Meadow Holmes Cinematographer: Godofredo Dizon Research & Permissions: Tenisha Jones Voice Over: Lady Bianca Gaffer: Lane Starling Camera Operators: Michael Munson Shomari Smith Ben Mulholland Josh Kahn Audio: Meadow Holmes Michael A. Munson Shomari Smith Audio Post Production Berkeley Sound Artists Re-Recording Mixers James LeBrecht Dan Olmsted Dialog Editor Erik Reimers Sound Design Bijan Sharifi Fantasy Film Center Berkeley, CA Mix Tech Alberto Hernandez Graphics: Shomari Smith Color Correction: Meadow Holmes Ramiro Segura Tin Roof Productions Writer: T. Watts Additional KTOP Staff: LaTonda -
Lydia Pense & Cold Blood
PRESS RELEASE - February 7, 2014 Rick Epting Foundation for the Arts Presents Lydia Pense & Cold Blood At Mt. Vernon’s Historic Lincoln Theatre Saturday March 29, 2014 at 7:30pm Lydia Pense & Cold Blood debuted when the Fillmore was at its peak as one of the nation's musical Meccas. Owner Bill Graham was so impressed with Lydia's voice and the sound of the band that he immediately signed Cold Blood to his new record label. During the span of six original late-60's, early-70's albums, Lydia Pense and Cold Blood helped, along with Tower Of Power, forge their own specific brand of funk/soul and R&B which came to be known as East Bay Grease. That music still holds up today, proving that great music is timeless and will continue to inspire generations to come. Opening for Cold Blood will be local R&B singer The Margaret Wilder Band in their Lincoln Theatre debut. Margaret is a musical sensation and performer with an original fire. The word from LA is that she is “a young Bonnie Raitt meets Marcia Ball,” and this is one musician who actually lives up to the Hollywood buzz. From headlining festivals and playing premier clubs to opening for such heavy hitters as John Lee Hooker Jr., Margaret Wilder has enthralled audiences in the Northwest and Canada. This is a fund-raising event by the Rick Epting Foundation for the Arts to support their mission to keep the arts alive in Skagit Valley. Please come out and support the arts and enjoy a high energy show of funk and R&B done by one of the original East Bay power bands from the Summer of Love in the late 60's and a local R&B songwriter. -
380 Bass Guitar for Dummies, 3Rd Edition
Index strings, extra, 324 • Numerics • volume pedal, 325 3rd note, 135 wrenches, 324 4/4 meter, 261 accidentals, 88 4th note, 135 accompaniment 5/4 meter, 258–260 groove, 120–124 5th note, 135 major triad, 96–97 5th-fret tuning method, 46–48 minor triad, 97–98 6th note, 136 triad, 99 7/4 meter, 262–265 unison, 299–301 7th chord active electronics, 15 groove using, 121, 135 ActiveBass website, 313 structures, 101–102 Aeolian mode 7th-fret tuning method, 48–50 minor scale relation, 112–113 in R & B, 223 Aerosmith, 191 • A • African style Cameroon styles, 249–251 accenting notes, 60–61, 262 South African groove, 248–249 accessories Afro-Cuban music amplifi er, 319–323 groove for major, minor, or dominant cable, 324 chord, 240–241 case, 323–324 groove in half-diminished chord, 241 choosing, 20 groove with syncopation for half- chorus unit, 325 diminished chord, 242 cleaning cloth, 324 groove with syncopation for major, digital delay device, 327 minor, or dominant chord, 241 distortion device, 327 syncopation, 240 electronic tuner, 324 Allman Brothers, 196 envelope fi lter, 327 ambiguous groove, 218 fl anger/phase shifter, 327 amplifi er gig bag, 323–324 COPYRIGHTEDbasic MATERIAL description, 319 headphone amp, 326–327 choosing, 20 metronome, 324 combo, 320–321 multi-effects unit, 328 control panel, 322–323 music stand, 326 solid state, 321 octave pedal, 327 tube, 321 rubbing alcohol, 324 anatomy of bass guitar screwdrivers, 324 body, 14–15 speakers, 319–322 innards/guts, 15 stand for bass, 326 neck, 13–14 stool, 326 sections, 12 strap, 324 -
Jazz & Blues Magazin Mai/Juni Nr
Das Schweizer Jazz & Blues Magazin Mai/Juni Nr. 3 /2020 TS Schweiz CHF 11.00 / Deutschland / Österreich € 6,90 ' roo N ES' BLU JAZZ‘N 'MORE BEN WENDEL MARIA SCHNEIDER NILS WOGRAM ANNA & STOFFNER REVEREND SHAWN AMOS JANA HERZEN FEIGENWINTER/ OESTER/PFAMMATTER ELIAN ZEITEL DomINIK SCHÜRMANN REBECCA SAUNDERS ANDY GUHL ADRIAN MEARS LINDSAY BEAVER LEROY WILLIAMS LARISSA BAUMANN JAZZFESTIVAL SCHAFFHAUSEN CHRISTIAN MCBRIDE THE MOVEMENT REVISITED MIT MEHR ALS 100 CD-BESPRECHUNGEN JNM_03_20_01_Cover_Christian Mc Bride_def.indd 1 26.04.20 18:55 Situationsbedingt IM LIVE-ONLINE FORMAT Aktuelle Infos und Zugang: www.jazzfestival.ch JNM_03_20_02-03_EDI_Inhalt.indd 2 331. 1 . S c h aSchaffhauser f f h a u s e r J a z z f e s t i v a l Jazzfestival 113. 3 . b i s 1bis 6 . M a i 16.2 0 2 0 Mai 2020 wwww.jazzfestival.ch w w . j a z z f e s t i v a l . c h HIERRY BURGHERR T FOTO: Gestaltung: Rosmarie Tissi 26.04.20 19:57 EDITORIAL INHALT 3 Editorial/Inhalt/Impressum 4 Flashes 8 reviews Liebe Leserinnen und Leser, 10 PREVIEWS 12 Schaffhauser Jazzfestival Online-Edition in der letzten Ausgabe habe ich angekündigt, kürzertreten zu 14 Christian MCBriDE – wollen und das Editorial abzugeben. Dass ich nun aus aktuel- Die Diskriminierung existiert weiter lem Anlass doch wieder in die Tasten haue, ist in Anbetracht 17 Anna&Stoffner der Situation und für mich als Herausgeber von JAZZ’N’MORE 18 BEN Wendel eine Verpflichtung. 21 ADRIAN MearS 22 NilS WOGRAM Das Virus hat uns alle im Griff, wir mussten uns in no time 24 Maria Schneider auf ganz neue Lebensgewohnheiten einstellen und jeden 27 Feigenwinter/Oester/Pfammatter trifft es auf seine Weise.